[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"content-digital-snapshot-of-a-glacier-":3,"BlockList-213":970},[4],{"id":5,"sort":6,"status":7,"category":8,"date_published":9,"date_unpublished":9,"color_text":10,"color_background":11,"date_updated":12,"translations":13,"visibilities":965,"seo":968},182,134,"draft",6,null,"#CD00CD","#CCD1C4","2026-08-13T09:33:51.664Z",[14,738],{"languages_code":15,"title":16,"slug":17,"summary":18,"id":19,"items":20},"de","Digitale Momentaufnahme eines Gletschers","digitale-momentaufnahme-eines-gletschers","Das 3D-Modell des Goldbergkees dokumentiert die rasante Transformation eines alpinen Lebensraums. 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Es macht sichtbar, wie eng Natur, Kultur und Klimawandel verbunden sind – und bewahrt einen bedrohten Ort virtuell für die Zukunft.\u003C\u002Fp>",1954,{"id":80,"collection":64,"item":81},3765,{"date_published":9,"date_unpublished":9,"heading_size":75,"heading_tag":67,"type":82,"heading":83,"body":84,"summary":9,"id":85,"is_enabled":28},"two-cols","Gletscher als gefährdetes Kulturerbe","\u003Cp 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\u002FABiAGUAcgAgAEIAZQByAGcAZQAgAHUAbgBkACAARwBsAGUAdABzAGMAaABlAHIAIAB3AGEAbgBkAGUAcgBuACwAIAB2AGUAcgBiAG8AcgBnAGUAbgBlACAAUwBjAGgA5AB0AHoAZQAgAGsAZQBuAG4AZQBuACAAdQBuAGQAIABHAGwA\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\u002F\u002F\u002F\u002FGQEBGwabAAAAABoAAAAAAwAAAAUEAAAAAAYEBAAAAAMB\u002FwcE\u002F\u002F\u002F\u002F\u002FwEaAAAAAAMAAAAFBAAAAAAGBAQAAAADAf8HBP\u002F\u002F\u002F\u002F8CGgAAAAADAAAABQQAAAAABgQEAAAAAwH\u002FBwT\u002F\u002F\u002F\u002F\u002FAxoAAAAAAwAAAAUEAAAAAAYEBAAAAAMB\u002FwcE\u002F\u002F\u002F\u002F\u002FwsaAAAAAAMAAAAFBAAAAAAGBAQAAAADAf8HBP\u002F\u002F\u002F\u002F8sAQAvAQAAEwIAAAEGAAAANgA2ADUAAhIAAABIAGUAYQBkAGkAbgBnACAAMQAJAQAAAAMDBgAAADYANgA0AAQGAAAANgA2ADQAEgYAAAA2ADcANwAKAQAAAAELBAAAAAkAAAAFqwAAAAABAQEBAAIBCwMBAAQGDgAAAEMAYQBsAGkAYgByAGkABQYOAAAAQwBhAGwAaQBiAHIAaQAqAQIrAQEIBBgAAAAKAQAMAQAmBAAAAAAPAQAQAQARAQAnBAAAAAAUAQAVAQAWBCgAAAAXAQAYAQAZBgoAAABkAGUALQBBAFQAGgYKAAAAYQByAC0AUwBBABsGCgAAAGUAbgAtAFUAUwAcBgIAAAAAAB4BAC4BAwYGAQAAAAEAAQYSAAAAJAQAAAAAJQQAAAAAJgQAAAAABQEBBgEBBwEBCAEACQYbAAAAJwQWAQAACwEBHAEAKARoAQAAHQEAKQRQAAAADgYIAAAAAAEBAQP\u002F\u002F\u002F8ZAQEbBpsAAAAAGgAAAAADAAAABQQAAAAABgQEAAAAAwH\u002FBwT\u002F\u002F\u002F\u002F\u002FARoAAAAAAwAAAAUEAAAAAAYEBAAAAAMB\u002FwcE\u002F\u002F\u002F\u002F\u002FwIaAAAAAAMAAAAFBAAAAAAGBAQAAAADAf8HBP\u002F\u002F\u002F\u002F8DGgAAAAADAAAABQQAAAAABgQEAAAAAwH\u002FBwT\u002F\u002F\u002F\u002F\u002FCxoAAAAAAwAAAAUEAAAAAAYEBAAAAAMB\u002FwcE\u002F\u002F\u002F\u002F\u002FyIEAAAAACwBAC8BAABvAAAAAQYAAAA2ADkANwACEgAAAEgAeQBwAGUAcgBsAGkAbgBrAAkBAAAAAQMGAAAANgA3ADQACwQAAABjAAAADgEAAAABBREAAAACAQwJA0Z4hhwGAwAAAAEBCwYSAAAAAQYAAAAACQYAAAAAGwYAAAAA\">Das Goldbergkees liegt im Gebiet des Hohen Sonnblicks in den Hohen Tauern und zählt zu jenen \u003Ca title=\"Gletscher im Kulturpool\" href=\"\u002Fsuche?query=gletscher\">Gletschern\u003C\u002Fa>, an denen der Rückgang des Eises besonders deutlich sichtbar wird. Im Zuge des künstlerischen Forschungsprojekts „Beyond Glaciation“ erstellte ein Team der Kunstuniversität Linz ein digitales 3D-Modell des Gletschers. Das Ergebnis dokumentiert einen alpinen Gletscherraum, der sich infolge klimatischer Veränderungen in rasanter Transformation befindet.\u003C\u002Fp>\n\u003Cp>Die globale Erwärmung verändert die Alpen tiefgreifend. \u003Ca title=\"Zur Webseite des Alpenvereins\" href=\"https:\u002F\u002Fwww.alpenverein.at\u002Fportal\u002Fnews\u002F2026\u002F2026_03_13_gletscherbericht-24-25.php\" target=\"_blank\" rel=\"noopener\">Österreichs Gletscher verlieren seit Jahrzehnten an Länge, Fläche und Volumen\u003C\u002Fa>. Das Goldbergkees steht exemplarisch für eine Landschaft, deren Verschwinden inzwischen in wenigen Jahren und nicht mehr in Jahrhunderten gedacht werden muss. Gletscher sind in Österreich nie nur Naturphänomene. Sie prägen Landschaften, Tourismus, Wissenschaft, Kunst und damit auch das kulturelle Selbstbewusstsein des Landes. Am Goldbergkees zeigt sich diese vielschichtige Bedeutung. Schon sein Name verweist auf die Bergbaugeschichte der Region: In \u003Ca title=\"Kolm-Saigurn im Kulturpool\" href=\"\u002Fsuche?query=kolm-saigurn\">Kolm-Saigurn\u003C\u002Fa> und im Umfeld des \u003Ca title=\"Sonnblick im Kulturpool\" href=\"\u002Fsuche?query=sonnblick\">Sonnblicks\u003C\u002Fa> wurde über Jahrhunderte nach Gold gesucht. Eis, Fels und Gipfel waren damit nicht nur alpine Kulisse, sondern Teil einer Arbeits-, Migrations- und Wirtschaftsgeschichte.\u003C\u002Fp>\n\u003Cp>Zugleich ist diese Landschaft von Erzählungen und Mythen durchzogen, etwa von den Venediger-Männchen, die über Berge und Gletscher wandern, verborgene Schätze kennen und Glück sowie Reichtum verheißen. Das historische Gemälde „Kolm Saigurn im Rauristal mit Sonnblick“ von Friedrich Loos zeigt diese alpine Welt noch als romantisch aufgeladene Hochgebirgslandschaft. Heute erscheint derselbe Raum unter anderen Vorzeichen: Das Goldbergkees wird zum gefährdeten Kulturerbe, dessen Verschwinden nicht nur einen ökologischen, sondern auch einen kulturellen Verlust markiert.