[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"content-ubi-erat-lupa":3},[4],{"id":5,"sort":6,"status":7,"category":8,"date_published":9,"date_unpublished":9,"color_text":10,"color_background":11,"translations":12,"visibilities":241,"seo":244},158,96,"draft",9,null,"#F59C00","#356645",[13,157],{"languages_code":14,"title":15,"slug":16,"summary":17,"id":18,"items":19},"de","Ewig in Stein","ubi-erat-lupa","Im Zuge des Projekts „Ewigkeit in Stein? Römersteine in Wind und Wetter“ des Vereins Ubi Erat Lupa (lupa.at) wurden die nicht in Museen verwahrten römerzeitlichen Steindenkmäler in der Steiermark dreidimensional dokumentiert.",293,[20,61,71,79,86,92,98,103,119,147],{"id":21,"collection":22,"item":23},3126,"block_slider",{"date_published":9,"date_unpublished":9,"aspect_ratio":24,"type":25,"pick_items":9,"id":26,"is_enabled":27,"randomize":9,"row_mode":28,"items":29},"3\u002F1","full-width",972,true,false,[30],{"id":31,"sort":32,"type":33,"date_published":9,"date_unpublished":9,"color_text":9,"color_background":9,"category":9,"heading":9,"is_long_heading":28,"summary":9,"link_internal":9,"link":9,"call_to_action":9,"show_search":28,"image":34},1867,1,"image",{"id":35,"author":36,"title":37,"license":38,"description":9,"license_url":39,"tags":9,"kulturpool_url":9,"location":9,"storage":40,"filename_disk":41,"filename_download":42,"metadata":43,"type":52,"filesize":53,"created_on":54,"modified_by":55,"modified_on":56,"embed":9,"uploaded_by":55,"uploaded_on":57,"folder":58,"width":59,"height":60,"charset":9,"duration":9,"tus_id":9,"tus_data":9,"focal_point_x":9,"focal_point_y":9},"abec6510-c9bf-4a91-80ad-eb06c91dd38f","Paul Victor Bayer, Verein Ubi Erat Lupa","Unfertiger Reliefblock mit Librarius","In Copyright","https:\u002F\u002Frightsstatements.org\u002Fpage\u002FInC\u002F1.0\u002F?language=en","local","abec6510-c9bf-4a91-80ad-eb06c91dd38f.jpg","19961-9.jpg",{"ifd0":44,"exif":47},{"Make":45,"Model":46},"NIKON CORPORATION","NIKON Z 5",{"FNumber":48,"ExposureTime":49,"FocalLength":50,"ISOSpeedRatings":51},10,0.004,28,100,"image\u002Fjpeg","797647","2025-11-11T14:43:23.261Z","a1bbb64d-aed1-4fcb-814e-ec90b36bc814","2025-11-11T14:50:12.841Z","2025-11-11T14:43:23.267Z","cc95a4fd-af2e-45c9-82ff-facb35becf00",2000,1335,{"id":62,"collection":63,"item":64},3127,"block_text",{"date_published":9,"date_unpublished":9,"heading_size":65,"heading_tag":66,"type":67,"summary":9,"heading":68,"body":69,"id":70,"is_enabled":27},"large","h2","center","Ewigkeit in Stein?","\u003Cp>\u003Cstrong>Römersteine in Wind und Wetter\u003C\u002Fstrong>\u003C\u002Fp>",1605,{"id":72,"collection":63,"item":73},3128,{"date_published":9,"date_unpublished":9,"heading_size":74,"heading_tag":75,"type":76,"summary":9,"heading":9,"body":77,"id":78,"is_enabled":27},"normal","h3","standard","\u003Cp>\u003Cspan lang=\"DE-AT\">Im Zuge des Projekts „Ewigkeit in Stein? Römersteine in Wind und Wetter“ des Vereins \u003Ca title=\"Ubi Erat Lupa\" href=\"https:\u002F\u002Flupa.at\u002F\" target=\"_blank\" rel=\"noopener\">Ubi Erat Lupa\u003C\u002Fa> wurden die nicht in Museen verwahrten römerzeitlichen Steindenkmäler in der Steiermark dreidimensional dokumentiert.\u003C\u002Fspan>\u003C\u002Fp>",1606,{"id":80,"collection":63,"item":81},3129,{"date_published":9,"date_unpublished":9,"heading_size":74,"heading_tag":75,"type":82,"summary":9,"heading":83,"body":84,"id":85,"is_enabled":27},"two-cols","Fragmente der Römerzeit","\u003Cp>\u003Cspan lang=\"DE-AT\">Reliefs, Inschriften und Architekturteile aus \u003Ca title=\"MArmor im Kulturpool\" href=\"\u002Fsuche?query=marmor\">Marmor\u003C\u002Fa> sind ein bedeutender Teil unseres aus der Römerzeit (in Österreich ca. 1.