[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"content-stakeholder-forum-2025":3},[4],{"id":5,"sort":6,"status":7,"category":8,"date_published":9,"date_unpublished":9,"color_text":10,"color_background":11,"translations":12,"visibilities":689,"seo":692},122,66,"draft",11,null,"#FFFF00","#828F8F",[13,458],{"languages_code":14,"title":15,"slug":16,"summary":17,"id":18,"items":19},"de","Gesammelt, digitalisiert, genutzt?  ","stakeholder-forum-2025","Wie aus Daten Innovation entsteht– darüber diskutierten Expertinnen und Experten beim Stakeholder Forum 2025 im Ars Electronica Center Linz. ",222,[20,61,71,80,167,173,232,238,262,268,275,280,333,339,345,351,398,404,410,433],{"id":21,"collection":22,"item":23},2188,"block_slider",{"date_published":9,"date_unpublished":9,"aspect_ratio":24,"type":25,"pick_items":9,"id":26,"is_enabled":27,"randomize":9,"row_mode":28,"items":29},"3\u002F1","full-width",684,true,false,[30],{"id":31,"sort":32,"type":33,"date_published":9,"date_unpublished":9,"color_text":9,"color_background":9,"category":9,"heading":9,"is_long_heading":28,"summary":9,"link_internal":9,"link":9,"call_to_action":9,"show_search":28,"image":34},1175,1,"image",{"id":35,"author":36,"title":37,"license":38,"description":9,"license_url":39,"tags":9,"kulturpool_url":9,"location":9,"storage":40,"filename_disk":41,"filename_download":42,"metadata":43,"type":52,"filesize":53,"created_on":54,"modified_by":55,"modified_on":56,"embed":9,"uploaded_by":55,"uploaded_on":57,"folder":58,"width":59,"height":60,"charset":9,"duration":9,"tus_id":9,"tus_data":9,"focal_point_x":9,"focal_point_y":9},"18044d51-d536-405f-870e-be06d4b9432b","Sofie Kokas (BMWKMS)","120 participants came to Linz on 5 and 6 May 2025 for the Stakeholder Forum 2025","CC-BY","https:\u002F\u002Fcreativecommons.org\u002Flicenses\u002Fby\u002F4.0\u002F","local","18044d51-d536-405f-870e-be06d4b9432b.jpg","Gruppe_neu.jpg",{"ifd0":44,"exif":47},{"Make":45,"Model":46},"SONY","ILCE-7M2",{"FNumber":48,"ExposureTime":49,"FocalLength":50,"ISOSpeedRatings":51},4,0.016666666666666666,24,160,"image\u002Fjpeg","472168","2025-05-13T14:59:26.380Z","df843046-ccea-4217-b2f2-6baac3ba5b2b","2025-05-19T15:09:12.604Z","2025-05-13T14:59:26.385Z","cc95a4fd-af2e-45c9-82ff-facb35becf00",2000,1250,{"id":62,"collection":63,"item":64},2180,"block_text",{"date_published":9,"date_unpublished":9,"heading_size":65,"heading_tag":66,"type":67,"summary":9,"heading":68,"body":69,"id":70,"is_enabled":27},"large","h2","center","Gesammelt, digitalisiert, genutzt?","\u003Cp>\u003Cstrong>\u003Cspan class=\"TextRun SCXW10355994 BCX8\" lang=\"DE-DE\" xml:lang=\"DE-DE\" data-contrast=\"auto\">\u003Cspan class=\"NormalTextRun SCXW10355994 BCX8\">Wie aus \u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW10355994 BCX8\">Daten\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW10355994 BCX8\"> Innovation entsteht\u003C\u002Fspan>\u003C\u002Fspan>\u003Cspan class=\"TextRun SCXW10355994 BCX8\" lang=\"DE-DE\" xml:lang=\"DE-DE\" data-contrast=\"auto\">\u003Cspan class=\"NormalTextRun SCXW10355994 BCX8\">&ndash;\u003C\u002Fspan>\u003C\u002Fspan>\u003Cspan class=\"TextRun SCXW10355994 BCX8\" lang=\"DE-DE\" xml:lang=\"DE-DE\" data-contrast=\"auto\">\u003Cspan class=\"NormalTextRun SCXW10355994 BCX8\"> dar&uuml;ber diskutierten \u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW10355994 BCX8\">Expertinnen und Experten \u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW10355994 BCX8\">beim Stakeholder Forum 2025 \u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW10355994 BCX8\">im Ars Electronica Center Linz\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW10355994 BCX8\">.\u003C\u002Fspan>\u003C\u002Fspan>\u003Cspan class=\"EOP SCXW10355994 BCX8\" data-ccp-props=\"{&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335559739&quot;:0}\">&nbsp;\u003C\u002Fspan>\u003C\u002Fstrong>\u003C\u002Fp>",1115,{"id":72,"collection":63,"item":73},2173,{"date_published":9,"date_unpublished":9,"heading_size":74,"heading_tag":75,"type":76,"summary":9,"heading":77,"body":78,"id":79,"is_enabled":27},"normal","h3","two-cols","Innovation braucht Infrastruktur: \nKulturerbe. Digital. Weitergedacht","\u003Cp>Unter dem Motto &bdquo;Innovation braucht Infrastruktur. Kulturerbe. Digital. Weitergedacht.&ldquo;, lud das \u003Ca href=\"http:\u002F\u002Fbmwkms.gv.at\u002F?ref=info.kulturpool.at\" target=\"_blank\" rel=\"noopener\">Bundesministerium f&uuml;r Wohnen, Kunst, Kultur, Medien und Sport (BMWKMS) \u003C\u002Fa>gemeinsam mit dem Kulturpool, der \u003Ca href=\"https:\u002F\u002Fwww.ffg.at\u002F?ref=info.kulturpool.at\" target=\"_blank\" rel=\"noopener\">&Ouml;sterreichischen Forschungsf&ouml;rderungsgesellschaft (FFG)\u003C\u002Fa> und dem \u003Ca href=\"https:\u002F\u002Fars.electronica.art\u002Fcenter\u002Fde\u002F?ref=info.kulturpool.at\" target=\"_blank\" rel=\"noopener\">Ars Electronica Center\u003C\u002Fa> zu einem facettenreichen Programm mit viel Raum zum Diskutieren und Austauschen. &nbsp;\u003C\u002Fp>\n\u003Cp>Das Forum startete mit einem informativen und interaktiven Event der FFG im Rahmen der Horizon Europe Community &Ouml;sterreich. Kurzvortr&auml;ge gaben einen umfassenden &Uuml;berblick &uuml;ber die Initiativen Cultural Heritage Cloud - or European Collaborative Cloud for Cultural Heritage (ECCCH), die European Open Science Cloud (EOSC) sowie den Common European data space for cultural heritage (CD4CH). Im Anschluss diskutierte Angela Wieser (FFG) mit Christoph Steindl (&Ouml;sterreichische Nationalbibliothek), Barbara S&aacute;nchez Sol&iacute;s (TU Wien) und George Ioannidis (Time Machine Organisation) die Anwendungs- und Nutzungsm&ouml;glichkeiten der Programme. Als Abschluss des dreist&uuml;ndigen Workshops wurden die Teilnehmenden eingeladen, etwaige Priorit&auml;ten, Bef&uuml;rchtungen und Hoffnungen bez&uuml;glich der gemeinsamen und offenen Nutzung von digitalisierten Kulturdaten im World-Caf&eacute;-Format zu diskutieren. Die Informationen zum Workshop und den relevanten (F&ouml;rder)-Programmen (\u003Ca href=\"https:\u002F\u002Fwww.ffg.at\u002Feuropa\u002Fheu\u002Fcluster2\" target=\"_blank\" rel=\"noopener\">Horizon Europe Cluster 2\u003C\u002Fa>, \u003Ca href=\"https:\u002F\u002Fwww.ffg.at\u002Fen\u002Feurope\u002Fdigital\" target=\"_blank\" rel=\"noopener\">Digital Europe\u003C\u002Fa> und \u003Ca href=\"https:\u002F\u002Fwww.ncp-ip.at\u002F\" target=\"_blank\" rel=\"noopener\">NCP-IP\u003C\u002Fa>), k&ouml;nnen auch auf der \u003Ca href=\"https:\u002F\u002Fhorizon-europe-community.at\u002Fpage-4681\" target=\"_blank\" rel=\"noopener\">Horizon Europe Community Plattform\u003C\u002Fa> nachgesehen werden.&nbsp;&nbsp;\u003C\u002Fp>",1110,{"id":81,"collection":22,"item":82},2187,{"date_published":9,"date_unpublished":9,"aspect_ratio":83,"type":84,"pick_items":9,"id":85,"is_enabled":27,"randomize":9,"row_mode":28,"items":86},"3\u002F2","standard",683,[87,113,130,149],{"id":88,"sort":32,"type":33,"date_published":9,"date_unpublished":9,"color_text":9,"color_background":9,"category":9,"heading":9,"is_long_heading":28,"summary":9,"link_internal":9,"link":9,"call_to_action":9,"show_search":28,"image":89},1191,{"id":90,"author":91,"title":92,"license":9,"description":9,"license_url":93,"tags":9,"kulturpool_url":9,"location":9,"storage":40,"filename_disk":94,"filename_download":95,"metadata":96,"type":52,"filesize":105,"created_on":106,"modified_by":55,"modified_on":107,"embed":9,"uploaded_by":55,"uploaded_on":108,"folder":58,"width":109,"height":110,"charset":9,"duration":9,"tus_id":9,"tus_data":9,"focal_point_x":111,"focal_point_y":112},"47d02667-7082-43da-8c70-1b6ea6f6c779","eSeL.at - Lorenz Seidler (eSeL)","Welcome by Gerfried Stocker (Ars Electronica Center)","https:\u002F\u002Fcreativecommons.org\u002Fpublic-domain\u002Fcc0\u002F","47d02667-7082-43da-8c70-1b6ea6f6c779.jpg","ESEL3432_Stocker.jpg",{"ifd0":97,"exif":100},{"Make":98,"Model":99},"Canon","Canon EOS R5",{"FNumber":101,"ExposureTime":102,"FocalLength":103,"ISOSpeedRatings":104},3.5,0.008,200,1600,"57012","2025-05-13T13:17:05.430Z","2025-05-21T10:22:49.943Z","2025-05-13T13:17:05.435Z",1200,800,600,263,{"id":114,"sort":115,"type":33,"date_published":9,"date_unpublished":9,"color_text":9,"color_background":9,"category":9,"heading":9,"is_long_heading":28,"summary":9,"link_internal":9,"link":9,"call_to_action":9,"show_search":28,"image":116},1192,2,{"id":117,"author":36,"title":118,"license":119,"description":9,"license_url":93,"tags":9,"kulturpool_url":9,"location":9,"storage":40,"filename_disk":120,"filename_download":121,"metadata":122,"type":52,"filesize":125,"created_on":126,"modified_by":55,"modified_on":127,"embed":9,"uploaded_by":55,"uploaded_on":128,"folder":58,"width":109,"height":129,"charset":9,"duration":9,"tus_id":9,"tus_data":9,"focal_point_x":9,"focal_point_y":9},"b0ea568f-8a2e-4fad-b8ec-b6affb9fff78","Welcome by Doris Wolfslehner (BMWKMS)","CC0","b0ea568f-8a2e-4fad-b8ec-b6affb9fff78.jpg","DW.jpg",{"ifd0":123,"exif":124},{"Make":45,"Model":46},{"FNumber":48,"ExposureTime":49,"FocalLength":50,"ISOSpeedRatings":51},"192512","2025-05-13T13:20:21.681Z","2025-05-21T10:22:49.947Z","2025-05-13T13:20:21.686Z",750,{"id":131,"sort":132,"type":33,"date_published":9,"date_unpublished":9,"color_text":9,"color_background":9,"category":9,"heading":9,"is_long_heading":28,"summary":9,"link_internal":9,"link":9,"call_to_action":9,"show_search":28,"image":133},1193,3,{"id":134,"author":36,"title":135,"license":119,"description":9,"license_url":93,"tags":9,"kulturpool_url":9,"location":9,"storage":40,"filename_disk":136,"filename_download":137,"metadata":138,"type":52,"filesize":144,"created_on":145,"modified_by":55,"modified_on":146,"embed":9,"uploaded_by":55,"uploaded_on":147,"folder":58,"width":109,"height":148,"charset":9,"duration":9,"tus_id":9,"tus_data":9,"focal_point_x":9,"focal_point_y":9},"989f665d-0afb-4ba2-ac5d-e3ca1d183191","Welcome