[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"content-the-heidentor-in-the-19th-century":3},[4],{"id":5,"sort":6,"status":7,"category":8,"date_published":9,"date_unpublished":9,"color_text":10,"color_background":11,"translations":12,"visibilities":541,"seo":544},76,35,"draft",6,null,"#F59C00","#356645",[13,347],{"languages_code":14,"title":15,"slug":16,"summary":17,"id":18,"items":19},"de","Das Heidentor im 19. Jahrhundert","das-heidentor-im-19-jahrhundert","Zwei historische Ansichten aus dem 19. Jahrhundert zeugen von der Veränderung des Heidentors in der Zeit",135,[20,53,62,69,76,100,105,111,133,138,145,151,175,182,188,193,198,204,210,231,261,337],{"id":21,"collection":22,"item":23},832,"block_slider",{"date_published":9,"date_unpublished":9,"aspect_ratio":24,"type":25,"pick_items":9,"id":26,"is_enabled":27,"randomize":9,"row_mode":28,"items":29},"3\u002F1","full-width",216,true,false,[30],{"id":31,"sort":32,"type":33,"date_published":9,"date_unpublished":9,"color_text":9,"color_background":9,"category":9,"heading":9,"is_long_heading":28,"summary":9,"link_internal":9,"link":9,"call_to_action":9,"show_search":28,"image":34},307,1,"image",{"id":35,"author":36,"title":37,"license":38,"description":9,"license_url":39,"tags":9,"kulturpool_url":9,"location":9,"storage":40,"filename_disk":41,"filename_download":42,"metadata":43,"type":44,"filesize":45,"created_on":46,"modified_by":47,"modified_on":48,"embed":9,"uploaded_by":49,"uploaded_on":46,"folder":50,"width":51,"height":52,"charset":9,"duration":9,"tus_id":9,"tus_data":9,"focal_point_x":9,"focal_point_y":9},"26953843-a0fb-4502-8a20-5f7b36408aab","Prof. Werner Jobst, Das Heidentor von Carnuntum – Ein spätantikes Triumphalmonument am Donaulimes, Verlag der Österreichischen Akademie der Wissenschaften, Wien 2001, Zwei Abbildungen S. 77","Ansicht des Heidentors von Südosten, Lithografie, um 1869","In Copyright","https:\u002F\u002Frightsstatements.org\u002Fpage\u002FInC\u002F1.0\u002F?language=de","local","26953843-a0fb-4502-8a20-5f7b36408aab.jpg","Heidentor-Anton-Widter-02.jpg",{},"image\u002Fjpeg","737012","2024-06-27T10:00:31.619Z","a1bbb64d-aed1-4fcb-814e-ec90b36bc814","2024-08-27T08:36:59.532Z","0a24dc37-1467-4bcd-8eb1-95c78a0c200c","cc95a4fd-af2e-45c9-82ff-facb35becf00",782,541,{"id":54,"collection":55,"item":56},819,"block_text",{"date_published":9,"date_unpublished":9,"heading_size":57,"heading_tag":58,"type":59,"summary":9,"heading":15,"body":60,"id":61,"is_enabled":27},"large","h2","center","\u003Cp>\u003Cstrong>Zwei historische Ansichten aus dem 19. Jahrhundert zeugen von der Veränderung des Heidentors in der Zeit\u003C\u002Fstrong>\u003C\u002Fp>",420,{"id":63,"collection":55,"item":64},820,{"date_published":9,"date_unpublished":9,"heading_size":65,"heading_tag":58,"type":66,"summary":9,"heading":9,"body":67,"id":68,"is_enabled":27},"normal","standard","\u003Cp>Das Heidentor ist im Kulturpool in 3D-Modellen erfahrbar. Seine Geschichte reicht vom \u003Ca title=\"Das Heidentor von Petronell-Carnuntum\" href=\"https:\u002F\u002Fkulturpool.at\u002Finstitutionen\u002Flandessammlungen-noe\u002FHeidentor\">3D-Modell des Heidentors\u003C\u002Fa>, wie es heute sichtbar in Petronell-Carnuntum steht, zurück bis zu seiner Entstehungszeit im 4. Jahrhundert, wovon eine \u003Ca title=\"Rekonstruktion des Heidentors\" href=\"https:\u002F\u002Fkulturpool.at\u002Finstitutionen\u002Flandessammlungen-noe\u002FHeidentor-02\">Rekonstruktion als 3D-Modell\u003C\u002Fa> verfügbar ist.\u003C\u002Fp>\n\u003Cp>Die Entwicklung des Heidentors in der Zeit lässt ich mit zwei weiteren Modellen von Beginn und Ende des 19. Jahrhunderts gut nachverfolgen.\u003C\u002Fp>",421,{"id":70,"collection":55,"item":71},821,{"date_published":9,"date_unpublished":9,"heading_size":65,"heading_tag":58,"type":72,"summary":9,"heading":73,"body":74,"id":75,"is_enabled":27},"two-cols","Das Heidentor zu Beginn des 19. Jahrhunderts","\u003Cp>Das erste 3D-Modell wurde nach einem Aquarell von Rudolf von Alt erstellt. Das Aquarell zeigt die Ansicht des Heidentors von Westen, ungefähr zur Zeit der Getreideernte. Das Bauwerk steht dabei auf einem kegelförmigen Schutthügel. Unmittelbar hinter dem südwestlichen Pfeiler ist der große Sturzblock zu sehen.\u003C\u002Fp>",422,{"id":77,"collection":22,"item":78},825,{"date_published":9,"date_unpublished":9,"aspect_ratio":79,"type":80,"pick_items":9,"id":81,"is_enabled":27,"randomize":9,"row_mode":28,"items":82},"4\u002F3","small",214,[83],{"id":84,"sort":32,"type":33,"date_published":9,"date_unpublished":9,"color_text":9,"color_background":9,"category":9,"heading":85,"is_long_heading":28,"summary":9,"link_internal":9,"link":9,"call_to_action":9,"show_search":28,"image":86},304,"Ansicht des Heidentors von Westen, eine Lithografie des Aquarells von Rudolf von Alt",{"id":87,"author":88,"title":89,"license":38,"description":90,"license_url":91,"tags":9,"kulturpool_url":9,"location":9,"storage":40,"filename_disk":92,"filename_download":93,"metadata":94,"type":44,"filesize":95,"created_on":96,"modified_by":47,"modified_on":97,"embed":9,"uploaded_by":49,"uploaded_on":96,"folder":50,"width":98,"height":99,"charset":9,"duration":9,"tus_id":9,"tus_data":9,"focal_point_x":9,"focal_point_y":9},"afd6fcf8-457e-4361-9c18-b1b9c6e3bf3f","Albertina Wien","Aquarell mit Legende: „Das Heidentor bei Petronell“, 1837","Aquarell mit Legende: „Das Heidentor bei Petronell“, 1837, VO: Akademie der bildenden Künste Wien – Kupferstichkabinett, Inv. 13010, Lithografie: W. Koschatzky, Rudolf von Alt (1812 – 1905). Veröffentlichung der Albertina XI² (1976) 265 AV 37\u002F21.","https:\u002F\u002Frightsstatements.org\u002Fpage\u002FInC\u002F1.0\u002F?language=en","afd6fcf8-457e-4361-9c18-b1b9c6e3bf3f.PNG","Heidentor-Rudolf-von-Alt-03.jpg",{},"341170","2024-06-27T09:33:24.654Z","2024-08-27T11:48:43.020Z",796,504,{"id":101,"collection":55,"item":102},824,{"date_published":9,"date_unpublished":9,"heading_size":65,"heading_tag":58,"type":72,"summary":9,"heading":9,"body":103,"id":104,"is_enabled":27},"\u003Cp>Beide noch stehenden Pfeiler sind im unteren Bereich bereits sehr stark ausgedünnt, der südliche wesentlich stärker als der nördliche, was den Höhepunkt des Steinraubes gut dokumentiert. \u003Ca title=\"Steinraub und Restaurierungen\" href=\"\u002Finhalte\u002Fdas-heidentor-von-petronell-carnuntum-damals-und-heute\">Steinraub für Baumaterial\u003C\u002Fa>, der besonders im 15. und 16. Jahrhundert stattfand, prägte das Aussehen des Heidentors für immer.