–4. Jh. n. Chr.) überlieferten kulturellen Erbes. Die Steine waren zumeist Teile größerer Bauten, die im Laufe der Zeit verfallen sind oder abgerissen wurden.\u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>\u003Cspan lang=\"DE-AT\">Viele der Steine in Österreich bestehen aus lokalen ostalpinen Marmoren, andere sind aus Kalksandstein oder anderen Gesteinen gefertigt. Die meisten sind Teile von marmornen Grabbauten (z. B. \u003Ca title=\"Relief mit Dienern mit Hunden im Kulturpool\" href=\"\u002Finstitutionen\u002Fuel\u002F5908\">Relief mit Dienern mit Hunden\u003C\u002Fa>) oder andere Grabmarkierungen wie \u003Ca title=\"Grabstelen im Kulturpool\" href=\"\u002Fsuche?query=grabstele\">Grabstelen\u003C\u002Fa> (z. B. \u003C\u002Fspan>\u003Ca title=\"Porträtstele des Sextus Sacretius Priscus im Kulturpool\" href=\"\u002Finstitutionen\u002Fuel\u002F1379\">Porträtstele des Sextus Sacretius Priscus\u003C\u002Fa>\u003Cspan lang=\"DE-AT\">), \u003Ca title=\"Grabaltäre im Kulturpool\" href=\"\u002Fsuche?query=grabaltar\">Grabaltäre\u003C\u002Fa> (z. B. \u003Ca title=\"Grabaltar des Caius Attius Iustus im Kulturpool\" href=\"\u002Finstitutionen\u002Fuel\u002F546\">Grabaltar des Caius Attius Iustus\u003C\u002Fa>), \u003Ca title=\"Grabporträts im Kulturpool\" href=\"\u002Fsuche?query=grabporträt\">Grabporträts\u003C\u002Fa> (z. B. \u003Ca title=\"Grabrelief des Claudius Restutus im Kulturpool\" href=\"\u002Finstitutionen\u002Fuel\u002F1355\">Grabrelief des Claudius Restutus\u003C\u002Fa>) oder einfache \u003Ca title=\"Grabsteine im Kulturpool\" href=\"\u002Fsuche?query=grabstein\">Grabsteine\u003C\u002Fa> (z. B. \u003Ca title=\"Grabinschrift des Quintus Sepueius Adiectus im Kulturpool\" href=\"\u002Finstitutionen\u002Fuel\u002F1509\">Grabinschrift des Quintus Sepueius Adiectus\u003C\u002Fa>). Seltener sind Weihaltäre (z. B. \u003Ca title=\"Altar für Sol\" href=\"\u002Finstitutionen\u002Fuel\u002F5705\">Altar für Sol\u003C\u002Fa>) aus Heiligtümern und kaum vorhanden sind Steine aus einer profanen Verwendung, etwa Meilensteine (z. B. \u003Ca title=\"Meilenstein des Kaisers Caracalla im Kulturpool\" href=\"\u002Finstitutionen\u002Fuel\u002F11231\">Meilenstein des Kaisers Caracalla\u003C\u002Fa>).\u003C\u002Fspan>\u003C\u002Fp>",1607,{"id":87,"collection":63,"item":88},3136,{"date_published":9,"date_unpublished":9,"heading_size":74,"heading_tag":75,"type":82,"summary":9,"heading":89,"body":90,"id":91,"is_enabled":27},"Stein hält nicht ewig","\u003Cp>\u003Cspan lang=\"DE-AT\">Nur ein Teil der Römersteine befindet sich in Museen. Als Dekoration oder einfaches Baumaterial sind viele in Kirchen und Schlössern, aber auch auf Bauernhöfen oder in Privathäusern aufgestellt oder eingemauert. Dabei sind sie oft einem langsamen, aber stetigen und vor allem unumkehrbaren Verfall, insbesondere durch Bewuchs und Witterungseinflüsse, ausgesetzt.\u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>\u003Cspan lang=\"DE-AT\">Das Projekt „Ewigkeit in Stein? Römersteine in Wind und Wetter“ des Vereins Ubi Erat Lupa, der die gleichnamige internationale Datenbank zu antiken Steindenkmälern betreibt, hat sich mit der 3D-Dokumentation aller nicht museal verwahrter Römersteine in der Steiermark befasst.