[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"content-basis-wien":3},[4],{"id":5,"sort":6,"status":7,"category":8,"date_published":6,"date_unpublished":6,"color_text":9,"color_background":10,"translations":11,"visibilities":461,"seo":464},177,null,"draft",9,"#CD00CD","#CCD1C4",[12,297],{"languages_code":13,"title":14,"slug":15,"summary":16,"id":17,"items":18},"de","Hampelfrau","basis-wien","Der fotografische Nachlass von Brigitte Aloise Roth (1951-2018) wird im Archiv von basis wien bewahrt. Rund 12.000 im Zuge der Erschließung digitalisierte Fotografien dokumentieren künstlerische Positionen und feministische Interventionen und geben Einblick in das soziale und politische Leben von den 1970er-Jahren bis in die frühen 2000er-Jahre. ",330,[19,58,67,75,97,104,111,117,140,146,152,158,164,216,222,228,233,249,287],{"id":20,"collection":21,"item":22},3605,"block_slider",{"date_published":6,"date_unpublished":6,"aspect_ratio":23,"type":24,"pick_items":6,"id":25,"row_mode":26,"is_enabled":27,"randomize":6,"items":28},"3\u002F1","full-width",1120,false,true,[29],{"id":30,"sort":31,"type":32,"date_published":6,"date_unpublished":6,"color_text":6,"color_background":6,"category":6,"heading":6,"is_long_heading":26,"summary":6,"link_internal":6,"link":33,"call_to_action":6,"show_search":26,"image":34},2124,1,"image","\u002Fobjekte\u002F7e81023a-c941-4fd9-9e66-7d6b68e63f1d",{"id":35,"author":36,"title":37,"license":38,"description":6,"license_url":39,"tags":6,"kulturpool_url":33,"location":6,"storage":40,"filename_disk":41,"filename_download":42,"metadata":43,"type":47,"filesize":48,"created_on":49,"modified_by":50,"modified_on":51,"embed":6,"uploaded_by":50,"uploaded_on":52,"folder":53,"width":54,"height":55,"charset":6,"duration":6,"tus_id":6,"tus_data":6,"focal_point_x":56,"focal_point_y":57},"59fcce60-dda8-42e6-9405-7fe8233d526f","Brigitte Aloise Roth","ÖBB","CC BY-NC-SA","https:\u002F\u002Fcreativecommons.org\u002Flicenses\u002Fby-nc-sa\u002F4.0\u002F","local","59fcce60-dda8-42e6-9405-7fe8233d526f.jpg","oebb-1971.jpg",{"ifd0":44},{"Make":45,"Model":46},"EPSON","Perfection V800\u002FV850","image\u002Fjpeg","525579","2026-05-26T13:45:35.473Z","a1bbb64d-aed1-4fcb-814e-ec90b36bc814","2026-05-26T13:51:09.643Z","2026-05-26T13:45:35.481Z","cc95a4fd-af2e-45c9-82ff-facb35becf00",1687,1130,877,558,{"id":59,"collection":60,"item":61},3606,"block_text",{"date_unpublished":6,"date_published":6,"heading_size":62,"heading_tag":63,"type":64,"summary":6,"heading":14,"body":65,"id":66,"is_enabled":27},"large","h2","center","\u003Cp>\u003Cstrong>Nachlass Brigitte Aloise Roth an der basis wien\u003C\u002Fstrong>\u003C\u002Fp>",1863,{"id":68,"collection":60,"item":69},3607,{"date_unpublished":6,"date_published":6,"heading_size":70,"heading_tag":71,"type":72,"summary":6,"heading":6,"body":73,"id":74,"is_enabled":27},"normal","h3","standard","\u003Cp>Der fotografische \u003Ca title=\"Nachlass von Brigitte Aloise Roth in der Online-Sammlung der basis wien\" href=\"https:\u002F\u002Fnachlass-brigitte-aloise-roth.basis-wien.at\u002F\" target=\"_blank\" rel=\"noopener\">Nachlass von Brigitte Aloise Roth\u003C\u002Fa> (1951-2018) wird im Archiv von \u003Ca title=\"basis wien\" href=\"https:\u002F\u002Fwww.basis-wien.at\u002F\" target=\"_blank\" rel=\"noopener\">basis wien\u003C\u002Fa> bewahrt. Rund 12.000 im Zuge der Erschließung \u003Ca title=\"Fotografien von Brigitte Aloise Roth im Kulturpool\" href=\"\u002Fsuche?refinementList=dataProvider%255B0%255D=basis%2520wien%2520-%2520Archiv%2520und%2520Dokumentationszentrum%2520f%25C3%25BCr%2520zeitgen%25C3%25B6ssische%2520Kunst\">digitalisierte Fotografien\u003C\u002Fa> dokumentieren künstlerische Positionen und feministische Interventionen und geben Einblick in das soziale und politische Leben von den 1970er-Jahren bis in die frühen 2000er-Jahre.\u003C\u002Fp>",1864,{"id":76,"collection":21,"item":77},3610,{"date_published":6,"date_unpublished":6,"aspect_ratio":78,"type":79,"pick_items":6,"id":80,"row_mode":26,"is_enabled":27,"randomize":6,"items":81},"3\u002F2","small",1122,[82],{"id":83,"sort":31,"type":32,"date_published":6,"date_unpublished":6,"color_text":6,"color_background":6,"category":6,"heading":6,"is_long_heading":26,"summary":6,"link_internal":6,"link":84,"call_to_action":6,"show_search":26,"image":85},2128,"\u002Fobjekte\u002Feaa19c02-6af9-41bc-92c8-e0a2c05f28d4",{"id":86,"author":36,"title":87,"license":38,"description":6,"license_url":39,"tags":6,"kulturpool_url":84,"location":6,"storage":40,"filename_disk":88,"filename_download":89,"metadata":90,"type":47,"filesize":91,"created_on":92,"modified_by":50,"modified_on":93,"embed":6,"uploaded_by":50,"uploaded_on":94,"folder":53,"width":95,"height":96,"charset":6,"duration":6,"tus_id":6,"tus_data":6,"focal_point_x":6,"focal_point_y":6},"3a683001-e8d6-46fe-a466-ec12e919ff82","Schneeberg, 1983","3a683001-e8d6-46fe-a466-ec12e919ff82.jpg","BrigitteAloiseRoth_1983_Schneeberg_CC BY-NC-SA.jpg",{},"388251","2026-05-26T14:03:46.603Z","2026-05-26T14:05:55.273Z","2026-05-26T14:03:46.608Z",1200,728,{"id":98,"collection":60,"item":99},3618,{"date_unpublished":6,"date_published":6,"heading_size":70,"heading_tag":71,"type":100,"summary":101,"heading":102,"body":6,"id":103,"is_enabled":27},"quote","Brigitte Aloise Roth (1951–2018) war eine Wiener Künstlerin, Fotografin, Pädagogin, Feministin und Umweltaktivistin, deren Arbeit eng mit gesellschaftspolitischem Engagement verbunden war. In ihrem Nachlass spiegeln sich künstlerische Praxis, feministische Netzwerke, Protestkultur und alltägliche Beobachtungen über mehrere Jahrzehnte hinweg wider.","Wer war Brigitte Aloise Roth?",1869,{"id":105,"collection":60,"item":106},3608,{"date_unpublished":6,"date_published":6,"heading_size":70,"heading_tag":71,"type":107,"summary":6,"heading":108,"body":109,"id":110,"is_enabled":27},"two-cols","Vom Atelier ins Archiv","\u003Cp>\u003Cspan lang=\"DE-AT\">\u003Ca title=\"Brigitte Aloise Roth in Kulturpool\" href=\"\u002Fsuche?query=brigitte+aloise+roth\">Brigitte Aloise Roth\u003C\u002Fa>, geboren 1951 in Wien, verbrachte ihre Kindheit und Jugend in \u003Ca title=\"Wien im Kulturpool\" href=\"\u002Fsuche?query=wien\">Wien\u003C\u002Fa> und \u003Ca title=\"St. Pölten im Kulturpool\" href=\"\u002Fsuche?query=st.+pölten\">St. Pölten\u003C\u002Fa> (in Niederösterreich) und war als Künstlerin, Pädagogin, Fotografin, Feministin und (Umwelt-)Aktivistin aktiv.\u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>\u003Cspan lang=\"DE-AT\">Nach ihrem Tod im Jahr 2018 sicherte die Künstlerin Susanne Kompast, Freundin und Weggefährtin von Brigitte Aloise Roth, den gesamten fotografischen Nachlassbestand, klärte Rechtsfragen und trat mit dem Archiv und Dokumentationszentrum basis wien in Kontakt. \u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>\u003Cspan lang=\"DE-AT\">Ursprünglich aus Platzmangel nur zur Zwischenlagerung gedacht, befindet sich der Bestand seit 2021 im Archiv der basis wien und konnte dort im Rahmen der Digitalisierungsoffensive als Teil des kulturellen Erbes Österreichs erschlossen werden.