\u003C\u002Fp>\n\u003Cp>Im obersten Bereich des Nordpfeilers ist das Gussmauerwerk des Baukerns zu erkennen, während der südliche Pfeiler an dieser Stelle eine noch erhaltene Ziegelverkleidung hat. Darunter sind am Südpfeiler ein kurzes Stück eines Gesimses und vier große, helle Quader zu sehen. Im obersten Bereich treten zudem zwei Steinblöcke konsolenartig hervor.\u003C\u002Fp>",424,{"id":106,"collection":55,"item":107},826,{"date_published":9,"date_unpublished":9,"heading_size":65,"heading_tag":58,"type":72,"summary":9,"heading":108,"body":109,"id":110,"is_enabled":27},"Rudolf und Jakob von Alt","\u003Cp>Für die 3D-Digitalisierung wurde zusätzlich ein Aquarell nach der Vorlage von Jakob von Alt, dem Vater von Rudolf von Alt, herangezogen, das eine entsprechende Vorlage für die Gestaltung der östlichen Ansichtsseite lieferte. Dies war ein Glücksfall, da beide Darstellungen somit aus einer (Familien-)Hand stammen und die zwei unterschiedlichen Blickwinkel viele Details für das 3D-Zeichnen vorwegnahmen. \u003C\u002Fp>",425,{"id":112,"collection":22,"item":113},823,{"date_published":9,"date_unpublished":9,"aspect_ratio":79,"type":80,"pick_items":9,"id":114,"is_enabled":27,"randomize":9,"row_mode":28,"items":115},213,[116],{"id":117,"sort":32,"type":33,"date_published":9,"date_unpublished":9,"color_text":9,"color_background":9,"category":9,"heading":9,"is_long_heading":28,"summary":9,"link_internal":9,"link":9,"call_to_action":9,"show_search":28,"image":118},303,{"id":119,"author":88,"title":120,"license":121,"description":122,"license_url":123,"tags":9,"kulturpool_url":124,"location":9,"storage":40,"filename_disk":125,"filename_download":126,"metadata":127,"type":44,"filesize":128,"created_on":129,"modified_by":49,"modified_on":130,"embed":9,"uploaded_by":49,"uploaded_on":129,"folder":50,"width":131,"height":132,"charset":9,"duration":9,"tus_id":9,"tus_data":9,"focal_point_x":9,"focal_point_y":9},"f2a298aa-12e1-4258-8bab-b0ac82359a50","Das Heidentor bei Petronell, Anonym, Kunst- und Verlagshandlung Artaria & Co.","Public Domain Mark 1.0","Das Heidentor bei Petronell, Druckgraphik, Anonym, Public Domain, Standort „Albertina Wien“\n","https:\u002F\u002Fcreativecommons.org\u002Fpublicdomain\u002Fmark\u002F1.0\u002F","https:\u002F\u002Fkulturpool.at\u002Finstitutionen\u002Falbertina\u002FDG1936%252F612","f2a298aa-12e1-4258-8bab-b0ac82359a50.jpg","heidentor-03-01.jpg",{},"80822","2024-02-15T09:32:57.453Z","2024-05-13T10:04:48.242Z",749,514,{"id":134,"collection":55,"item":135},828,{"date_published":9,"date_unpublished":9,"heading_size":65,"heading_tag":58,"type":59,"summary":9,"heading":136,"body":9,"id":137,"is_enabled":27},"Das fertige 3D-Modell mit der Ansicht zu Beginn des 19. Jahrhunderts",426,{"id":139,"collection":140,"item":141},827,"block_embed",{"date_unpublished":9,"date_published":9,"aspect_ratio":79,"link":9,"type":142,"code":143,"max_width":9,"id":144,"is_enabled":27,"file":9},"iframe","\u003Cdiv class=\"sketchfab-embed-wrapper\"> \u003Ciframe title=\"The Heidentor in the early 19th century\" frameborder=\"0\" allowfullscreen mozallowfullscreen=\"true\" webkitallowfullscreen=\"true\" allow=\"autoplay; fullscreen; xr-spatial-tracking\" xr-spatial-tracking execution-while-out-of-viewport execution-while-not-rendered web-share src=\"https:\u002F\u002Fsketchfab.com\u002Fmodels\u002Ff2bc6f224321401a88ff13fc43db2951\u002Fembed?ui_infos=0&ui_watermark_link=0&ui_watermark=0&ui_color=1e1e1e\"> \u003C\u002Fiframe> \u003Cp style=\"font-size: 0.9em; text-align: center; font-weight: normal; margin: 5px;\">Im 3D-Modell sind besonders die ausgedünnten Pfeiler sichtbar, ein Ergebnis des Steinraubs in den vergangenen Jahrhunderten. Das Heidentor im frühen 19. Jahrhundert der \u003Ca href=\"https:\u002F\u002Fsketchfab.com\u002Fwww.noe-3d.at?utm_medium=embed&utm_campaign=share-popup&utm_content=807a34403d12449ea667f3c586d47a98\" target=\"_blank\" rel=\"nofollow\"> Landessammlungen Niederösterreich \u003C\u002Fa> auf \u003Ca href=\"https:\u002F\u002Fsketchfab.com\u002F3d-models\u002Fthe-heidentor-in-the-early-19th-century-f2bc6f224321401a88ff13fc43db2951\" target=\"_blank\" rel=\"nofollow\">Sketchfab\u003C\u002Fa> und im \u003Ca href=\"\u002Finstitutionen\u002Flandessammlungen-noe\u002FHeidentor\">Kulturpool\u003C\u002Fa>.\u003C\u002Fp>\u003C\u002Fdiv>",46,{"id":146,"collection":55,"item":147},830,{"date_published":9,"date_unpublished":9,"heading_size":65,"heading_tag":58,"type":72,"summary":9,"heading":148,"body":149,"id":150,"is_enabled":27},"Das Heidentor zu Ende des 19. Jahrhunderts","\u003Cp>Ein weiteres 3D-Modell wurde aus zwei Lithografien nach den Maßnahmen von Anton Widter rekonstruiert.\u003C\u002Fp>",428,{"id":152,"collection":22,"item":153},833,{"date_published":9,"date_unpublished":9,"aspect_ratio":79,"type":80,"pick_items":9,"id":154,"is_enabled":27,"randomize":9,"row_mode":28,"items":155},217,[156,170],{"id":157,"sort":32,"type":33,"date_published":9,"date_unpublished":9,"color_text":9,"color_background":9,"category":9,"heading":158,"is_long_heading":28,"summary":9,"link_internal":9,"link":9,"call_to_action":9,"show_search":28,"image":159},309,"Ansicht des Heidentors von Westen, Lithografie, um 