\u003C\u002Fspan>\u003C\u002Fp>",1611,{"id":93,"collection":63,"item":94},3131,{"date_published":9,"date_unpublished":9,"heading_size":74,"heading_tag":75,"type":82,"summary":9,"heading":95,"body":96,"id":97,"is_enabled":27},"Römische Vergangenheit in drei Dimensionen","\u003Cp>\u003Cspan lang=\"DE-AT\">Von den knapp 400 Steinen wurden mittels Structure-from-Motion, einem bildbasierten dreidimensionalen Aufnahmeverfahren, hochwertige 3D-Modelle angefertigt, um den aktuellen Zustand der Objekte bestmöglich zu dokumentieren. Die Modelle stehen weitgehend unter der Lizenz CC-BY-NC 4.0 zur Verfügung und sind über die \u003Ca title=\"Ubi Erat Lupa\" href=\"https:\u002F\u002Flupa.at\u002F\" target=\"_blank\" rel=\"noopener\">Datenbank\u003C\u002Fa> abrufbar. Die im Zuge des Projekts ebenfalls vorgenommene Zustandsanalyse dient als Grundlage für eine konservatorische Behandlung der am stärksten gefährdeten Steine.\u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>\u003Cspan lang=\"DE-AT\">Die 3D-Dokumentation bietet gegenüber der bestehenden Fotodokumentation den Vorteil, dass die Steine orthogonal und skaliert bei gleichem Lichteinfall betrachtet werden können, um Ähnlichkeiten und Anpassungen noch besser erkennen und verifizieren zu können. Die Daten erleichtern durch ihre exakte Bemaßung auch die Rekonstruktion von Grabbauten und zeigen, sofern bei der Dokumentation sichtbar, auch die oft vernachlässigten Neben- und Rückseiten der Steine. Das Projekt eröffnet somit neue Perspektiven in der Erforschung und Bewahrung unseres durchaus gewichtigen antiken Kulturerbes.\u003C\u002Fspan>\u003C\u002Fp>",1609,{"id":99,"collection":63,"item":100},3132,{"date_published":9,"date_unpublished":9,"heading_size":74,"heading_tag":75,"type":67,"summary":9,"heading":101,"body":9,"id":102,"is_enabled":27},"Weiterführende Links",1610,{"id":104,"collection":105,"item":106},3133,"block_links",{"date_published":9,"date_unpublished":9,"type":76,"items":107,"summary":9,"heading":9,"id":118,"is_enabled":27},[108,113],{"heading":109,"summary":110,"link":111,"call_to_action":112},"Ubi Erat Lupa","Das Leitbild von Lupa ist jene Wölfin, die Romulus und Remus großzog und damit die römische Geschichte einläutete.","https:\u002F\u002Flupa.at\u002F","lupa.at",{"heading":114,"summary":115,"link":116,"call_to_action":117},"ÖZKD 2025, Heft 1","In der Österreichischen Zeitschrift für Kunst und Denkmalpflege 2025 wurden die Ergebnisse des Projekts veröffentlicht.","https:\u002F\u002Fwww.bda.gv.at\u002Fthemen\u002Fpublikationen\u002Foezkd\u002Foezkd-heft-1-2025-monitoring-archaeologie.html","bda.gv.at",429,{"id":120,"collection":22,"item":121},3134,{"date_published":9,"date_unpublished":9,"aspect_ratio":24,"type":76,"pick_items":9,"id":122,"is_enabled":27,"randomize":9,"row_mode":28,"items":123},973,[124],{"id":125,"sort":32,"type":126,"date_published":9,"date_unpublished":9,"color_text":10,"color_background":11,"category":9,"heading":109,"is_long_heading":28,"summary":127,"link_internal":9,"link":128,"call_to_action":129,"show_search":28,"image":130},1868,"image-text","Die internationale Bilddatenbank Ubi Erat Lupa beinhaltet Informationen, Fotos und 3D-Modelle tausender antiker Steindenkmäler aus dem Römischen Reich.","\u002Fsuche?refinementList=dataProvider%255B0%255D=Ubi%2520Erat%2520Lupa","zu den Digitalisaten",{"id":131,"author":132,"title":37,"license":133,"description":9,"license_url":134,"tags":9,"kulturpool_url":9,"location":9,"storage":40,"filename_disk":135,"filename_download":136,"metadata":137,"type":52,"filesize":53,"created_on":140,"modified_by":141,"modified_on":142,"embed":9,"uploaded_by":55,"uploaded_on":143,"folder":144,"width":59,"height":60,"charset":9,"duration":9,"tus_id":9,"tus_data":9,"focal_point_x":145,"focal_point_y":146},"9a60fbd6-0972-41c1-a1a9-d232ba15240d","Paul