\u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>\u003Cspan lang=\"DE-AT\">In 45 Archivboxen (Dossiers) bewahrt, finden sich darin hauptsächlich Negative, Fotografien und Kontaktabzüge, weiters Notizbücher, Kalender, Korrespondenzen und schriftliche Dokumente, Ausstellungsinformationen, Plakate und Einladungen.\u003C\u002Fspan>\u003C\u002Fp>",1865,{"id":112,"collection":60,"item":113},3616,{"date_unpublished":6,"date_published":6,"heading_size":70,"heading_tag":71,"type":107,"summary":6,"heading":114,"body":115,"id":116,"is_enabled":27},"Geknüpfte Erinnerungen","\u003Cp>\u003Cspan lang=\"DE-AT\">Neben großformatigen Plakaten umfasst dieses Konvolut Bildtafeln – auf großformatige Papierträger kaschierte Fotografien, die vermutlich für Ausstellungen, Präsentationen oder für Lehrveranstaltungen von Brigitte Aloise Roth hergestellt wurden.\u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>\u003Cspan lang=\"DE-AT\">Erhalten sind originale Protestschilder von Demonstrationen sowie Teile des im öffentlichen Raum aufgespannten ‚\u003Ca title=\"Netz von Brigitte Aloise Roth im Kulturpool\" href=\"\u002Fobjekte\u002F2a322686-0570-4848-8237-642f00ff84a2\">\u003Cem>Netz\u003C\u002Fem>\u003C\u002Fa>‘. Das aus Wollfäden und Loseblättern geknotete Objekt wurde erstmals 1997 beim Frauenparlament präsentiert. In der Folge wurde es von Brigitte Aloise Roth anlässlich des \u003Ca title=\"Brigitte Aloise Roth zum Internationalen Frauentag im Kulturpool\" href=\"\u002Fobjekte\u002F655a5c94-0489-44e5-8dab-31ce548f89f3\">Internationalen Frauentags am 8. März\u003C\u002Fa> über mehrere Jahre hinweg – unter Mitwirkung unterschiedlicher Gruppen und Mitstreiterinnen – im Wiener Stadtraum aufgespannt.\u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>\u003Cspan lang=\"DE-AT\">Die für den Nachlass programmierte \u003C\u002Fspan>\u003Cspan lang=\"EN-GB\">\u003Ca title=\"Nachlass Brigitte Aloise Roth an der basis wien\" href=\"https:\u002F\u002Fnachlass-brigitte-aloise-roth.basis-wien.at\u002F164440\" target=\"_blank\" rel=\"noopener\">\u003Cspan lang=\"DE-AT\">Website\u003C\u002Fspan>\u003C\u002Fa>\u003C\u002Fspan>\u003Cspan lang=\"DE-AT\"> bietet einen chronologisch strukturierten Zugang zu bislang rund 12.000 digitalisierten Fotografien, die unter der Lizenz \u003C\u002Fspan>CC BY-NC-SA veröffentlicht wurden. \u003Cspan lang=\"DE-AT\">Beginnend mit dem Jahr 1971 lassen sich in Form einzelner Alben Werkzusammenhänge, Reisen und thematische Schwerpunkte nachvollziehen. Die Titel der Alben folgen, soweit vorhanden, den originalen Beschriftungen der Negativhüllen, wie \u003C\u002Fspan>\u003Cem>\u003Cspan lang=\"EN-GB\">\u003Ca title=\""ÖBB" von Brigitte Aloise Roth im Kulturpool\" href=\"\u002Fobjekte\u002F7e81023a-c941-4fd9-9e66-7d6b68e63f1d\" target=\"_blank\" rel=\"noopener\">\u003Cspan lang=\"DE-AT\">ÖBB\u003C\u002Fspan>\u003C\u002Fa>\u003C\u002Fspan>\u003C\u002Fem>\u003Cspan lang=\"DE-AT\">, 1971.\u003C\u002Fspan>\u003C\u002Fp>",1867,{"id":118,"collection":21,"item":119},3611,{"date_published":6,"date_unpublished":6,"aspect_ratio":120,"type":72,"pick_items":6,"id":121,"row_mode":26,"is_enabled":27,"randomize":6,"items":122},"1\u002F1",1123,[123],{"id":124,"sort":31,"type":32,"date_published":6,"date_unpublished":6,"color_text":6,"color_background":6,"category":6,"heading":6,"is_long_heading":26,"summary":6,"link_internal":6,"link":125,"call_to_action":6,"show_search":26,"image":126},2129,"\u002Fobjekte\u002F45fb4309-89ef-4d46-971f-371982587e85",{"id":127,"author":36,"title":128,"license":38,"description":6,"license_url":39,"tags":6,"kulturpool_url":125,"location":6,"storage":40,"filename_disk":129,"filename_download":130,"metadata":131,"type":47,"filesize":132,"created_on":133,"modified_by":50,"modified_on":134,"embed":6,"uploaded_by":50,"uploaded_on":135,"folder":53,"width":136,"height":137,"charset":6,"duration":6,"tus_id":6,"tus_data":6,"focal_point_x":138,"focal_point_y":139},"7b0bcd81-cdc5-49d4-a9a5-f4007bcc109a","Hampelfrau, 1974","7b0bcd81-cdc5-49d4-a9a5-f4007bcc109a.jpg","BrigitteAloiseRoth_1974_Hampelfrau_CC BY-NC-SA.jpg",{},"296012","2026-05-26T14:04:40.053Z","2026-05-26T14:07:26.947Z","2026-05-26T14:07:10.841Z",1152,1582,603,561,{"id":141,"collection":60,"item":142},3617,{"date_unpublished":6,"date_published":6,"heading_size":70,"heading_tag":71,"type":107,"summary":6,"heading":143,"body":144,"id":145,"is_enabled":27},"Stillstand und Bewegung","\u003Cp>\u003Cspan lang=\"DE-AT\">Die frühen Arbeiten aus den 1970er Jahren dokumentieren Reisen innerhalb Österreichs als auch nach \u003C\u002Fspan>\u003Cspan lang=\"EN-GB\">\u003Ca title=\"Brigitte Aloise Roth's Bilder zu Italien im Kulturpool\" href=\"\u002Fobjekte\u002F7cf380b1-9805-4bbf-9c02-76779bc0c09c\" target=\"_self\">\u003Cspan lang=\"DE-AT\">Italien\u003C\u002Fspan>\u003C\u002Fa>\u003C\u002Fspan>\u003Cspan lang=\"DE-AT\">, \u003Ca title=\"Fotografien von Brigitte Aloise Roth zu England im Kulturpool\" href=\"\u002Fsuche?query=england&refinementList=dataProvider%255B0%255D=basis%2520wien%2520-%2520Archiv%2520und%2520Dokumentationszentrum%2520f%25C3%25BCr%2520zeitgen%25C3%25B6ssische%2520Kunst\">England\u003C\u002Fa> und in andere Länder. Neben Stadtansichten, Architekturaufnahmen und Alltagsszenen finden sich Fotografien der Design- und Möbelmesse \u003C\u002Fspan>\u003Cspan lang=\"EN-GB\">\u003Ca title=\"Aufnahmen zu Eurodomus von Brigitte Aloise Roth im Kulturpool\" href=\"\u002Fobjekte\u002F43588d6d-dce1-4d46-8e33-47cd4b71faa7\" target=\"_self\">\u003Cspan lang=\"DE-AT\">Eurodomus\u003C\u002Fspan>\u003C\u002Fa>\u003C\u002Fspan>\u003Cspan lang=\"DE-AT\">, 1972 sowie der \u003C\u002Fspan>\u003Cspan lang=\"EN-GB\">\u003Ca title=\"Aufnahmen aus der Fiat Autofabrik in Turin von Brigitte Aloise Roth im Kulturpool\" href=\"\u002Fobjekte\u002F5d9ca007-2e22-4593-8d47-0a33e73a9cf4\" target=\"_self\">\u003Cspan lang=\"DE-AT\">Fiat-Autofabrik\u003C\u002Fspan>\u003C\u002Fa>\u003C\u002Fspan>\u003Cspan lang=\"DE-AT\">, in Turin \u003C\u002Fspan>\u003Cspan lang=\"DE-AT\">1972\u003C\u002Fspan>\u003Cspan lang=\"DE-AT\">. Diese Aufnahmen verweisen bereits auf Roths ausgeprägtes Interesse an urbanen Räumen, industriellen Strukturen und sozialen Situationen.