[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"content-the-3d-reconstruction-of-the-heidentor":3},[4],{"id":5,"sort":6,"status":7,"category":6,"date_published":8,"date_unpublished":8,"color_text":9,"color_background":10,"translations":11,"visibilities":514,"seo":517},67,6,"published",null,"#3CFF00","#977631",[12,344],{"languages_code":13,"title":14,"slug":15,"summary":16,"id":17,"items":18},"de","Die 3D-Rekonstruktion des Heidentors","die-3d-rekonstruktion-des-heidentors","Neu und alt kommen hier zusammen: In diesem 3D-Modell wird rekonstruiert, wie das Heidentor vor 2.000 Jahren ausgesehen haben könnte.",120,[19,53,62,69,77,84,109,115,137,143,150,171,177,217,222,243,334],{"id":20,"collection":21,"item":22},589,"block_slider",{"date_published":8,"date_unpublished":8,"aspect_ratio":23,"type":24,"pick_items":8,"id":25,"is_enabled":26,"randomize":8,"row_mode":27,"items":28},"3\u002F1","full-width",143,true,false,[29],{"id":30,"sort":31,"type":32,"date_published":8,"date_unpublished":8,"color_text":8,"color_background":8,"category":8,"heading":8,"is_long_heading":27,"summary":8,"link_internal":8,"link":8,"call_to_action":8,"show_search":27,"image":33},208,1,"image",{"id":34,"author":35,"title":36,"license":37,"description":8,"license_url":38,"tags":8,"kulturpool_url":8,"location":8,"storage":39,"filename_disk":40,"filename_download":41,"metadata":42,"type":43,"filesize":44,"created_on":45,"modified_by":46,"modified_on":47,"embed":8,"uploaded_by":46,"uploaded_on":45,"folder":48,"width":49,"height":50,"charset":8,"duration":8,"tus_id":8,"tus_data":8,"focal_point_x":51,"focal_point_y":52},"a837843b-1d90-4c7d-ac98-ee0e4037f96a","Landessammlungen Niederösterreich","Technisches Zeichnen der Apsiden in den Nischen der Attikazone","In Copyright","https:\u002F\u002Frightsstatements.org\u002Fvocab\u002FInC\u002F1.0\u002F","local","a837843b-1d90-4c7d-ac98-ee0e4037f96a.jpg","Heidentor-05-Technisches Zeichnen der Apsiden in den Nischen der Attikazone.jpg",{},"image\u002Fjpeg","292265","2024-05-07T12:00:49.139Z","0a24dc37-1467-4bcd-8eb1-95c78a0c200c","2024-06-06T09:22:32.308Z","cc95a4fd-af2e-45c9-82ff-facb35becf00",3288,1843,1631,1052,{"id":54,"collection":55,"item":56},590,"block_text",{"date_published":8,"date_unpublished":8,"heading_size":57,"heading_tag":58,"type":59,"summary":8,"heading":14,"body":60,"id":61,"is_enabled":26},"large","h2","center","\u003Cp>\u003Cstrong>Die originalgetreue Nachbildung des Heidentors, wie es im 4. Jhdt. n. Chr. erschaffen wurde\u003C\u002Fstrong>\u003C\u002Fp>",312,{"id":63,"collection":55,"item":64},600,{"date_published":8,"date_unpublished":8,"heading_size":65,"heading_tag":58,"type":66,"summary":8,"heading":8,"body":67,"id":68,"is_enabled":26},"normal","standard","\u003Cp>Im Rahmen des Projekts „\u003Ca href=\"https:\u002F\u002Fpro.europeana.eu\u002Fpage\u002Ftwin-it-3d-for-europe-s-culture\" target=\"_blank\" rel=\"noopener\">Twin it! – 3D for Europe’s culture\u003C\u002Fa>“ digitalisierten die \u003Ca title=\"Landessammlungen Niederösterreich\" href=\"https:\u002F\u002Fwww.landessammlungen-noe.at\u002Fen\u002Fhome.html\" target=\"_blank\" rel=\"noopener\">Landessammlungen Niederösterreich\u003C\u002Fa> das Heidentor von Carnuntum als Symbol des römischen Österreichs in 3D. Neben der heutigen Ansicht wurde auf Basis von historischen Ansichten und wissenschaftlichen Kenntnissen auch eine Rekonstruktion des Heidentors erstellt, wie es zu seiner Entstehungszeit im 4. Jahrhundert ausgesehen haben könnte.\u003C\u002Fp>",318,{"id":70,"collection":71,"item":72},592,"block_embed",{"date_unpublished":8,"date_published":8,"aspect_ratio":73,"link":8,"type":74,"code":75,"max_width":8,"id":76,"is_enabled":26,"file":8},"2\u002F1","iframe","\u003Cdiv class=\"sketchfab-embed-wrapper\"> \u003Ciframe title=\"Reconstruction of the Heidentor\" frameborder=\"0\" allowfullscreen mozallowfullscreen=\"true\" webkitallowfullscreen=\"true\" allow=\"autoplay; fullscreen; xr-spatial-tracking\" xr-spatial-tracking execution-while-out-of-viewport execution-while-not-rendered web-share src=\"https:\u002F\u002Fsketchfab.com\u002Fmodels\u002F22205a58cf704a78af0e9ce644d06436\u002Fembed?ui_infos=0&ui_watermark_link=0&ui_watermark=0\"> \u003C\u002Fiframe> \u003Cp style=\"font-size: 0.9em; text-align: center; font-weight: normal; margin: 5px;\"> Rekonstruktion des Heidentors der \u003Ca href=\"https:\u002F\u002Fsketchfab.com\u002Fwww.noe-3d.at?utm_medium=embed&utm_campaign=share-popup&utm_content=22205a58cf704a78af0e9ce644d06436\" target=\"_blank\" rel=\"nofollow\"> Landessammlungen Niederösterreich \u003C\u002Fa> auf \u003Ca href=\"https:\u002F\u002Fsketchfab.com\u002F3d-models\u002Freconstruction-of-the-heidentor-22205a58cf704a78af0e9ce644d06436?utm_medium=embed&utm_campaign=share-popup&utm_content=22205a58cf704a78af0e9ce644d064366\" target=\"_blank\" rel=\"nofollow\">Sketchfab\u003C\u002Fa> und im \u003Ca href=\"\u002Finstitutionen\u002Flandessammlungen-noe\u002FHeidentor-02\">Kulturpool\u003C\u002Fa>.