1869",{"id":160,"author":36,"title":158,"license":38,"description":161,"license_url":39,"tags":9,"kulturpool_url":9,"location":9,"storage":40,"filename_disk":162,"filename_download":163,"metadata":164,"type":44,"filesize":165,"created_on":166,"modified_by":47,"modified_on":167,"embed":9,"uploaded_by":49,"uploaded_on":166,"folder":50,"width":168,"height":169,"charset":9,"duration":9,"tus_id":9,"tus_data":9,"focal_point_x":9,"focal_point_y":9},"323ee5a3-2776-4413-b880-b761b6edd210","\n","323ee5a3-2776-4413-b880-b761b6edd210.jpg","Heidentor-Anton-Widter-01.jpg",{},"734525","2024-06-27T10:00:31.622Z","2024-08-27T08:36:59.539Z",785,542,{"id":171,"sort":172,"type":33,"date_published":9,"date_unpublished":9,"color_text":9,"color_background":9,"category":9,"heading":37,"is_long_heading":28,"summary":9,"link_internal":9,"link":9,"call_to_action":9,"show_search":28,"image":173},308,2,{"id":35,"author":36,"title":37,"license":38,"description":9,"license_url":39,"tags":9,"kulturpool_url":9,"location":9,"storage":40,"filename_disk":41,"filename_download":42,"metadata":174,"type":44,"filesize":45,"created_on":46,"modified_by":47,"modified_on":48,"embed":9,"uploaded_by":49,"uploaded_on":46,"folder":50,"width":51,"height":52,"charset":9,"duration":9,"tus_id":9,"tus_data":9,"focal_point_x":9,"focal_point_y":9},{},{"id":176,"collection":55,"item":177},822,{"date_published":9,"date_unpublished":9,"heading_size":65,"heading_tag":58,"type":178,"summary":179,"heading":180,"body":9,"id":181,"is_enabled":27},"quote","Lithografie ist eine Druckmethode. Erfunden wurde sie von Alois Senefelder, einem deutschen Schauspieler und Autor, der 1796 nach einer günstigen Methode suchte, seine Schriften zu vervielfältigen und dabei den Steindruck entdeckte. Das Verfahren nutzt die Tatsache, dass Fett und Wasser sich nicht mischen. Man zeichnet mit fetthaltiger Tinte auf Kalkstein, feuchtet diesen an und überträgt so das Bild auf Papier, da fetthaltige Stellen die Druckfarbe anziehen, aber nasse nicht.","Was ist Lithografie?",423,{"id":183,"collection":55,"item":184},829,{"date_published":9,"date_unpublished":9,"heading_size":65,"heading_tag":58,"type":72,"summary":9,"heading":185,"body":186,"id":187,"is_enabled":27},"Restaurierungen durch Anton Widter","\u003Cp>Die beiden Lithografien zeigen die Vermauerungen der noch stehenden Steinstrukturen nach ersten konservatorischen Maßnahmen durch Anton Widter, einem österreichischen Industriellen und Kunstsammler. \u003C\u002Fp>\n\u003Cp>Zwischen 1843 und 1846 wurden die ersten Restaurierungs- und Konservierungsmaßnahmen von Anton Widter am Heidentor beauftragt, das durch den jahrhundertelangen Steinraub in seiner Stabilität sehr gefährdet war. Dabei handelte es sich um die ersten systematisch durchgeführten und privat finanzierten Konservierungsmaßnahmen eines römischen Steindenkmals in Österreich. Anton Widter ließ die antiken Pfeilerreste mit stützendem Mauerwerk ummanteln. Über die genauen Ausmaße dieser Maßnahmen erzählte 1893 Josef Dell, der seinen Berichten auch Skizzen beifügte: \u003C\u002Fp>\n\u003Cp>\u003Cem>„Ausmauerungen an den Pfeilern, am Bogen und den über demselben aufragenden Teilen …“ \u003C\u002Fem>\u003Cem>(—Josef Dell, Ausgrabungen in Carnuntum, AEM 16, 1893, S. 156–176)\u003C\u002Fem>\u003C\u002Fp>\n\u003Cp>Der Pfeilerkern wurde nur an den Außenseiten ummantelt, im Torgang blieb das antike Mauerwerk sichtbar.\u003C\u002Fp>\n\u003Cp>Bereits 1868 waren erneute Restaurierungen notwendig, da sich an der Westseite des Südpfeilers Mauerwerk gelöst hatte und abzustürzen drohte. Diese wurden ebenfalls von Anton Widter beauftragt und finanziert. \u003C\u002Fp>",427,{"id":189,"collection":55,"item":190},844,{"date_published":9,"date_unpublished":9,"heading_size":65,"heading_tag":58,"type":59,"summary":9,"heading":191,"body":9,"id":192,"is_enabled":27},"Das 3D-Modell mit der Ansicht zu Ende des 19. Jahrhunderts",432,{"id":194,"collection":140,"item":195},834,{"date_unpublished":9,"date_published":9,"aspect_ratio":79,"link":9,"type":142,"code":196,"max_width":9,"id":197,"is_enabled":27,"file":9},"\u003Cdiv class=\"sketchfab-embed-wrapper\"> \u003Ciframe title=\"The Heidentor at the end of the 19th century\" frameborder=\"0\" allowfullscreen mozallowfullscreen=\"true\" webkitallowfullscreen=\"true\" allow=\"autoplay; fullscreen; xr-spatial-tracking\" xr-spatial-tracking execution-while-out-of-viewport execution-while-not-rendered web-share src=\"https:\u002F\u002Fsketchfab.com\u002Fmodels\u002F94e413899ba84860b749f89ebb3f5145\u002Fembed?ui_infos=0&ui_watermark_link=0&ui_watermark=0&ui_color=1e1e1e\"> \u003C\u002Fiframe> \u003Cp style=\"font-size: 0.9e,; text-align: center; font-weight: normal; margin: 5px;\">In diesem Modell sind gut im Vergleich zum anderen Modell die Veränderungen durch die Restaurierungen im 19. Jahrhundert zu erkennen, etwa die ummantelten Pfeilerkerne. Das Heidentor zu Ende des 19. Jahrhunderts der \u003Ca href=\"https:\u002F\u002Fsketchfab.com\u002Fwww.noe-3d.at?utm_medium=embed&utm_campaign=share-popup&utm_content=807a34403d12449ea667f3c586d47a98\" target=\"_blank\" rel=\"nofollow\"> Landessammlungen Niederösterreich \u003C\u002Fa> auf \u003Ca href=\"https:\u002F\u002Fsketchfab.com\u002F3d-models\u002Fthe-heidentor-at-the-end-of-the-19th-century-94e413899ba84860b749f89ebb3f5145\" target=\"_blank\" rel=\"nofollow\">Sketchfab\u003C\u002Fa> und im \u003Ca href=\"\u002Finstitutionen\u002Flandessammlungen-noe\u002FHeidentor\">Kulturpool\u003C\u002Fa>.\u003C\u002Fp>\u003C\u002Fdiv>",47,{"id":199,"collection":55,"item":200},835,{"date_published":9,"date_unpublished":9,"heading_size":65,"heading_tag":58,"type":72,"summary":9,"heading":201,"body":202,"id":203,"is_enabled":27},"Was geschah danach?","\u003Cp>Am 5. Juni 1907 wurde das Heidentor an das Land Niederösterreich abgetreten, das fortan für die Erhaltung des römischen Baus zuständig war. Bereits zwischen August und Oktober 1907 wurden weitere umfassende Sicherungsmaßnahmen umgesetzt. \u003C\u002Fp>\n\u003Cp>Im Zuge dieser Arbeiten wurden die Fundamente freigelegt und das Heidentor eingerüstet, um Ausbesserungen im oberen Bereich vornehmen zu können. Die bereits im Jahre 1860 erfolgte Ummauerung der Pfeiler wurde massiv nachgebessert und der Schutthügel vor dem Heidentor wurde abgegraben. Im Zuge dieser Arbeiten wurden auch die Werkstücke des Rundsockels in der Mitte ergraben und rekonstruiert.\u003C\u002Fp>\n\u003Cp>Seitdem wurden weitere Sicherungs-, Restaurierungs- und Konservierungsmaßnahmen umgesetzt, die bis heute andauern. Auch die Kampagne „\u003Ca href=\"https:\u002F\u002Fpro.europeana.eu\u002Fpage\u002Ftwin-it-3d-for-europe-s-culture\" target=\"_blank\" rel=\"noopener\">Twin it! – 3D for Europe’s culture\u003C\u002Fa>“, in der die \u003Ca title=\"Landessammlungen Niederösterreich\" href=\"https:\u002F\u002Fwww.landessammlungen-noe.at\u002Fen\u002Fhome.html\" target=\"_blank\" rel=\"noopener\">Landessammlungen Niederösterreich\u003C\u002Fa> das Heidentor von Carnuntum als Symbol des römischen Österreichs in 3D digitalisierten, hat erheblich dazu beigetragen, das „Römische Wahrzeichen in Österreich“ zu erhalten.