\u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>\u003Cspan lang=\"DE-AT\">In dieser Zeit studiert Brigitte Aloise Roth an der Hochschule für angewandte Kunst in Wien Gebrauchsgrafik, Illustration und Fotografie sowie Lehramt für bildnerische Erziehung und Werkerziehung. \u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>\u003Cspan lang=\"DE-AT\">Ein herausragendes Beispiel ihrer frühen künstlerischen Auseinandersetzung ist die 1974 entstandene Arbeit \u003C\u002Fspan>\u003Cem>\u003Cspan lang=\"EN-GB\">\u003Ca title=\""Hampelfrau" von Brigitte Aloise Roth im Kulturpool\" href=\"\u002Fobjekte\u002F45fb4309-89ef-4d46-971f-371982587e85\" target=\"_self\">\u003Cspan lang=\"DE-AT\">Hampelfrau\u003C\u002Fspan>\u003C\u002Fa>\u003C\u002Fspan>\u003C\u002Fem>\u003Cspan lang=\"DE-AT\">. \u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>\u003Cspan lang=\"DE-AT\">Sophia Rohwetter schreibt in einem Brigitte Aloise Roths Arbeiten gewidmeten Text im Magazin \u003C\u002Fspan>\u003Cem>\u003Cspan lang=\"DE-AT\">disclaim\u003C\u002Fspan>\u003C\u002Fem>\u003Cspan lang=\"DE-AT\"> unter anderem über diese Arbeit:\u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>\u003Cspan lang=\"DE-AT\">„\u003Cem>Brigitte Aloise Roths Fotografie Hampelfrau (ursprünglich 1974) ist ein mit Langzeitbelichtung aufgenommenes Selbstporträt als schlenkernde Foto-Gliederpuppe. Kopf und Oberkörper hängen scheinbar unbewegt vor dunklem Hintergrund an einem hellen Faden, während Arme und Beine als separat bewegliche Elemente – mit Flügelklammern an Schultern, Ellenbogen, Becken und Knien befestigt – durch Mehrfachbelichtung und Bewegungsunschärfe vervielfacht sind. Die Gliedmaßen fächern sich seitlich um den Torso auf und folgen den schematisch-mechanischen Bewegungen eines Hampelmanns: Die angewinkelt erhobenen Armen strecken sich nach unten, die Beine öffnen sich in einer Abfolge übereinandergelegter Positionen mit variierenden Spreizwinkeln immer weiter. Die fremdgesteuerte Dynamik der hampelnden Extremitäten erscheint seltsam unkontrolliert und steht im Kontrast zu dem ruhigen, selbstpräsenten Blick der Hampelfrau, wodurch eine Spannung zwischen Stillstand und Bewegung, Aktivität und Passivität entsteht.\u003C\u002Fem>“\u003Cbr>– \u003C\u002Fspan>\u003Cspan lang=\"DE-AT\">Rohwetter, Sophia Roxane (2025): Archiv: Die Hampelfrau. In: dis\u002Fclaim. Online: \u003C\u002Fspan>\u003Cspan lang=\"EN-GB\">\u003Ca href=\"https:\u002F\u002Fdisclaim-magazine.com\u002F5-Archiv\" target=\"_new\">\u003Cspan lang=\"DE-AT\">https:\u002F\u002Fdisclaim-magazine.com\u002F5-Archiv\u003C\u002Fspan>\u003C\u002Fa>\u003C\u002Fspan>\u003Cspan lang=\"DE-AT\"> (abgerufen am 20.04.2026).\u003C\u002Fspan>\u003C\u002Fp>",1868,{"id":147,"collection":60,"item":148},3619,{"date_unpublished":6,"date_published":6,"heading_size":70,"heading_tag":71,"type":107,"summary":6,"heading":149,"body":150,"id":151,"is_enabled":27},"Die Bühne als Bildraum","\u003Cp>\u003Cspan lang=\"DE-AT\">Von Mitte bis Ende der 1970er-Jahre verbrachte Roth Zeit in England. Dort lernte sie die 1974 gegründete Künstlergruppe '\u003Ca title=\"The Ting im Kulturpool\" href=\"\u002Fsuche?query=the+ting&refinementList=dataProvider%255B0%255D=basis%2520wien%2520-%2520Archiv%2520und%2520Dokumentationszentrum%2520f%25C3%25BCr%2520zeitgen%25C3%25B6ssische%2520Kunst\">The Ting\u003C\u002Fa>' (Theater of Mistakes) kennen und begleitete über Jahre mehrere ihrer Performances fotografisch. Im Nachlass finden sich hierzu ausführliche Dokumentationen, wie etwa zur Performance \u003C\u002Fspan>\u003Cspan lang=\"EN-GB\">'\u003Ca title=\"'The Ting. A Waterfall' von Brigitte Aloise Roth im Kulturpool\" href=\"\u002Fobjekte\u002F1052ea29-9ad0-45a2-aa0c-6809d227eb1e\">\u003Cem>The Ting. A Waterfall\u003C\u002Fem>\u003C\u002Fa>' (\u003C\u002Fspan>\u003Cspan lang=\"DE-AT\">1977)\u003C\u002Fspan>\u003Cspan lang=\"DE-AT\">. \u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>\u003Cspan lang=\"DE-AT\">Auch das Wiener Kunst- und Theatergeschehen der späten 1970er bis 1990er Jahre ist im Nachlass umfassend dokumentiert. Darunter finden sich beispielsweise Fotografien von Aufführungen im Schauspielhaus Wien, wie \u003C\u002Fspan>\u003Cem>\u003Cspan lang=\"EN-GB\">\u003Ca title=\""Shadow Box" im Kulturpool\" href=\"\u002Fobjekte\u002F403827c5-2ce9-4af9-a34d-f77a6598bd77\" target=\"_self\">\u003Cspan lang=\"DE-AT\">Shadow Box\u003C\u002Fspan>\u003C\u002Fa>\u003C\u002Fspan>\u003C\u002Fem>\u003Cspan lang=\"DE-AT\"> 1979 oder \u003C\u002Fspan>\u003Cspan lang=\"EN-GB\">\u003Ca title=\""Othello" im Kulturpool\" href=\"\u002Fobjekte\u002Fab329e7a-e027-435d-aadf-e22f06f3eeae\" target=\"_self\">\u003Cspan lang=\"DE-AT\">\u003Cem>Othello\u003C\u002Fem>\u003C\u002Fspan>\u003C\u002Fa>\u003C\u002Fspan>\u003Cspan lang=\"DE-AT\"> 1980, der \u003C\u002Fspan>\u003Cspan lang=\"EN-GB\">\u003Ca title=\"Gruppe 80 im Kulturpool\" href=\"\u002Fsuche?query=gruppe+80\" target=\"_self\">\u003Cspan lang=\"DE-AT\">Gruppe 80\u003C\u002Fspan>\u003C\u002Fa>\u003C\u002Fspan>\u003Cspan lang=\"DE-AT\"> oder von \u003Ca title=\"André Heller im Kulturpool\" href=\"\u002Fsuche?query=andré+heller\">André Heller\u003C\u002Fa>s \u003Cem>Flic Flac\u003C\u002Fem> (1982), dabei findet sich u.a. eine detaillierte Dokumentation des umfassenden \u003C\u002Fspan>\u003Cspan lang=\"EN-GB\">\u003Ca title=\"Aufbau der Inszenierung Flic Flac. Dokumentiert von Brigitte Aloise Roth im Kulturpool\" href=\"\u002Fobjekte\u002F647dd338-e0e5-4f9d-a3ef-fe182fe3f023\" target=\"_self\">\u003Cspan lang=\"DE-AT\">Aufbau\u003C\u002Fspan>\u003C\u002Fa>\u003C\u002Fspan>\u003Cspan lang=\"DE-AT\">s der Inszenierung, die 1982 im Wiener Konzerthaus stattfand.\u003C\u002Fspan>\u003C\u002Fp>",1870,{"id":153,"collection":60,"item":154},3620,{"date_unpublished":6,"date_published":6,"heading_size":70,"heading_tag":71,"type":107,"summary":6,"heading":155,"body":156,"id":157,"is_enabled":27},"Im Zentrum des Wiener Kunstbetriebs","\u003Cp>\u003Cspan lang=\"DE-AT\">Für das Archiv und Dokumentationszentrum basis wien von besonderer Relevanz sind zudem die im Nachlass aufgefundenen Fotografien von Ausstellungseröffnungen und Performances im Wiener Kunstfeld.\u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>\u003Cspan lang=\"DE-AT\">So fügen sich etwa die Fotografien der Ausstellungseröffnung von \u003C\u002Fspan>\u003Cspan lang=\"EN-GB\">\u003Ca title=\"Meret Oppenheim fotografiert von Brigitte Aloise Roth im Kulturpool\" href=\"\u002Fobjekte\u002F641dfd1f-f72e-4f74-955c-4b8403b5ad04\" target=\"_self\">\u003Cspan lang=\"DE-AT\">Meret Oppenheim\u003C\u002Fspan>\u003C\u002Fa>\u003C\u002Fspan>\u003Cspan lang=\"DE-AT\"> in der Galerie nächst St. Stephan als wertvolle Ergänzung in den bereits bestehenden Datenbestand ein. Ebenso konnte die Dokumentation der ersten in der Galerie Peter Pakesch gezeigten Ausstellung von \u003C\u002Fspan>\u003Cspan lang=\"EN-GB\">\u003Ca title=\"Hermann Nitsch fotografiert von Brigitte Aloise Roth im Kulturpool\" href=\"\u002Fobjekte\u002F55a85691-1071-4902-9fb3-b2a9b047de41\" target=\"_self\">\u003Cspan lang=\"DE-AT\">Hermann Nitsch\u003C\u002Fspan>\u003C\u002Fa>\u003C\u002Fspan>\u003Cspan lang=\"DE-AT\"> durch Fotografien von Brigitte Aloise Roth wesentlich erweitert werden. Dies gilt gleichermaßen für das am 9. und 10. März 1982 in der Galerie Peter Pakesch veranstaltete \u003C\u002Fspan>\u003Cem>\u003Cspan lang=\"EN-GB\">\u003Ca title=\""Orgien Myterien Theater" von Hermann Nitsch, fotografiert von Brigitte Aloise Roth im Kulturpool\" href=\"\u002Fobjekte\u002F6a08df81-d0b8-4a3c-a5c5-8bcfaa5ae717\" target=\"_self\">\u003Cspan lang=\"DE-AT\">Orgien Mysterien Theater\u003C\u002Fspan>\u003C\u002Fa>\u003C\u002Fspan>\u003C\u002Fem>\u003Cspan lang=\"DE-AT\">, das im Nachlass ebenfalls umfangreich dokumentiert ist. \u003C\u002Fspan>\u003C\u002Fp>",1871,{"id":159,"collection":60,"item":160},3621,{"date_unpublished":6,"date_published":6,"heading_size":70,"heading_tag":71,"type":107,"summary":6,"heading":161,"body":162,"id":163,"is_enabled":27},"Brigitte Aloise Roth und DIE DAMEN","\u003Cp>\u003Cspan lang=\"DE-AT\">Mit der Künstlerin Ona B. verband Brigitte Aloise Roth eine langjährige Freundschaft und Arbeitsbeziehung. Im