\u003C\u002Fp>",1948,{"id":87,"collection":88,"item":89},3897,"block_embed",{"date_published":9,"date_unpublished":9,"aspect_ratio":90,"link":9,"type":91,"code":92,"max_width":9,"id":93,"is_enabled":28,"file":9},"4\u002F3","iframe","\u003Cdiv class=\"sketchfab-embed-wrapper\"> \u003Ciframe title=\"Goldbergkees\" frameborder=\"0\" allowfullscreen mozallowfullscreen=\"true\" webkitallowfullscreen=\"true\" allow=\"autoplay; fullscreen; xr-spatial-tracking\" xr-spatial-tracking execution-while-out-of-viewport execution-while-not-rendered web-share src=\"https:\u002F\u002Fsketchfab.com\u002Fmodels\u002F741a3e5b3d0a46a2af151fa105b123c9\u002Fembed\"> \u003C\u002Fiframe> \u003Cp style=\"font-size: 0.9em; font-weight: normal; margin: 5px; text-align: center;\">Das Goldbergkees der \u003Ca href=\"https:\u002F\u002Fsketchfab.com\u002Fmediales-gestalten\" target=\"_blank\" rel=\"nofollow\">Kunstuniversität Linz \u003C\u002Fa> auf \u003Ca href=\"https:\u002F\u002Fsketchfab.com\u002F3d-models\u002Fgoldbergkees-741a3e5b3d0a46a2af151fa105b123c9\" target=\"_blank\" rel=\"nofollow\">Sketchfab\u003C\u002Fa> und im \u003Ca href=\"https:\u002F\u002Fwww.kulturpool.at\u002Fobjekte\u002Ff7312bfe-6b56-4143-b75e-90a318fad929\">Kulturpool\u003C\u002Fa>.\u003C\u002Fp>\u003C\u002Fdiv>",66,{"id":95,"collection":64,"item":96},3767,{"date_published":9,"date_unpublished":9,"heading_size":75,"heading_tag":67,"type":97,"heading":98,"body":9,"summary":99,"id":100,"is_enabled":28},"quote","Da sitzt man nicht nur vorm Computer – vom Digitalisieren eines Gletschers bekommt man auch kalte Finger, Sonnenbrand und Muskelkater!"," Alexis Dworsky, Projektleiter und Professor an der Kunstuniversität Linz",1950,{"id":102,"collection":64,"item":103},3766,{"date_published":9,"date_unpublished":9,"heading_size":75,"heading_tag":67,"type":82,"heading":104,"body":105,"summary":9,"id":106,"is_enabled":28},"Making-of: Drohnen, Wolken und Muskelkater","\u003Cp>Das digitale 3D-Modell des Goldbergkees basiert auf über 20.000 Fotos, die mittels Drohne im Spätsommer 2025 vor Ort erfasst wurden. In einem als Photogrammetrie bezeichneten Prozess wurden diese Bilder zunächst im dreidimensionalen virtuellen Raum ausgerichtet. Daraus wurden eine Punktwolke sowie ein digitales Oberflächenmodell generiert und schließlich eine Textur, die dem Modell ein realistisch anmutendes Erscheinungsbild verleiht. Auf diese Weise entstand also kein abstraktes Schema, sondern ein räumlich erlebbares Abbild eines konkreten Ortes zu einem bestimmten Zeitpunkt.\u003C\u002Fp>\n\u003Cp>Dabei ist die digitale Rekonstruktion des Goldbergkees nicht nur ein technischer, sondern auch ein körperlicher Prozess. Das Erfassen der Daten erfolgte unter hochalpinen Bedingungen auf rund 3.000 Metern Höhe: in der Kälte, bei gleißendem Licht und launischem Wetter. Hinzu kamen lange, beschwerliche Wege mit einem Rucksack voller Ausrüstung. Auch die anschließende Tätigkeit am Computer bleibt körperlich: tagelanges Berechnen, Kontrollieren und Nachbearbeiten der Punktwolken und Meshes bedeutet viel zu sitzen, warten und abermaliges Korrigieren. Die Digitalisierung des Gletschers vollzieht sich damit nicht losgelöst von der physischen Welt, sondern aus einem Zusammenspiel von Landschaft, Technik und körperlicher Erfahrung.\u003C\u002Fp>",1949,{"id":108,"collection":23,"item":109},3771,{"date_published":9,"date_unpublished":9,"aspect_ratio":110,"type":111,"id":112,"pick_items":9,"randomize":9,"is_enabled":28,"row_mode":29,"items":113},"1\u002F1","small",1176,[114],{"id":115,"sort":33,"type":34,"date_published":9,"date_unpublished":9,"color_text":9,"color_background":9,"category":9,"heading":9,"is_long_heading":29,"summary":9,"link_internal":9,"link":9,"call_to_action":9,"show_search":29,"image":116},2216,{"id":117,"author":118,"title":119,"license":120,"description":9,"license_url":121,"tags":9,"kulturpool_url":9,"location":9,"storage":41,"filename_disk":122,"filename_download":123,"metadata":124,"type":53,"filesize":125,"created_on":126,"modified_by":56,"modified_on":127,"embed":9,"uploaded_by":56,"uploaded_on":128,"folder":59,"width":129,"height":130,"charset":9,"duration":9,"tus_id":9,"tus_data":9,"focal_point_x":9,"focal_point_y":9},"384c2063-419e-4064-9f1b-8ea827d9cafd","Residenzgalerie Salzburg, Aufnahme Fotostudio Ulrich Ghezzi, Oberalm","\"Kolm Saigurn im Rauristal mit Sonnblick\" von Friedrich Loos","In Copyright","https:\u002F\u002Frightsstatements.org\u002Fpage\u002FInC\u002F1.0\u002F?language=en","384c2063-419e-4064-9f1b-8ea827d9cafd.jpg","Kolm_Saigurn_im_Rauristal_mit_Sonnblick.jpg",{},"1178466","2026-06-09T11:52:25.051Z","2026-06-15T11:43:57.687Z","2026-06-09T11:52:25.060Z",1887,2399,{"id":132,"collection":64,"item":133},3768,{"date_published":9,"date_unpublished":9,"heading_size":75,"heading_tag":67,"type":82,"heading":134,"body":135,"summary":9,"id":136,"is_enabled":28},"Wie vermitteln wir das Verschwinden?","\u003Cp>Die Einordnung des Gletschers als kultureller, ökologischer und medialer Erinnerungsraum entspricht der Konzeption des vom FWF – Österreichischer Wissenschaftsfonds im Rahmen des Programms zur Entwicklung und Erschließung der Künste (PEEK) geförderten Projekts „Beyond Glaciation“. Das Goldbergkees wird darin nicht als lebloser Eisblock verstanden, sondern als vielschichtiges Wirkungsgefüge aus Natur, Kultur, Mythos und Wissenschaft.\u003C\u002Fp>\n\u003Cp>Das künstlerische Forschungsvorhaben ist auf vier Jahre angelegt. In dieser Zeit wird sich der Gletscher weiter verändern und dieser Wandel wird anschaulich dokumentiert werden. Aber auch die Technologie entwickelt sich weiter, sodass neue Aufnahmegeräte wie 360-Grad-Drohnen und neue Verfahren wie Gaussian Splatting erprobt werden. Vor allem aber wird das Projekt ausloten, wie sich das Verschwinden der Gletscher ästhetisch vermitteln lässt – nicht als bloßer Verlust, sondern als komplexer Zusammenhang von Klima, Landschaft, Technologie, Erinnerung und kultureller Verantwortung.