by Katrin Vohland (NHM Wien)","989f665d-0afb-4ba2-ac5d-e3ca1d183191.jpg","KV.jpg",{"ifd0":139,"exif":140},{"Make":45,"Model":46},{"FNumber":48,"ExposureTime":141,"FocalLength":142,"ISOSpeedRatings":143},0.0125,70,125,"219179","2025-05-13T13:21:52.314Z","2025-05-21T10:22:49.951Z","2025-05-13T13:21:52.319Z",1920,{"id":150,"sort":48,"type":33,"date_published":9,"date_unpublished":9,"color_text":9,"color_background":9,"category":9,"heading":9,"is_long_heading":28,"summary":9,"link_internal":9,"link":9,"call_to_action":9,"show_search":28,"image":151},1174,{"id":152,"author":91,"title":153,"license":9,"description":9,"license_url":93,"tags":9,"kulturpool_url":9,"location":9,"storage":40,"filename_disk":154,"filename_download":155,"metadata":156,"type":52,"filesize":161,"created_on":162,"modified_by":55,"modified_on":163,"embed":9,"uploaded_by":55,"uploaded_on":164,"folder":58,"width":165,"height":166,"charset":9,"duration":9,"tus_id":9,"tus_data":9,"focal_point_x":9,"focal_point_y":9},"235fffa1-9122-48e1-945e-d02eb497a485","Welcome by Philip Fischer (NHM Wien\u002FKulturpool)","235fffa1-9122-48e1-945e-d02eb497a485.jpg","Philip.jpg",{"ifd0":157,"exif":158},{"Make":98,"Model":99},{"FNumber":159,"ExposureTime":141,"FocalLength":103,"ISOSpeedRatings":160},8,3200,"102885","2025-05-13T08:38:41.877Z","2025-05-21T10:22:49.954Z","2025-05-13T08:38:41.881Z",1000,667,{"id":168,"collection":63,"item":169},2208,{"date_published":9,"date_unpublished":9,"heading_size":74,"heading_tag":75,"type":76,"summary":9,"heading":170,"body":171,"id":172,"is_enabled":27},"Besuch des Deep Space 8K im Ars Electronica Center","\u003Cp>Es folgten Vortr&auml;ge von Saskia Scheltjens, Leiterin der Abteilung f&uuml;r Forschungsdienste und Chefbibliothekarin der Forschungsbibliothek des Rijksmuseums in Amsterdam, Maximilian Schich, Professor f&uuml;r Kulturdatenanalyse an der Tallinn University sowie Ross Parry, Professor f&uuml;r Museumstechnologie an der School of Museum Studies der University of Leicester und Gr&uuml;ndungsdirektor des Institute for Digital Culture. Die Keynotes wurde durch &nbsp;pr&auml;gnante Lightning Talks erg&auml;nzt, in denen aktuelle Projekte im Vordergrund standen. Zu den Vortragenden z&auml;hlten Christian Panigl (ACOnet, Universtit&auml;t Wien), Raman Ganguly (PHAIDRA, Universit&auml;t Wien), Stefan Eichert (bITEM &ndash; Beyond the Item, NHM Wien), Andreas Scheucher und Ilja Slamar (Salzzeit.at), Jonas Glaser (TU Graz) sowie Markus Wiesenhofer (Art Leap on Roblox, Belvedere Museum Wien).\u003C\u002Fp>\n\u003Cp>Die zweit&auml;gige Veranstaltung wurde schlie&szlig;lich von einer hochkar&auml;tigen Podiumsdiskussion abgerundet. Ein Highlight des ersten Forum-Tages war der Besuch des Deep Space 8K im Ars Electronica Center, in dem ein eigens f&uuml;r die Teilnehmenden zusammengestelltes Programm Kostproben f&uuml;r die multidimensionale Darstellung und Bearbeitung von Kulturerbe-Daten gab &ndash; darunter ein Ausschnitt der interaktiven Anwendung &bdquo;Playing Anton&ldquo; und eine dreidimensionale F&uuml;hrung durch die Pyramiden von Gizeh.&nbsp;\u003C\u002Fp>",1123,{"id":174,"collection":22,"item":175},2182,{"date_published":9,"date_unpublished":9,"aspect_ratio":24,"type":84,"pick_items":9,"id":176,"is_enabled":27,"randomize":9,"row_mode":28,"items":177},678,[178,196,213],{"id":179,"sort":32,"type":180,"date_published":9,"date_unpublished":9,"color_text":10,"color_background":11,"category":9,"heading":181,"is_long_heading":28,"summary":182,"link_internal":9,"link":9,"call_to_action":183,"show_search":28,"image":184},1162,"image-text","Impulse für Europas Kulturerbe","Beim Auftaktevent der Horizon Europe Community Österreich präsentierten Expertinnen und Experten innovative Cloud-Initiativen für die digitale Zukunft von Wissenschaft und Kultur."," ",{"id":185,"author":36,"title":186,"license":38,"description":9,"license_url":39,"tags":9,"kulturpool_url":9,"location":9,"storage":40,"filename_disk":187,"filename_download":188,"metadata":189,"type":52,"filesize":192,"created_on":193,"modified_by":55,"modified_on":194,"embed":9,"uploaded_by":55,"uploaded_on":195,"folder":58,"width":109,"height":110,"charset":9,"duration":9,"tus_id":9,"tus_data":9,"focal_point_x":9,"focal_point_y":9},"4905baa1-f42f-41cf-93f6-820485be497b","Ffg Präsentationen","4905baa1-f42f-41cf-93f6-820485be497b.jpg","FFG_Präsentationen.jpg",{"ifd0":190,"exif":191},{"Make":45,"Model":46},{"FNumber":159,"ExposureTime":49,"FocalLength":50,"ISOSpeedRatings":160},"226584","2025-05-13T13:27:03.642Z","2025-05-13T14:17:14.563Z","2025-05-13T13:27:03.648Z",{"id":197,"sort":115,"type":180,"date_published":9,"date_unpublished":9,"color_text":10,"color_background":11,"category":9,"heading":198,"is_long_heading":28,"summary":199,"link_internal":9,"link":9,"call_to_action":183,"show_search":28,"image":200},1163,"Von der Theorie zur Praxis","Angela Wieser (FFG) diskutierte gemeinsam mit Vertreterinnen und Vertretern aus Bibliothek, Forschung und Technologie die vielfältigen Nutzungsmöglichkeiten europäischer Datenräume für das Kulturerbe.",{"id":201,"author":36,"title":9,"license":38,"description":9,"license_url":39,"tags":9,"kulturpool_url":9,"location":9,"storage":40,"filename_disk":202,"filename_download":203,"metadata":204,"type":52,"filesize":208,"created_on":209,"modified_by":55,"modified_on":210,"embed":9,"uploaded_by":55,"uploaded_on":211,"folder":58,"width":212,"height":165,"charset":9,"duration":9,"tus_id":9,"tus_data":9,"focal_point_x":9,"focal_point_y":9},"4cfc7544-1cad-4a03-8628-7d011b97ff96","4cfc7544-1cad-4a03-8628-7d011b97ff96.jpg","Sofie_Kokas_BMWKMS (6).jpg",{"ifd0":205,"exif":206},{"Make":45,"Model":46},{"FNumber":159,"ExposureTime":141,"FocalLength":207,"ISOSpeedRatings":160},67,"217884","2025-05-13T08:33:34.427Z","2025-05-13T14:17:14.567Z","2025-05-13T08:33:34.432Z",1500,{"id":214,"sort":132,"type":180,"date_published":9,"date_unpublished":9,"color_text":10,"color_background":11,"category":9,"heading":215,"is_long_heading":28,"summary":216,"link_internal":9,"link":9,"call_to_action":183,"show_search":28,"image":217},1164,"Ideen, Sorgen und Visionen am runden Tisch","Im abschließenden World-Café-Format tauschten die Teilnehmenden ihre Prioritäten und Hoffnungen zur offenen Nutzung digitaler Kulturdaten aus.",{"id":218,"author":36,"title":9,"license":38,"description":9,"license_url":39,"tags":9,"kulturpool_url":9,"location":9,"storage":40,"filename_disk":219,"filename_download":220,"metadata":221,"type":52,"filesize":226,"created_on":227,"modified_by":55,"modified_on":228,"embed":9,"uploaded_by":55,"uploaded_on":229,"folder":58,"width":230,"height":231,"charset":9,"duration":9,"tus_id":9,"tus_data":9,"focal_point_x":9,"focal_point_y":9},"f8bf88e4-d3e0-4655-a394-4ad34715e4ed","f8bf88e4-d3e0-4655-a394-4ad34715e4ed.jpg","Sofie_Kokas_BMWKMS (18).jpg",{"ifd0":222,"exif":223},{"Make":45,"Model":46},{"FNumber":48,"ExposureTime":49,"FocalLength":224,"ISOSpeedRatings":225},39,400,"8062708","2025-05-13T08:04:58.830Z","2025-05-13T14:17:14.571Z","2025-05-13T08:04:58.869Z",5303,3314,{"id":233,"collection":63,"item":234},2174,{"date_published":9,"date_unpublished":9,"heading_size":74,"heading_tag":66,"type":76,"summary":9,"heading":235,"body":236,"id":237,"is_enabled":27},"Kulturerbe selbstbewusst sichtbar machen ","\u003Cp>In ihren Begr&uuml;&szlig;ungsworten hob Doris Wolfslehner (BMWKMS) die Bedeutung des Kulturpool f&uuml;r die Sichtbarkeit und Zug&auml;nglichkeit des &ouml;sterreichischen Kulturerbes hervor. Dabei betonte sie die Potenziale institutionen- und regionen&uuml;bergreifender Zusammenarbeit, wof&uuml;r sich der Kulturpool in seiner Funktion als Kompetenzzentrum k&uuml;nftig verst&auml;rkt einsetzen m&ouml;chte. &bdquo;Wir freuen uns besonders, dass wir mit dem Stakeholder Forum 2025 nach Linz kommen und die Frage, wie aus Daten Innovation entsteht, au&szlig;erhalb Wiens diskutieren&ldquo;, so Wolfslehner, die sich beim ober&ouml;sterreichischen Gastgeber bedankte. &bdquo;Das Ars Electronica Center ist der Ort, an dem man &uuml;ber Digitalisierung reden muss und soll.&ldquo;&nbsp;\u003C\u002Fp>\n\u003Cp>Dass es f&uuml;r innovative Nutzung von Kulturerbe-Daten Infrastruktur ben&ouml;tigt, betonte Katrin Vohland (NHM Wien) in ihrer Begr&uuml;&szlig;ung. &bdquo;Kultur und kritische Selbstreflexion geh&ouml;ren zu unseren St&auml;rken in Europa&ldquo;, so Vohland, die f&uuml;r ein gest&auml;rktes Selbstbewusstsein des Kulturbereichs eintrat. Ihre bisherigen Erfahrungen mit ambitionierten Vorhaben wie der Neuaufstellung des Kulturpool am Naturhistorischen Museum Wien h&auml;tten eines gezeigt: Um Infrastrukturen nachhaltig zu gestalten, brauche es neben finanziellen Ressourcen vor allem auch Vertrauen und verantwortliches Handeln.