Zuge der Erschließung fanden sich Fotografien der ersten von Ona B. eröffneten Ausstellung \u003Cem>\u003Ca title=\"\" href=\"\u002Fobjekte\u002Ffbc84b84-fa3f-4e11-9f34-789274a8ebd3\">Ona B. Chat Chat Chat\u003C\u002Fa>\u003C\u002Fem> (1982) ebenso wie Aufnahmen zur 1989 in der Secession Wien stattgefundenen Performance der Künstlerinnen Ona B., Birgit Jürgenssen, Evelyne Egerer und Ingeborg Strobl, die als legendäre Künstlerinnengruppe DIE DAMEN am 18. April 1989 unter dem Titel \u003Cem>Die Damen. \u003C\u002Fem>\u003C\u002Fspan>\u003Cem>\u003Cspan lang=\"EN-GB\">\u003Ca title=\""Die Damen. postmodern" im Kulturpool\" href=\"\u002Fobjekte\u002Fe4d9cb94-eabf-46f6-8820-20f8757afed4\" target=\"_self\">\u003Cspan lang=\"DE-AT\">postmodern\u003C\u002Fspan>\u003C\u002Fa>\u003C\u002Fspan>\u003C\u002Fem>\u003Cspan lang=\"DE-AT\"> in der Secession Wien performten. \u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>\u003Cspan lang=\"DE-AT\">Brigitte Huck schreibt dazu 2013: „\u003Cem>Die Terrains weiblicher Berufstätigkeit sind ein immer wiederkehrendes Motiv. „Es war die Zeit, als die Frauen, die in der Wirtschaft arbeiteten, begonnen hatten, nicht nur wie Männer zu agieren, sondern sich auch so zu kleiden: Businesskostüme, Hosenanzüge etc.\" (Ingeborg Strobl). Den neuen „executive style“ zelebrieren DIE DAMEN 1989 in weißen Hemdblusen, Krawatten und Brillen in der Wiener Secession.\u003C\u002Fem>\u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>\u003Cem>\u003Cspan lang=\"DE-AT\">Als sich die Türen zum verdunkelten Hauptraum öffnen, wird das Publikum von einem visuell spektakulären Tableau überrascht: Vier Schreibtische und von der Decke hängende Industrielampen genügen, um groteske Komödie und die Schrecken der Bürokratie zu einer absurd-kafkaesken Dystopie zu vereinen.\u003C\u002Fspan>\u003C\u002Fem>\u003C\u002Fp>\n\u003Cp>\u003Cspan lang=\"DE-AT\">\u003Cem>Der Abend geht als Geburtsstunde der Marke DIE DAMEN in die Performancegeschichte ein. Zu einem eigenen und sehr speziellen Kapitel werden sich Einladungen und Editionen entwickeln, die anlässlich einzelner Events produziert, verkauft oder als Give-aways verschenkt werden. Die sinnigen Verweise aufs gestellte Thema sind trockene Kommentare, klug, prägnant und voll abgründigen Humors.\u003C\u002Fem>“\u003Cbr>– Huck, Brigitte: Die Damen. Verlag für moderne Kunst, 2013, S. 53\u003C\u002Fspan>\u003C\u002Fp>",1872,{"id":165,"collection":21,"item":166},3609,{"date_published":6,"date_unpublished":6,"aspect_ratio":78,"type":72,"pick_items":6,"id":167,"row_mode":26,"is_enabled":27,"randomize":6,"items":168},1121,[169,184,200],{"id":170,"sort":31,"type":32,"date_published":6,"date_unpublished":6,"color_text":6,"color_background":6,"category":6,"heading":6,"is_long_heading":26,"summary":6,"link_internal":6,"link":171,"call_to_action":6,"show_search":26,"image":172},2125,"\u002Fobjekte\u002Fc395d502-d7b9-4f41-9500-70b52a20b384",{"id":173,"author":36,"title":174,"license":38,"description":6,"license_url":39,"tags":6,"kulturpool_url":171,"location":6,"storage":40,"filename_disk":175,"filename_download":176,"metadata":177,"type":47,"filesize":179,"created_on":180,"modified_by":50,"modified_on":181,"embed":6,"uploaded_by":50,"uploaded_on":182,"folder":53,"width":95,"height":183,"charset":6,"duration":6,"tus_id":6,"tus_data":6,"focal_point_x":6,"focal_point_y":6},"fd7d480f-b4fb-41d5-af77-cb9d83e49f3d","Andy Warhol, 1981","fd7d480f-b4fb-41d5-af77-cb9d83e49f3d.jpg","BrigitteAloiseRoth_1981_AndyWarhol_CC BY-NC-SA.jpg",{"ifd0":178},{"Make":45,"Model":46},"423890","2026-05-26T13:56:11.574Z","2026-05-26T14:05:55.258Z","2026-05-26T13:56:11.580Z",840,{"id":185,"sort":186,"type":32,"date_published":6,"date_unpublished":6,"color_text":6,"color_background":6,"category":6,"heading":6,"is_long_heading":26,"summary":6,"link_internal":6,"link":187,"call_to_action":6,"show_search":26,"image":188},2126,2,"\u002Fobjekte\u002Fa3e24057-668a-4ecf-8684-42966a0bc76c",{"id":189,"author":36,"title":190,"license":38,"description":6,"license_url":39,"tags":6,"kulturpool_url":187,"location":6,"storage":40,"filename_disk":191,"filename_download":192,"metadata":193,"type":47,"filesize":195,"created_on":196,"modified_by":50,"modified_on":197,"embed":6,"uploaded_by":50,"uploaded_on":198,"folder":53,"width":95,"height":199,"charset":6,"duration":6,"tus_id":6,"tus_data":6,"focal_point_x":6,"focal_point_y":6},"29f0ad26-e516-4fad-a591-95579a9d9a78","Frauen Macht Ohnmacht Marie Therese Escribano, 1981","29f0ad26-e516-4fad-a591-95579a9d9a78.jpg","BrigitteAloiseRoth_1981_FrauenMachtOhnmacht_MarieThereseEscribano_CC BY-NC-SA.jpg",{"ifd0":194},{"Make":45,"Model":46},"336217","2026-05-26T13:57:35.348Z","2026-05-26T14:05:55.263Z","2026-05-26T13:57:35.353Z",828,{"id":201,"sort":202,"type":32,"date_published":6,"date_unpublished":6,"color_text":6,"color_background":6,"category":6,"heading":6,"is_long_heading":26,"summary":6,"link_internal":6,"link":203,"call_to_action":6,"show_search":26,"image":204},2127,3,"\u002Fobjekte\u002Fa6cc980b-44a3-4cfd-b979-fd2074b1ad9b",{"id":205,"author":36,"title":206,"license":38,"description":6,"license_url":39,"tags":6,"kulturpool_url":203,"location":6,"storage":40,"filename_disk":207,"filename_download":208,"metadata":209,"type":47,"filesize":211,"created_on":212,"modified_by":50,"modified_on":213,"embed":6,"uploaded_by":50,"uploaded_on":214,"folder":53,"width":95,"height":215,"charset":6,"duration":6,"tus_id":6,"tus_data":6,"focal_point_x":6,"focal_point_y":6},"14e41a0b-b312-4a5b-9a87-c4156d0a3ecd","Peter Putz im Atelier, 1982","14e41a0b-b312-4a5b-9a87-c4156d0a3ecd.jpg","BrigitteAloiseRoth_1982_PeterPutzimAtelier_CC BY-NC-SA.jpg",{"ifd0":210},{"Make":45,"Model":46},"410877","2026-05-26T13:59:25.534Z","2026-05-26T14:05:55.266Z","2026-05-26T13:59:25.540Z",795,{"id":217,"collection":60,"item":218},3622,{"date_unpublished":6,"date_published":6,"heading_size":70,"heading_tag":71,"type":107,"summary":6,"heading":219,"body":220,"id":221,"is_enabled":27},"Von Freund:innen, Katzen und Andy Warhol","\u003Cp>\u003Cspan lang=\"DE-AT\">Im Nachlass fanden sich auch Ausstellungsansichten der 1978 im Künstlerhaus Wien gezeigten Ausstellung \u003C\u002Fspan>\u003Cspan lang=\"EN-GB\">\u003Ca title=\"Ausstellungsansichten von "Robert Maria Stieg. Unvollkommen Möbelhaftes" im Kulturpool\" href=\"\u002Fobjekte\u002Fd507f6e3-616a-448b-9589-21650b941feb\" target=\"_self\">\u003Cspan lang=\"DE-AT\">\u003Cem>Robert Maria Stieg. Unvollkommen Möbelhaftes\u003C\u002Fem>\u003C\u002Fspan>\u003C\u002Fa>\u003C\u002Fspan>\u003Cspan lang=\"DE-AT\">. \u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>\u003Cspan lang=\"DE-AT\">Im April 1981 fand im 20er Haus, Museum moderner Kunst, die Eröffnung der Ausstellung von \u003C\u002Fspan>\u003Cspan lang=\"EN-GB\">\u003Ca title=\"Andy Warhol fotografiert von Brigitte Aloise Roth im Kulturpool\" href=\"\u002Fobjekte\u002Fc395d502-d7b9-4f41-9500-70b52a20b384\" target=\"_self\">\u003Cspan lang=\"DE-AT\">Andy Warhol\u003C\u002Fspan>\u003C\u002Fa>\u003C\u002Fspan>\u003Cspan lang=\"DE-AT\"> statt. Aus diesem Zusammenhang sind rund 90 Fotografien aus dem Nachlass von Brigitte Aloise