\u003C\u002Fp>\n\u003Cp> \u003C\u002Fp>",1951,{"id":138,"collection":64,"item":139},3769,{"date_published":9,"date_unpublished":9,"heading_size":75,"heading_tag":67,"type":68,"heading":140,"body":141,"summary":9,"id":142,"is_enabled":28},"Projektteam","\u003Cp class=\"docData;DOCY;v5;1262;BQiAAgAAEYQCAAAGiAIAAANSBAAABWAEAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAxgEAAADBAQAAASwAAAABBgAAAAAJBgAAAAAaBhQAAAAHBg4AAABDAGEAbABpAGIAcgBpABsGAAAAAAKCAQAABTcBAAABFAAAAAcGDgAAAEMAYQBsAGkAYgByAGkACBkBAAAAFAEAAFAAcgBvAGoAZQBrAHQAdABlAGEAbQA6ACAAQQBsAGUAeABpAHMAIABEAHcAbwByAHMAawB5ACwAIABUAGkAbgBhACAARgByAGEAbgBrACwAIABTAGkAbQBvAG4AIABIAG8AYwBoAGwAZQBpAHQAbgBlAHIAIAB1AG4AZAAgAE4AYQBkAGoAYQAgAFIAZQBpAGYAZQByACwAIABLAHUAbgBzAHQAdQBuAGkAdgBlAHIAcwBpAHQA5AB0ACAATABpAG4AegAsACAAbQBpAHQAIABlAHgAdABlAHIAbgBlAG4AIABLAG8AbwBwAGUAcgBhAHQAaQBvAG4AcwBwAGEAcgB0AG4AZQByACoAaQBuAG4AZQBuAAUeAAAAARQAAAAHBg4AAABDAGEAbABpAGIAcgBpAAgAAAAABR4AAAABFAAAAAcGDgAAAEMAYQBsAGkAYgByAGkACAAAAAAfBAAAADZUf0IKAAAAAAAAAAARAAAAAIoAAAAALQAAAAEGAAAAAAkGGwAAACcEFgEAAAsBARwBACgEAAAAAB0BACkEoAAAABsGAAAAAAFOAAAAKAEHKQEHKgEHKwEFEwEBCAQYAAAAFgQYAAAAGQYKAAAAZABlAC0AQQBUABoGCgAAAGEAcgAtAFMAQQAbBgoAAABlAG4ALQBVAFMALgEDAgAAAAA=\">Alexis Dworsky, Tina Frank, Simon Hochleitner und Nadja Reifer, Kunstuniversität Linz, mit externen Kooperationspartner*innen\u003C\u002Fp>",1952,{"id":144,"collection":23,"item":145},3770,{"date_published":9,"date_unpublished":9,"aspect_ratio":25,"type":76,"id":146,"pick_items":9,"randomize":9,"is_enabled":28,"row_mode":29,"items":147},1175,[148],{"id":149,"sort":33,"type":34,"date_published":9,"date_unpublished":9,"color_text":9,"color_background":9,"category":9,"heading":9,"is_long_heading":29,"summary":9,"link_internal":9,"link":9,"call_to_action":9,"show_search":29,"image":150},2215,{"id":151,"author":37,"title":152,"license":39,"description":9,"license_url":153,"tags":9,"kulturpool_url":9,"location":9,"storage":41,"filename_disk":154,"filename_download":155,"metadata":156,"type":53,"filesize":165,"created_on":166,"modified_by":56,"modified_on":167,"embed":9,"uploaded_by":56,"uploaded_on":168,"folder":59,"width":60,"height":169,"charset":9,"duration":9,"tus_id":9,"tus_data":9,"focal_point_x":9,"focal_point_y":9},"6d8b2929-e286-4869-908e-c9a3a32782b8","Detail der Gletscheroberfläche in einem von zehntausenden georeferenzierten Drohnenfotos","https:\u002F\u002Fcreativecommons.org\u002Fpublicdomain\u002Fzero\u002F1.0\u002Flegalcode.de","6d8b2929-e286-4869-908e-c9a3a32782b8.jpg","Detail Drohnenaufnahme.jpg",{"ifd0":157,"exif":160},{"Make":158,"Model":159},"Hasselblad","L3D-100c",{"FNumber":161,"ExposureTime":162,"FocalLength":163,"ISOSpeedRatings":164},2.8,0.0005,14.45,100,"2691847","2026-06-09T11:51:34.413Z","2026-06-15T11:58:26.480Z","2026-06-09T11:51:34.425Z",2000,{"id":171,"collection":64,"item":172},3772,{"date_published":9,"date_unpublished":9,"heading_size":75,"heading_tag":67,"type":68,"heading":173,"body":9,"summary":9,"id":174,"is_enabled":28},"Weiterführende Links",1953,{"id":176,"collection":177,"item":178},3776,"block_links",{"date_unpublished":9,"date_published":9,"type":76,"items":179,"summary":9,"heading":9,"id":192,"is_enabled":28},[180,184,188],{"heading":181,"link":182,"call_to_action":183},"Twin it! 3D for Europe's culture","https:\u002F\u002Fpro.europeana.eu\u002Fpage\u002Ftwin-it-3d-for-europe-s-culture","Zur Kampagne",{"heading":185,"link":186,"call_to_action":187},"Beyond Glaciation","https:\u002F\u002Fwww.fwf.ac.at\u002Fforschungsradar\u002F10.55776\u002FART7372524","Mehr zum Projekt",{"heading":189,"link":190,"call_to_action":191},"3D-Modell","https:\u002F\u002Fsketchfab.com\u002F3d-models\u002Fgoldbergkees-741a3e5b3d0a46a2af151fa105b123c9","Zu Sketchfab",516,{"id":194,"collection":195,"item":196},3775,"block_list",{"date_unpublished":9,"date_published":9,"collection":9,"mode":197,"heading":198,"aspect_ratio":25,"color_background":11,"color_text":10,"type":199,"summary":9,"pick_items":200,"id":201,"filter_interface":29,"is_enabled":28,"randomize":29,"row_mode":29,"show_filter":29,"items":202},"items","Weitere Artikel zur Kampagne Twin it!","slider",0,212,[203,287,366,442,527,599,683],{"id":204,"collection":205,"sort":33,"item":206},1048,"content",{"id":207,"sort":208,"status":7,"date_published":9,"date_unpublished":9,"color_text":10,"color_background":11,"date_updated":209,"translations":210,"visibilities":254,"seo":257,"category":278},185,135,"2026-08-13T09:33:36.830Z",[211,232],{"slug":212,"title":213,"languages_code":15,"summary":214,"seo":9,"content_id":207,"id":215,"items":216},"skaten-zwischen-bowls-beton-und-bytes","Skaten zwischen Bowls, Beton und Bytes","Der DIY-Skatepark Sankt Marx in Wien lebt digital weiter: Kurz vor seinem Abriss als selbstorganisierten Freiraum dokumentiert, macht ein hochauflösendes 3D-Modell den Ort virtuell erfahrbar.",345,[217,218,219,220,221,222,223,224,225,226,227,228,229,230,231],3844,3845,3846,3847,3962,3849,3848,3850,3851,3852,3853,3855,3856,3857,3858,{"slug":233,"title":234,"languages_code":235,"summary":236,"seo":9,"content_id":207,"id":237,"items":238},"skating-between-bowls-and-bytes","Skating between bowls and bytes","en","The Sankt Marx DIY