Victor Bayer","© Verein Ubi Erat Lupa","https:\u002F\u002Flupa.at\u002Fabout\u002Fphotos-info","9a60fbd6-0972-41c1-a1a9-d232ba15240d.jpg","header-ubi-erat-lupa.jpg",{"ifd0":138,"exif":139},{"Make":45,"Model":46},{"FNumber":48,"ExposureTime":49,"FocalLength":50,"ISOSpeedRatings":51},"2024-11-27T13:06:07.971Z","6a29f7a3-1d8d-4e0a-81db-8aa63ac748a5","2026-02-25T13:02:23.175Z","2024-11-27T13:06:07.978Z","c2e73b36-dc0d-4407-8210-88fcd8c1b662",981,600,{"id":148,"collection":105,"item":149},3135,{"date_published":9,"date_unpublished":9,"type":76,"items":150,"summary":9,"heading":9,"id":156,"is_enabled":27},[151],{"heading":152,"summary":153,"link":154,"call_to_action":155},"Weitere Artikel","Lesen Sie mehr über die Digitalisierung von Kulturerbe.","\u002Finhalte\u002Fartikel","zu allen Artikeln",430,{"languages_code":158,"title":159,"slug":16,"summary":160,"id":161,"items":162},"en","Eternity in stone","As part of the project ‘Eternity in stone? Roman stones in wind and weather’ by the association Ubi Erat Lupa (lupa.at), the Roman stone monuments in Styria that are not kept in museums were documented in 3D.",294,[163,174,180,185,191,197,203,208,217,231],{"id":164,"collection":22,"item":165},3137,{"date_published":9,"date_unpublished":9,"aspect_ratio":24,"type":25,"pick_items":9,"id":166,"is_enabled":27,"randomize":9,"row_mode":28,"items":167},974,[168],{"id":169,"sort":32,"type":33,"date_published":9,"date_unpublished":9,"color_text":9,"color_background":9,"category":9,"heading":9,"is_long_heading":28,"summary":9,"link_internal":9,"link":9,"call_to_action":9,"show_search":28,"image":170},1869,{"id":35,"author":36,"title":37,"license":38,"description":9,"license_url":39,"tags":9,"kulturpool_url":9,"location":9,"storage":40,"filename_disk":41,"filename_download":42,"metadata":171,"type":52,"filesize":53,"created_on":54,"modified_by":55,"modified_on":56,"embed":9,"uploaded_by":55,"uploaded_on":57,"folder":58,"width":59,"height":60,"charset":9,"duration":9,"tus_id":9,"tus_data":9,"focal_point_x":9,"focal_point_y":9},{"ifd0":172,"exif":173},{"Make":45,"Model":46},{"FNumber":48,"ExposureTime":49,"FocalLength":50,"ISOSpeedRatings":51},{"id":175,"collection":63,"item":176},3138,{"date_published":9,"date_unpublished":9,"heading_size":65,"heading_tag":66,"type":67,"summary":9,"heading":177,"body":178,"id":179,"is_enabled":27},"Eternity in stone?","\u003Cp>\u003Cstrong>Roman stones in wind and weather\u003C\u002Fstrong>\u003C\u002Fp>",1612,{"id":181,"collection":63,"item":182},3139,{"date_published":9,"date_unpublished":9,"heading_size":74,"heading_tag":75,"type":76,"summary":9,"heading":9,"body":183,"id":184,"is_enabled":27},"\u003Cp>\u003Cspan lang=\"DE-AT\">As part of the project ‘Eternity in stone?\u003C\u002Fspan>\u003Cspan lang=\"DE-AT\"> Roman stones in wind and weather’ by the association \u003Ca title=\"Ubi Erat Lupa\" href=\"https:\u002F\u002Flupa.at\u002F\" target=\"_blank\" rel=\"noopener\">Ubi Erat Lupa\u003C\u002Fa>, the Roman stone monuments in Styria that are not kept in museums were documented in 3D.\u003C\u002Fspan>\u003C\u002Fp>",1613,{"id":186,"collection":63,"item":187},3140,{"date_published":9,"date_unpublished":9,"heading_size":74,"heading_tag":75,"type":82,"summary":9,"heading":188,"body":189,"id":190,"is_enabled":27},"Fragments from Roman times","\u003Cp>Reliefs, inscriptions and architectural elements made of \u003Ca title=\"Marble in Kulturpool\" href=\"\u002Fen\u002Fsearch?query=marmor\">marble\u003C\u002Fa> are an important part of our cultural heritage from Roman times (in Austria ca. 1st-4th century AD). The stones were mostly parts of larger buildings that disintegrated or were demolished over time.