Roth digital erschlossen und öffentlich zugänglich. \u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>\u003Cspan lang=\"DE-AT\">Auch die Performances der Ausstellung \u003C\u002Fspan>\u003Cspan lang=\"EN-GB\">\u003Ca title=\""Fluxus subjektiv" im Kulturpool\" href=\"\u002Fobjekte\u002F2344e35c-0281-4bc1-a1fd-b760818f1141\" target=\"_self\">\u003Cspan lang=\"DE-AT\">fluxus happening\u003C\u002Fspan>\u003C\u002Fa>\u003C\u002Fspan>\u003Cspan lang=\"DE-AT\"> in der Galerie Krinzinger im Jahr 1990, die unter anderem Carolee Schneemann in Wien zeigen, wurden von Brigitte Aloise Roth fotografisch dokumentiert und erweitern den Bestand um eine wesentliche visuelle Quelle zur Wiener Performance- und Ausstellungsgeschichte. \u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>\u003Cspan lang=\"DE-AT\">Neben kulturellen und institutionellen Kontexten eröffnet der Nachlass auch einen intimen Blick auf Roths soziales Umfeld und ihre Zuneigung zu Tieren, allen voran Katzen \u003C\u002Fspan>\u003Cspan lang=\"EN-GB\">\u003Ca title=\""Katze auf Motorhaube" von Brigitte Aloise Roth im Kulturpool\" href=\"\u002Fobjekte\u002F0e95f4f6-a199-4a85-a0aa-a030c8c590d6\" target=\"_self\">\u003Cspan lang=\"DE-AT\">Katze auf Motorhaube\u003C\u002Fspan>\u003C\u002Fa>\u003C\u002Fspan>\u003Cspan lang=\"DE-AT\">, \u003C\u002Fspan>\u003Cspan lang=\"EN-GB\">\u003Ca title=\""Katzenbabys" von Brigitte Aloise Roth im Kulturpool\" href=\"\u002Fobjekte\u002F39bd0ece-91bd-4d92-a9a3-0996ef872ec4\" target=\"_self\">\u003Cspan lang=\"DE-AT\">Katzenbabys\u003C\u002Fspan>\u003C\u002Fa>\u003C\u002Fspan>\u003Cspan lang=\"DE-AT\">, \u003C\u002Fspan>\u003Cspan lang=\"EN-GB\">\u003Ca title=\""Junge" von Brigitte Aloise Roth im Kulturpool\" href=\"\u002Fobjekte\u002Fcb162a2c-fd5b-48e4-930b-149c604b8351\" target=\"_self\">\u003Cspan lang=\"DE-AT\">Jungkatzen\u003C\u002Fspan>\u003C\u002Fa>\u003C\u002Fspan>\u003Cspan lang=\"DE-AT\">. Porträts von Künstlerkolleg:innen, Freund:innen und Weggefährt:innen wie \u003C\u002Fspan>\u003Cspan lang=\"EN-GB\">\u003Ca title=\""Peter Putz im Atelier" von Brigitte Aloise Roth im Kulturpool\" href=\"\u002Fobjekte\u002Fa6cc980b-44a3-4cfd-b979-fd2074b1ad9b\" target=\"_self\">\u003Cspan lang=\"DE-AT\">Peter Putz im Atelier\u003C\u002Fspan>\u003C\u002Fa>\u003C\u002Fspan>\u003Cspan lang=\"DE-AT\">, \u003C\u002Fspan>\u003Ca title=\"Minna Antova fotographiert von Brigitte Aloise Roth im Kulturpool\" href=\"\u002Fobjekte\u002F29f67258-2ed9-4b1f-bea9-6ce8104b020f\" target=\"_self\">\u003Cspan lang=\"DE-AT\">Minna \u003C\u002Fspan>\u003Cspan lang=\"EN-GB\">Minna Antova\u003C\u002Fspan>\u003C\u002Fa> \u003Cspan lang=\"DE-AT\">stehen neben Aufnahmen von Alltagsszenen, Plakat- \u003C\u002Fspan>\u003Cspan lang=\"EN-GB\">\u003Ca title=\"Plakatwerbung von 1983 fotografiert von Brigitte Aloise Roth im Kulturpool\" href=\"\u002Fobjekte\u002Fbbbecc93-3927-494d-8ae0-79d037a074cb\" target=\"_self\">\u003Cspan lang=\"DE-AT\">1983\u003C\u002Fspan>\u003C\u002Fa>\u003C\u002Fspan>\u003Cspan lang=\"DE-AT\">, \u003C\u002Fspan>\u003Cspan lang=\"EN-GB\">\u003Ca title=\"Plakatwerbung 1992 fotografiert von Brigitte Aloise Roth im Kulturpool\" href=\"\u002Fobjekte\u002F07fcae33-fbf4-4cf2-a4c5-b14e842393f0\" target=\"_self\">\u003Cspan lang=\"DE-AT\">1992\u003C\u002Fspan>\u003C\u002Fa>\u003C\u002Fspan>\u003Cspan lang=\"DE-AT\"> und Wahlwerbungen \u003C\u002Fspan>\u003Cspan lang=\"EN-GB\">\u003Ca title=\"Wahlwerbung 1990 fotografiert von Brigitte Aloise Roth im Kulturpool\" href=\"\u002Fobjekte\u002F38b8b281-5121-4a55-bc6f-916a60056e03\" target=\"_self\">\u003Cspan lang=\"DE-AT\">1990\u003C\u002Fspan>\u003C\u002Fa>\u003C\u002Fspan>\u003Cspan lang=\"DE-AT\">, urbanen Veränderungen, Baustellen, \u003C\u002Fspan>\u003Cspan lang=\"EN-GB\">\u003Ca title=\""Autounfall" von Brigitte Aloise Roth im Kulturpool\" href=\"\u002Fobjekte\u002Fc21f9941-a213-4b77-a6d0-bc8f53f08f0d\" target=\"_self\">\u003Cspan lang=\"DE-AT\">Verkehrsunfällen\u003C\u002Fspan>\u003C\u002Fa>\u003C\u002Fspan>\u003Cspan lang=\"DE-AT\">, etc. und werden so zu Dokumenten eines spezifischen historischen Zeitgeists und zeugen von politischer Aufmerksamkeit.\u003C\u002Fspan>\u003C\u002Fp>",1873,{"id":223,"collection":60,"item":224},3623,{"date_unpublished":6,"date_published":6,"heading_size":70,"heading_tag":71,"type":107,"summary":6,"heading":225,"body":226,"id":227,"is_enabled":27},"Frauenrechte und Widerstand im Stadtraum","\u003Cp>\u003Cspan lang=\"DE-AT\">Unermüdlich setzte sich Brigitte Aloise Roth für Frauenrechte und feministische Agenden ein, sie organisierte und dokumentierte Demonstrationen und Aktionen in Wien. Ihrem Einsatz ist es zu verdanken, dass Baumfällungen im 13. Bezirk verhindert werden konnten. \u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>\u003Cspan lang=\"DE-AT\">Ihre Verbundenheit zum Kastanienbaum vor ihrem Fenster in der Premreinergasse, der noch heute dort steht, wird durch die Fotos\u003C\u002Fspan>\u003Ca title=\""Baum Frühjahr" von Brigitte Aloise Roth im Kulturpool\" href=\"\u002Fobjekte\u002Faac3f846-7549-42f1-ae2e-c7b8bb79ea5d\" target=\"_self\">\u003Cspan lang=\"DE-AT\"> Frühling\u003C\u002Fspan>\u003C\u002Fa>\u003Cspan lang=\"DE-AT\">, \u003C\u002Fspan>\u003Ca title=\""Sommer" von Brigitte Aloise Roth im Kulturpool\" href=\"\u002Fobjekte\u002F9a269d8b-e18d-4571-869d-0430f15e2fa5\" target=\"_self\">\u003Cspan lang=\"DE-AT\">Sommer\u003C\u002Fspan>\u003C\u002Fa>\u003Cspan lang=\"DE-AT\">, \u003C\u002Fspan>\u003Ca title=\""Baum Herbst" von Brigitte Aloise Roth im Kulturpool\" href=\"\u002Fobjekte\u002F5276afdc-f1ea-4708-93aa-af1e9f0d71b0\" target=\"_self\">\u003Cspan lang=\"DE-AT\">Herbst\u003C\u002Fspan>\u003C\u002Fa>\u003Cspan lang=\"DE-AT\">, \u003C\u002Fspan>\u003Ca title=\""Baum Winter" von Brigitte Aloise Roth im Kulturpool\" href=\"\u002Fobjekte\u002Fe2ebbe1c-ffb5-49d3-897d-eecfefae228a\" target=\"_self\">\u003Cspan lang=\"DE-AT\">Winter\u003C\u002Fspan>\u003C\u002Fa> \u003Cspan lang=\"DE-AT\">sichtbar\u003C\u002Fspan>.\u003C\u002Fp>",1874,{"id":229,"collection":60,"item":230},3612,{"date_unpublished":6,"date_published":6,"heading_size":70,"heading_tag":71,"type":64,"summary":6,"heading":231,"body":6,"id":232,"is_enabled":27},"Weiterführende Links",1866,{"id":234,"collection":235,"item":236},3613,"block_links",{"date_unpublished":6,"date_published":6,"type":72,"items":237,"summary":6,"heading":6,"id":248,"is_enabled":27},[238,243],{"heading":239,"summary":240,"link":241,"call_to_action":242},"basis wien","Archiv und Dokumentationszentrum für zeitgenössische Kunst","https:\u002F\u002Fwww.basis-wien.at","basis-wien.at",{"heading":244,"summary":245,"link":246,"call_to_action":247},"Nachlass Brigitte Aloise Roth","Online Sammlung der basis wien","https:\u002F\u002Fnachlass-brigitte-aloise-roth.basis-wien.at\u002F","nachlass-brigitte-aloise-roth.basis-wien.at",495,{"id":250,"collection":21,"item":251},3614,{"date_published":6,"date_unpublished":6,"aspect_ratio":23,"type":72,"pick_items":6,"id":252,"row_mode":26,"is_enabled":27,"randomize":6,"items":253},1124,[254],{"id":255,"sort":31,"type":256,"date_published":6,"date_unpublished":6,"color_text":257,"color_background":258,"category":6,"heading":259,"is_long_heading":27,"summary":260,"link_internal":6,"link":261,"call_to_action":262,"show_search":26,"image":263},2130,"image-text","#FF1C00","#E6F2EA","basis