\u003C\u002Fp>\u003C\u002Fdiv>",40,{"id":78,"collection":55,"item":79},593,{"date_published":8,"date_unpublished":8,"heading_size":65,"heading_tag":58,"type":80,"summary":8,"heading":81,"body":82,"id":83,"is_enabled":26},"two-cols","Der Quadrifrons und seine Materialien","\u003Cp>Das Heidentor war ursprünglich ein sogenannter Quadrifrons, ein Bau mit vier Pfeilern, die durch vier Torbögen verbunden sind. In der Mitte steht bis heute ein massiv gebauter runder Sockel, auf dem sich in antiker Zeit wahrscheinlich eine lebensgroße Statue des Kaisers befunden hat. \u003C\u002Fp>\n\u003Cp>Das Heidentor wurde in der römischen Spätantike erbaut, vermutlich in der Regierungszeit von Kaiser Constantius II (351–361 n. Chr.). Es hatte eine Seitenlänge und eine Höhe von etwa 14,5 m. Oberhalb der Bögen befand sich die Attikazone mit Säulen, Konsolen und Skulpturen aus Marmor und Inschriftenfeldern über den Bögen.\u003C\u002Fp>\n\u003Cp>Der Kern der vier Pfeiler bestand aus römischem Gussmörtel und Bruchsteinen, die Außenschale aus großen Werksteinen und Ziegelmauerwerk. \u003C\u002Fp>\n\u003Cp>Der Dachabschluss wurde im aktuellen 3D-Modell der Rekonstruktion pyramidal ausgestaltet. Bereits im Jahr 1769 wurde durch Matthias Fuhrmann ein Flachdach mit Figurenbekrönung als Möglichkeit in Betracht gezogen.\u003C\u002Fp>",314,{"id":85,"collection":21,"item":86},594,{"date_published":8,"date_unpublished":8,"aspect_ratio":87,"type":88,"pick_items":8,"id":89,"is_enabled":26,"randomize":8,"row_mode":27,"items":90},"1\u002F1","small",144,[91],{"id":92,"sort":31,"type":32,"date_published":8,"date_unpublished":8,"color_text":8,"color_background":8,"category":8,"heading":93,"is_long_heading":27,"summary":8,"link_internal":8,"link":8,"call_to_action":8,"show_search":27,"image":94},201,"Im Jahr 1769 hielt Matthias Fuhrmann ein Flachdach mit Figurenbekrönung als originales Dach für wahrscheinlich.",{"id":95,"author":96,"title":97,"license":37,"description":8,"license_url":38,"tags":8,"kulturpool_url":8,"location":8,"storage":39,"filename_disk":98,"filename_download":99,"metadata":100,"type":101,"filesize":102,"created_on":103,"modified_by":46,"modified_on":104,"embed":8,"uploaded_by":46,"uploaded_on":103,"folder":48,"width":105,"height":106,"charset":8,"duration":8,"tus_id":8,"tus_data":8,"focal_point_x":107,"focal_point_y":108},"044bd6d7-83e2-4b89-b033-f3d9aaece78a","Landessammlungen Niederösterreich. Quelle der Abbildung (Ausschnitt): Fuhrmann Matthias, Allgemeine Kirchen- und Weltgeschichte von Oesterreich (Wien 1769), Tabula VI b, S. 705.","Heidentor: Fuhrmann Rekonstruktion von 1769","044bd6d7-83e2-4b89-b033-f3d9aaece78a.png","Heidentor-01-Fuhrmann_Rekonstruktion_1769.png",{},"image\u002Fpng","285219","2024-05-07T11:37:58.744Z","2024-05-07T15:33:05.978Z",504,643,246,193,{"id":110,"collection":55,"item":111},595,{"date_published":8,"date_unpublished":8,"heading_size":65,"heading_tag":58,"type":80,"summary":8,"heading":112,"body":113,"id":114,"is_enabled":26},"Pyramiden- oder Flachdach?","\u003Cp>Nachdem Josef Dell im Jahr 1904 ein hoch aufragendes Pyramidendach rekonstruiert hatte, wurde in den 80er-Jahren des 20. Jahrhunderts wieder eher ein Flachdach in Erwägung gezogen. Später teilte man weiterhin diese Überlegung, jedoch könnte auch ein flach geneigtes Dach möglich gewesen sein.\u003C\u002Fp>",315,{"id":116,"collection":21,"item":117},598,{"date_published":8,"date_unpublished":8,"aspect_ratio":87,"type":88,"pick_items":8,"id":118,"is_enabled":26,"randomize":8,"row_mode":27,"items":119},145,[120],{"id":121,"sort":31,"type":32,"date_published":8,"date_unpublished":8,"color_text":8,"color_background":8,"category":8,"heading":122,"is_long_heading":27,"summary":8,"link_internal":8,"link":8,"call_to_action":8,"show_search":27,"image":123},202,"Joseph Dell zeichnete 1904 ein Pyramidendach für das Heidentor.",{"id":124,"author":125,"title":126,"license":37,"description":8,"license_url":38,"tags":8,"kulturpool_url":8,"location":8,"storage":39,"filename_disk":127,"filename_download":128,"metadata":129,"type":43,"filesize":130,"created_on":131,"modified_by":46,"modified_on":132,"embed":8,"uploaded_by":46,"uploaded_on":131,"folder":48,"width":133,"height":134,"charset":8,"duration":8,"tus_id":8,"tus_data":8,"focal_point_x":135,"focal_point_y":136},"233437ba-b71d-4eb7-8ab0-b02e71bcad15","Landessammlungen Niederösterreich, Quelle der Abbildung: Josef Dell, Führer durch Carnuntum, Wien 1904, Abb. 141","Dachrekonstruktion 1904 von Josef Dell","233437ba-b71d-4eb7-8ab0-b02e71bcad15.jpg","Heidentor-02-Rekonstruktion-Heidentor_Dell-03.jpg",{},"534697","2024-05-07T11:46:16.736Z","2024-05-27T10:16:44.512Z",1148,1434,218,299,{"id":138,"collection":55,"item":139},599,{"date_published":8,"date_unpublished":8,"heading_size":65,"heading_tag":58,"type":80,"summary":8,"heading":140,"body":141,"id":142,"is_enabled":26},"Der Figurensockel und Marmorfiguren","\u003Cp>In der Mitte der Torbögen stand ein Figurensockel, der vermutlich eine goldene oder vergoldete überlebensgroße Kaiserstatue trug. Aufgrund der Zeitstellung wird es sich bei der Kaiserstatue vermutlich um Constantius II gehandelt haben. Die goldene Kaiserstatue auf dem Rundsockel wurde für die 3D-Rekonstruktion des Heidentors eigens erstellt und soll einen Eindruck davon vermitteln, wie die Statue in der Gesamtansicht aussehen hätte können.