skatepark in Vienna lives on digitally: documented shortly before its demolition as a self-organised open space, a high-resolution 3D model brings the site to life virtually.",346,[239,240,241,242,243,244,245,246,247,248,249,250,251,252,253],3863,3864,3865,3866,4238,3868,3867,3870,3869,3871,3872,3862,3861,3860,3859,[255,256],241,560,{"canonical_url":9,"sitemap_change_frequency":258,"title":9,"sitemap_priority":259,"node_type":9,"meta_description":9,"id":260,"no_index":29,"no_follow":29,"og_image":261},"daily",0.5,172,{"id":262,"author":37,"title":263,"license":39,"description":9,"license_url":264,"tags":9,"kulturpool_url":9,"location":9,"storage":41,"filename_disk":265,"filename_download":266,"metadata":267,"type":53,"filesize":272,"created_on":273,"modified_by":56,"modified_on":274,"embed":9,"uploaded_by":56,"uploaded_on":275,"folder":9,"width":276,"height":277,"charset":9,"duration":9,"tus_id":9,"tus_data":9,"focal_point_x":9,"focal_point_y":9},"aa5fd133-8389-43db-ace7-69c65f969202","3D-Druck der Betonwelle, DIY Skatepark Sankt Marx","https:\u002F\u002Fcreativecommons.org\u002Fpublicdomain\u002Fzero\u002F1.0\u002Fdeed.de","aa5fd133-8389-43db-ace7-69c65f969202.jpg","DIY-Saktepark_Sankt_Marx-3D-Druck_Betonwelle (1).jpg",{"ifd0":268,"exif":269},{"Make":46,"Model":47},{"FNumber":49,"ExposureTime":270,"FocalLength":51,"ISOSpeedRatings":271},0.031452,22,"1669816","2026-06-17T12:01:52.177Z","2026-07-03T08:40:33.940Z","2026-06-17T12:01:52.187Z",4080,3072,{"id":8,"sort":279,"date_updated":9,"translations":280},5,[281,284],{"title":282,"languages_code":15,"content_categories_id":8,"id":283},"Die Kampagne „Twin it!“",11,{"title":285,"languages_code":235,"content_categories_id":8,"id":286},"The “Twin it!” campaign",12,{"id":288,"collection":205,"sort":289,"item":290},1001,2,{"id":291,"sort":291,"status":292,"date_published":9,"date_unpublished":9,"color_text":9,"color_background":9,"date_updated":293,"translations":294,"visibilities":339,"seo":342,"category":362},8,"published","2026-07-21T14:29:51.344Z",[295,317],{"slug":296,"title":297,"languages_code":15,"summary":298,"seo":299,"content_id":291,"id":291,"items":300},"die-europaeische-kampagne-twin-it-zur-3d-digitalisierung","Die europäische Kampagne „Twin it!“ zur 3D-Digitalisierung","Wie digitalisiert man ein Monument? In der Kampagne „Twin it!“ werden neue 3D-Digitalisierung von bekannten und gefährdeten Kulturdenkmälern aus ganz Europa vorgestellt.",37,[301,302,303,304,305,306,307,308,309,310,311,312,313,314,315,316],38,39,40,44,41,42,43,70,64,63,549,69,695,67,639,511,{"slug":318,"title":319,"languages_code":235,"summary":320,"seo":305,"content_id":291,"id":321,"items":322},"the-european-twin-it-campaign-for-the-3d-digitisation-of-cultural-objects","The European “Twin it!” campaign for the 3D digitisation of cultural objects","How do you digitise a monument? The “Twin it!” campaign presents new 3D digitisation projects of well-known and cultural monuments throughout Europe that are at risk.",103,[323,324,325,326,327,328,329,330,331,332,333,334,335,336,337,338],403,404,405,408,409,412,415,416,420,421,425,426,696,427,640,512,[340,341],15,16,{"canonical_url":9,"sitemap_change_frequency":343,"title":9,"sitemap_priority":344,"node_type":9,"meta_description":9,"id":345,"no_index":29,"no_follow":29,"og_image":346},"weekly",0.6,55,{"id":347,"author":348,"title":349,"license":39,"description":9,"license_url":350,"tags":9,"kulturpool_url":9,"location":9,"storage":41,"filename_disk":351,"filename_download":352,"metadata":353,"type":53,"filesize":354,"created_on":355,"modified_by":356,"modified_on":357,"embed":9,"uploaded_by":356,"uploaded_on":355,"folder":59,"width":358,"height":359,"charset":9,"duration":9,"tus_id":9,"tus_data":9,"focal_point_x":360,"focal_point_y":361},"c30d584f-c3b4-41da-9741-9a439e08510d","Birgit und Peter Kainz, Wien Museum","Wien Umgebung - NÖ - Petronell-Carnuntum - Tetrapylon \u002F sog. Heidentor, Fotografie, 157186\u002F16","https:\u002F\u002Fcreativecommons.org\u002Fpublic-domain\u002Fcc0\u002F","c30d584f-c3b4-41da-9741-9a439e08510d.jpg","heidentor-91b.jpg",{},"556738","2024-02-13T13:02:27.402Z","0a24dc37-1467-4bcd-8eb1-95c78a0c200c","2024-02-15T09:55:42.819Z",2882,2162,1305,1208,{"id":8,"sort":279,"date_updated":9,"translations":363},[364,365],{"title":282,"languages_code":15,"content_categories_id":8,"id":283},{"title":285,"languages_code":235,"content_categories_id":8,"id":286},{"id":367,"collection":205,"sort":368,"item":369},996,3,{"id":370,"sort":371,"status":292,"date_published":9,"date_unpublished":9,"color_text":372,"color_background":373,"date_updated":293,"translations":374,"visibilities":418,"seo":421,"category":438},71,27,"#FF1C00","#E6F2EA",[375,397],{"slug":376,"title":377,"languages_code":15,"summary":378,"seo":9,"content_id":370,"id":379,"items":380},"heidentor-digitalisierung-making-of","Making-of","Was wird benötigt, um ein 12 Meter hohes und breites Bauwerk in 3D abzubilden? Über die Drohnenflüge und 3D-Modelle des Heidentors.",128,[381,382,383,384,385,386,387,388,389,390,391,392,393,394,395,396],873,680,681,686,871,878,687,697,682,683,684,685,877,876,874,875,{"slug":398,"title":377,"languages_code":235,"summary":399,"seo":9,"content_id":370,"id":400,"items":401},"digitisation-heidentor-making-of","What is needed to digitise a monument in 3D that is over 12 metres high and wide? The making-of video explains the drone flight and the design of the 3D