&nbsp;\u003C\u002Fp>",1111,{"id":239,"collection":22,"item":240},2179,{"date_published":9,"date_unpublished":9,"aspect_ratio":24,"type":25,"pick_items":9,"id":241,"is_enabled":27,"randomize":9,"row_mode":28,"items":242},676,[243],{"id":244,"sort":32,"type":33,"date_published":9,"date_unpublished":9,"color_text":9,"color_background":9,"category":9,"heading":9,"is_long_heading":28,"summary":9,"link_internal":9,"link":9,"call_to_action":9,"show_search":28,"image":245},1160,{"id":246,"author":36,"title":247,"license":38,"description":9,"license_url":39,"tags":9,"kulturpool_url":9,"location":9,"storage":40,"filename_disk":248,"filename_download":249,"metadata":250,"type":52,"filesize":254,"created_on":255,"modified_by":55,"modified_on":256,"embed":9,"uploaded_by":55,"uploaded_on":257,"folder":58,"width":258,"height":259,"charset":9,"duration":9,"tus_id":9,"tus_data":9,"focal_point_x":260,"focal_point_y":261},"a4ab5f16-fb31-4038-8171-dbc27845906c","Opening keynote by Saskia Scheltjens (Rijksmuseum)","a4ab5f16-fb31-4038-8171-dbc27845906c.jpg","Sofie_Kokas_BMWKMS (31).jpg",{"ifd0":251,"exif":252},{"Make":45,"Model":46},{"FNumber":48,"ExposureTime":49,"FocalLength":253,"ISOSpeedRatings":60},35,"11258041","2025-05-13T07:49:59.646Z","2025-05-21T10:26:02.998Z","2025-05-13T07:49:59.683Z",5734,3584,2807,606,{"id":263,"collection":63,"item":264},2175,{"date_published":9,"date_unpublished":9,"heading_size":74,"heading_tag":66,"type":76,"summary":9,"heading":265,"body":266,"id":267,"is_enabled":27},"„Daten sind nicht neutral.“ ","\u003Cp>Museen m&uuml;ssen raus aus ihren Silos und st&auml;rker kooperieren &ndash; diesen Appell richtete Saskia Scheltjens an die Teilnehmenden des Stakeholder Forum 2025. In ihrem Er&ouml;ffnungsvortrag teilte sie ihre Erfahrungen als Leiterin der Abteilung f&uuml;r Forschungsdienste des Rijksmuseums in Amsterdam. Dieses habe, so Scheltjens, den Mut gehabt, eine umfassende Neuorganisation zu wagen, gest&uuml;tzt auf ein ausgepr&auml;gtes Bewusstsein f&uuml;r den Wert von Daten. Die digitale Transformation des Museums begann zwar bereits in den 1980er Jahren, doch erst die notwendige Schlie&szlig;ung zwischen 2003 und 2013 aufgrund von Renovierungsarbeiten sowie der Druck von Seiten der &Ouml;ffentlichkeit und Presse beschleunigten den Prozess. Gro&szlig;angelegte Digitalisierungsprojekte folgten.\u003C\u002Fp>",1112,{"id":269,"collection":63,"item":270},2224,{"date_published":9,"date_unpublished":9,"heading_size":74,"heading_tag":66,"type":271,"summary":272,"heading":273,"body":9,"id":274,"is_enabled":27},"quote","Saskia Scheltjens","Digitalisierung ist Teil einer größeren Entwicklung, die eine Organisation als Ganzes betrifft.",1132,{"id":276,"collection":63,"item":277},2226,{"date_published":9,"date_unpublished":9,"heading_size":74,"heading_tag":66,"type":76,"summary":9,"heading":9,"body":278,"id":279,"is_enabled":27},"\u003Cp>2011 &ouml;ffnete das Rijksmuseum einen Gro&szlig;teil der Online-Sammlung unter einer offenen Lizenz und gilt damit als Vorreiterin im Bereich Open Data, berichtete Scheltjens. Die Datenstrategie verfolgte das Ziel, Sammlung und &Ouml;ffentlichkeit nahtlos zu verbinden, wobei Transparenz im Datenprozess zunehmend wichtiger wurde. Mit dem Aufkommen sozialer Medien und der COVID-Pandemie liegt der Fokus aktuell verst&auml;rkt auf der Frage, welchen Nutzen digitale Sammlungen f&uuml;r Forschung und &Ouml;ffentlichkeit bringen. Scheltjens ist &uuml;berzeugt: Die Menge und Vielfalt an Daten nehmen zu; damit m&uuml;ssen Museen gleichzeitig auch eine differenziertere Haltung zum Thema Open Data einnehmen.\u003C\u002Fp>\n\u003Cp>Dahinter steht die Idee, von einer Open\u002FClosed-Dichotomie zu einem fairen Umgang mit Daten zu gelangen. Eine derartige &bdquo;Post Digital Strategy&ldquo; m&uuml;sse den Anspruch haben, m&ouml;glichst offen mit Daten zu verfahren, dabei allerdings auf notwendige Beschr&auml;nkungen, etwa bei sensiblen und problematischen Inhalten, R&uuml;cksicht zu nehmen. &bdquo;Museen sind nicht neutral, genauso wenig wie Technologien, Digitalisierung oder Daten&ldquo;, betonte Scheltjens. Es ben&ouml;tigt einen kritischen Blick darauf, wie die digitalisierten Objekte dargestellt werden, welche Begriffe verwendet werden und welche Kontextualisierung notwendig ist, um Daten in einen sinnvollen Zusammenhang zu bringen und ihre Nachnutzung zu f&ouml;rdern. &nbsp;\u003C\u002Fp>",1134,{"id":281,"collection":22,"item":282},2228,{"date_published":9,"date_unpublished":9,"aspect_ratio":24,"type":84,"pick_items":9,"id":283,"is_enabled":27,"randomize":9,"row_mode":28,"items":284},702,[285,300,316],{"id":286,"sort":32,"type":180,"date_published":9,"date_unpublished":9,"color_text":10,"color_background":11,"category":9,"heading":287,"is_long_heading":28,"summary":288,"link_internal":9,"link":9,"call_to_action":183,"show_search":28,"image":289},1204,"Museen, raus aus euren Silos!","Saskia Scheltjens (Rijksmuseum) appellierte:",{"id":290,"author":9,"title":9,"license":9,"description":9,"license_url":9,"tags":9,"kulturpool_url":9,"location":9,"storage":40,"filename_disk":291,"filename_download":292,"metadata":293,"type":52,"filesize":296,"created_on":297,"modified_by":55,"modified_on":298,"embed":9,"uploaded_by":55,"uploaded_on":299,"folder":58,"width":109,"height":129,"charset":9,"duration":9,"tus_id":9,"tus_data":9,"focal_point_x":9,"focal_point_y":9},"797a6697-bc5d-4192-ba05-0dbf0e4bd237","797a6697-bc5d-4192-ba05-0dbf0e4bd237.jpg","Saskia.jpg",{"ifd0":294,"exif":295},{"Make":45,"Model":46},{"FNumber":48,"ExposureTime":49,"FocalLength":253,"ISOSpeedRatings":60},"198789","2025-05-13T14:45:07.987Z","2025-05-13T14:45:55.417Z","2025-05-13T14:45:07.992Z",{"id":301,"sort":115,"type":180,"date_published":9,"date_unpublished":9,"color_text":10,"color_background":11,"category":9,"heading":302,"is_long_heading":28,"summary":303,"link_internal":9,"link":9,"call_to_action":183,"show_search":28,"image":304},1203,"Daten über alle Wissenschaftsdisziplinen hinweg analysieren!","Maximilian Schich (Tallinn University) forderte:",{"id":305,"author":36,"title":9,"license":38,"description":9,"license_url":39,"tags":9,"kulturpool_url":9,"location":9,"storage":40,"filename_disk":306,"filename_download":307,"metadata":308,"type":52,"filesize":312,"created_on":313,"modified_by":55,"modified_on":314,"embed":9,"uploaded_by":55,"uploaded_on":315,"folder":58,"width":109,"height":129,"charset":9,"duration":9,"tus_id":9,"tus_data":9,"focal_point_x":9,"focal_point_y":9},"e04c5be6-033f-40ba-a405-890f7817179f","e04c5be6-033f-40ba-a405-890f7817179f.jpg","Schich.jpg",{"ifd0":309,"exif":310},{"Make":45,"Model":46},{"FNumber":48,"ExposureTime":49,"FocalLength":311,"ISOSpeedRatings":143},51,"140738","2025-05-13T14:37:30.058Z","2025-05-13T14:47:44.610Z","2025-05-13T14:37:30.064Z",{"id":317,"sort":132,"type":180,"date_published":9,"date_unpublished":9,"color_text":10,"color_background":11,"category":9,"heading":318,"is_long_heading":28,"summary":319,"link_internal":9,"link":9,"call_to_action":183,"show_search":28,"image":320},1202,"Ganzheitliches Denken, wenn digitale Infrastrukturen geschaffen werden!","Ross Parry (University of Leicester) plädierte für:",{"id":321,"author":36,"title":9,"license":38,"description":322,"license_url":39,"tags":9,"kulturpool_url":9,"location":9,"storage":40,"filename_disk":323,"filename_download":324,"metadata":325,"type":52,"filesize":329,"created_on":330,"modified_by":55,"modified_on":331,"embed":9,"uploaded_by":55,"uploaded_on":332,"folder":58,"width":109,"height":110,"charset":9,"duration":9,"tus_id":9,"tus_data":9,"focal_point_x":9,"focal_point_y":9},"320d7e4f-6557-4315-af76-909deae272db","Museen müssten bei der Schaffung digitaler Infrastrukturen ganzheitlicher denken.","320d7e4f-6557-4315-af76-909deae272db.jpg","Parry.jpg",{"ifd0":326,"exif":327},{"Make":45,"Model":46},{"FNumber":48,"ExposureTime":141,"FocalLength":328,"ISOSpeedRatings":51},65,"123797","2025-05-13T14:36:53.943Z","2025-05-13T14:43:30.037Z","2025-05-13T14:36:53.948Z",{"id":334,"collection":63,"item":335},2176,{"date_published":9,"date_unpublished":9,"heading_size":74,"heading_tag":66,"type":76,"summary":9,"heading":336,"body":337,"id":338,"is_enabled":27},"Museen in der post-digitalen Welt ","\u003Cdiv class=\"OutlineElement Ltr SCXW11858666 BCX8\">\n\u003Cp class=\"Paragraph SCXW11858666 BCX8\">\u003Cspan class=\"TextRun SCXW11858666 BCX8\" lang=\"DE-DE\" xml:lang=\"DE-DE\" data-contrast=\"auto\">\u003Cspan class=\"NormalTextRun SCXW11858666 BCX8\">Tag \u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW11858666 BCX8\">z\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW11858666 BCX8\">wei des Forums st\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW11858666 BCX8\">artete mit dem Schwerpunktthema \u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW11858666 BCX8\">Infrastruktur\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW11858666 BCX8\">. Ross Parry (University \u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW11858666 BCX8\">of\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW11858666 BCX8\"> Leicester) \u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW11858666 BCX8\">teilte seine Erfahrungen in der Schaffung digitaler Infrastrukturen f&uuml;r Museen,\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW11858666 BCX8\"> die auf eine\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW11858666 BCX8\">r\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW11858666 BCX8\"> &bdquo;\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW11858666 BCX8\">holistische\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW11858666 BCX8\">n\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW11858666 BCX8\"> Sicht\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW11858666 BCX8\">weise&ldquo;\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW11858666 BCX8\"> basieren. \u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW11858666 BCX8\">D\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW11858666 BCX8\">igital und analog \u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW11858666 BCX8\">k&ouml;nnten \u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW11858666 BCX8\">l&auml;ngst \u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW11858666 BCX8\">nicht mehr getrennt voneinander betrachtet werden, \u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW11858666 BCX8\">weshalb\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW11858666 BCX8\"> sowohl die Inhalte als auch die Infrastrukturen\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW11858666 BCX8\"> und Nutz\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW11858666 BCX8\">ungs\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW11858666 BCX8\">erfahrungen\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW11858666 BCX8\"> hybri\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW11858666 BCX8\">d gedacht \u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW11858666 BCX8\">und \u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW11858666 BCX8\">adressiert\u003C\u002Fspan> \u003Cspan class=\"NormalTextRun SCXW11858666 BCX8\">werden\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW11858666 BCX8\"> m&uuml;ssten\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW11858666 BCX8\">.