\u003C\u002Fp>\n\u003Cp>Das Kreuzgewölbe in der Mitte der Bogendurchgänge war verputzt und mit Wandmalerei geschmückt. \u003C\u002Fp>\n\u003Cp>In den Nischen der Attikazone standen Marmorfiguren, worauf einige Fragmente aus dem Fundmaterial hinweisen. Bis auf einige stark fragmentierte Inschriftenreste waren die Figurenfragmente die einzigen Hinweise auf die Verwendung von Marmor.\u003C\u002Fp>",317,{"id":144,"collection":55,"item":145},608,{"date_published":8,"date_unpublished":8,"heading_size":65,"heading_tag":58,"type":146,"summary":147,"heading":148,"body":8,"id":149,"is_enabled":26},"quote","Eine Attikazone ist ein architektonisches Element in Bauwerken aus der Römerzeit, das als erhabener, dekorativer Mauerabschluss oberhalb des Hauptfassade dient. Bei Bauwerken wie dem Heidentor diente die Attika häufig dazu, die Struktur optisch zu erhöhen und wurde oft mit Reliefs und Inschriften verziert, die symbolische oder dekorative Bedeutung hatten.","Was ist eine Attikazone?",322,{"id":151,"collection":21,"item":152},601,{"date_published":8,"date_unpublished":8,"aspect_ratio":73,"type":88,"pick_items":8,"id":153,"is_enabled":26,"randomize":8,"row_mode":27,"items":154},146,[155],{"id":156,"sort":31,"type":32,"date_published":8,"date_unpublished":8,"color_text":8,"color_background":8,"category":8,"heading":157,"is_long_heading":27,"summary":8,"link_internal":8,"link":8,"call_to_action":8,"show_search":27,"image":158},203,"Marmorfragment aus der Attika mit der Darstellung eines abgewinkelten Armes einer Figur und Teile eines Mantels.",{"id":159,"author":35,"title":160,"license":37,"description":8,"license_url":38,"tags":8,"kulturpool_url":8,"location":8,"storage":39,"filename_disk":161,"filename_download":162,"metadata":163,"type":101,"filesize":164,"created_on":165,"modified_by":46,"modified_on":166,"embed":8,"uploaded_by":46,"uploaded_on":165,"folder":48,"width":167,"height":168,"charset":8,"duration":8,"tus_id":8,"tus_data":8,"focal_point_x":169,"focal_point_y":170},"89ac93a0-9964-47b1-a746-5708f058ca7a","Abgewinkelter Arm mit Mantelfragment, Inventarnummer 36\u002F98-I","89ac93a0-9964-47b1-a746-5708f058ca7a.png","Heidentor-03-Marmorfragment_Heidentor_InvNr3698_I.png",{},"393350","2024-05-07T11:53:20.182Z","2024-05-07T15:39:03.937Z",340,496,175,152,{"id":172,"collection":55,"item":173},602,{"date_published":8,"date_unpublished":8,"heading_size":65,"heading_tag":58,"type":80,"summary":8,"heading":174,"body":175,"id":176,"is_enabled":26},"Das gezeichnete 3D-Modell","\u003Cp>Um aus einer 2D-Vorlage ein 3D-Modell zu gestalten, werden die Bauteile in einem aufwendigen Zeichenprozess digital gestaltet und einzeln in das Modell eingesetzt. Hierfür war eine enge Abstimmung zwischen technischem Zeichner und Archäologen notwendig, um besonders die Oberflächenstruktur, die Attikazone, die Dachgestaltung oder auch die Gesimse bestmöglich darzustellen und mit dem aktuellen Forschungsstand in der Rekonstruktion des römischen Modells auszuführen. \u003C\u002Fp>",319,{"id":178,"collection":21,"item":179},603,{"date_published":8,"date_unpublished":8,"aspect_ratio":73,"type":88,"pick_items":8,"id":180,"is_enabled":26,"randomize":8,"row_mode":26,"items":181},147,[182,187,202],{"id":183,"sort":31,"type":32,"date_published":8,"date_unpublished":8,"color_text":8,"color_background":8,"category":8,"heading":184,"is_long_heading":27,"summary":8,"link_internal":8,"link":8,"call_to_action":8,"show_search":27,"image":185},204,"Apsidengestaltung der Attikazone. Querschnitt.",{"id":34,"author":35,"title":36,"license":37,"description":8,"license_url":38,"tags":8,"kulturpool_url":8,"location":8,"storage":39,"filename_disk":40,"filename_download":41,"metadata":186,"type":43,"filesize":44,"created_on":45,"modified_by":46,"modified_on":47,"embed":8,"uploaded_by":46,"uploaded_on":45,"folder":48,"width":49,"height":50,"charset":8,"duration":8,"tus_id":8,"tus_data":8,"focal_point_x":51,"focal_point_y":52},{},{"id":188,"sort":189,"type":32,"date_published":8,"date_unpublished":8,"color_text":8,"color_background":8,"category":8,"heading":190,"is_long_heading":27,"summary":8,"link_internal":8,"link":8,"call_to_action":8,"show_search":27,"image":191},205,2,"Apsidengestaltung der Attikazone. Einsetzen der Bögen.",{"id":192,"author":35,"title":193,"license":37,"description":8,"license_url":38,"tags":8,"kulturpool_url":8,"location":8,"storage":39,"filename_disk":194,"filename_download":195,"metadata":196,"type":43,"filesize":197,"created_on":198,"modified_by":46,"modified_on":199,"embed":8,"uploaded_by":46,"uploaded_on":198,"folder":48,"width":200,"height":201,"charset":8,"duration":8,"tus_id":8,"tus_data":8,"focal_point_x":8,"focal_point_y":8},"fee70437-8e4c-4346-8350-b2cf0c9a9420","Heidentor: Technisches Zeichnen der Nischen der