models.",139,[402,403,404,405,406,407,408,409,410,411,412,413,414,415,416,417],906,907,908,916,917,909,910,911,912,913,914,915,919,920,921,924,[419,420],50,51,{"canonical_url":9,"sitemap_change_frequency":258,"title":9,"sitemap_priority":259,"node_type":9,"meta_description":9,"id":422,"no_index":29,"no_follow":29,"og_image":423},61,{"id":424,"author":425,"title":426,"license":120,"description":9,"license_url":427,"tags":9,"kulturpool_url":9,"location":9,"storage":41,"filename_disk":428,"filename_download":429,"metadata":430,"type":53,"filesize":431,"created_on":432,"modified_by":356,"modified_on":433,"embed":9,"uploaded_by":356,"uploaded_on":432,"folder":59,"width":434,"height":435,"charset":9,"duration":9,"tus_id":9,"tus_data":9,"focal_point_x":436,"focal_point_y":437},"5e7605d3-5bcb-412a-94dd-6024bccf99ed","Landessammlungen Niederösterreich","Drohnenaufnahme des heutigen Heidentors","https:\u002F\u002Frightsstatements.org\u002Fvocab\u002FInC\u002F1.0\u002F","5e7605d3-5bcb-412a-94dd-6024bccf99ed.jpg","Heidentor-01_Drohnenaufnahme des heutigen Heidentors.jpg",{},"1805557","2024-05-08T09:43:39.587Z","2024-07-15T09:53:33.260Z",4032,3024,1938,485,{"id":8,"sort":279,"date_updated":9,"translations":439},[440,441],{"title":282,"languages_code":15,"content_categories_id":8,"id":283},{"title":285,"languages_code":235,"content_categories_id":8,"id":286},{"id":443,"collection":205,"sort":444,"item":445},997,4,{"id":446,"sort":279,"status":292,"date_published":9,"date_unpublished":9,"color_text":447,"color_background":448,"date_updated":293,"translations":449,"visibilities":502,"seo":505,"category":523},65,"#F59C00","#356645",[450,476],{"slug":451,"title":452,"languages_code":15,"summary":453,"seo":9,"content_id":446,"id":454,"items":455},"das-heidentor-von-petronell-carnuntum-damals-und-heute","Das Heidentor von Petronell-Carnuntum damals und heute","Über die Geschichte und Bedeutung des Heidentors seit seiner Entstehung im 4. Jahrhundert",118,[456,457,458,459,460,461,462,463,464,465,466,467,468,469,470,471,472,473,474,475],567,568,583,569,574,576,572,570,577,585,614,586,587,588,573,580,691,578,637,579,{"slug":477,"title":478,"languages_code":235,"summary":479,"seo":9,"content_id":446,"id":480,"items":481},"the-heidentor-of-petronell-carnuntum-from-past-to-present","The Heidentor of Petronell-Carnuntum from past to present","On the history and significance of the Heidentor since its construction in the 4th century",122,[482,483,484,485,486,487,488,489,490,491,492,493,494,495,496,497,498,499,500,501],615,616,617,618,619,620,622,623,624,625,628,626,627,629,633,630,692,631,638,632,[503,504],9,10,{"canonical_url":9,"sitemap_change_frequency":258,"title":9,"sitemap_priority":259,"node_type":9,"meta_description":9,"id":506,"no_index":29,"no_follow":29,"og_image":507},59,{"id":508,"author":509,"title":510,"license":511,"description":512,"license_url":513,"tags":9,"kulturpool_url":514,"location":9,"storage":41,"filename_disk":515,"filename_download":516,"metadata":517,"type":53,"filesize":518,"created_on":519,"modified_by":356,"modified_on":520,"embed":9,"uploaded_by":356,"uploaded_on":519,"folder":59,"width":521,"height":522,"charset":9,"duration":9,"tus_id":9,"tus_data":9,"focal_point_x":9,"focal_point_y":9},"f2a298aa-12e1-4258-8bab-b0ac82359a50","Albertina Wien","Das Heidentor bei Petronell, Anonym, Kunst- und Verlagshandlung Artaria & Co.","Public Domain Mark 1.0","Das Heidentor bei Petronell, Druckgraphik, Anonym, Public Domain, Standort „Albertina Wien“\n","https:\u002F\u002Fcreativecommons.org\u002Fpublicdomain\u002Fmark\u002F1.0\u002F","https:\u002F\u002Fkulturpool.at\u002Finstitutionen\u002Falbertina\u002FDG1936%252F612","f2a298aa-12e1-4258-8bab-b0ac82359a50.jpg","heidentor-03-01.jpg",{},"80822","2024-02-15T09:32:57.453Z","2024-05-13T10:04:48.242Z",749,514,{"id":8,"sort":279,"date_updated":9,"translations":524},[525,526],{"title":282,"languages_code":15,"content_categories_id":8,"id":283},{"title":285,"languages_code":235,"content_categories_id":8,"id":286},{"id":528,"collection":205,"sort":279,"item":529},998,{"id":314,"sort":8,"status":292,"date_published":9,"date_unpublished":9,"color_text":530,"color_background":531,"date_updated":293,"translations":532,"visibilities":579,"seo":580,"category":595},"#3CFF00","#977631",[533,556],{"slug":534,"title":535,"languages_code":15,"summary":536,"seo":9,"content_id":314,"id":537,"items":538},"die-3d-rekonstruktion-des-heidentors","Die 3D-Rekonstruktion des Heidentors","Neu und alt kommen hier zusammen: In diesem 3D-Modell wird rekonstruiert, wie das Heidentor vor 2.000 Jahren ausgesehen haben könnte.",120,[539,540,541,542,543,544,545,546,547,548,549,550,551,552,553,554,555],589,590,600,592,593,594,595,598,599,608,601,602,603,606,607,666,604,{"slug":557,"title":558,"languages_code":235,"summary":559,"seo":9,"content_id":314,"id":560,"items":561},"the-3d-reconstruction-of-the-heidentor","The 3D reconstruction of the Heidentor ","New and old come together here: This 3D model reconstructs what the Heidentor might have looked like 2,000 years