\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW11858666 BCX8\"> Parry ist davon &uuml;berzeugt, dass Museen die Aufgaben haben, Kulturerbe f&uuml;r m&ouml;glichst viele Menschen zug&auml;nglich und erlebbar zu machen. Diversit&auml;t im digitalen Zeitalter bedeute, die verschiedenen Sinne und subjektiven Zug&auml;nge der Besucherinnen und Besucher zu verstehen und &ndash; mit digitalen Mitteln &ndash; \u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW11858666 BCX8\">f&uuml;r das\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW11858666 BCX8\"> Museumserlebnis zu ber&uuml;cksichtigen.\u003C\u002Fspan>\u003C\u002Fspan>\u003C\u002Fp>\n\u003C\u002Fdiv>\n\u003Cdiv class=\"OutlineElement Ltr SCXW11858666 BCX8\">\n\u003Cp class=\"Paragraph SCXW11858666 BCX8\">\u003Cspan class=\"EOP SCXW11858666 BCX8\" data-ccp-props=\"{&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335559739&quot;:0}\">&nbsp;\u003C\u002Fspan>\u003C\u002Fp>\n\u003C\u002Fdiv>",1113,{"id":340,"collection":63,"item":341},2227,{"date_published":9,"date_unpublished":9,"heading_size":74,"heading_tag":66,"type":271,"summary":342,"heading":343,"body":9,"id":344,"is_enabled":27},"Ross Parry","Im postdigitalen Zeitalter gibt die Vision die Richtung vor, Leadership bringt Wandel, Prozesse ermöglichen Veränderung – und Menschen treiben Innovation.  ",1135,{"id":346,"collection":63,"item":347},2222,{"date_published":9,"date_unpublished":9,"heading_size":74,"heading_tag":66,"type":76,"summary":9,"heading":348,"body":349,"id":350,"is_enabled":27},"Innovationen sichtbar machen","\u003Cp class=\"Paragraph SCXW11858666 BCX8\">\u003Cspan class=\"TextRun SCXW11858666 BCX8\" lang=\"DE-DE\" xml:lang=\"DE-DE\" data-contrast=\"auto\">\u003Cspan class=\"NormalTextRun SCXW11858666 BCX8\">Welche&nbsp;\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW11858666 BCX8\">Entwicklungen \u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW11858666 BCX8\">I\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW11858666 BCX8\">nfrastrukturen in den letzten Jahrzehnten durchgemacht haben, zeigte\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW11858666 BCX8\">n\u003C\u002Fspan> \u003Cspan class=\"NormalTextRun SCXW11858666 BCX8\">zwei\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW11858666 BCX8\"> Lightning Talk\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW11858666 BCX8\">s\u003C\u002Fspan> \u003Cspan class=\"NormalTextRun SCXW11858666 BCX8\">der Universit&auml;t Wien \u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW11858666 BCX8\">zu &ldquo;\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW11858666 BCX8\">ACOnet\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW11858666 BCX8\">&rdquo;\u003C\u002Fspan> \u003Cspan class=\"NormalTextRun SCXW11858666 BCX8\">(Christian Panigl) \u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW11858666 BCX8\">und \u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW11858666 BCX8\">&ldquo;\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SpellingErrorV2Themed SCXW11858666 BCX8\">Phaidra\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW11858666 BCX8\">&rdquo; (\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW11858666 BCX8\">Raman Ganguly\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW11858666 BCX8\">).&nbsp;\u003C\u002Fspan>\u003C\u002Fspan>\u003Cspan class=\"TextRun SCXW11858666 BCX8\" lang=\"DE-DE\" xml:lang=\"DE-DE\" data-contrast=\"auto\">\u003Cspan class=\"NormalTextRun SCXW11858666 BCX8\">Der Schwerpunkt&nbsp;\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW11858666 BCX8\">&bdquo;\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW11858666 BCX8\">Re-\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SpellingErrorV2Themed SCXW11858666 BCX8\">use\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW11858666 BCX8\">&ldquo;\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW11858666 BCX8\"> (Nachnutzung) wurde \u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW11858666 BCX8\">von\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW11858666 BCX8\"> einem Vortrag von \u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW11858666 BCX8\">Maximilian Schich (University \u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SpellingErrorV2Themed SCXW11858666 BCX8\">of\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW11858666 BCX8\"> Tallinn) \u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW11858666 BCX8\">eingeleitet. \u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW11858666 BCX8\">Schich legte unter dem Titel\u003C\u002Fspan> \u003Cspan class=\"NormalTextRun SCXW11858666 BCX8\">&bdquo;\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW11858666 BCX8\">Wer hat Angst vor Kulturdatenanalyse?\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW11858666 BCX8\">&ldquo;\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW11858666 BCX8\"> ein Pl&auml;doyer f&uuml;r interdisziplin&auml;res Forschen und Arbeiten \u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW11858666 BCX8\">vor\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW11858666 BCX8\">. \u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW11858666 BCX8\">&bdquo;\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW11858666 BCX8\">Wir brauchen eine Analyse &uuml;ber alle Wissenschaftsdisziplinen hinweg\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW11858666 BCX8\">&ldquo;\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW11858666 BCX8\">, so Schich, der \u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW11858666 BCX8\">auch \u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW11858666 BCX8\">Einblicke in unterschiedliche Beispiele \u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW11858666 BCX8\">und Potenziale von datenbasierter Analyse \u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW11858666 BCX8\">bot\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW11858666 BCX8\">. Netzwerke, Bedeutungsr&auml;ume und Muster seien erst zu erkennen, wenn Daten \u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW11858666 BCX8\">harmonisiert und \u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW11858666 BCX8\">zug&auml;\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW11858666 BCX8\">nglich gemacht \u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW11858666 BCX8\">werden\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW11858666 BCX8\">. \u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW11858666 BCX8\">&bdquo;\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW11858666 BCX8\">Sie bestimmen, was in die Datenbank kommt\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW11858666 BCX8\">&ldquo;\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW11858666 BCX8\">, richtet Schich seinen Appell an die Anwesenden, \u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW11858666 BCX8\">&bdquo;\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW11858666 BCX8\">aber\u003C\u002Fspan> \u003Cspan class=\"NormalTextRun SCXW11858666 BCX8\">daraus ergibt sich \u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW11858666 BCX8\">dann \u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW11858666 BCX8\">etwas, das wir messen m&uuml;ssen.