Attikazone","fee70437-8e4c-4346-8350-b2cf0c9a9420.jpg","Heidentor-06-Technisches Zeichnen der Nischen der Attikazone.jpg",{},"426778","2024-05-07T12:00:58.604Z","2024-05-13T14:55:41.573Z",3299,1857,{"id":203,"sort":204,"type":32,"date_published":8,"date_unpublished":8,"color_text":8,"color_background":8,"category":8,"heading":205,"is_long_heading":27,"summary":8,"link_internal":8,"link":8,"call_to_action":8,"show_search":27,"image":206},206,3,"Einsetzen der einzelnen Steine der Verkleidung.",{"id":207,"author":35,"title":208,"license":37,"description":8,"license_url":38,"tags":8,"kulturpool_url":8,"location":8,"storage":39,"filename_disk":209,"filename_download":210,"metadata":211,"type":43,"filesize":212,"created_on":213,"modified_by":46,"modified_on":214,"embed":8,"uploaded_by":46,"uploaded_on":213,"folder":48,"width":215,"height":216,"charset":8,"duration":8,"tus_id":8,"tus_data":8,"focal_point_x":8,"focal_point_y":8},"2eddd512-2a4a-4cf2-8d5f-9be906769a6e","Heidentor: Einsetzen der einzelnen Steine der Verkleidung","2eddd512-2a4a-4cf2-8d5f-9be906769a6e.jpg","Heidentor-07-Einsetzen der einzelnen Steine der Verkleidung.jpg",{},"212014","2024-05-07T12:01:06.559Z","2024-05-13T14:55:41.579Z",3296,1856,{"id":218,"collection":55,"item":219},606,{"date_published":8,"date_unpublished":8,"heading_size":65,"heading_tag":58,"type":59,"summary":8,"heading":220,"body":8,"id":221,"is_enabled":26},"Weiterführende Links",321,{"id":223,"collection":224,"item":225},607,"block_links",{"date_published":8,"date_unpublished":8,"type":66,"items":226,"summary":8,"heading":8,"id":242,"is_enabled":26},[227,232,237],{"heading":228,"summary":229,"link":230,"call_to_action":231},"Twin it!","Kampagne von Europeana","https:\u002F\u002Ftwinit3d.europeana.eu\u002F","twinit3d.europeana.eu",{"heading":233,"summary":234,"link":235,"call_to_action":236},"Online-Sammlung","Die Online-Sammlung der Landessammlungen Niederösterreich","https:\u002F\u002Fwww.online.landessammlungen-noe.at\u002F","landessammlungen-noe.at",{"heading":238,"summary":239,"link":240,"call_to_action":241},"Werner Jobst","Das Heidentor von Carnuntum (2001)","https:\u002F\u002Fverlag.oeaw.ac.at\u002Fprodukt\u002Fdas-heidentor-von-carnuntum\u002F600118","zur Publikation",105,{"id":244,"collection":21,"item":245},666,{"date_published":8,"date_unpublished":8,"aspect_ratio":23,"type":66,"pick_items":8,"id":246,"is_enabled":26,"randomize":8,"row_mode":27,"items":247},171,[248,271,294,314],{"id":249,"sort":31,"type":250,"date_published":8,"date_unpublished":8,"color_text":9,"color_background":10,"category":251,"heading":252,"is_long_heading":27,"summary":253,"link_internal":8,"link":254,"call_to_action":255,"show_search":27,"image":256},238,"image-text","Die Kampagne „Twin it!“","Das Heidentor in 3D","Wie digitalisiert man ein Monument? In der Kampagne „Twin it!“ werden neue 3D-Digitalisierungen von bekannten und gefährdeten Kulturdenkmälern aus ganz Europa vorgestellt.","\u002Finhalte\u002Fdie-europaeische-kampagne-twin-it-zur-3d-digitalisierung","Artikel lesen",{"id":257,"author":258,"title":259,"license":260,"description":8,"license_url":261,"tags":8,"kulturpool_url":262,"location":8,"storage":39,"filename_disk":263,"filename_download":264,"metadata":265,"type":43,"filesize":266,"created_on":267,"modified_by":46,"modified_on":268,"embed":8,"uploaded_by":46,"uploaded_on":267,"folder":48,"width":269,"height":270,"charset":8,"duration":8,"tus_id":8,"tus_data":8,"focal_point_x":8,"focal_point_y":8},"0a836fd2-d4f8-4e4b-ab56-241be6347ab4","Birgit und Peter Kainz, Wien Museum","Wien Umgebung - NÖ - Petronell-Carnuntum - Tetrapylon \u002F sog. Heidentor","CC0","https:\u002F\u002Fcreativecommons.org\u002Fpublicdomain\u002Fzero\u002F1.0\u002F","https:\u002F\u002Fkulturpool.at\u002Finstitutionen\u002Fwien-museum\u002F157186%252F16","0a836fd2-d4f8-4e4b-ab56-241be6347ab4.jpg","heidentor-91c.jpg",{},"537168","2024-05-07T15:54:58.148Z","2024-06-06T11:23:52.255Z",1674,1483,{"id":272,"sort":189,"type":250,"date_published":8,"date_unpublished":8,"color_text":273,"color_background":274,"category":251,"heading":275,"is_long_heading":27,"summary":276,"link_internal":8,"link":277,"call_to_action":255,"show_search":27,"image":278},237,"#F59C00","#356645","Das Heidentor von Petronell-Carnuntum damals und heute","Über die Geschichte und Bedeutung des Heidentors seit seiner Entstehung im 4. Jahrhundert.","\u002Finhalte\u002Fdas-heidentor-von-petronell-carnuntum-damals-und-heute",{"id":279,"author":280,"title":281,"license":282,"description":283,"license_url":284,"tags":8,"kulturpool_url":285,"location":8,"storage":39,"filename_disk":286,"filename_download":287,"metadata":288,"type":43,"filesize":289,"created_on":290,"modified_by":46,"modified_on":291,"embed":8,"uploaded_by":46,"uploaded_on":290,"folder":48,"width":292,"height":293,"charset":8,"duration":8,"tus_id":8,"tus_data":8,"focal_point_x":8,"focal_point_y":8},"f2a298aa-12e1-4258-8bab-b0ac82359a50","Albertina Wien","Das Heidentor bei Petronell, Anonym, Kunst- und Verlagshandlung Artaria & Co.","Public Domain Mark 1.0","Das Heidentor bei Petronell, Druckgraphik, Anonym, Public Domain, Standort „Albertina Wien“\n","https:\u002F\u002Fcreativecommons.org\u002Fpublicdomain\u002Fmark\u002F1.0\u002F","https:\u002F\u002Fkulturpool.at\u002Finstitutionen\u002Falbertina\u002FDG1936%252F612","f2a298aa-12e1-4258-8bab-b0ac82359a50.jpg","heidentor-03-01.jpg",{},"80822","2024-02-15T09:32:57.453Z","2024-05-13T10:04:48.242Z",749,514,{"id":295,"sort":204,"type":250,"date_published":8,"date_unpublished":8,"color_text":296,"color_background":297,"category":251,"heading":298,"is_long_heading":27,"summary":299,"link_internal":8,"link":300,"call_to_action":255,"show_search":27,"image":301},447,"#FF1C00","#E6F2EA","Making-of","Was braucht man, um ein Bauwerk in 3D zu digitalisieren, das über 12 Meter hoch und breit ist? Das Making-of-Video erzählt über den Drohnenflug und das Design der 3D-Modelle.","\u002Finhalte\u002Fheidentor-digitalisierung-making-of",{"id":302,"author":35,"title":303,"license":37,"description":8,"license_url":38,"tags":8,"kulturpool_url":8,"location":8,"storage":39,"filename_disk":304,"filename_download":305,"metadata":306,"type":43,"filesize":307,"created_on":308,"modified_by":46,"modified_on":309,"embed":8,"uploaded_by":46,"uploaded_on":308,"folder":48,"width":310,"height":311,"charset":8,"duration":8,"tus_id":8,"tus_data":8,"focal_point_x":312,"focal_point_y":313},"5e7605d3-5bcb-412a-94dd-6024bccf99ed","Drohnenaufnahme des heutigen Heidentors","5e7605d3-5bcb-412a-94dd-6024bccf99ed.jpg","Heidentor-01_Drohnenaufnahme des heutigen Heidentors.jpg",{},"1805557","2024-05-08T09:43:39.587Z","2024-07-15T09:53:33.260Z",4032,3024,1938,485,{"id":315,"sort":316,"type":250,"date_published":8,"date_unpublished":8,"color_text":273,"color_background":274,"category":251,"heading":317,"is_long_heading":27,"summary":318,"link_internal":8,"link":319,"call_to_action":255,"show_search":27,"image":320},512,4,"Das Heidentor im 19. Jahrhundert","Zwei historische Ansichten aus dem 19. Jahrhundert zeugen von der Veränderung des Heidentors in der Zeit.","\u002Finhalte\u002Fdas-heidentor-im-19-jahrhundert",{"id":321,"author":322,"title":323,"license":37,"description":8,"license_url":324,"tags":8,"kulturpool_url":8,"location":8,"storage":39,"filename_disk":325,"filename_download":326,"metadata":327,"type":43,"filesize":328,"created_on":329,"modified_by":330,"modified_on":331,"embed":8,"uploaded_by":46,"uploaded_on":329,"folder":48,"width":332,"height":333,"charset":8,"duration":8,"tus_id":8,"tus_data":8,"focal_point_x":8,"focal_point_y":8},"26953843-a0fb-4502-8a20-5f7b36408aab","Prof. Werner Jobst, Das Heidentor von Carnuntum – Ein spätantikes Triumphalmonument am Donaulimes, Verlag der Österreichischen Akademie der Wissenschaften, Wien 2001, Zwei Abbildungen S. 77","Ansicht des Heidentors von Südosten, Lithografie, um 1869","https:\u002F\u002Frightsstatements.org\u002Fpage\u002FInC\u002F1.0\u002F?language=de","26953843-a0fb-4502-8a20-5f7b36408aab.jpg","Heidentor-Anton-Widter-02.jpg",{},"737012","2024-06-27T10:00:31.619Z","a1bbb64d-aed1-4fcb-814e-ec90b36bc814","2024-08-27T08:36:59.532Z",782,541,{"id":335,"collection":224,"item":336},604,{"date_published":8,"date_unpublished":8,"type":66,"items":337,"summary":8,"heading":8,"id":343,"is_enabled":26},[338],{"heading":339,"summary":340,"link":341,"call_to_action":342},"Weitere Artikel","Lesen Sie mehr über die Digitalisierung von Kulturerbe.","\u002Finhalte\u002Fartikel","zu allen Artikeln",104,{"languages_code":345,"title":346,"slug":347,"summary":348,"id":349,"items":350},"en","The 3D reconstruction of the Heidentor ","the-3d-reconstruction-of-the-heidentor","New and old come together here: This 3D model reconstructs what the Heidentor might have looked like 2,000 years ago.",123,[351,360,365,369,374,380,390,396,406,411,417,427,433,453,458,470,504],{"id":352,"collection":21,"item":353},641,{"date_published":8,"date_unpublished":8,"aspect_ratio":23,"type":24,"pick_items":8,"id":354,"is_enabled":26,"randomize":8,"row_mode":27,"items":355},163,[356],{"id":357,"sort":31,"type":32,"date_published":8,"date_unpublished":8,"color_text":8,"color_background":8,"category":8,"heading":8,"is_long_heading":27,"summary":8,"link_internal":8,"link":8,"call_to_action":8,"show_search":27,"image":358},227,{"id":34,"author":35,"title":36,"license":37,"description":8,"license_url":38,"tags":8,"kulturpool_url":8,"location":8,"storage":39,"filename_disk":40,"filename_download":41,"metadata":359,"type":43,"filesize":44,"created_on":45,"modified_by":46,"modified_on":47,"embed":8,"uploaded_by":46,"uploaded_on":45,"folder":48,"width":49,"height":50,"charset":8,"duration":8,"tus_id":8,"tus_data":8,"focal_point_x":51,"focal_point_y":52},{},{"id":361,"collection":55,"item":362},642,{"date_published":8,"date_unpublished":8,"heading_size":57,"heading_tag":58,"type":59,"summary":8,"heading":346,"body":363,"id":364,"is_enabled":26},"\u003Cp>\u003Cstrong>The authentic reproduction of the Heidentor, as it was originally constructed in the 4th century