ago.",123,[562,563,564,565,566,567,568,569,570,571,572,573,574,575,576,577,578],641,642,643,644,645,646,647,648,649,650,651,652,653,654,655,667,656,[283,286],{"canonical_url":9,"sitemap_change_frequency":258,"title":9,"sitemap_priority":259,"node_type":9,"meta_description":9,"id":581,"no_index":29,"no_follow":29,"og_image":582},58,{"id":583,"author":425,"title":584,"license":120,"description":9,"license_url":427,"tags":9,"kulturpool_url":9,"location":9,"storage":41,"filename_disk":585,"filename_download":586,"metadata":587,"type":53,"filesize":588,"created_on":589,"modified_by":356,"modified_on":590,"embed":9,"uploaded_by":356,"uploaded_on":589,"folder":59,"width":591,"height":592,"charset":9,"duration":9,"tus_id":9,"tus_data":9,"focal_point_x":593,"focal_point_y":594},"a837843b-1d90-4c7d-ac98-ee0e4037f96a","Technisches Zeichnen der Apsiden in den Nischen der Attikazone","a837843b-1d90-4c7d-ac98-ee0e4037f96a.jpg","Heidentor-05-Technisches Zeichnen der Apsiden in den Nischen der Attikazone.jpg",{},"292265","2024-05-07T12:00:49.139Z","2024-06-06T09:22:32.308Z",3288,1843,1631,1052,{"id":8,"sort":279,"date_updated":9,"translations":596},[597,598],{"title":282,"languages_code":15,"content_categories_id":8,"id":283},{"title":285,"languages_code":235,"content_categories_id":8,"id":286},{"id":600,"collection":205,"sort":8,"item":601},999,{"id":602,"sort":603,"status":7,"date_published":9,"date_unpublished":9,"color_text":447,"color_background":448,"date_updated":293,"translations":604,"visibilities":660,"seo":663,"category":679},76,32,[605,632],{"slug":606,"title":607,"languages_code":15,"summary":608,"seo":9,"content_id":602,"id":208,"items":609},"das-heidentor-im-19-jahrhundert","Das Heidentor im 19. Jahrhundert","Zwei historische Ansichten aus dem 19. Jahrhundert zeugen von der Veränderung des Heidentors in der Zeit",[610,611,612,613,614,615,616,617,618,619,620,621,622,623,624,625,626,627,628,629,630,631],832,819,820,821,825,824,826,823,828,827,830,833,822,829,844,834,835,836,837,845,842,838,{"slug":633,"title":634,"languages_code":235,"summary":635,"seo":9,"content_id":602,"id":636,"items":637},"the-heidentor-in-the-19th-century","The Heidentor in the 19th century","Two historical views from the 19th century testify to the transformation of the Heidentor over time.",136,[638,639,640,641,642,643,644,645,646,647,648,649,650,651,652,653,654,655,656,657,658,659],930,931,932,934,935,936,937,938,939,940,941,942,943,944,946,945,947,840,841,948,843,839,[661,662],56,57,{"canonical_url":9,"sitemap_change_frequency":258,"title":9,"sitemap_priority":259,"node_type":9,"meta_description":9,"id":664,"no_index":29,"no_follow":29,"og_image":665},60,{"id":666,"author":667,"title":668,"license":120,"description":9,"license_url":669,"tags":9,"kulturpool_url":9,"location":9,"storage":41,"filename_disk":670,"filename_download":671,"metadata":672,"type":53,"filesize":673,"created_on":674,"modified_by":675,"modified_on":676,"embed":9,"uploaded_by":356,"uploaded_on":674,"folder":59,"width":677,"height":678,"charset":9,"duration":9,"tus_id":9,"tus_data":9,"focal_point_x":9,"focal_point_y":9},"26953843-a0fb-4502-8a20-5f7b36408aab","Prof. Werner Jobst, Das Heidentor von Carnuntum – Ein spätantikes Triumphalmonument am Donaulimes, Verlag der Österreichischen Akademie der Wissenschaften, Wien 2001, Zwei Abbildungen S. 77","Ansicht des Heidentors von Südosten, Lithografie, um 1869","https:\u002F\u002Frightsstatements.org\u002Fpage\u002FInC\u002F1.0\u002F?language=de","26953843-a0fb-4502-8a20-5f7b36408aab.jpg","Heidentor-Anton-Widter-02.jpg",{},"737012","2024-06-27T10:00:31.619Z","a1bbb64d-aed1-4fcb-814e-ec90b36bc814","2024-08-27T08:36:59.532Z",782,541,{"id":8,"sort":279,"date_updated":9,"translations":680},[681,682],{"title":282,"languages_code":15,"content_categories_id":8,"id":283},{"title":285,"languages_code":235,"content_categories_id":8,"id":286},{"id":684,"collection":205,"sort":685,"item":686},1000,7,{"id":687,"sort":685,"status":292,"date_published":9,"date_unpublished":9,"color_text":530,"color_background":531,"date_updated":293,"translations":688,"visibilities":717,"seo":720,"category":724},68,[689,703],{"slug":690,"title":691,"languages_code":15,"summary":692,"seo":9,"content_id":687,"id":693,"items":694},"das-heidentor-in-3d","Das Heidentor in 3D","Wie wird ein Monument digitalisiert? In der Kampagne „Twin it!“ werden neue 3D-Digitalisierungen von bekannten und gefährdeten Kulturdenkmälern aus ganz Europa vorgestellt.",121,[695,696,697,698,699,700,701,702],609,610,611,612,613,949,1050,689,{"slug":704,"title":705,"languages_code":235,"summary":706,"seo":9,"content_id":687,"id":707,"items":708},"the-heidentor-in-3d","The Heidentor","How do you digitise a monument? The “Twin it!” campaign presents new 3D digitisation projects of well-known and cultural monuments from all over Europe that are at risk.",124,[709,710,711,712,713,714,715,716],661,662,663,664,665,950,1051,690,[718,719],13,14,{"canonical_url":9,"sitemap_change_frequency":258,"title":9,"sitemap_priority":259,"node_type":9,"meta_description":9,"id":721,"no_index":29,"no_follow":29,"og_image":722},170,{"id":347,"author":348,"title":349,"license":39,"description":9,"license_url":350,"tags":9,"kulturpool_url":9,"location":9,"storage":41,"filename_disk":351,"filename_download":352,"metadata":723,"type":53,"filesize":354,"created_on":355,"modified_by":356,"modified_on":357,"embed":9,"uploaded_by":356,"uploaded_on":355,"folder":59,"width":358,"height":359,"charset":9,"duration":9,"tus_id":9,"tus_data":9,"focal_point_x":360,"focal_point_y":361},{},{"id":8,"sort":279,"date_updated":9,"translations":725},[726,727],{"title":282,"languages_code":15,"content_categories_id":8,"id":283},{"title":285,"languages_code":235,"content_categories_id":8,"id":286},{"id":729,"collection":177,"item":730},3777,{"date_unpublished":9,"date_published":9,"type":76,"items":731,"summary":9,"heading":9,"id":737,"is_enabled":28},[732],{"heading":733,"summary":734,"link":735,"call_to_action":736},"Weitere