\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW11858666 BCX8\">&ldquo;\u003C\u002Fspan>\u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp class=\"Paragraph SCXW11858666 BCX8\">\u003Cspan class=\"TextRun SCXW11858666 BCX8\" lang=\"DE-DE\" xml:lang=\"DE-DE\" data-contrast=\"auto\">\u003Cspan class=\"NormalTextRun SCXW11858666 BCX8\">In&nbsp;\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW11858666 BCX8\">seinem\u003C\u002Fspan> \u003Cspan class=\"NormalTextRun SCXW11858666 BCX8\">Lightning Talk\u003C\u002Fspan> \u003Cspan class=\"NormalTextRun SCXW11858666 BCX8\">pr&auml;sentierte \u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW11858666 BCX8\">Stefan Eichert (\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW11858666 BCX8\">N\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW11858666 BCX8\">HM\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW11858666 BCX8\"> Wien\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW11858666 BCX8\">)\u003C\u002Fspan> \u003Cspan class=\"NormalTextRun SCXW11858666 BCX8\">die\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW11858666 BCX8\"> Open-Source-Entwicklung &bdquo;\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SpellingErrorV2Themed SCXW11858666 BCX8\">Beyond\u003C\u002Fspan> \u003Cspan class=\"NormalTextRun SpellingErrorV2Themed SCXW11858666 BCX8\">the\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW11858666 BCX8\"> item&ldquo;\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW11858666 BCX8\"> (bitem.at)\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW11858666 BCX8\">, die Objekte, Personen und Orte f&uuml;r innovatives Storytelling \u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW11858666 BCX8\">vernetzt und attraktiv darstellt\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW11858666 BCX8\">. \u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW11858666 BCX8\">Wie bei jungen Menschen das Interesse f&uuml;r Kulturerbe geweckt werden kann\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW11858666 BCX8\">, \u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW11858666 BCX8\">zeigte\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW11858666 BCX8\"> Markus Wiesenhofer (Belvedere Wien)\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW11858666 BCX8\">, der \u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW11858666 BCX8\">das neue \u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SpellingErrorV2Themed SCXW11858666 BCX8\">Roblox\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW11858666 BCX8\">-Spiel \u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW11858666 BCX8\">&bdquo;\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW11858666 BCX8\">Art \u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SpellingErrorV2Themed SCXW11858666 BCX8\">Leap\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW11858666 BCX8\">&ldquo;\u003C\u002Fspan> \u003Cspan class=\"NormalTextRun SCXW11858666 BCX8\">vorstellte\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW11858666 BCX8\">. \u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW11858666 BCX8\">Andreas Scheucher\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW11858666 BCX8\"> (\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SpellingErrorV2Themed SCXW11858666 BCX8\">Scenomedia\u003C\u002Fspan> \u003Cspan class=\"NormalTextRun SpellingErrorV2Themed SCXW11858666 BCX8\">Gesmbh\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW11858666 BCX8\">)\u003C\u002Fspan> \u003Cspan class=\"NormalTextRun SCXW11858666 BCX8\">und Ilja \u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SpellingErrorV2Themed SCXW11858666 BCX8\">Slamar\u003C\u002Fspan> \u003Cspan class=\"NormalTextRun SCXW11858666 BCX8\">(\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW11858666 BCX8\">Iljafilm\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW11858666 BCX8\">) \u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW11858666 BCX8\">stellten \u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW11858666 BCX8\">i\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW11858666 BCX8\">n ihrem Talk das\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW11858666 BCX8\"> virtuelle Museum f&uuml;r das Salzkammergut (salzzeit.at) vor. \u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW11858666 BCX8\">Jonas Glaser (\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW11858666 BCX8\">TU Graz\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW11858666 BCX8\">) gab Einbli\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW11858666 BCX8\">cke in seine Bachelorarbeit, im Zuge dessen er \u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW11858666 BCX8\">Gamification-Elemente mit \u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW11858666 BCX8\">Kulturpool\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW11858666 BCX8\">-Daten \u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW11858666 BCX8\">verkn&uuml;pfte\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW11858666 BCX8\">.\u003C\u002Fspan>\u003C\u002Fspan>\u003Cspan class=\"EOP SCXW11858666 BCX8\" 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als Daten, aber wie?","\u003Cp>Bei der Podiumsdiskussion &bdquo;More than Data. New Approaches to Reuse, Infrastructure and Innovation&ldquo; &nbsp;beleuchteten die Vortragenden Scheltjens, Parry, Panigl und Schich gemeinsam mit der Informatik-Professorin Johanna Pirker (Technische Universit&auml;t Graz) die Frage, wie Innovationen im Kulturerbe-Sektor vorangetrieben werden k&ouml;nnen und was es braucht, um kreative Projekte mit Kulturdaten gezielt zu f&ouml;rdern. &nbsp;\u003C\u002Fp>\n\u003Cp>Die Teilnehmenden waren sich dar&uuml;ber einig, dass Museen &uuml;ber die reine Datensammlung hinausdenken m&uuml;ssen: Es geht darum, Nutzerinnen und Nutzern echte Handlungsm&ouml;glichkeiten zu geben und Innovation durch Austausch zu f&ouml;rdern. Technische Infrastruktur wie Internet und Rechenkapazit&auml;ten sind wichtig, aber auch physische R&auml;ume f&uuml;r Begegnungen und Gespr&auml;che. &nbsp;\u003C\u002Fp>\n\u003Cp>Nachhaltige Gemeinschaften aus den Bereichen IT, Vermittlung, aus unterschiedlichen wissenschaftlichen Disziplinen sowie der Kunst sind entscheidend, ebenso wie langfristige Finanzierungsmodelle. Angeregt durch die Aufforderung von Moderatorin Doris Wolfslehner (BMWKMS), gab die Runde zum Abschluss Empfehlungen an die Kulturerbe-Einrichtungen: Zentral sei es, Mitarbeitende beim Erlernen von Technologien und im Umgang mit sensiblen Inhalten zu f&ouml;rdern, die interdisziplin&auml;re Zusammenarbeit zu forcieren, und nicht zuletzt bei der Digitalisierung darauf zu achten, dass Daten m&ouml;glichst einfach zug&auml;nglich und zitierf&auml;hig gemacht werden. All dies w&uuml;rde schlie&szlig;lich dazu f&uuml;hren, dass innovative Nutzungsm&ouml;glichkeiten (also &bdquo;mehr als Daten&ldquo;) entstehen k&ouml;nnen. Oder frei nach Ross Parry, der in seinem Vortrag den Weg zur Innovation folgend auf den Punkt brachte: Im postdigitalen Zeitalter gibt die Vision die Richtung vor, Leadership bringt Wandel, Prozesse erm&ouml;glichen Ver&auml;nderung &ndash; und Menschen treiben Innovation.&nbsp;\u003C\u002Fp>",1114,{"id":405,"collection":63,"item":406},2225,{"date_published":9,"date_unpublished":9,"heading_size":74,"heading_tag":66,"type":271,"summary":407,"heading":408,"body":9,"id":409,"is_enabled":27},"Das Stakeholder Forum 2025 zeigte eindrucksvoll, wie vielfältig sich die Perspektiven des diesjährigen Schwerpunktthemas darstellen. Blicke über den nationalen sowie europäischen Tellerrand hinaus machten zudem deutlich, dass Fragen des Sichtbarmachens und nicht zuletzt die digitale Sicherung von Kulturerbe für eine Gesellschaft hohe Aktualität und Relevanz aufweisen. ","Fazit",1133,{"id":411,"collection":22,"item":412},2186,{"date_published":9,"date_unpublished":9,"aspect_ratio":83,"type":84,"pick_items":9,"id":413,"is_enabled":27,"randomize":9,"row_mode":28,"items":414},682,[415],{"id":416,"sort":32,"type":33,"date_published":9,"date_unpublished":9,"color_text":9,"color_background":9,"category":9,"heading":9,"is_long_heading":28,"summary":9,"link_internal":9,"link":9,"call_to_action":9,"show_search":28,"image":417},1171,{"id":418,"author":36,"title":419,"license":38,"description":9,"license_url":39,"tags":9,"kulturpool_url":9,"location":9,"storage":40,"filename_disk":420,"filename_download":421,"metadata":422,"type":52,"filesize":427,"created_on":428,"modified_by":55,"modified_on":429,"embed":9,"uploaded_by":55,"uploaded_on":430,"folder":58,"width":431,"height":432,"charset":9,"duration":9,"tus_id":9,"tus_data":9,"focal_point_x":9,"focal_point_y":9},"3feb3637-5bb1-4ff0-95fc-17706d8bbb63","Deep Space 8K des Ars Electronica Center","3feb3637-5bb1-4ff0-95fc-17706d8bbb63.jpg","Sofie_Kokas_BMWKMS (24).jpg",{"ifd0":423,"exif":424},{"Make":45,"Model":46},{"FNumber":48,"ExposureTime":425,"FocalLength":426,"ISOSpeedRatings":365},0.06666666666666667,31,"958083","2025-05-13T08:35:29.525Z","2025-05-13T14:17:14.542Z","2025-05-13T08:35:29.532Z",6000,4000,{"id":434,"collection":435,"item":436},2178,"block_links",{"date_published":9,"date_unpublished":9,"type":84,"items":437,"summary":9,"heading":456,"id":457,"is_enabled":27},[438,441,444,447,450,453],{"heading":439,"link":440},"Programmübersicht und Folien","https:\u002F\u002Finfo.kulturpool.at\u002Fstakeholder-forum-2025\u002F",{"heading":442,"link":443},"Rijksmuseum Amsterdam","https:\u002F\u002Fwww.rijksmuseum.nl\u002Fen",{"heading":445,"link":446},"Salzzeit - Digitales Museum","https:\u002F\u002Fsalzzeit.at\u002F",{"heading":448,"link":449},"bITEM - Beyond the Item","https:\u002F\u002Fbitem.at\u002F",{"heading":451,"link":452},"ACOnet Netzinfrastruktur","https:\u002F\u002Fwww.aco.net\u002F",{"heading":454,"link":455},"PHAIDRA","https:\u002F\u002Fphaidra.univie.ac.at\u002F","Weiterführende Informationen",312,{"languages_code":459,"title":460,"slug":16,"summary":461,"id":462,"items":463},"en","Collected, digitizes, used?","At the Stakeholder Forum 2025 at the Ars Electronica Centre Linz, experts discussed how innovation is created from data.",223,[464,475,480,486,515,521,550,556,567,573,578,583,612,618,623,628,651,656,662,673],{"id":465,"collection":22,"item":466},2232,{"date_published":9,"date_unpublished":9,"aspect_ratio":24,"type":25,"pick_items":9,"id":467,"is_enabled":27,"randomize":9,"row_mode":28,"items":468},705,[469],{"id":470,"sort":32,"type":33,"date_published":9,"date_unpublished":9,"color_text":9,"color_background":9,"category":9,"heading":9,"is_long_heading":28,"summary":9,"link_internal":9,"link":9,"call_to_action":9,"show_search":28,"image":471},1207,{"id":35,"author":36,"title":37,"license":38,"description":9,"license_url":39,"tags":9,"kulturpool_url":9,"location":9,"storage":40,"filename_disk":41,"filename_download":42,"metadata":472,"type":52,"filesize":53,"created_on":54,"modified_by":55,"modified_on":56,"embed":9,"uploaded_by":55,"uploaded_on":57,"folder":58,"width":59,"height":60,"charset":9,"duration":9,"tus_id":9,"tus_data":9,"focal_point_x":9,"focal_point_y":9},{"ifd0":473,"exif":474},{"Make":45,"Model":46},{"FNumber":48,"ExposureTime":49,"FocalLength":50,"ISOSpeedRatings":51},{"id":476,"collection":63,"item":477},2233,{"date_published":9,"date_unpublished":9,"heading_size":65,"heading_tag":66,"type":67,"summary":9,"heading":460,"body":478,"id":479,"is_enabled":27},"\u003Cp>\u003Cstrong>At the Stakeholder Forum 2025 at the Ars Electronica Centre Linz, experts discussed how innovation is created from data.