wien - Archiv und Dokumentationszentrum für zeitgenössische Kunst","basis wien ist Archiv- und Dokumentationszentrum für zeitgenössische Kunst in Österreich. Neben Ephemera, Publikationen u.a. bewahrt es den fotografischen Nachlass der Künstlerin, Pädagogin, Fotografin, Feministin und (Umwelt-)Aktivistin Brigitte Aloise Roth (1953–2018).","\u002Fsuche?refinementList=dataProvider%255B0%255D=basis%2520wien%2520-%2520Archiv%2520und%2520Dokumentationszentrum%2520f%25C3%25BCr%2520zeitgen%25C3%25B6ssische%2520Kunst","zu den Digitalisaten",{"id":264,"author":265,"title":266,"license":267,"description":6,"license_url":268,"tags":6,"kulturpool_url":6,"location":6,"storage":40,"filename_disk":269,"filename_download":270,"metadata":271,"type":47,"filesize":280,"created_on":281,"modified_by":50,"modified_on":282,"embed":6,"uploaded_by":50,"uploaded_on":283,"folder":284,"width":285,"height":286,"charset":6,"duration":6,"tus_id":6,"tus_data":6,"focal_point_x":6,"focal_point_y":6},"53d9562f-3d5b-4ae4-9c17-989a0e5651ad","Markus Krottendorfer","Ansicht basis wien, 2025","In Copyright","https:\u002F\u002Frightsstatements.org\u002Fpage\u002FInC\u002F1.0\u002F?language=de","53d9562f-3d5b-4ae4-9c17-989a0e5651ad.jpg","ansicht-basis-wien.jpg",{"ifd0":272,"exif":275},{"Make":273,"Model":274},"NIKON CORPORATION","NIKON Z 7_2",{"FNumber":276,"ExposureTime":277,"FocalLength":278,"ISOSpeedRatings":279},11,0.6,28,64,"701818","2026-05-26T13:37:28.572Z","2026-05-26T13:38:17.272Z","2026-05-26T13:37:28.577Z","c2e73b36-dc0d-4407-8210-88fcd8c1b662",1500,1000,{"id":288,"collection":235,"item":289},3615,{"date_unpublished":6,"date_published":6,"type":72,"items":290,"summary":6,"heading":6,"id":296,"is_enabled":27},[291],{"heading":292,"summary":293,"link":294,"call_to_action":295},"Weitere Artikel","Lesen Sie mehr über die Digitalisierung von Kulturerbe.","\u002Finhalte\u002Fartikel","zu allen Artikeln",496,{"languages_code":298,"title":14,"slug":15,"summary":299,"id":300,"items":301},"en","The photographic estate of Brigitte Aloise Roth (1951–2018) is preserved in the archive of basis wien. Around 12,000 photographs digitized in the course of the archival processing document artistic positions and feminist interventions, while offering insight into social and political life from the 1970s through the early 2000s.",331,[302,313,318,323,333,339,345,351,361,367,373,379,385,408,414,420,425,436,451],{"id":303,"collection":21,"item":304},3624,{"date_published":6,"date_unpublished":6,"aspect_ratio":23,"type":24,"pick_items":6,"id":305,"row_mode":26,"is_enabled":27,"randomize":6,"items":306},1125,[307],{"id":308,"sort":31,"type":32,"date_published":6,"date_unpublished":6,"color_text":6,"color_background":6,"category":6,"heading":6,"is_long_heading":26,"summary":6,"link_internal":6,"link":309,"call_to_action":6,"show_search":26,"image":310},2131,"\u002Fen\u002Fobjects\u002F7e81023a-c941-4fd9-9e66-7d6b68e63f1d",{"id":35,"author":36,"title":37,"license":38,"description":6,"license_url":39,"tags":6,"kulturpool_url":33,"location":6,"storage":40,"filename_disk":41,"filename_download":42,"metadata":311,"type":47,"filesize":48,"created_on":49,"modified_by":50,"modified_on":51,"embed":6,"uploaded_by":50,"uploaded_on":52,"folder":53,"width":54,"height":55,"charset":6,"duration":6,"tus_id":6,"tus_data":6,"focal_point_x":56,"focal_point_y":57},{"ifd0":312},{"Make":45,"Model":46},{"id":314,"collection":60,"item":315},3625,{"date_unpublished":6,"date_published":6,"heading_size":70,"heading_tag":63,"type":64,"summary":6,"heading":14,"body":316,"id":317,"is_enabled":27},"\u003Cp>Brigitte Aloise Roth's estate at basis wien\u003C\u002Fp>",1875,{"id":319,"collection":60,"item":320},3626,{"date_unpublished":6,"date_published":6,"heading_size":70,"heading_tag":71,"type":72,"summary":6,"heading":6,"body":321,"id":322,"is_enabled":27},"\u003Cp>The photographic \u003Ca title=\"Estate of Brigitte Aloise Roth in the digital collection of basis wien\" href=\"https:\u002F\u002Fnachlass-brigitte-aloise-roth.basis-wien.at\u002F\" target=\"_blank\" rel=\"noopener\">estate of Brigitte Aloise Roth\u003C\u002Fa> (1951–2018) is held at the \u003Ca title=\"basis wien\" href=\"https:\u002F\u002Fwww.basis-wien.at\u002Fdb\u002Fadvsearch\" target=\"_blank\" rel=\"noopener\">basis wien\u003C\u002Fa> archive. Around 12,000 \u003Ca title=\"Photographs of Brigitte Aloise Roth in Kulturpool\" href=\"\u002Fen\u002Fsearch?refinementList=dataProvider%255B0%255D=basis%2520wien%2520-%2520Archiv%2520und%2520Dokumentationszentrum%2520f%25C3%25BCr%2520zeitgen%25C3%25B6ssische%2520Kunst\">photographs\u003C\u002Fa>, digitised as part of the cataloguing process, document artistic positions and feminist interventions, offering an insight into social and political life from the 1970s to the early 2000s.\u003C\u002Fp>",1876,{"id":324,"collection":21,"item":325},3627,{"date_published":6,"date_unpublished":6,"aspect_ratio":78,"type":79,"pick_items":6,"id":326,"row_mode":26,"is_enabled":27,"randomize":6,"items":327},1126,[328],{"id":329,"sort":31,"type":32,"date_published":6,"date_unpublished":6,"color_text":6,"color_background":6,"category":6,"heading":6,"is_long_heading":26,"summary":6,"link_internal":6,"link":330,"call_to_action":6,"show_search":26,"image":331},2132,"\u002Fen\u002Fobjects\u002Feaa19c02-6af9-41bc-92c8-e0a2c05f28d4",{"id":86,"author":36,"title":87,"license":38,"description":6,"license_url":39,"tags":6,"kulturpool_url":84,"location":6,"storage":40,"filename_disk":88,"filename_download":89,"metadata":332,"type":47,"filesize":91,"created_on":92,"modified_by":50,"modified_on":93,"embed":6,"uploaded_by":50,"uploaded_on":94,"folder":53,"width":95,"height":96,"charset":6,"duration":6,"tus_id":6,"tus_data":6,"focal_point_x":6,"focal_point_y":6},{},{"id":334,"collection":60,"item":335},3628,{"date_unpublished":6,"date_published":6,"heading_size":70,"heading_tag":71,"type":100,"summary":336,"heading":337,"body":6,"id":338,"is_enabled":27},"Brigitte Aloise Roth (1951–2018) was a Viennese artist, photographer, educator, feminist and environmental activist whose work was closely linked to her socio-political activism. Her estate reflects her artistic practice, feminist networks, protest culture and everyday observations spanning several decades.","Who was Brigitte Aloise Roth?",1877,{"id":340,"collection":60,"item":341},3629,{"date_unpublished":6,"date_published":6,"heading_size":70,"heading_tag":71,"type":107,"summary":6,"heading":342,"body":343,"id":344,"is_enabled":27},"From the atelier to the archive","\u003Cp>\u003Ca title=\"Brigitte Aloise Roth in Kulturpool\" href=\"\u002Fen\u002Fsearch?query=brigitte+aloise+roth\">Brigitte Aloise Roth\u003C\u002Fa>, born in Vienna in 1951, spent her childhood and youth in \u003Ca title=\"Vienna in Kulturpool\" href=\"\u002Fen\u002Fsearch?query=wien\">Vienna\u003C\u002Fa> and \u003Ca title=\"St. Pölten in Kulturpool\" href=\"\u002Fen\u002Fsearch?query=st.