\u003C\u002Fp>",429,{"id":205,"collection":55,"item":206},836,{"date_published":9,"date_unpublished":9,"heading_size":65,"heading_tag":207,"type":59,"summary":9,"heading":208,"body":9,"id":209,"is_enabled":27},"h3","Weiterführende Links",430,{"id":211,"collection":212,"item":213},837,"block_links",{"date_published":9,"date_unpublished":9,"type":66,"items":214,"summary":9,"heading":9,"id":230,"is_enabled":27},[215,220,225],{"heading":216,"summary":217,"link":218,"call_to_action":219},"Twin it!","Kampagne von Europeana","https:\u002F\u002Ftwinit3d.europeana.eu\u002F","twinit3d.europeana.eu",{"heading":221,"summary":222,"link":223,"call_to_action":224},"Online-Sammlung","Die Online-Sammlung der Landessammlungen Niederösterreich","https:\u002F\u002Fwww.online.landessammlungen-noe.at\u002F","landessammlungen-noe.at",{"heading":226,"summary":227,"link":228,"call_to_action":229},"Carnuntum","Die Römerstadt Carnuntum in Niederösterreich","https:\u002F\u002Fwww.carnuntum.at\u002Fde","carnuntum.at",137,{"id":232,"collection":22,"item":233},845,{"date_published":9,"date_unpublished":9,"aspect_ratio":24,"type":66,"pick_items":9,"id":234,"is_enabled":27,"randomize":9,"row_mode":28,"items":235},220,[236],{"id":237,"sort":32,"type":238,"date_published":9,"date_unpublished":9,"color_text":239,"color_background":240,"category":241,"heading":242,"is_long_heading":28,"summary":243,"link_internal":9,"link":244,"call_to_action":9,"show_search":28,"image":245},316,"image-text","#FFFF00","#828F8F","Suchvorschlag","Das Heidentor in 3D","Alle 4 Modelle des Heidentors in 3D im Kulturpool.","\u002Fsuche?query=heidentor&refinementList=edmType%255B0%255D=3D",{"id":246,"author":247,"title":248,"license":249,"description":250,"license_url":251,"tags":9,"kulturpool_url":252,"location":9,"storage":40,"filename_disk":253,"filename_download":254,"metadata":255,"type":44,"filesize":256,"created_on":257,"modified_by":49,"modified_on":258,"embed":9,"uploaded_by":49,"uploaded_on":257,"folder":50,"width":259,"height":260,"charset":9,"duration":9,"tus_id":9,"tus_data":9,"focal_point_x":9,"focal_point_y":9},"ce1c57d9-9d7e-4f0c-b03e-22465d044945","Landessammlungen Niederösterreich","Bildschirmfoto der Rekonstruktion des Heidentors ","CC BY-SA","Das 3D-Modell zeigt die Rekonstruktion des Heidentors in der Zeit seiner Erstellung 351–361 n. Chr.","https:\u002F\u002Fcreativecommons.org\u002Flicenses\u002Fby-sa\u002F4.0\u002F","https:\u002F\u002Fkulturpool.at\u002Finstitutionen\u002Flandessammlungen-noe\u002FHeidentor-02","ce1c57d9-9d7e-4f0c-b03e-22465d044945.jpg","heidentor-historische-ansicht 02.jpg",{},"580266","2024-06-06T10:44:10.601Z","2024-06-06T11:11:43.463Z",1598,1135,{"id":262,"collection":22,"item":263},842,{"date_published":9,"date_unpublished":9,"aspect_ratio":24,"type":66,"pick_items":9,"id":264,"is_enabled":27,"randomize":9,"row_mode":28,"items":265},218,[266,289,308,316],{"id":267,"sort":32,"type":238,"date_published":9,"date_unpublished":9,"color_text":268,"color_background":269,"category":270,"heading":242,"is_long_heading":28,"summary":271,"link_internal":9,"link":272,"call_to_action":273,"show_search":28,"image":274},310,"#3CFF00","#977631","Die Kampagne „Twin it!“","Wie digitalisiert man ein Monument? In der Kampagne „Twin it!“ werden neue 3D-Digitalisierungen von bekannten und gefährdeten Kulturdenkmälern aus ganz Europa vorgestellt.","\u002Finhalte\u002Fdie-europaeische-kampagne-twin-it-zur-3d-digitalisierung","Artikel lesen",{"id":275,"author":276,"title":277,"license":278,"description":9,"license_url":279,"tags":9,"kulturpool_url":280,"location":9,"storage":40,"filename_disk":281,"filename_download":282,"metadata":283,"type":44,"filesize":284,"created_on":285,"modified_by":49,"modified_on":286,"embed":9,"uploaded_by":49,"uploaded_on":285,"folder":50,"width":287,"height":288,"charset":9,"duration":9,"tus_id":9,"tus_data":9,"focal_point_x":9,"focal_point_y":9},"0a836fd2-d4f8-4e4b-ab56-241be6347ab4","Birgit und Peter Kainz, Wien Museum","Wien Umgebung - NÖ - Petronell-Carnuntum - Tetrapylon \u002F sog. Heidentor","CC0","https:\u002F\u002Fcreativecommons.org\u002Fpublicdomain\u002Fzero\u002F1.0\u002F","https:\u002F\u002Fkulturpool.at\u002Finstitutionen\u002Fwien-museum\u002F157186%252F16","0a836fd2-d4f8-4e4b-ab56-241be6347ab4.jpg","heidentor-91c.jpg",{},"537168","2024-05-07T15:54:58.148Z","2024-06-06T11:23:52.255Z",1674,1483,{"id":290,"sort":172,"type":238,"date_published":9,"date_unpublished":9,"color_text":268,"color_background":269,"category":270,"heading":291,"is_long_heading":28,"summary":292,"link_internal":9,"link":293,"call_to_action":273,"show_search":28,"image":294},311,"Die 3D-Rekonstruktion des Heidentors","Neu und alt kommen hier zusammen: In diesem 3D-Modell wird rekonstruiert, wie das Heidentor vor 2.000 Jahren ausgesehen haben könnte.","\u002Finhalte\u002Fdie-3d-rekonstruktion-des-heidentors",{"id":295,"author":247,"title":296,"license":38,"description":9,"license_url":297,"tags":9,"kulturpool_url":9,"location":9,"storage":40,"filename_disk":298,"filename_download":299,"metadata":300,"type":44,"filesize":301,"created_on":302,"modified_by":49,"modified_on":303,"embed":9,"uploaded_by":49,"uploaded_on":302,"folder":50,"width":304,"height":305,"charset":9,"duration":9,"tus_id":9,"tus_data":9,"focal_point_x":306,"focal_point_y":307},"a837843b-1d90-4c7d-ac98-ee0e4037f96a","Technisches Zeichnen der Apsiden in den Nischen der Attikazone","https:\u002F\u002Frightsstatements.org\u002Fvocab\u002FInC\u002F1.0\u002F","a837843b-1d90-4c7d-ac98-ee0e4037f96a.jpg","Heidentor-05-Technisches Zeichnen der Apsiden in den Nischen der Attikazone.jpg",{},"292265","2024-05-07T12:00:49.139Z","2024-06-06T09:22:32.308Z",3288,1843,1631,1052,{"id":309,"sort":310,"type":238,"date_published":9,"date_unpublished":9,"color_text":10,"color_background":11,"category":270,"heading":311,"is_long_heading":28,"summary":312,"link_internal":9,"link":313,"call_to_action":273,"show_search":28,"image":314},312,3,"Das Heidentor von Petronell-Carnuntum