AD\u003C\u002Fstrong>\u003C\u002Fp>",336,{"id":106,"collection":55,"item":366},{"date_published":8,"date_unpublished":8,"heading_size":65,"heading_tag":58,"type":66,"summary":8,"heading":8,"body":367,"id":368,"is_enabled":26},"\u003Cp>As part of the project “\u003Ca href=\"https:\u002F\u002Fpro.europeana.eu\u002Fpage\u002Ftwin-it-3d-for-europe-s-culture\" target=\"_blank\" rel=\"noopener\">Twin it! – 3D for Europe’s culture\u003C\u002Fa>”, the \u003Ca href=\"https:\u002F\u002Fwww.landessammlungen-noe.at\u002Fen\u002Fhome.html\" target=\"_blank\" rel=\"noopener\">State Collections of Lower Austria\u003C\u002Fa> digitised the Heidentor of Carnuntum, emblematic of Roman Austria, in 3D. In addition to the contemporary view, a reconstruction of the Heidentor was created based on historical views and scientific knowledge, illustrating how it might have appeared at its time of origin in the 4th century. \u003C\u002Fp>",337,{"id":370,"collection":71,"item":371},644,{"date_unpublished":8,"date_published":8,"aspect_ratio":73,"link":8,"type":74,"code":372,"max_width":8,"id":373,"is_enabled":26,"file":8},"\u003Cdiv class=\"sketchfab-embed-wrapper\"> \u003Ciframe title=\"Reconstruction of the Heidentor\" frameborder=\"0\" allowfullscreen mozallowfullscreen=\"true\" webkitallowfullscreen=\"true\" allow=\"autoplay; fullscreen; xr-spatial-tracking\" xr-spatial-tracking execution-while-out-of-viewport execution-while-not-rendered web-share src=\"https:\u002F\u002Fsketchfab.com\u002Fmodels\u002F22205a58cf704a78af0e9ce644d06436\u002Fembed?ui_infos=0&ui_watermark_link=0&ui_watermark=0\"> \u003C\u002Fiframe> \u003Cp style=\"font-size: 0.9em; font-weight: normal; margin: 5px; text-align: center;\"> Reconstruction of the Heidentor by the \u003Ca href=\"https:\u002F\u002Fsketchfab.com\u002Fwww.noe-3d.at?utm_medium=embed&utm_campaign=share-popup&utm_content=22205a58cf704a78af0e9ce644d06436\" target=\"_blank\" rel=\"nofollow\">State Collections of Lower Austria\u003C\u002Fa> on \u003Ca href=\"https:\u002F\u002Fsketchfab.com\u002F3d-models\u002Freconstruction-of-the-heidentor-22205a58cf704a78af0e9ce644d06436?utm_medium=embed&utm_campaign=share-popup&utm_content=22205a58cf704a78af0e9ce644d064366\" target=\"_blank\" rel=\"nofollow\">Sketchfab\u003C\u002Fa> and in \u003Ca href=\"\u002Finstitutionen\u002Flandessammlungen-noe\u002FHeidentor-02\">Kulturpool\u003C\u002Fa>.\u003C\u002Fp>\u003C\u002Fdiv>",42,{"id":375,"collection":55,"item":376},645,{"date_published":8,"date_unpublished":8,"heading_size":65,"heading_tag":58,"type":80,"summary":8,"heading":377,"body":378,"id":379,"is_enabled":26},"The quadrifrons and its materials","\u003Cp>Originally, the Heidentor was a so-called quadrifrons, a construction with four pillars connected by four archways. At its centre, a robustly constructed round pedestal still stands today, which likely supported a life-size statue of the emperor in ancient times.\u003C\u002Fp>\n\u003Cp>The Heidentor was constructed during the Late Roman Antiquity, likely during the reign of Emperor Constantius II (351–361 AD). It measured approximately 14.5 metres in both length and height. Above the arches was the attic zone adorned with columns, brackets, marble sculptures, and inscription panels.\u003C\u002Fp>\n\u003Cp>The core of the four pillars was made of Roman concrete and rubble, while the outer shell comprised large ashlar blocks and brick masonry. \u003C\u002Fp>\n\u003Cp>The roof finish in the current 3D model of the reconstruction has been designed with a pyramidal top. As early as 1769, Matthias Fuhrmann had considered the possibility of a flat roof crowned with figures.\u003C\u002Fp>",338,{"id":381,"collection":21,"item":382},646,{"date_published":8,"date_unpublished":8,"aspect_ratio":87,"type":88,"pick_items":8,"id":383,"is_enabled":26,"randomize":8,"row_mode":27,"items":384},164,[385],{"id":386,"sort":31,"type":32,"date_published":8,"date_unpublished":8,"color_text":8,"color_background":8,"category":8,"heading":387,"is_long_heading":27,"summary":8,"link_internal":8,"link":8,"call_to_action":8,"show_search":27,"image":388},228,"In 1769, Matthias Fuhrmann considered a flat roof adorned with figures as the likely original roofing.",{"id":95,"author":96,"title":97,"license":37,"description":8,"license_url":38,"tags":8,"kulturpool_url":8,"location":8,"storage":39,"filename_disk":98,"filename_download":99,"metadata":389,"type":101,"filesize":102,"created_on":103,"modified_by":46,"modified_on":104,"embed":8,"uploaded_by":46,"uploaded_on":103,"folder":48,"width":105,"height":106,"charset":8,"duration":8,"tus_id":8,"tus_data":8,"focal_point_x":107,"focal_point_y":108},{},{"id":391,"collection":55,"item":392},647,{"date_published":8,"date_unpublished":8,"heading_size":65,"heading_tag":58,"type":80,"summary":8,"heading":393,"body":394,"id":395,"is_enabled":26},"Pyramid or flat roof?","\u003Cp>After Josef Dell reconstructed a towering pyramid roof in 1904, a flat roof was reconsidered in the 1980s. Later, this notion continued, but a gently sloping roof could also have been possible.