+pölten\">St. Pölten\u003C\u002Fa> (in Lower Austria) and was active as an artist, educator, photographer, feminist and (environmental) activist.\u003C\u002Fp>\n\u003Cp>Following her death in 2018, the artist Susanne Kompast, a friend and companion of Brigitte Aloise Roth, secured the entire photographic estate, resolved legal issues and contacted the archive and documentation centre basis wien.\u003C\u002Fp>\n\u003Cp>Originally intended only for temporary storage due to lack of space, the collection has been housed in the basis wien archive since 2021 and has been catalogued there as part of Austria's cultural heritage within the framework of the digitisation initiative.\u003C\u002Fp>\n\u003Cp>Stored in 45 archive boxes (dossiers), the collection mainly comprises negatives, photographs and contact prints, as well as notebooks, calendars, correspondence and written documents, exhibition information, posters, and invitations.\u003C\u002Fp>",1878,{"id":346,"collection":60,"item":347},3630,{"date_unpublished":6,"date_published":6,"heading_size":70,"heading_tag":71,"type":107,"summary":6,"heading":348,"body":349,"id":350,"is_enabled":27},"Tied memories","\u003Cp>In addition to large-format posters, this collection includes illustrated panels – photographs mounted on large-format paper backing, which were presumably produced for exhibitions, presentations or lectures by Brigitte Aloise Roth.\u003C\u002Fp>\n\u003Cp>The collection also includes original protest signs from demonstrations, as well as parts of the '\u003Ca title=\"'Netz' von Brigitte Aloise Roth im Kulturpool\" href=\"\u002Fen\u002Fobjects\u002F2a322686-0570-4848-8237-642f00ff84a2\">net\u003C\u002Fa>' that was stretched across public spaces. The object, knotted from woollen threads and loose sheets of paper, was first presented at the Women's Parliament in 1997. Subsequently, Brigitte Aloise Roth stretched it across the Viennese urban landscape on \u003Ca title=\"Brigitte Aloise Roth on International Women's Day in Kulturpool\" href=\"\u002Fen\u002Fobjects\u002F655a5c94-0489-44e5-8dab-31ce548f89f3\">International Women's Day on March 8th\u003C\u002Fa> over a period of several years – with the collaboration of various groups and fellow campaigners.\u003C\u002Fp>\n\u003Cp>The \u003Ca title=\"Estate of Brigitte Aloise Roth at basis wien\" href=\"https:\u002F\u002Fnachlass-brigitte-aloise-roth.basis-wien.at\u002F164440\" target=\"_blank\" rel=\"noopener\">website\u003C\u002Fa> created for the estate offers chronologically structured access to around 12,000 digitised photographs to date, published under the CC BY-NC-SA licence. Starting in 1971, individual albums allow visitors to trace connections between works, journeys and thematic focuses. Where available, the titles of the albums follow the original labels on the negative sleeves, such as \u003Cem>\u003Ca title=\"\" href=\"\u002Fen\u002Fobjects\u002F7e81023a-c941-4fd9-9e66-7d6b68e63f1d\">ÖBB\u003C\u002Fa>,\u003C\u002Fem>1971.\u003C\u002Fp>",1879,{"id":352,"collection":21,"item":353},3631,{"date_published":6,"date_unpublished":6,"aspect_ratio":120,"type":72,"pick_items":6,"id":354,"row_mode":26,"is_enabled":27,"randomize":6,"items":355},1127,[356],{"id":357,"sort":31,"type":32,"date_published":6,"date_unpublished":6,"color_text":6,"color_background":6,"category":6,"heading":6,"is_long_heading":26,"summary":6,"link_internal":6,"link":358,"call_to_action":6,"show_search":26,"image":359},2133,"\u002Fen\u002Fobjects\u002F45fb4309-89ef-4d46-971f-371982587e85",{"id":127,"author":36,"title":128,"license":38,"description":6,"license_url":39,"tags":6,"kulturpool_url":125,"location":6,"storage":40,"filename_disk":129,"filename_download":130,"metadata":360,"type":47,"filesize":132,"created_on":133,"modified_by":50,"modified_on":134,"embed":6,"uploaded_by":50,"uploaded_on":135,"folder":53,"width":136,"height":137,"charset":6,"duration":6,"tus_id":6,"tus_data":6,"focal_point_x":138,"focal_point_y":139},{},{"id":362,"collection":60,"item":363},3632,{"date_unpublished":6,"date_published":6,"heading_size":70,"heading_tag":71,"type":107,"summary":6,"heading":364,"body":365,"id":366,"is_enabled":27},"Stillness and movement","\u003Cp>Her early works from the 1970s document journeys within Austria as well as to \u003Ca title=\"Brigitte Aloise Roth's photographs on Italy in Kulturpool\" href=\"\u002Fen\u002Fobjects\u002F7cf380b1-9805-4bbf-9c02-76779bc0c09c\">Italy\u003C\u002Fa>, \u003Ca title=\"Photographs by Brigitte Aloise Roth on England in Kulturpool\" href=\"\u002Fen\u002Fsearch?query=england&refinementList=dataProvider%255B0%255D=basis%2520wien%2520-%2520Archiv%2520und%2520Dokumentationszentrum%2520f%25C3%25BCr%2520zeitgen%25C3%25B6ssische%2520Kunst\">England\u003C\u002Fa> and other countries. Alongside cityscapes, architectural shots and scenes of everyday life, there are photographs of the \u003Ca title=\"Photographs of Eurodomus by Brigitte Aloise Roth in Kulturpool\" href=\"\u002Fen\u002Fobjects\u002F43588d6d-dce1-4d46-8e33-47cd4b71faa7\">Eurodomus\u003C\u002Fa> design and furniture fair in 1972, and the \u003Ca title=\"Photographs of the Fiat car factory in Turin by Brigitte Aloise Roth in Kulturpool\" href=\"\u002Fen\u002Fobjects\u002F5d9ca007-2e22-4593-8d47-0a33e73a9cf4\">Fiat car factory\u003C\u002Fa> in Turin in 1972. These images already point to Roth's keen interest in urban spaces, industrial structures and social situations.\u003C\u002Fp>\n\u003Cp>During this period, Brigitte Aloise Roth studied commercial art, illustration and photography, as well as teaching qualifications in art education and craft education, at the University of Applied Arts in Vienna.\u003C\u002Fp>\n\u003Cp>An outstanding example of her early artistic exploration is the 1974 work \u003Cem>\u003Ca title=\"\" href=\"\u002Fen\u002Fobjects\u002F45fb4309-89ef-4d46-971f-371982587e85\">Hampelfrau\u003C\u002Fa>\u003C\u002Fem> (loosely translated to \u003Cem>female Jumping Jack\u003C\u002Fem>).\u003C\u002Fp>\n\u003Cp>In a text dedicated to Brigitte Aloise Roth's work in the magazine \u003Cem>disclaim\u003C\u002Fem>, Sophia Rohwetter writes, among other things, about this piece:\u003C\u002Fp>\n\u003Cp>\"\u003Cem>Brigitte Aloise Roth's photograph Hampelfrau (originally 1974) is a self-portrait taken using a long exposure, depicting the artist as a dangling photographic jointed doll. The head and upper body hand seemingly motionless against a dark background from a light thread, whilst the arms and legs – attached to the shoulders, elbows, pelvis and knees with wing clips as separately movable elements – are multiplied through multiple exposures and motion blur. The limbs fan out to the sides of the torso and follow the schematic, mechanical movements of a jumping jack: the bent, raised arms stretch downwards, whilst the legs open further and further in a sequence of overlapping positions with varying angles of spread. The externally controlled dynamics of the jumping limbs appear strangely uncontrolled and contrast with the calm, self-assured gaze of the jumping woman, creating a tension between stillness and movement, activity and passivity.