damals und heute","Über die Geschichte und Bedeutung des Heidentors seit seiner Entstehung im 4. Jahrhundert.","\u002Finhalte\u002Fdas-heidentor-von-petronell-carnuntum-damals-und-heute",{"id":119,"author":88,"title":120,"license":121,"description":122,"license_url":123,"tags":9,"kulturpool_url":124,"location":9,"storage":40,"filename_disk":125,"filename_download":126,"metadata":315,"type":44,"filesize":128,"created_on":129,"modified_by":49,"modified_on":130,"embed":9,"uploaded_by":49,"uploaded_on":129,"folder":50,"width":131,"height":132,"charset":9,"duration":9,"tus_id":9,"tus_data":9,"focal_point_x":9,"focal_point_y":9},{},{"id":317,"sort":318,"type":238,"date_published":9,"date_unpublished":9,"color_text":319,"color_background":320,"category":270,"heading":321,"is_long_heading":28,"summary":322,"link_internal":9,"link":323,"call_to_action":273,"show_search":28,"image":324},444,4,"#FF1C00","#E6F2EA","Making-of","Was braucht man, um ein Bauwerk in 3D zu digitalisieren, das über 12 Meter hoch und breit ist? Das Making-of-Video erzählt über den Drohnenflug und das Design der 3D-Modelle.","\u002Finhalte\u002Fheidentor-digitalisierung-making-of",{"id":325,"author":247,"title":326,"license":38,"description":9,"license_url":297,"tags":9,"kulturpool_url":9,"location":9,"storage":40,"filename_disk":327,"filename_download":328,"metadata":329,"type":44,"filesize":330,"created_on":331,"modified_by":49,"modified_on":332,"embed":9,"uploaded_by":49,"uploaded_on":331,"folder":50,"width":333,"height":334,"charset":9,"duration":9,"tus_id":9,"tus_data":9,"focal_point_x":335,"focal_point_y":336},"5e7605d3-5bcb-412a-94dd-6024bccf99ed","Drohnenaufnahme des heutigen Heidentors","5e7605d3-5bcb-412a-94dd-6024bccf99ed.jpg","Heidentor-01_Drohnenaufnahme des heutigen Heidentors.jpg",{},"1805557","2024-05-08T09:43:39.587Z","2024-07-15T09:53:33.260Z",4032,3024,1938,485,{"id":338,"collection":212,"item":339},838,{"date_published":9,"date_unpublished":9,"type":66,"items":340,"summary":9,"heading":9,"id":346,"is_enabled":27},[341],{"heading":342,"summary":343,"link":344,"call_to_action":345},"Weitere Artikel","Lesen Sie mehr über die Digitalisierung von Kulturerbe.","\u002Finhalte\u002Fartikel","zu allen Artikeln",138,{"languages_code":348,"title":349,"slug":350,"summary":351,"id":352,"items":353},"en","The Heidentor in the 19th century","the-heidentor-in-the-19th-century","Two historical views from the 19th century testify to the transformation of the Heidentor over time.",136,[354,363,368,373,379,389,394,400,409,414,419,425,440,445,451,456,461,467,472,485,498,531],{"id":355,"collection":22,"item":356},930,{"date_published":9,"date_unpublished":9,"aspect_ratio":24,"type":25,"pick_items":9,"id":357,"is_enabled":27,"randomize":9,"row_mode":28,"items":358},249,[359],{"id":360,"sort":32,"type":33,"date_published":9,"date_unpublished":9,"color_text":9,"color_background":9,"category":9,"heading":9,"is_long_heading":28,"summary":9,"link_internal":9,"link":9,"call_to_action":9,"show_search":28,"image":361},380,{"id":35,"author":36,"title":37,"license":38,"description":9,"license_url":39,"tags":9,"kulturpool_url":9,"location":9,"storage":40,"filename_disk":41,"filename_download":42,"metadata":362,"type":44,"filesize":45,"created_on":46,"modified_by":47,"modified_on":48,"embed":9,"uploaded_by":49,"uploaded_on":46,"folder":50,"width":51,"height":52,"charset":9,"duration":9,"tus_id":9,"tus_data":9,"focal_point_x":9,"focal_point_y":9},{},{"id":364,"collection":55,"item":365},931,{"date_published":9,"date_unpublished":9,"heading_size":57,"heading_tag":58,"type":59,"summary":9,"heading":349,"body":366,"id":367,"is_enabled":27},"\u003Cp>\u003Cstrong>Two historical views from the 19th century testify to the transformation of the Heidentor over time.\u003C\u002Fstrong>\u003C\u002Fp>",477,{"id":369,"collection":55,"item":370},932,{"date_published":9,"date_unpublished":9,"heading_size":65,"heading_tag":58,"type":66,"summary":9,"heading":9,"body":371,"id":372,"is_enabled":27},"\u003Cp>Its history ranges from the \u003Ca title=\"Das Heidentor von Petronell-Carnuntum\" href=\"\u002Fen\u002Finstitutions\u002Fstate-collections-lower-austria\u002FHeidentor\">3D model of the Heidentor\u003C\u002Fa>, as it is seen today in Petronell-Carnuntum, back to its origin in the 4th century, of which a \u003Ca title=\"Rekonstruktion des Heidentors\" href=\"\u002Fen\u002Finstitutions\u002Fstate-collections-lower-austria\u002FHeidentor-02\">reconstruction as a 3D model\u003C\u002Fa> is available. \u003C\u002Fp>\n\u003Cp>The development of the Heidentor over time can be well traced with two additional models from the beginning and end of the 19th century.\u003C\u002Fp>",478,{"id":374,"collection":55,"item":375},934,{"date_published":9,"date_unpublished":9,"heading_size":65,"heading_tag":58,"type":72,"summary":9,"heading":376,"body":377,"id":378,"is_enabled":27},"The Heidentor at the beginning of the 19th century","\u003Cp>The first 3D model was created after a watercolour by Rudolf von Alt. The watercolour shows the view of the Heidentor from the west, around the time of the grain harvest. The structure stands on a conical rubble mound. Immediately behind the south-western pillar, the large lintel block can be seen.\u003C\u002Fp>",480,{"id":380,"collection":22,"item":381},935,{"date_published":9,"date_unpublished":9,"aspect_ratio":79,"type":80,"pick_items":9,"id":382,"is_enabled":27,"randomize":9,"row_mode":28,"items":383},250,[384],{"id":385,"sort":32,"type":33,"date_published":9,"date_unpublished":9,"color_text":9,"color_background":9,"category":9,"heading":386,"is_long_heading":28,"summary":9,"link_internal":9,"link":9,"call_to_action":9,"show_search":28,"image":387},381,"View of the Heidentor from the west, a lithograph of the watercolour by Rudolf von Alt.",{"id":87,"author":88,"title":89,"license":38,"description":90,"license_url":91,"tags":9,"kulturpool_url":9,"location":9,"storage":40,"filename_disk":92,"filename_download":93,"metadata":388,"type":44,"filesize":95,"created_on":96,"modified_by":47,"modified_on":97,"embed":9,"uploaded_by":49,"uploaded_on":96,"folder":50,"width":98,"height":99,"charset":9,"duration":9,"tus_id":9,"tus_data":9,"focal_point_x":9,"focal_point_y":9},{},{"id":390,"collection":55,"item":391},936,{"date_published":9,"date_unpublished":9,"heading_size":65,"heading_tag":58,"type":72,"summary":9,"heading":9,"body":392,"id":393,"is_enabled":27},"\u003Cp>Both still standing pillars are already very thinned at the bottom, the southern one significantly more than the northern one, which well documents the peak of stone robbery. \u003Ca title=\"The Heidentor of Petronell-Carnuntum from past to present\" href=\"\u002Fen\u002Fcontent\u002Fthe-heidentor-of-petronell-carnuntum-from-past-to-present\">Stone robbery for building material\u003C\u002Fa>, which occurred especially in the 15th and 16th centuries, shaped the appearance of the Heidentor forever.