\u003C\u002Fp>",339,{"id":397,"collection":21,"item":398},648,{"date_published":8,"date_unpublished":8,"aspect_ratio":87,"type":88,"pick_items":8,"id":399,"is_enabled":26,"randomize":8,"row_mode":27,"items":400},165,[401],{"id":402,"sort":31,"type":32,"date_published":8,"date_unpublished":8,"color_text":8,"color_background":8,"category":8,"heading":403,"is_long_heading":27,"summary":8,"link_internal":8,"link":8,"call_to_action":8,"show_search":27,"image":404},229,"Joseph Dell depicted a pyramid roof for the Heathen Gate in 1904.",{"id":124,"author":125,"title":126,"license":37,"description":8,"license_url":38,"tags":8,"kulturpool_url":8,"location":8,"storage":39,"filename_disk":127,"filename_download":128,"metadata":405,"type":43,"filesize":130,"created_on":131,"modified_by":46,"modified_on":132,"embed":8,"uploaded_by":46,"uploaded_on":131,"folder":48,"width":133,"height":134,"charset":8,"duration":8,"tus_id":8,"tus_data":8,"focal_point_x":135,"focal_point_y":136},{},{"id":407,"collection":55,"item":408},649,{"date_published":8,"date_unpublished":8,"heading_size":65,"heading_tag":58,"type":80,"summary":8,"heading":409,"body":410,"id":167,"is_enabled":26},"The pedestal and marble figures","\u003Cp>In the centre of the archways stood a pedestal, which likely supported a golden or gilded life-size statue of the emperor. Due to the dating, this statue was probably of Constantius II. The golden emperor statue on the round pedestal was specifically created for the 3D reconstruction of the Heidentor to give an impression of how the statue might have looked in the overall view. \u003C\u002Fp>\n\u003Cp>The cross vault in the middle of the arch passageways was plastered and adorned with wall paintings.\u003C\u002Fp>\n\u003Cp>In the niches of the attic zone stood marble figures, as suggested by some fragments found. Apart from some heavily fragmented inscription remains, these figure fragments were the only indications of the use of marble.\u003C\u002Fp>",{"id":412,"collection":55,"item":413},650,{"date_published":8,"date_unpublished":8,"heading_size":65,"heading_tag":58,"type":146,"summary":414,"heading":415,"body":8,"id":416,"is_enabled":26},"An attic zone is an architectural feature in buildings from the Roman era, serving as an elevated, decorative finish above the main facade. In structures like the Heidentor, the attic often functioned to visually enhance the height of the structure and was frequently adorned with reliefs and inscriptions that had symbolic or decorative significance. ","What is an attic zone?",341,{"id":418,"collection":21,"item":419},651,{"date_published":8,"date_unpublished":8,"aspect_ratio":23,"type":88,"pick_items":8,"id":420,"is_enabled":26,"randomize":8,"row_mode":27,"items":421},166,[422],{"id":423,"sort":31,"type":32,"date_published":8,"date_unpublished":8,"color_text":8,"color_background":8,"category":8,"heading":424,"is_long_heading":27,"summary":8,"link_internal":8,"link":8,"call_to_action":8,"show_search":27,"image":425},230,"Marble fragment from the attic showing the depiction of a bent arm of a figure and parts of a cloak.",{"id":159,"author":35,"title":160,"license":37,"description":8,"license_url":38,"tags":8,"kulturpool_url":8,"location":8,"storage":39,"filename_disk":161,"filename_download":162,"metadata":426,"type":101,"filesize":164,"created_on":165,"modified_by":46,"modified_on":166,"embed":8,"uploaded_by":46,"uploaded_on":165,"folder":48,"width":167,"height":168,"charset":8,"duration":8,"tus_id":8,"tus_data":8,"focal_point_x":169,"focal_point_y":170},{},{"id":428,"collection":55,"item":429},652,{"date_published":8,"date_unpublished":8,"heading_size":65,"heading_tag":58,"type":80,"summary":8,"heading":430,"body":431,"id":432,"is_enabled":26},"The drawn 3D model","\u003Cp>To create a 3D model from a 2D template, the components are designed digitally in a detailed drawing process and individually integrated into the model. This process required close coordination between the technical draughtsman and archaeologists. Their collaborative efforts focus on accurately representing features such as the surface structure, the attic zone, the roof design, and also the cornices. The goal is to ensure that the elements are executed in line with current research on the reconstruction of the Roman model.