\u003C\u002Fstrong>\u003C\u002Fp>",1136,{"id":481,"collection":63,"item":482},2234,{"date_published":9,"date_unpublished":9,"heading_size":74,"heading_tag":66,"type":76,"summary":9,"heading":483,"body":484,"id":485,"is_enabled":27},"Innovation needs Infrastructure: Cultural Heritage. Digital. Enhanced.","\u003Cp>Under the motto \"Innovation needs infrastructure. Cultural heritage. Digital. Thinking ahead.\", the Federal Ministry of Housing, Arts, Culture, Media and Sport (\u003Ca href=\"http:\u002F\u002Fbmwkms.gv.at\u002F?ref=info.kulturpool.at\" target=\"_blank\" rel=\"noopener\">BMWKMS\u003C\u002Fa>), together with the Kulturpool, the Austrian Research Promotion Agency (\u003Ca href=\"https:\u002F\u002Fwww.ffg.at\u002Fen\" target=\"_blank\" rel=\"noopener\">FFG\u003C\u002Fa>) and the \u003Ca href=\"https:\u002F\u002Fars.electronica.art\u002Fnews\u002Fen\u002F\" target=\"_blank\" rel=\"noopener\">Ars Electronica Center\u003C\u002Fa>, hosted a multifaceted programme with plenty of room for discussion and exchange.\u003C\u002Fp>\n\u003Cp>The forum kicked off with an informative and interactive event organised by the FFG as part of the Horizon Europe Community Austria. Short presentations provided a comprehensive overview of the initiatives Cultural Heritage Cloud - or European Collaborative Cloud for Cultural Heritage (ECCCH), the European Open Science Cloud (EOSC) and the Common European data space for cultural heritage (CD4CH). Angela Wieser (FFG) then discussed the possible applications and uses of the programmes with Christoph Steindl (Austrian National Library), Barbara S&aacute;nchez Sol&iacute;s (TU Vienna) and George Ioannidis (Time Machine Organisation). At the end of the three-hour workshop, participants were invited to discuss any priorities, fears and hopes regarding the shared and open use of digitised cultural data in a World Caf&eacute; format. Information on the workshop and the relevant (funding) programmes (\u003Ca href=\"https:\u002F\u002Fwww.ffg.at\u002Feuropa\u002Fheu\u002Fcluster2\" target=\"_blank\" rel=\"noopener\">Horizon Europe Cluster 2\u003C\u002Fa>,\u003Ca href=\"https:\u002F\u002Fwww.ffg.at\u002Fen\u002Feurope\u002Fdigital\" target=\"_blank\" rel=\"noopener\"> Digital Europe\u003C\u002Fa> and \u003Ca href=\"https:\u002F\u002Fwww.ncp-ip.at\u002F\" target=\"_blank\" rel=\"noopener\">NCP-IP\u003C\u002Fa>) can also be found on the \u003Ca href=\"https:\u002F\u002Fhorizon-europe-community.at\u002Fpage-4681\" target=\"_blank\" rel=\"noopener\">Horizon Europe Community platform\u003C\u002Fa>.\u003C\u002Fp>",1137,{"id":487,"collection":22,"item":488},2235,{"date_published":9,"date_unpublished":9,"aspect_ratio":83,"type":84,"pick_items":9,"id":489,"is_enabled":27,"randomize":9,"row_mode":28,"items":490},706,[491,497,503,509],{"id":492,"sort":32,"type":33,"date_published":9,"date_unpublished":9,"color_text":9,"color_background":9,"category":9,"heading":9,"is_long_heading":28,"summary":9,"link_internal":9,"link":9,"call_to_action":9,"show_search":28,"image":493},1208,{"id":90,"author":91,"title":92,"license":9,"description":9,"license_url":93,"tags":9,"kulturpool_url":9,"location":9,"storage":40,"filename_disk":94,"filename_download":95,"metadata":494,"type":52,"filesize":105,"created_on":106,"modified_by":55,"modified_on":107,"embed":9,"uploaded_by":55,"uploaded_on":108,"folder":58,"width":109,"height":110,"charset":9,"duration":9,"tus_id":9,"tus_data":9,"focal_point_x":111,"focal_point_y":112},{"ifd0":495,"exif":496},{"Make":98,"Model":99},{"FNumber":101,"ExposureTime":102,"FocalLength":103,"ISOSpeedRatings":104},{"id":498,"sort":115,"type":33,"date_published":9,"date_unpublished":9,"color_text":9,"color_background":9,"category":9,"heading":9,"is_long_heading":28,"summary":9,"link_internal":9,"link":9,"call_to_action":9,"show_search":28,"image":499},1209,{"id":117,"author":36,"title":118,"license":119,"description":9,"license_url":93,"tags":9,"kulturpool_url":9,"location":9,"storage":40,"filename_disk":120,"filename_download":121,"metadata":500,"type":52,"filesize":125,"created_on":126,"modified_by":55,"modified_on":127,"embed":9,"uploaded_by":55,"uploaded_on":128,"folder":58,"width":109,"height":129,"charset":9,"duration":9,"tus_id":9,"tus_data":9,"focal_point_x":9,"focal_point_y":9},{"ifd0":501,"exif":502},{"Make":45,"Model":46},{"FNumber":48,"ExposureTime":49,"FocalLength":50,"ISOSpeedRatings":51},{"id":504,"sort":132,"type":33,"date_published":9,"date_unpublished":9,"color_text":9,"color_background":9,"category":9,"heading":9,"is_long_heading":28,"summary":9,"link_internal":9,"link":9,"call_to_action":9,"show_search":28,"image":505},1210,{"id":134,"author":36,"title":135,"license":119,"description":9,"license_url":93,"tags":9,"kulturpool_url":9,"location":9,"storage":40,"filename_disk":136,"filename_download":137,"metadata":506,"type":52,"filesize":144,"created_on":145,"modified_by":55,"modified_on":146,"embed":9,"uploaded_by":55,"uploaded_on":147,"folder":58,"width":109,"height":148,"charset":9,"duration":9,"tus_id":9,"tus_data":9,"focal_point_x":9,"focal_point_y":9},{"ifd0":507,"exif":508},{"Make":45,"Model":46},{"FNumber":48,"ExposureTime":141,"FocalLength":142,"ISOSpeedRatings":143},{"id":510,"sort":48,"type":33,"date_published":9,"date_unpublished":9,"color_text":9,"color_background":9,"category":9,"heading":9,"is_long_heading":28,"summary":9,"link_internal":9,"link":9,"call_to_action":9,"show_search":28,"image":511},1211,{"id":152,"author":91,"title":153,"license":9,"description":9,"license_url":93,"tags":9,"kulturpool_url":9,"location":9,"storage":40,"filename_disk":154,"filename_download":155,"metadata":512,"type":52,"filesize":161,"created_on":162,"modified_by":55,"modified_on":163,"embed":9,"uploaded_by":55,"uploaded_on":164,"folder":58,"width":165,"height":166,"charset":9,"duration":9,"tus_id":9,"tus_data":9,"focal_point_x":9,"focal_point_y":9},{"ifd0":513,"exif":514},{"Make":98,"Model":99},{"FNumber":159,"ExposureTime":141,"FocalLength":103,"ISOSpeedRatings":160},{"id":516,"collection":63,"item":517},2236,{"date_published":9,"date_unpublished":9,"heading_size":74,"heading_tag":66,"type":76,"summary":9,"heading":518,"body":519,"id":520,"is_enabled":27},"Visit to Deep Space 8K at the Ars Electronica Centre","\u003Cp>This was followed by presentations by Saskia Scheltjens, Head of the Research Services Department and Chief Librarian at the Rijksmuseum Research Library in Amsterdam, Maximilian Schich, Professor of Cultural Data Analysis at Tallinn University and Ross Parry, Professor of Museum Technology at the School of Museum Studies at the University of Leicester and Founding Director of the Institute for Digital Culture. The keynotes were complemented by concise lightning talks focussing on current projects.&nbsp;The speakers included Christian Panigl (ACOnet, University of Vienna), Raman Ganguly (PHAIDRA, University of Vienna), Stefan Eichert (bITEM - Beyond the Item, NHM Vienna), Andreas Scheucher and Ilja Slamar (Salzzeit.at), Jonas Glaser (Graz University of Technology) and Markus Wiesenhofer (Art Leap on Roblox, Belvedere Museum Vienna).\u003C\u002Fp>\n\u003Cp>The two-day event was rounded off with a high-calibre panel discussion. A highlight of the first day of the forum was a visit to Deep Space 8K at the Ars Electronica Center, where a programme put together especially for the participants gave them a taste of the multidimensional presentation and processing of cultural heritage data - including an excerpt from the interactive application \"Playing Anton\" and a three-dimensional tour of the pyramids of Giza.