\u003C\u002Fp>\n\u003Cp>At the top of the northern pillar, the cast masonry of the building core can be seen, while the southern pillar has a still preserved brick cladding at this point. Below, on the south pillar, a short piece of a cornice and four large, light blocks are visible. At the top, two stone blocks also protrude like consoles.\u003C\u002Fp>",481,{"id":395,"collection":55,"item":396},937,{"date_published":9,"date_unpublished":9,"heading_size":65,"heading_tag":58,"type":72,"summary":9,"heading":397,"body":398,"id":399,"is_enabled":27},"Rudolf and Jakob von Alt","\u003Cp>For the 3D digitisation, an additional watercolour based on the template by Jakob von Alt, the father of Rudolf von Alt, was used, which provided a corresponding template for the design of the eastern view side. This was a stroke of luck, as both depictions thus come from a (family) hand and the two different viewpoints anticipated many details for the 3D drawing.\u003C\u002Fp>",482,{"id":401,"collection":22,"item":402},938,{"date_published":9,"date_unpublished":9,"aspect_ratio":79,"type":80,"pick_items":9,"id":403,"is_enabled":27,"randomize":9,"row_mode":28,"items":404},251,[405],{"id":406,"sort":32,"type":33,"date_published":9,"date_unpublished":9,"color_text":9,"color_background":9,"category":9,"heading":9,"is_long_heading":28,"summary":9,"link_internal":9,"link":9,"call_to_action":9,"show_search":28,"image":407},382,{"id":119,"author":88,"title":120,"license":121,"description":122,"license_url":123,"tags":9,"kulturpool_url":124,"location":9,"storage":40,"filename_disk":125,"filename_download":126,"metadata":408,"type":44,"filesize":128,"created_on":129,"modified_by":49,"modified_on":130,"embed":9,"uploaded_by":49,"uploaded_on":129,"folder":50,"width":131,"height":132,"charset":9,"duration":9,"tus_id":9,"tus_data":9,"focal_point_x":9,"focal_point_y":9},{},{"id":410,"collection":55,"item":411},939,{"date_published":9,"date_unpublished":9,"heading_size":65,"heading_tag":58,"type":59,"summary":9,"heading":412,"body":9,"id":413,"is_enabled":27},"The finished 3D model with the view at the beginning of the 19th century",483,{"id":415,"collection":140,"item":416},940,{"date_unpublished":9,"date_published":9,"aspect_ratio":79,"link":9,"type":142,"code":417,"max_width":9,"id":418,"is_enabled":27,"file":9},"\u003Cdiv class=\"sketchfab-embed-wrapper\"> \u003Ciframe title=\"The Heidentor in the early 19th century\" frameborder=\"0\" allowfullscreen mozallowfullscreen=\"true\" webkitallowfullscreen=\"true\" allow=\"autoplay; fullscreen; xr-spatial-tracking\" xr-spatial-tracking execution-while-out-of-viewport execution-while-not-rendered web-share src=\"https:\u002F\u002Fsketchfab.com\u002Fmodels\u002Ff2bc6f224321401a88ff13fc43db2951\u002Fembed?ui_infos=0&ui_watermark_link=0&ui_watermark=0&ui_color=1e1e1e\"> \u003C\u002Fiframe> \u003Cp style=\"font-size: 0.9em; text-align: center; font-weight: normal; margin: 5px;\">In the 3D model, the thinned pillars are particularly visible, a result of the stone robbery in past centuries. The Heidentor in the early 19th century of the \u003Ca href=\"https:\u002F\u002Fsketchfab.com\u002Fwww.noe-3d.at?utm_medium=embed&utm_campaign=share-popup&utm_content=807a34403d12449ea667f3c586d47a98\" target=\"_blank\" rel=\"nofollow\"> State Collections of Lower Austria \u003C\u002Fa> on \u003Ca href=\"https:\u002F\u002Fsketchfab.com\u002F3d-models\u002Fthe-heidentor-in-the-early-19th-century-f2bc6f224321401a88ff13fc43db2951\" target=\"_blank\" rel=\"nofollow\">Sketchfab\u003C\u002Fa> and in \u003Ca href=\"\u002Finstitutionen\u002Flandessammlungen-noe\u002FHeidentor\">Kulturpool\u003C\u002Fa>.\u003C\u002Fp>\u003C\u002Fdiv>",51,{"id":420,"collection":55,"item":421},941,{"date_published":9,"date_unpublished":9,"heading_size":65,"heading_tag":58,"type":72,"summary":9,"heading":422,"body":423,"id":424,"is_enabled":27},"The Heidentor at the end of the 19th century","\u003Cp>Another 3D model was recreated from two lithographs following the restoration measures undertaken by Anton Widter.\u003C\u002Fp>",484,{"id":426,"collection":22,"item":427},942,{"date_published":9,"date_unpublished":9,"aspect_ratio":79,"type":80,"pick_items":9,"id":428,"is_enabled":27,"randomize":9,"row_mode":28,"items":429},252,[430,435],{"id":431,"sort":32,"type":33,"date_published":9,"date_unpublished":9,"color_text":9,"color_background":9,"category":9,"heading":432,"is_long_heading":28,"summary":9,"link_internal":9,"link":9,"call_to_action":9,"show_search":28,"image":433},384,"View of the Heidentor from the west, lithograph, around 1869",{"id":160,"author":36,"title":158,"license":38,"description":161,"license_url":39,"tags":9,"kulturpool_url":9,"location":9,"storage":40,"filename_disk":162,"filename_download":163,"metadata":434,"type":44,"filesize":165,"created_on":166,"modified_by":47,"modified_on":167,"embed":9,"uploaded_by":49,"uploaded_on":166,"folder":50,"width":168,"height":169,"charset":9,"duration":9,"tus_id":9,"tus_data":9,"focal_point_x":9,"focal_point_y":9},{},{"id":436,"sort":172,"type":33,"date_published":9,"date_unpublished":9,"color_text":9,"color_background":9,"category":9,"heading":437,"is_long_heading":28,"summary":9,"link_internal":9,"link":9,"call_to_action":9,"show_search":28,"image":438},383,"View of the Heidentor from the southeast, lithograph, around 