Artikel","Lesen Sie mehr über die Digitalisierung von Kulturerbe.","\u002Finhalte\u002Fartikel","zu allen Artikeln",517,{"languages_code":235,"title":739,"slug":740,"summary":741,"id":742,"items":743},"Introducing: A Digital Snapshot of A Glacier","digital-snapshot-of-a-glacier","The 3D model of the Goldbergkees captures the rapid transformation of an alpine habitat. It highlights the close links between nature, culture and climate change – and preserves this endangered site virtually for future generations.",343,[744,755,761,766,772,776,782,788,797,802,808,819,824,836,955],{"id":745,"collection":23,"item":746},3798,{"date_published":9,"date_unpublished":9,"aspect_ratio":25,"type":26,"id":747,"pick_items":9,"randomize":9,"is_enabled":28,"row_mode":29,"items":748},1181,[749],{"id":750,"sort":33,"type":34,"date_published":9,"date_unpublished":9,"color_text":9,"color_background":9,"category":9,"heading":9,"is_long_heading":29,"summary":9,"link_internal":9,"link":9,"call_to_action":9,"show_search":29,"image":751},2219,{"id":36,"author":37,"title":38,"license":39,"description":9,"license_url":40,"tags":9,"kulturpool_url":9,"location":9,"storage":41,"filename_disk":42,"filename_download":43,"metadata":752,"type":53,"filesize":54,"created_on":55,"modified_by":56,"modified_on":57,"embed":9,"uploaded_by":56,"uploaded_on":58,"folder":59,"width":60,"height":61,"charset":9,"duration":9,"tus_id":9,"tus_data":9,"focal_point_x":9,"focal_point_y":9},{"ifd0":753,"exif":754},{"Make":46,"Model":47},{"FNumber":49,"ExposureTime":50,"FocalLength":51,"ISOSpeedRatings":52},{"id":756,"collection":64,"item":757},3799,{"date_published":9,"date_unpublished":9,"heading_size":66,"heading_tag":67,"type":68,"heading":758,"body":759,"summary":9,"id":760,"is_enabled":28},"Introducing: The Digital Snapshot of a Glacier","\u003Cp>\u003Cstrong>Disappearing Habitats and Preserved Knowledge\u003C\u002Fstrong>\u003C\u002Fp>",1967,{"id":762,"collection":64,"item":763},3800,{"date_published":9,"date_unpublished":9,"heading_size":75,"heading_tag":67,"type":76,"heading":9,"body":764,"summary":9,"id":765,"is_enabled":28},"\u003Cp>The 3D model of the Goldbergkees captures the rapid transformation of an alpine habitat. It highlights the close links between nature, culture and climate change – and preserves this endangered site virtually for future generations.\u003C\u002Fp>",1968,{"id":767,"collection":64,"item":768},3801,{"date_published":9,"date_unpublished":9,"heading_size":75,"heading_tag":67,"type":82,"heading":769,"body":770,"summary":9,"id":771,"is_enabled":28},"Glaciers as endangered cultural heritage","\u003Cp>The Goldbergkees is situated in the Hoher Sonnblick area of the Hohe Tauern and is one of the \u003Ca title=\"Glaciers in Kulturpool\" href=\"\u002Fen\u002Fsearch?query=gletscher\">glaciers\u003C\u002Fa> where the retreat of the ice is particularly evident. As part of the artistic research project “Beyond Glaciation”, a team from the University of Art and Design Linz created a digital 3D model of the glacier. The result documents an alpine glacial landscape that is undergoing rapid transformation as a result of climate change.\u003C\u002Fp>\n\u003Cp>Global warming is profoundly changing the Alps. \u003Ca title=\"Read more (in German)\" href=\"https:\u002F\u002Fwww.alpenverein.at\u002Fportal\u002Fnews\u002F2026\u002F2026_03_13_gletscherbericht-24-25.php\" target=\"_blank\" rel=\"noopener\">Austria’s glaciers have been losing length, area and volume for decades\u003C\u002Fa>. The Goldbergkees is a prime example of a landscape whose disappearance must now be considered a matter of years rather than centuries. In Austria, glaciers are never merely natural phenomena. They shape landscapes, tourism, science, art and, with them, the country’s cultural identity. This multifaceted significance is evident at the Goldbergkees. Even its name refers to the region’s mining history: gold was sought for centuries in \u003Ca title=\"Kolm-Saigurn in Kulturpool\" href=\"\u002Fen\u002Fsearch?query=kolm-saigurn\">Kolm-Saigurn\u003C\u002Fa> and the area around the \u003Ca title=\"Sonnblick (view of the sun) in Kulturpool\" href=\"\u002Fen\u002Fsearch?query=sonnblick\">Sonnblick\u003C\u002Fa>. Ice, rock and peaks were thus not merely an alpine backdrop, but part of a history of labour, migration and the economy.\u003C\u002Fp>\n\u003Cp>At the same time, this landscape is steeped in tales and myths, such as those of the Venediger-Männchen, who roam the mountains and glaciers, know of hidden treasures, and promise good fortune and wealth. The historical painting “Kolm Saigurn in the Rauris Valley with the Sonnblick” by Friedrich Loos depicts this alpine world as a high-mountain landscape imbued with romanticism. Today, the same area appears under different circumstances: the Goldbergkees is becoming an endangered cultural heritage site, the disappearance of which marks not only an ecological but also a cultural loss.