\u003C\u002Fp>\n\u003Cp>Many of the stones in Austria are made of local East Alpine marble; others are made of sand-, limestone or other rocks. Most are parts of grave buildings (e.g. \u003Ca title=\"Relief with servant and dog in Kulturpool\" href=\"\u002Fen\u002Finstitutions\u002Fuel\u002F5908\">Relief with servant and dog\u003C\u002Fa>) or other grave markers such as \u003Ca title=\"Grave steles in Kulturpool\" href=\"\u002Fen\u002Fsearch?query=grabstele\">grave steles\u003C\u002Fa> (e.g. \u003Ca title=\"Portrait stele of Sextus Sacretius Priscus in Kulturpool\" href=\"\u002Fen\u002Finstitutions\u002Fuel\u002F1379\">portrait stele of Sextus Sacretius Priscus\u003C\u002Fa>), \u003Ca title=\"Grave altars in Kulturpool\" href=\"\u002Fen\u002Fsearch?query=grabaltar\">grave altars\u003C\u002Fa> (e.g. \u003Ca title=\"Grave altar of Caius Attius Iustus in Kulturpool\" href=\"\u002Fen\u002Finstitutions\u002Fuel\u002F546\">grave altar of Caius Attius Iustus\u003C\u002Fa>), \u003Ca title=\"Grave portraits in Kulturpool\" href=\"\u002Fen\u002Fsearch?query=grabporträt\">grave portraits\u003C\u002Fa> (e.g. \u003Ca title=\"Grave relief of Claudius Restutus in Kulturpool\" href=\"\u002Fen\u002Finstitutions\u002Fuel\u002F1355\">grave relief of Claudius Restutus\u003C\u002Fa>) or simple \u003Ca title=\"Gravestones in Kulturpool\" href=\"\u002Fen\u002Fsearch?query=grabstein\">gravestones\u003C\u002Fa> (e.g. \u003Ca title=\"Epitaph of Quintus Sepueius Adiectus in Kulturpool\" href=\"\u002Fen\u002Finstitutions\u002Fuel\u002F1509\">Epitaph of Quintus Sepueius Adiectus\u003C\u002Fa>). Votive altars (e.g. \u003Ca title=\"Altar for Sol in Kulturpool\" href=\"\u002Fen\u002Finstitutions\u002Fuel\u002F5705\">altar for Sol\u003C\u002Fa>) from sanctuaries are rarer and there are hardly any stones from secular use, such as milestones (e.g. \u003Ca title=\"Milestone of emperor Caracalla in Kulturpool\" href=\"\u002Fen\u002Finstitutions\u002Fuel\u002F11231\">milestone of emperor Caracalla\u003C\u002Fa>).\u003C\u002Fp>",1614,{"id":192,"collection":63,"item":193},3141,{"date_published":9,"date_unpublished":9,"heading_size":74,"heading_tag":75,"type":82,"summary":9,"heading":194,"body":195,"id":196,"is_enabled":27},"Stone is not for eternity","\u003Cp>Only a part of the stones can be found in museums; many are used as decoration or simple building material in churches and castles, but also on farms or in private houses. They are often subject to slow but steady and, above all, irreversible decay, particularly due to vegetation and the effects of the weather.\u003C\u002Fp>\n\u003Cp>The project ‘Eternity in stone? Roman stones in wind and weather' by the Ubi Erat Lupa association, which operates the international database of the same name on ancient stone monuments, has been working on the 3D documentation of all Roman stones in Styria that are not kept in museums.\u003C\u002Fp>",1615,{"id":198,"collection":63,"item":199},3142,{"date_published":9,"date_unpublished":9,"heading_size":74,"heading_tag":75,"type":82,"summary":9,"heading":200,"body":201,"id":202,"is_enabled":27},"Roman history in three dimensions","\u003Cp>High-quality three-dimensional models of the almost 400 stones were created using Structure-from-Motion, an image-based 3D recording process, in order to document the current condition of the objects in the best possible way. The models are largely available under the CC-BY-NC 4.0 licence and can be accessed via the \u003Ca title=\"Ubi Erat Lupa\" href=\"https:\u002F\u002Flupa.at\u002F\" target=\"_blank\" rel=\"noopener\">database\u003C\u002Fa>. The condition analysis also carried out as part of the project serves as a basis for the conservation treatment of the most endangered stones.