1869",{"id":35,"author":36,"title":37,"license":38,"description":9,"license_url":39,"tags":9,"kulturpool_url":9,"location":9,"storage":40,"filename_disk":41,"filename_download":42,"metadata":439,"type":44,"filesize":45,"created_on":46,"modified_by":47,"modified_on":48,"embed":9,"uploaded_by":49,"uploaded_on":46,"folder":50,"width":51,"height":52,"charset":9,"duration":9,"tus_id":9,"tus_data":9,"focal_point_x":9,"focal_point_y":9},{},{"id":441,"collection":55,"item":442},943,{"date_published":9,"date_unpublished":9,"heading_size":65,"heading_tag":58,"type":178,"summary":443,"heading":444,"body":9,"id":336,"is_enabled":27},"Lithography is a printing method. It was invented by Alois Senefelder, a German actor and author, who was looking for an inexpensive way to reproduce his writings in 1796 and discovered stone printing. The process uses the fact that fat and water do not mix. You draw on limestone with greasy ink, dampen it, and transfer the image to paper, as greasy areas attract the printing ink, but wet ones do not.","What is lithography?",{"id":446,"collection":55,"item":447},944,{"date_published":9,"date_unpublished":9,"heading_size":65,"heading_tag":58,"type":72,"summary":9,"heading":448,"body":449,"id":450,"is_enabled":27},"Restorations by Anton Widter","\u003Cp>The two lithographs show the walling up of the still standing stone structures after the initial conservation measures by Anton Widter, an Austrian industrialist and art collector.\u003C\u002Fp>\n\u003Cp>Between 1843 and 1846, the first restoration and conservation measures were commissioned by Anton Widter on the Heidentor, which had become very endangered in its stability due to centuries of stone robbery. These were the first systematically conducted and privately financed conservation measures of a Roman stone monument in Austria. Anton Widter had the ancient pillar remains encased with supporting masonry. The exact extent of these measures was described in 1893 by Josef Dell, who also included sketches in his reports: \u003C\u002Fp>\n\u003Cp>\u003Cem>“Masonry at the pillars, at the arch and the parts rising above it …” (—Josef Dell, Excavations in Carnuntum, AEM 16, 1893, pp. 156–176)\u003C\u002Fem>\u003C\u002Fp>\n\u003Cp>The pillar core was only encased on the outer sides, leaving the ancient masonry visible in the gateway.\u003C\u002Fp>\n\u003Cp>By 1868, further restorations were necessary, as masonry had come loose on the west side of the south pillar and was in danger of falling. These were also commissioned and financed by Anton Widter.\u003C\u002Fp>",486,{"id":452,"collection":55,"item":453},946,{"date_published":9,"date_unpublished":9,"heading_size":65,"heading_tag":58,"type":59,"summary":9,"heading":454,"body":9,"id":455,"is_enabled":27},"The 3D model with the view at the end of the 19th century",487,{"id":457,"collection":140,"item":458},945,{"date_unpublished":9,"date_published":9,"aspect_ratio":79,"link":9,"type":142,"code":459,"max_width":9,"id":460,"is_enabled":27,"file":9},"\u003Cdiv class=\"sketchfab-embed-wrapper\"> \u003Ciframe title=\"The Heidentor at the end of the 19th century\" frameborder=\"0\" allowfullscreen mozallowfullscreen=\"true\" webkitallowfullscreen=\"true\" allow=\"autoplay; fullscreen; xr-spatial-tracking\" xr-spatial-tracking execution-while-out-of-viewport execution-while-not-rendered web-share src=\"https:\u002F\u002Fsketchfab.com\u002Fmodels\u002F94e413899ba84860b749f89ebb3f5145\u002Fembed?ui_infos=0&ui_watermark_link=0&ui_watermark=0&ui_color=1e1e1e\"> \u003C\u002Fiframe> \u003Cp style=\"font-size: 0.9em; text-align: center; font-weight: normal; margin: 5px;\">In this model, compared to the other models, the changes due to the restorations in the 19th century are clearly visible, such as the encased pillar cores. The Heidentor at the end of the 19th century of the \u003Ca href=\"https:\u002F\u002Fsketchfab.com\u002Fwww.noe-3d.at?utm_medium=embed&utm_campaign=share-popup&utm_content=807a34403d12449ea667f3c586d47a98\" target=\"_blank\" rel=\"nofollow\"> State Collections of Lower Austria \u003C\u002Fa> on \u003Ca href=\"https:\u002F\u002Fsketchfab.com\u002F3d-models\u002Fthe-heidentor-at-the-end-of-the-19th-century-94e413899ba84860b749f89ebb3f5145\" target=\"_blank\" rel=\"nofollow\">Sketchfab\u003C\u002Fa> and in \u003Ca href=\"\u002Finstitutionen\u002Flandessammlungen-noe\u002FHeidentor\">Kulturpool\u003C\u002Fa>.\u003C\u002Fp>\u003C\u002Fdiv>",52,{"id":462,"collection":55,"item":463},947,{"date_published":9,"date_unpublished":9,"heading_size":65,"heading_tag":58,"type":72,"summary":9,"heading":464,"body":465,"id":466,"is_enabled":27},"What happened next?","\u003Cp>On 5 June 1907, the Heidentor was ceded to the Federal State of Lower Austria, which from then on was responsible for the preservation of the Roman building. Already between August and October 1907, further extensive security measures were implemented.\u003C\u002Fp>\n\u003Cp>In the course of these works, the foundations were exposed and the Heidentor was scaffolded to carry out repairs in the upper area. The encasing of the pillars, which had already been done in 1860, was massively improved and the debris mound in front of the Heidentor was excavated. During these works, the pieces of the circular pedestal in the middle were also unearthed and reconstructed. \u003C\u002Fp>\n\u003Cp>Since then, further security, restoration, and conservation measures have been carried out, which continue to this day. The campaign \u003Ca href=\"https:\u002F\u002Fpro.europeana.eu\u002Fpage\u002Ftwin-it-3d-for-europe-s-culture\" target=\"_blank\" rel=\"noopener\">“Twin it! – 3D for Europe’s culture”\u003C\u002Fa>, in which the \u003Ca title=\"State Collections of Lower Austria\" href=\"https:\u002F\u002Fwww.landessammlungen-noe.at\u002Fen\u002Fhome.html\" target=\"_blank\" rel=\"noopener\">State Collections of Lower Austria\u003C\u002Fa> digitised the Heidentor of Carnuntum as a symbol of Roman Austria in 3D, has also contributed significantly to the preservation of the “Roman landmark in Austria”.