\u003C\u002Fp>",1138,{"id":522,"collection":22,"item":523},2237,{"date_published":9,"date_unpublished":9,"aspect_ratio":24,"type":84,"pick_items":9,"id":524,"is_enabled":27,"randomize":9,"row_mode":28,"items":525},707,[526,534,542],{"id":527,"sort":32,"type":180,"date_published":9,"date_unpublished":9,"color_text":10,"color_background":11,"category":9,"heading":528,"is_long_heading":28,"summary":529,"link_internal":9,"link":9,"call_to_action":183,"show_search":28,"image":530},1212,"Impetus for Europe's cultural heritage","At the kick-off event of the Horizon Europe Community Austria, experts presented innovative cloud initiatives for the digital future of science and culture.",{"id":185,"author":36,"title":186,"license":38,"description":9,"license_url":39,"tags":9,"kulturpool_url":9,"location":9,"storage":40,"filename_disk":187,"filename_download":188,"metadata":531,"type":52,"filesize":192,"created_on":193,"modified_by":55,"modified_on":194,"embed":9,"uploaded_by":55,"uploaded_on":195,"folder":58,"width":109,"height":110,"charset":9,"duration":9,"tus_id":9,"tus_data":9,"focal_point_x":9,"focal_point_y":9},{"ifd0":532,"exif":533},{"Make":45,"Model":46},{"FNumber":159,"ExposureTime":49,"FocalLength":50,"ISOSpeedRatings":160},{"id":535,"sort":115,"type":180,"date_published":9,"date_unpublished":9,"color_text":10,"color_background":11,"category":9,"heading":536,"is_long_heading":28,"summary":537,"link_internal":9,"link":9,"call_to_action":183,"show_search":28,"image":538},1213,"From theory to practice","Angela Wieser (FFG) discussed with representatives from libraries, research and technology the many ways in which European data spaces can be used for cultural heritage.",{"id":201,"author":36,"title":9,"license":38,"description":9,"license_url":39,"tags":9,"kulturpool_url":9,"location":9,"storage":40,"filename_disk":202,"filename_download":203,"metadata":539,"type":52,"filesize":208,"created_on":209,"modified_by":55,"modified_on":210,"embed":9,"uploaded_by":55,"uploaded_on":211,"folder":58,"width":212,"height":165,"charset":9,"duration":9,"tus_id":9,"tus_data":9,"focal_point_x":9,"focal_point_y":9},{"ifd0":540,"exif":541},{"Make":45,"Model":46},{"FNumber":159,"ExposureTime":141,"FocalLength":207,"ISOSpeedRatings":160},{"id":543,"sort":132,"type":180,"date_published":9,"date_unpublished":9,"color_text":10,"color_background":11,"category":9,"heading":544,"is_long_heading":28,"summary":545,"link_internal":9,"link":9,"call_to_action":183,"show_search":28,"image":546},1214,"Ideas, concerns and visions at the round table","In the concluding world café format, the participants exchanged their priorities and hopes for the open use of digital cultural data.",{"id":218,"author":36,"title":9,"license":38,"description":9,"license_url":39,"tags":9,"kulturpool_url":9,"location":9,"storage":40,"filename_disk":219,"filename_download":220,"metadata":547,"type":52,"filesize":226,"created_on":227,"modified_by":55,"modified_on":228,"embed":9,"uploaded_by":55,"uploaded_on":229,"folder":58,"width":230,"height":231,"charset":9,"duration":9,"tus_id":9,"tus_data":9,"focal_point_x":9,"focal_point_y":9},{"ifd0":548,"exif":549},{"Make":45,"Model":46},{"FNumber":48,"ExposureTime":49,"FocalLength":224,"ISOSpeedRatings":225},{"id":551,"collection":63,"item":552},2238,{"date_published":9,"date_unpublished":9,"heading_size":74,"heading_tag":66,"type":76,"summary":9,"heading":553,"body":554,"id":555,"is_enabled":27},"Making cultural heritage visible with confidence","\u003Cp>In her welcoming address, Doris Wolfslehner (BMWKMS) emphasised the importance of the Kulturpool for the visibility and accessibility of Austrian cultural heritage. She emphasised the potential of cross-institutional and cross-regional cooperation, which the Kulturpool would like to do more of in its role as a competence centre in the future. \"We are particularly pleased that we are coming to Linz with the Stakeholder Forum 2025 and discussing the question of how innovation is created from data outside of Vienna,\" said Wolfslehner, who thanked the Upper Austrian host. \"The Ars Electronica Center is the place where we must and should talk about digitalisation.\"\u003C\u002Fp>\n\u003Cp>In her welcoming address, Katrin Vohland (NHM Vienna) emphasised that infrastructure is needed for the innovative use of cultural heritage data. \"Culture and critical self-reflection are among our strengths in Europe,\" said Vohland, who argued in favour of increased self-confidence in the cultural sector. Her previous experience with ambitious projects such as the reorganisation of the cultural pool at the Natural History Museum Vienna had shown one thing: in order to create sustainable infrastructures, trust and responsible action are needed in addition to financial resources.\u003C\u002Fp>",1139,{"id":557,"collection":22,"item":558},2239,{"date_published":9,"date_unpublished":9,"aspect_ratio":24,"type":25,"pick_items":9,"id":559,"is_enabled":27,"randomize":9,"row_mode":28,"items":560},708,[561],{"id":562,"sort":32,"type":33,"date_published":9,"date_unpublished":9,"color_text":9,"color_background":9,"category":9,"heading":9,"is_long_heading":28,"summary":9,"link_internal":9,"link":9,"call_to_action":9,"show_search":28,"image":563},1215,{"id":246,"author":36,"title":247,"license":38,"description":9,"license_url":39,"tags":9,"kulturpool_url":9,"location":9,"storage":40,"filename_disk":248,"filename_download":249,"metadata":564,"type":52,"filesize":254,"created_on":255,"modified_by":55,"modified_on":256,"embed":9,"uploaded_by":55,"uploaded_on":257,"folder":58,"width":258,"height":259,"charset":9,"duration":9,"tus_id":9,"tus_data":9,"focal_point_x":260,"focal_point_y":261},{"ifd0":565,"exif":566},{"Make":45,"Model":46},{"FNumber":48,"ExposureTime":49,"FocalLength":253,"ISOSpeedRatings":60},{"id":568,"collection":63,"item":569},2240,{"date_published":9,"date_unpublished":9,"heading_size":74,"heading_tag":66,"type":76,"summary":9,"heading":570,"body":571,"id":572,"is_enabled":27},"\"Data is not neutral.\"","\u003Cp>Museums need to break out of their silos and cooperate more closely - this was the appeal that Saskia Scheltjens made to the participants of the Stakeholder Forum 2025. In her opening presentation, she shared her experiences as Head of the Research Services Department at the Rijksmuseum in Amsterdam. According to Scheltjens, the museum had the courage to undertake a comprehensive reorganisation based on a keen awareness of the value of data. Although the museum's digital transformation began in the 1980s, it was the necessary closure between 2003 and 2013 due to renovation work and pressure from the public and press that accelerated the process. Large-scale digitisation projects followed, and experience with ambitious projects such as the reorganisation of the cultural pool at the Natural History Museum Vienna showed one thing: in addition to financial resources, trust and responsible action are needed above all to make infrastructures sustainable.\u003C\u002Fp>",1140,{"id":574,"collection":63,"item":575},2241,{"date_published":9,"date_unpublished":9,"heading_size":74,"heading_tag":66,"type":271,"summary":272,"heading":576,"body":9,"id":577,"is_enabled":27},"Digitisation is part of a larger development that affects an organisation as a whole.\n",1141,{"id":579,"collection":63,"item":580},2242,{"date_published":9,"date_unpublished":9,"heading_size":74,"heading_tag":66,"type":76,"summary":9,"heading":9,"body":581,"id":582,"is_enabled":27},"\u003Cmain class=\"main-content svelte-1ov4826\">\n\u003Cdiv class=\"main-content svelte-1kwuhj\">\n\u003Cdiv class=\"content-container svelte-1kwuhj\">\n\u003Cdiv class=\"translator-container svelte-1o4xy6w\" data-testid=\"side-panel-translator\">\n\u003Cdiv class=\"output-area svelte-f1iv6z\" dir=\"ltr\" data-testid=\"side-panel-output\">In 2011, the Rijksmuseum opened up a large part of its online collection under an open licence, making it a pioneer in the field of open data, reported Scheltjens. The data strategy aimed to seamlessly connect the collection and the public, with transparency in the data process becoming increasingly important. With the rise of social media and the COVID pandemic, the focus is currently increasingly on the question of how digital collections can benefit research and the public. Scheltjens is convinced that the amount and variety of data is increasing, which means that museums must also adopt a more differentiated approach to the topic of open data.\u003C\u002Fdiv>\n\u003Cdiv class=\"output-area svelte-f1iv6z\" dir=\"ltr\" data-testid=\"side-panel-output\">&nbsp;\u003C\u002Fdiv>\n\u003Cdiv class=\"output-area svelte-f1iv6z\" dir=\"ltr\" data-testid=\"side-panel-output\">The idea behind this is to move from an open\u002Fclosed dichotomy to a fair approach to data. A \"post-digital strategy\" of this kind must aim to handle data as openly as possible, while taking into account necessary restrictions, for example in the case of sensitive and problematic content. \"Museums are not neutral, and neither are technologies, digitalisation or data,\" emphasised Scheltjens. They need to take a critical look at how the digitised objects are presented, which terms are used and what contextualisation is necessary in order to put data into a meaningful context and promote its subsequent use.\u003C\u002Fdiv>\n\u003C\u002Fdiv>\n\u003C\u002Fdiv>\n\u003C\u002Fdiv>\n\u003C\u002Fmain>",1142,{"id":584,"collection":22,"item":585},2297,{"date_published":9,"date_unpublished":9,"aspect_ratio":24,"type":84,"pick_items":9,"id":586,"is_enabled":27,"randomize":9,"row_mode":28,"items":587},726,[588,596,604],{"id":589,"sort":32,"type":180,"date_published":9,"date_unpublished":9,"color_text":10,"color_background":11,"category":9,"heading":590,"is_long_heading":28,"summary":591,"link_internal":9,"link":9,"call_to_action":183,"show_search":28,"image":592},1239,"Museums, get out of your silos!","Saskia Scheltjens (Rijksmuseum):",{"id":290,"author":9,"title":9,"license":9,"description":9,"license_url":9,"tags":9,"kulturpool_url":9,"location":9,"storage":40,"filename_disk":291,"filename_download":292,"metadata":593,"type":52,"filesize":296,"created_on":297,"modified_by":55,"modified_on":298,"embed":9,"uploaded_by":55,"uploaded_on":299,"folder":58,"width":109,"height":129,"charset":9,"duration":9,"tus_id":9,"tus_data":9,"focal_point_x":9,"focal_point_y":9},{"ifd0":594,"exif":595},{"Make":45,"Model":46},{"FNumber":48,"ExposureTime":49,"FocalLength":253,"ISOSpeedRatings":60},{"id":597,"sort":115,"type":180,"date_published":9,"date_unpublished":9,"color_text":10,"color_background":11,"category":9,"heading":598,"is_long_heading":28,"summary":599,"link_internal":9,"link":9,"call_to_action":183,"show_search":28,"image":600},1240,"Analysing data across all scientific disciplines!","Maximilian Schich (Tallinn