\u003C\u002Fp>\n\u003Cp>Compared to the existing photo documentation, the 3D documentation offers the advantage that the stones can be viewed orthogonally and scaled with the same incidence of light, in order to better recognise and verify similarities and matching pieces. The data also facilitates the reconstruction of burial structures through its exact dimensions and, if visible during the documentation process, also shows the often neglected sides and backs of the stones. The project thus opens up new perspectives in the research and preservation of our ancient cultural heritage.\u003C\u002Fp>",1616,{"id":204,"collection":63,"item":205},3143,{"date_published":9,"date_unpublished":9,"heading_size":74,"heading_tag":75,"type":67,"summary":9,"heading":206,"body":9,"id":207,"is_enabled":27},"Related links",1617,{"id":209,"collection":105,"item":210},3144,{"date_published":9,"date_unpublished":9,"type":76,"items":211,"summary":9,"heading":9,"id":216,"is_enabled":27},[212,214],{"heading":109,"summary":213,"link":111,"call_to_action":112},"Lupa's guiding principle is the wolf who raised Romulus and Remus, thus heralding the beginning of Roman history.",{"heading":114,"summary":215,"link":116,"call_to_action":117},"The results of the project were published in the Austrian Journal of Art and Monument Preservation 2025.",431,{"id":218,"collection":22,"item":219},3145,{"date_published":9,"date_unpublished":9,"aspect_ratio":24,"type":76,"pick_items":9,"id":220,"is_enabled":27,"randomize":9,"row_mode":28,"items":221},975,[222],{"id":223,"sort":32,"type":126,"date_published":9,"date_unpublished":9,"color_text":10,"color_background":11,"category":9,"heading":109,"is_long_heading":28,"summary":224,"link_internal":9,"link":225,"call_to_action":226,"show_search":28,"image":227},1870,"The international image database Ubi Erat Lupa contains information, photos and 3D models of thousands of ancient stone monuments from the Roman Empire.","\u002Fen\u002Fsearch?refinementList=dataProvider%255B0%255D=Ubi%2520Erat%2520Lupa","See the digital objects",{"id":35,"author":36,"title":37,"license":38,"description":9,"license_url":39,"tags":9,"kulturpool_url":9,"location":9,"storage":40,"filename_disk":41,"filename_download":42,"metadata":228,"type":52,"filesize":53,"created_on":54,"modified_by":55,"modified_on":56,"embed":9,"uploaded_by":55,"uploaded_on":57,"folder":58,"width":59,"height":60,"charset":9,"duration":9,"tus_id":9,"tus_data":9,"focal_point_x":9,"focal_point_y":9},{"ifd0":229,"exif":230},{"Make":45,"Model":46},{"FNumber":48,"ExposureTime":49,"FocalLength":50,"ISOSpeedRatings":51},{"id":232,"collection":105,"item":233},3146,{"date_published":9,"date_unpublished":9,"type":76,"items":234,"summary":9,"heading":9,"id":240,"is_enabled":27},[235],{"heading":236,"summary":237,"link":238,"call_to_action":239},"More articles","Read more about the digitisation of cultural heritage.","\u002Fen\u002Fcontent\u002Farticles","See all articles",432,[242,243],187,194,{"og_image":35,"canonical_url":9,"sitemap_change_frequency":245,"title":9,"sitemap_priority":246,"node_type":9,"meta_description":9,"id":247,"no_index":28,"no_follow":28},"daily",0.5,142]