\u003C\u002Fp>",488,{"id":468,"collection":55,"item":469},840,{"date_published":9,"date_unpublished":9,"heading_size":65,"heading_tag":207,"type":59,"summary":9,"heading":470,"body":9,"id":471,"is_enabled":27},"Related links",431,{"id":473,"collection":212,"item":474},841,{"date_published":9,"date_unpublished":9,"type":66,"items":475,"summary":9,"heading":9,"id":484,"is_enabled":27},[476,478,481],{"heading":216,"summary":477,"link":218,"call_to_action":219},"Campaign from Europeana",{"heading":479,"summary":480,"link":223,"call_to_action":224},"Digital Collection","The digital collections of the State Collections of Lower Austria",{"heading":226,"summary":482,"link":483,"call_to_action":229},"The Roman city of Carnuntum in Lower Austria","https:\u002F\u002Fwww.carnuntum.at\u002Fen",140,{"id":486,"collection":22,"item":487},948,{"date_published":9,"date_unpublished":9,"aspect_ratio":24,"type":66,"pick_items":9,"id":488,"is_enabled":27,"randomize":9,"row_mode":28,"items":489},253,[490],{"id":491,"sort":32,"type":238,"date_published":9,"date_unpublished":9,"color_text":239,"color_background":240,"category":492,"heading":493,"is_long_heading":28,"summary":494,"link_internal":9,"link":495,"call_to_action":9,"show_search":28,"image":496},385,"Search suggestion","The “Heidentor” in 3D","All 4 models of the Heidentor in 3D in Kulturpool.","\u002Fen\u002Fsearch?query=heidentor&refinementList=edmType%255B0%255D=3D",{"id":246,"author":247,"title":248,"license":249,"description":250,"license_url":251,"tags":9,"kulturpool_url":252,"location":9,"storage":40,"filename_disk":253,"filename_download":254,"metadata":497,"type":44,"filesize":256,"created_on":257,"modified_by":49,"modified_on":258,"embed":9,"uploaded_by":49,"uploaded_on":257,"folder":50,"width":259,"height":260,"charset":9,"duration":9,"tus_id":9,"tus_data":9,"focal_point_x":9,"focal_point_y":9},{},{"id":499,"collection":22,"item":500},843,{"date_published":9,"date_unpublished":9,"aspect_ratio":24,"type":66,"pick_items":9,"id":501,"is_enabled":27,"randomize":9,"row_mode":28,"items":502},219,[503,512,518,525],{"id":504,"sort":32,"type":238,"date_published":9,"date_unpublished":9,"color_text":10,"color_background":11,"category":505,"heading":506,"is_long_heading":28,"summary":507,"link_internal":9,"link":508,"call_to_action":509,"show_search":28,"image":510},313,"The “Twin it!” campaign","The Heidentor of Petronell-Carnuntum from past to present","On the history and significance of the Heidentor since its construction in the 4th century.","\u002Fen\u002Fcontent\u002Fthe-heidentor-of-petronell-carnuntum-from-past-to-present","Read the article",{"id":119,"author":88,"title":120,"license":121,"description":122,"license_url":123,"tags":9,"kulturpool_url":124,"location":9,"storage":40,"filename_disk":125,"filename_download":126,"metadata":511,"type":44,"filesize":128,"created_on":129,"modified_by":49,"modified_on":130,"embed":9,"uploaded_by":49,"uploaded_on":129,"folder":50,"width":131,"height":132,"charset":9,"duration":9,"tus_id":9,"tus_data":9,"focal_point_x":9,"focal_point_y":9},{},{"id":513,"sort":172,"type":238,"date_published":9,"date_unpublished":9,"color_text":268,"color_background":269,"category":505,"heading":493,"is_long_heading":28,"summary":514,"link_internal":9,"link":515,"call_to_action":509,"show_search":28,"image":516},314,"How do you digitise a monument? The “Twin it!” campaign presents new 3D digitisation projects of well-known and cultural monuments from all over Europe that are at risk.","\u002Fen\u002Fcontent\u002Fthe-european-twin-it-campaign-for-the-3d-digitisation-of-cultural-objects",{"id":275,"author":276,"title":277,"license":278,"description":9,"license_url":279,"tags":9,"kulturpool_url":280,"location":9,"storage":40,"filename_disk":281,"filename_download":282,"metadata":517,"type":44,"filesize":284,"created_on":285,"modified_by":49,"modified_on":286,"embed":9,"uploaded_by":49,"uploaded_on":285,"folder":50,"width":287,"height":288,"charset":9,"duration":9,"tus_id":9,"tus_data":9,"focal_point_x":9,"focal_point_y":9},{},{"id":519,"sort":310,"type":238,"date_published":9,"date_unpublished":9,"color_text":268,"color_background":269,"category":505,"heading":520,"is_long_heading":28,"summary":521,"link_internal":9,"link":522,"call_to_action":509,"show_search":28,"image":523},315,"The 3D reconstruction of the Heidentor","New and old come together here: This 3D model reconstructs what the Heidentor might have looked like 2,000 years ago.","\u002Fen\u002Fcontent\u002Fthe-3d-reconstruction-of-the-heidentor",{"id":295,"author":247,"title":296,"license":38,"description":9,"license_url":297,"tags":9,"kulturpool_url":9,"location":9,"storage":40,"filename_disk":298,"filename_download":299,"metadata":524,"type":44,"filesize":301,"created_on":302,"modified_by":49,"modified_on":303,"embed":9,"uploaded_by":49,"uploaded_on":302,"folder":50,"width":304,"height":305,"charset":9,"duration":9,"tus_id":9,"tus_data":9,"focal_point_x":306,"focal_point_y":307},{},{"id":526,"sort":318,"type":238,"date_published":9,"date_unpublished":9,"color_text":319,"color_background":320,"category":505,"heading":321,"is_long_heading":28,"summary":527,"link_internal":9,"link":528,"call_to_action":509,"show_search":28,"image":529},445,"What is needed to digitise a monument in 3D that is over 12 metres high and wide? The making-of video explains the drone flight and the design of the 3D models.","\u002Fen\u002Fcontent\u002Fdigitisation-heidentor-making-of",{"id":325,"author":247,"title":326,"license":38,"description":9,"license_url":297,"tags":9,"kulturpool_url":9,"location":9,"storage":40,"filename_disk":327,"filename_download":328,"metadata":530,"type":44,"filesize":330,"created_on":331,"modified_by":49,"modified_on":332,"embed":9,"uploaded_by":49,"uploaded_on":331,"folder":50,"width":333,"height":334,"charset":9,"duration":9,"tus_id":9,"tus_data":9,"focal_point_x":335,"focal_point_y":336},{},{"id":532,"collection":212,"item":533},839,{"date_published":9,"date_unpublished":9,"type":66,"items":534,"summary":9,"heading":9,"id":540,"is_enabled":27},[535],{"heading":536,"summary":537,"link":538,"call_to_action":539},"More articles","Read more about the digitisation of cultural heritage.","\u002Fen\u002Fcontent\u002Farticles","See all articles",139,[542,543],56,57,{"og_image":35,"canonical_url":9,"sitemap_change_frequency":545,"title":9,"sitemap_priority":546,"node_type":9,"meta_description":9,"id":547,"no_index":28,"no_follow":28},"daily",0.5,60]