\u003C\u002Fp>\n\u003Cp> \u003C\u002Fp>",1969,{"id":773,"collection":88,"item":774},3898,{"date_published":9,"date_unpublished":9,"aspect_ratio":90,"link":9,"type":91,"code":775,"max_width":9,"id":314,"is_enabled":28,"file":9},"\u003Cdiv class=\"sketchfab-embed-wrapper\"> \u003Ciframe title=\"Goldbergkees\" frameborder=\"0\" allowfullscreen mozallowfullscreen=\"true\" webkitallowfullscreen=\"true\" allow=\"autoplay; fullscreen; xr-spatial-tracking\" xr-spatial-tracking execution-while-out-of-viewport execution-while-not-rendered web-share src=\"https:\u002F\u002Fsketchfab.com\u002Fmodels\u002F741a3e5b3d0a46a2af151fa105b123c9\u002Fembed\"> \u003C\u002Fiframe> \u003Cp style=\"font-size: 0.9em; font-weight: normal; margin: 5px; text-align: center;\">Goldbergkees by \u003Ca href=\"https:\u002F\u002Fsketchfab.com\u002Fmediales-gestalten\" target=\"_blank\" rel=\"nofollow\">the University of Arts Linz\u002FMedia Design \u003C\u002Fa> on \u003Ca href=\"https:\u002F\u002Fsketchfab.com\u002F3d-models\u002Fgoldbergkees-741a3e5b3d0a46a2af151fa105b123c9\" target=\"_blank\" rel=\"nofollow\">Sketchfab\u003C\u002Fa> and at the \u003Ca href=\"https:\u002F\u002Fwww.kulturpool.at\u002Fobjekte\u002Ff7312bfe-6b56-4143-b75e-90a318fad929\">Kulturpool\u003C\u002Fa>.\u003C\u002Fp>\u003C\u002Fdiv>",{"id":777,"collection":64,"item":778},3802,{"date_published":9,"date_unpublished":9,"heading_size":75,"heading_tag":67,"type":97,"heading":779,"body":9,"summary":780,"id":781,"is_enabled":28},"It’s not just a matter of sitting in front of a computer – digitising a glacier can leave you with cold fingers, sunburn and aching muscles!"," Alexis Dworsky, project leader and professor at the Kunstuniversität Linz",1970,{"id":783,"collection":64,"item":784},3803,{"date_published":9,"date_unpublished":9,"heading_size":75,"heading_tag":67,"type":82,"heading":785,"body":786,"summary":9,"id":787,"is_enabled":28},"Behind the scenes: drones, clouds and aching muscles","\u003Cp>The digital 3D model of the Goldbergkees is based on over 20,000 photographs taken on site using a drone in late summer 2025. In a process known as photogrammetry, these images were first aligned in a three-dimensional virtual space. From this, a point cloud and a digital surface model were generated, and finally a texture that gives the model a realistic appearance. In this way, the result was not an abstract diagram, but a spatially immersive representation of a specific location at a specific point in time.\u003C\u002Fp>\n\u003Cp>The digital reconstruction of the Goldbergkees is not only a technical but also a physical process. The data was collected under high-alpine conditions at an altitude of around 3,000 metres: in the cold, in glaring light and in changeable weather. Added to this were long, arduous treks with a rucksack full of equipment. The subsequent work on the computer remains physical too: days spent calculating, checking and post-processing the point clouds and meshes involve a great deal of sitting, waiting and repeated corrections. The digitisation of the glacier thus does not take place in isolation from the physical world, but arises from an interplay of landscape, technology and physical experience.\u003C\u002Fp>",1971,{"id":789,"collection":23,"item":790},3804,{"date_published":9,"date_unpublished":9,"aspect_ratio":110,"type":111,"id":791,"pick_items":9,"randomize":9,"is_enabled":28,"row_mode":29,"items":792},1182,[793],{"id":794,"sort":33,"type":34,"date_published":9,"date_unpublished":9,"color_text":9,"color_background":9,"category":9,"heading":9,"is_long_heading":29,"summary":9,"link_internal":9,"link":9,"call_to_action":9,"show_search":29,"image":795},2220,{"id":117,"author":118,"title":119,"license":120,"description":9,"license_url":121,"tags":9,"kulturpool_url":9,"location":9,"storage":41,"filename_disk":122,"filename_download":123,"metadata":796,"type":53,"filesize":125,"created_on":126,"modified_by":56,"modified_on":127,"embed":9,"uploaded_by":56,"uploaded_on":128,"folder":59,"width":129,"height":130,"charset":9,"duration":9,"tus_id":9,"tus_data":9,"focal_point_x":9,"focal_point_y":9},{},{"id":798,"collection":64,"item":799},3805,{"date_published":9,"date_unpublished":9,"heading_size":75,"heading_tag":67,"type":82,"heading":185,"body":800,"summary":9,"id":801,"is_enabled":28},"\u003Cp>The characterisation of the glacier as a cultural, ecological and media space of memory is in line with the concept of the ‘Beyond Glaciation’ project, which is funded by the FWF – Austrian Science Fund as part of the Programme for the Development and Promotion of the Arts (PEEK). In this context, the Goldbergkees is not understood as a lifeless block of ice, but as a multi-layered interplay of nature, culture, myth and science.\u003C\u002Fp>\n\u003Cp>The artistic research project is scheduled to run for four years. During this time, the glacier will continue to change, and this transformation will be vividly documented. Technology is also evolving, however, so new recording devices such as 360-degree drones and new techniques such as Gaussian splatting will be tested. Above all, however, the project will explore how the disappearance of glaciers can be conveyed aesthetically – not as a mere loss, but as a complex interplay of climate, landscape, technology, memory and cultural responsibility.\u003C\u002Fp>",1972,{"id":803,"collection":64,"item":804},3806,{"date_published":9,"date_unpublished":9,"heading_size":75,"heading_tag":67,"type":68,"heading":805,"body":806,"summary":9,"id":807,"is_enabled":28},"Project team","\u003Cp>Alexis Dworsky, Tina Frank, Simon Hochleitner and Nadja Reifer, University of Art and Design Linz, in collaboration with external 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