\u003C\u002Fp>",342,{"id":434,"collection":21,"item":435},653,{"date_published":8,"date_unpublished":8,"aspect_ratio":73,"type":88,"pick_items":8,"id":436,"is_enabled":26,"randomize":8,"row_mode":26,"items":437},167,[438,443,448],{"id":439,"sort":31,"type":32,"date_published":8,"date_unpublished":8,"color_text":8,"color_background":8,"category":8,"heading":440,"is_long_heading":27,"summary":8,"link_internal":8,"link":8,"call_to_action":8,"show_search":27,"image":441},231,"Apsidal design of the attic zone. Cross-section.",{"id":34,"author":35,"title":36,"license":37,"description":8,"license_url":38,"tags":8,"kulturpool_url":8,"location":8,"storage":39,"filename_disk":40,"filename_download":41,"metadata":442,"type":43,"filesize":44,"created_on":45,"modified_by":46,"modified_on":47,"embed":8,"uploaded_by":46,"uploaded_on":45,"folder":48,"width":49,"height":50,"charset":8,"duration":8,"tus_id":8,"tus_data":8,"focal_point_x":51,"focal_point_y":52},{},{"id":444,"sort":189,"type":32,"date_published":8,"date_unpublished":8,"color_text":8,"color_background":8,"category":8,"heading":445,"is_long_heading":27,"summary":8,"link_internal":8,"link":8,"call_to_action":8,"show_search":27,"image":446},232,"Apsidal design of the attic zone. Insertion of the arches.",{"id":192,"author":35,"title":193,"license":37,"description":8,"license_url":38,"tags":8,"kulturpool_url":8,"location":8,"storage":39,"filename_disk":194,"filename_download":195,"metadata":447,"type":43,"filesize":197,"created_on":198,"modified_by":46,"modified_on":199,"embed":8,"uploaded_by":46,"uploaded_on":198,"folder":48,"width":200,"height":201,"charset":8,"duration":8,"tus_id":8,"tus_data":8,"focal_point_x":8,"focal_point_y":8},{},{"id":449,"sort":204,"type":32,"date_published":8,"date_unpublished":8,"color_text":8,"color_background":8,"category":8,"heading":450,"is_long_heading":27,"summary":8,"link_internal":8,"link":8,"call_to_action":8,"show_search":27,"image":451},233,"Insertion of the individual stones of the cladding.",{"id":207,"author":35,"title":208,"license":37,"description":8,"license_url":38,"tags":8,"kulturpool_url":8,"location":8,"storage":39,"filename_disk":209,"filename_download":210,"metadata":452,"type":43,"filesize":212,"created_on":213,"modified_by":46,"modified_on":214,"embed":8,"uploaded_by":46,"uploaded_on":213,"folder":48,"width":215,"height":216,"charset":8,"duration":8,"tus_id":8,"tus_data":8,"focal_point_x":8,"focal_point_y":8},{},{"id":454,"collection":55,"item":455},654,{"date_published":8,"date_unpublished":8,"heading_size":65,"heading_tag":58,"type":59,"summary":8,"heading":456,"body":8,"id":457,"is_enabled":26},"Related links",343,{"id":459,"collection":224,"item":460},655,{"date_published":8,"date_unpublished":8,"type":66,"items":461,"summary":8,"heading":8,"id":469,"is_enabled":26},[462,464,467],{"heading":228,"summary":463,"link":230,"call_to_action":231},"A campaign by Europeana",{"heading":465,"summary":466,"link":235,"call_to_action":236},"Online collection","The online collection of the State Collections of Lower Austria",{"heading":238,"summary":239,"link":240,"call_to_action":468},"to the publication",108,{"id":471,"collection":21,"item":472},667,{"date_published":8,"date_unpublished":8,"aspect_ratio":23,"type":66,"pick_items":8,"id":473,"is_enabled":26,"randomize":8,"row_mode":27,"items":474},172,[475,484,491,497],{"id":476,"sort":31,"type":250,"date_published":8,"date_unpublished":8,"color_text":9,"color_background":10,"category":477,"heading":478,"is_long_heading":27,"summary":479,"link_internal":8,"link":480,"call_to_action":481,"show_search":27,"image":482},239,"The “Twin it!” campaign","The “Heidentor” in 3D","How do you digitise a monument? The “Twin it!” campaign presents new 3D digitisation projects of well-known and cultural monuments from all over Europe that are at risk.","\u002Fen\u002Fcontent\u002Fthe-european-twin-it-campaign-for-the-3d-digitisation-of-cultural-objects","Read the article",{"id":257,"author":258,"title":259,"license":260,"description":8,"license_url":261,"tags":8,"kulturpool_url":262,"location":8,"storage":39,"filename_disk":263,"filename_download":264,"metadata":483,"type":43,"filesize":266,"created_on":267,"modified_by":46,"modified_on":268,"embed":8,"uploaded_by":46,"uploaded_on":267,"folder":48,"width":269,"height":270,"charset":8,"duration":8,"tus_id":8,"tus_data":8,"focal_point_x":8,"focal_point_y":8},{},{"id":485,"sort":189,"type":250,"date_published":8,"date_unpublished":8,"color_text":273,"color_background":274,"category":477,"heading":486,"is_long_heading":27,"summary":487,"link_internal":8,"link":488,"call_to_action":481,"show_search":27,"image":489},240,"The Heidentor of Petronell-Carnuntum from past to present","On the history and significance of the Heidentor since its construction in the 4th century.","\u002Fen\u002Fcontent\u002Fthe-heidentor-of-petronell-carnuntum-from-past-to-present",{"id":279,"author":280,"title":281,"license":282,"description":283,"license_url":284,"tags":8,"kulturpool_url":285,"location":8,"storage":39,"filename_disk":286,"filename_download":287,"metadata":490,"type":43,"filesize":289,"created_on":290,"modified_by":46,"modified_on":291,"embed":8,"uploaded_by":46,"uploaded_on":290,"folder":48,"width":292,"height":293,"charset":8,"duration":8,"tus_id":8,"tus_data":8,"focal_point_x":8,"focal_point_y":8},{},{"id":492,"sort":204,"type":250,"date_published":8,"date_unpublished":8,"color_text":296,"color_background":297,"category":477,"heading":298,"is_long_heading":27,"summary":493,"link_internal":8,"link":494,"call_to_action":481,"show_search":27,"image":495},446,"What is needed to digitise a monument in 3D that is over 12 metres high and wide? 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