University):",{"id":305,"author":36,"title":9,"license":38,"description":9,"license_url":39,"tags":9,"kulturpool_url":9,"location":9,"storage":40,"filename_disk":306,"filename_download":307,"metadata":601,"type":52,"filesize":312,"created_on":313,"modified_by":55,"modified_on":314,"embed":9,"uploaded_by":55,"uploaded_on":315,"folder":58,"width":109,"height":129,"charset":9,"duration":9,"tus_id":9,"tus_data":9,"focal_point_x":9,"focal_point_y":9},{"ifd0":602,"exif":603},{"Make":45,"Model":46},{"FNumber":48,"ExposureTime":49,"FocalLength":311,"ISOSpeedRatings":143},{"id":605,"sort":132,"type":180,"date_published":9,"date_unpublished":9,"color_text":10,"color_background":11,"category":9,"heading":606,"is_long_heading":28,"summary":607,"link_internal":9,"link":9,"call_to_action":183,"show_search":28,"image":608},1241,"Think holistically when creating digital infrastructures!","Ross Parry (University of Leicester):",{"id":321,"author":36,"title":9,"license":38,"description":322,"license_url":39,"tags":9,"kulturpool_url":9,"location":9,"storage":40,"filename_disk":323,"filename_download":324,"metadata":609,"type":52,"filesize":329,"created_on":330,"modified_by":55,"modified_on":331,"embed":9,"uploaded_by":55,"uploaded_on":332,"folder":58,"width":109,"height":110,"charset":9,"duration":9,"tus_id":9,"tus_data":9,"focal_point_x":9,"focal_point_y":9},{"ifd0":610,"exif":611},{"Make":45,"Model":46},{"FNumber":48,"ExposureTime":141,"FocalLength":328,"ISOSpeedRatings":51},{"id":613,"collection":63,"item":614},2298,{"date_published":9,"date_unpublished":9,"heading_size":74,"heading_tag":66,"type":76,"summary":9,"heading":615,"body":616,"id":617,"is_enabled":27},"Museums in the post-digital world","\u003Cp>Day two of the forum started with a focus on infrastructure. Ross Parry (University of Leicester) shared his experiences in creating digital infrastructures for museums based on a \"holistic view\". Digital and analogue can no longer be considered separately, which is why content, infrastructure and user experiences must be thought of and addressed as hybrid. Parry is convinced that museums have the task of making cultural heritage accessible and tangible for as many people as possible. Diversity in the digital age means understanding the different senses and subjective approaches of visitors and - using digital means - taking them into account for the museum experience.\u003C\u002Fp>",1172,{"id":619,"collection":63,"item":620},2299,{"date_published":9,"date_unpublished":9,"heading_size":74,"heading_tag":66,"type":271,"summary":342,"heading":621,"body":9,"id":622,"is_enabled":27},"In the post-digital age, vision sets the direction, leadership brings change, processes enable change - and people drive innovation.",1173,{"id":624,"collection":63,"item":625},2300,{"date_published":9,"date_unpublished":9,"heading_size":74,"heading_tag":66,"type":76,"summary":9,"heading":626,"body":627,"id":150,"is_enabled":27},"Make innovation visible","\u003Cp>Two lightning talks by the University of Vienna on &ldquo;ACOnet&rdquo; (Christian Panigl) and &ldquo;Phaidra&rdquo; (Raman Ganguly) showed the developments that infrastructures have undergone in recent decades. The focus on &ldquo;Re-use&rdquo; was introduced by a lecture by Maximilian Schich (University of Tallinn). Under the title &ldquo;Who is afraid of cultural data analysis?&rdquo;, Schich made a plea for interdisciplinary research and work. &ldquo;We need analysis across all academic disciplines,&rdquo; said Schich, who also offered insights into different examples and potentials of data-based analysis. Networks, spaces of meaning and patterns can only be recognized when data is harmonized and made accessible. &ldquo;You determine what goes into the database,&rdquo; Schich appealed to the audience, &rdquo;but this then results in something that we have to measure.&rdquo;\u003C\u002Fp>\n\u003Cp>In his lightning talk, Stefan Eichert (NHM Vienna) presented the open source development &ldquo;Beyond the item&rdquo; (bitem.at), which links objects, people and places for innovative storytelling and presents them in an attractive way. Markus Wiesenhofer (Belvedere Vienna), who presented the new Roblox game &ldquo;Art Leap&rdquo;, showed how young people's interest in cultural heritage can be awakened. Andreas Scheucher (Scenomedia Gesmbh) and Ilja Slamar (Iljafilm) presented the virtual museum for the Salzkammergut (salzzeit.at) in their talk. Jonas Glaser (TU Graz) gave insights into his bachelor thesis, in the course of which he linked gamification elements with Kulturpool data.&nbsp;\u003C\u002Fp>\n\u003Cp>&nbsp;\u003C\u002Fp>",{"id":629,"collection":22,"item":630},2301,{"date_published":9,"date_unpublished":9,"aspect_ratio":83,"type":25,"pick_items":9,"id":631,"is_enabled":27,"randomize":9,"row_mode":28,"items":632},727,[633,639,645],{"id":634,"sort":32,"type":33,"date_published":9,"date_unpublished":9,"color_text":9,"color_background":9,"category":9,"heading":9,"is_long_heading":28,"summary":9,"link_internal":9,"link":9,"call_to_action":9,"show_search":28,"image":635},1242,{"id":358,"author":36,"title":9,"license":38,"description":9,"license_url":93,"tags":9,"kulturpool_url":9,"location":9,"storage":40,"filename_disk":359,"filename_download":360,"metadata":636,"type":52,"filesize":366,"created_on":367,"modified_by":55,"modified_on":368,"embed":9,"uploaded_by":55,"uploaded_on":369,"folder":58,"width":109,"height":129,"charset":9,"duration":9,"tus_id":9,"tus_data":9,"focal_point_x":9,"focal_point_y":9},{"ifd0":637,"exif":638},{"Make":45,"Model":46},{"FNumber":48,"ExposureTime":49,"FocalLength":364,"ISOSpeedRatings":365},{"id":640,"sort":115,"type":33,"date_published":9,"date_unpublished":9,"color_text":9,"color_background":9,"category":9,"heading":9,"is_long_heading":28,"summary":9,"link_internal":9,"link":9,"call_to_action":9,"show_search":28,"image":641},1243,{"id":373,"author":36,"title":9,"license":38,"description":9,"license_url":93,"tags":9,"kulturpool_url":9,"location":9,"storage":40,"filename_disk":374,"filename_download":375,"metadata":642,"type":52,"filesize":380,"created_on":381,"modified_by":55,"modified_on":382,"embed":9,"uploaded_by":55,"uploaded_on":383,"folder":58,"width":109,"height":110,"charset":9,"duration":9,"tus_id":9,"tus_data":9,"focal_point_x":9,"focal_point_y":9},{"ifd0":643,"exif":644},{"Make":45,"Model":46},{"FNumber":159,"ExposureTime":49,"FocalLength":379,"ISOSpeedRatings":165},{"id":646,"sort":132,"type":33,"date_published":9,"date_unpublished":9,"color_text":9,"color_background":9,"category":9,"heading":9,"is_long_heading":28,"summary":9,"link_internal":9,"link":9,"call_to_action":9,"show_search":28,"image":647},1244,{"id":387,"author":36,"title":9,"license":38,"description":9,"license_url":39,"tags":9,"kulturpool_url":9,"location":9,"storage":40,"filename_disk":388,"filename_download":389,"metadata":648,"type":52,"filesize":394,"created_on":395,"modified_by":55,"modified_on":396,"embed":9,"uploaded_by":55,"uploaded_on":397,"folder":58,"width":109,"height":129,"charset":9,"duration":9,"tus_id":9,"tus_data":9,"focal_point_x":9,"focal_point_y":9},{"ifd0":649,"exif":650},{"Make":45,"Model":46},{"FNumber":48,"ExposureTime":49,"FocalLength":393,"ISOSpeedRatings":160},{"id":652,"collection":63,"item":653},2302,{"date_published":9,"date_unpublished":9,"heading_size":74,"heading_tag":66,"type":76,"summary":9,"heading":654,"body":655,"id":31,"is_enabled":27},"More than data, but how?","\u003Cp>At the panel discussion &ldquo;More than Data. New Approaches to Reuse, Infrastructure and Innovation&rdquo;, speakers Scheltjens, Parry, Panigl and Schich, together with computer science professor Johanna Pirker (Graz University of Technology), explored the question of how innovation in the cultural heritage sector can be driven forward and what is needed to specifically promote creative projects with cultural data. &nbsp;\u003C\u002Fp>\n\u003Cp>The participants agreed that museums need to think beyond simply collecting data: It's about giving users real opportunities for action and promoting innovation through sharing. Technical infrastructure such as the internet and computing capacities are important, but so are physical spaces for encounters and discussions.\u003C\u002Fp>\n\u003Cp>Sustainable communities from the fields of IT, mediation, various scientific disciplines and the arts are crucial, as are long-term funding models. Inspired by the challenge from moderator Doris Wolfslehner (BMWKMS), the panel concluded with recommendations for cultural heritage institutions: It was central to encourage employees to learn about technologies and how to handle sensitive content, to push interdisciplinary collaboration and, last but not least, to ensure that data is made as easily accessible and citable as possible when it comes to digitization. All of this would ultimately lead to innovative uses (i.e. &ldquo;more than data&rdquo;). Or to paraphrase Ross Parry, who summed up the path to innovation in his presentation: In the post-digital age, vision sets the direction, leadership brings change, processes enable change - and people drive innovation.\u003C\u002Fp>",{"id":657,"collection":63,"item":658},2303,{"date_published":9,"date_unpublished":9,"heading_size":74,"heading_tag":66,"type":271,"summary":659,"heading":660,"body":9,"id":661,"is_enabled":27},"The Stakeholder Forum 2025 impressively demonstrated how diverse the perspectives of this year's focus topic are. Looking beyond the national and European horizons also made it clear that issues of visualization and, not least, the digital preservation of cultural heritage are highly topical and relevant for society. 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