\u003C\u002Fem>\"\u003Cbr>– Rohwetter, Sophia Roxane (2025): Archiv: Die Hampelfrau. In:dis\u002Fclaim. Inline:\u003Cspan lang=\"DE-AT\"> \u003C\u002Fspan>\u003Cspan lang=\"EN-GB\">\u003Ca href=\"https:\u002F\u002Fdisclaim-magazine.com\u002F5-Archiv\" target=\"_new\">\u003Cspan lang=\"DE-AT\">https:\u002F\u002Fdisclaim-magazine.com\u002F5-Archiv\u003C\u002Fspan>\u003C\u002Fa>\u003C\u002Fspan>\u003Cspan lang=\"DE-AT\"> (accessed on 20. April 2026). Translated to English\u003C\u002Fspan>\u003C\u002Fp>",1880,{"id":368,"collection":60,"item":369},3633,{"date_unpublished":6,"date_published":6,"heading_size":70,"heading_tag":71,"type":107,"summary":6,"heading":370,"body":371,"id":372,"is_enabled":27},"The stage as a visual space","\u003Cp>From the mid- to late 1970s, Roth spent time in England. There she became acquainted with the artist collective '\u003Ca title=\"The Ting in Kulturpool\" href=\"\u002Fen\u002Fsearch?query=the+ting&refinementList=dataProvider%255B0%255D=basis%2520wien%2520-%2520Archiv%2520und%2520Dokumentationszentrum%2520f%25C3%25BCr%2520zeitgen%25C3%25B6ssische%2520Kunst\">The Ting\u003C\u002Fa>' (Theatre of Mistakes), founded in 1974, and documented several of their performances photographically over the years. The estate contains detailed documentation of these, such as that relating to the performance '\u003Ca title=\"'The Ting. A Waterfall' by Brigitte Aloise Roth in Kulturpool\" href=\"\u002Fen\u002Fobjects\u002F1052ea29-9ad0-45a2-aa0c-6809d227eb1e\">The Ting. A Waterfall\u003C\u002Fa>' (1977).\u003C\u002Fp>\n\u003Cp>The Vienna art and theatre scene from the late 1970s to the 1990s is also comprehensively documented in the estate. This includes, for example, photographs of performances at the Schauspielhaus Wien, such as \u003Ca title=\"'Shadow Box' in Kulturpool\" href=\"\u002Fen\u002Fobjects\u002F403827c5-2ce9-4af9-a34d-f77a6598bd77\">\u003Cem>Shadow Box\u003C\u002Fem>\u003C\u002Fa> in 1979 or \u003Cem>\u003Ca title=\"'Othello' in Kulturpool\" href=\"\u002Fen\u002Fobjects\u002Fab329e7a-e027-435d-aadf-e22f06f3eeae\">Othello\u003C\u002Fa>\u003C\u002Fem> in 1980, by \u003Ca title=\"Gruppe 80 (Group 80) in Kulturpool\" href=\"\u002Fen\u002Fsearch?query=gruppe+80\">Gruppe 80\u003C\u002Fa>, or of \u003Ca title=\"André Heller in Kulturpool\" href=\"\u002Fen\u002Fsearch?query=andré+heller\">André Heller\u003C\u002Fa>'s \u003Cem>Flic Flac\u003C\u002Fem> (1982); among these is a detailed documentation of the extensive \u003Ca title=\"Set design of the production Flic Flac in Kulturpool\" href=\"\u002Fen\u002Fobjects\u002F647dd338-e0e5-4f9d-a3ef-fe182fe3f023\">set design\u003C\u002Fa> for the production, which took place at the Vienna Konzerthaus in 1982.\u003C\u002Fp>",1881,{"id":374,"collection":60,"item":375},3634,{"date_unpublished":6,"date_published":6,"heading_size":70,"heading_tag":71,"type":107,"summary":6,"heading":376,"body":377,"id":378,"is_enabled":27},"At the heart of Vienna's art scene","\u003Cp>Of particular relevance to the basis wien archive and documentation centre are also the photographs found in the estate, depicting exhibition openings and performances within the Viennese art scene.\u003C\u002Fp>\n\u003Cp>For instance, the photographs of the opening of \u003Ca title=\"Meret Oppenheim photographed by Brigitte Aloise Roth in Kulturpool\" href=\"\u002Fen\u002Fobjects\u002F641dfd1f-f72e-4f74-955c-4b8403b5ad04\">Meret Oppenheim\u003C\u002Fa>'s exhibition at the Galerie nächst St. Stephan serve as a valuable addition to the existing database. Similarly, the documentation of \u003Ca title=\"Hermann Nitsch photographed by Brigitte Aloise Roth in Kulturpool\" href=\"\u002Fen\u002Fobjects\u002F55a85691-1071-4902-9fb3-b2a9b047de41\">Hermann Nitsch\u003C\u002Fa>'s first exhibition at the Galerie Peter Pakesch has been significantly expanded by photographs by Brigitte Aloise Roth. This also applies to the \u003Cem>\u003Ca title=\"'Orgien Myterien Theater' (transl. Orgy Mystery Theatre) depicted by Brigitte Aloise Roth in Kulturpool\" href=\"\u002Fen\u002Fobjects\u002F6a08df81-d0b8-4a3c-a5c5-8bcfaa5ae717\">Orgien Mysterien Theater\u003C\u002Fa>\u003C\u002Fem> held on March 9th and 10th at the Galerie Peter Pakesch, which is also extensively documented in the estate.\u003C\u002Fp>",1882,{"id":380,"collection":60,"item":381},3635,{"date_unpublished":6,"date_published":6,"heading_size":70,"heading_tag":71,"type":107,"summary":6,"heading":382,"body":383,"id":384,"is_enabled":27},"Brigitte Aloise Roth and DIE DAMEN","\u003Cp>Brigitte Aloise Roth shared a ling-standing friendship and working relationship with the artist Ona B. During the catalogue compilation process, photographs were discovered of the first exhibition curated by Ona B.,\u003Cem> \u003C\u002Fem>\u003Ca title=\"'Ona B. Chat Chat Chat' in Kulturpool\" href=\"\u002Fen\u002Fobjects\u002Ffbc84b84-fa3f-4e11-9f34-789274a8ebd3\">\u003Cem>Ona B. Chat Chat Chat\u003C\u002Fem>\u003C\u002Fa> (1982), as well as images of the performace by the artist Ona B., Birgit Jürgenssen, Evelyne Egerer and Ingeborg Strobl, who, as the legendary artist group DIE DAMEN (engl. THE WOMEN), performed at the Vienna Secession on April 18th 1989 under the title \u003Cem>\u003Ca title=\"'Die Damen. postmodern' in Kulturpool\" href=\"\u002Fen\u002Fobjects\u002Fe4d9cb94-eabf-46f6-8820-20f8757afed4\">Die Damen. postmodern\u003C\u002Fa>\u003C\u002Fem>.\u003C\u002Fp>\n\u003Cp>Brigitte Huck wrote on this in 2013: \"\u003Cem>The terrain of female professional life is a recurring motif. 'It was the time when women working in the economy had begun not only to act like men, but also dress like them: business suits, trouser souts, etc.' (Ingeborg Strobl). In 1989, DIE DAMEN celebrated the new 'executive style' at the Vienna Secession in white blouses, ties and glasses.\u003C\u002Fem>\u003C\u002Fp>\n\u003Cp>\u003Cem>As the doors to the darkened main room open, the audience is surprised by a visually spectacular tableau: four desks and industrial lamps hanging from the ceiling are enough to unite grotesque comedy and the horrors of bureaucracy into an absurd Kafkaesque dystopia.\u003C\u002Fem>\u003C\u002Fp>\n\u003Cp>\u003Cem>The evening will go down in performance history as the birth of the DIE DAMEN brand. Invitations and limited editions produced, sold or given away as freebies on the occasion of individual events will develop into a distinct and very special chapter of their own. The apt references to the chosen theme are dry-witted comments: clever, concise and full of dark humour.\u003C\u002Fem>\"\u003Cbr>– Huck, Brigitte: \u003Cem>Die\u003C\u002Fem> Damen. Verlag für moderne Kunst, 2013, p.53; translated to English\u003C\u002Fp>",1883,{"id":386,"collection":21,"item":387},3636,{"date_published":6,"date_unpublished":6,"aspect_ratio":78,"type":72,"pick_items":6,"id":388,"row_mode":26,"is_enabled":27,"randomize":6,"items":389},1128,[390,396,402],{"id":391,"sort":31,"type":32,"date_published":6,"date_unpublished":6,"color_text":6,"color_background":6,"category":6,"heading":6,"is_long_heading":26,"summary":6,"link_internal":6,"link":392,"call_to_action":6,"show_search":26,"image":393},2134,"\u002Fen\u002Fobjects\u002Fc395d502-d7b9-4f41-9500-70b52a20b384",{"id":173,"author":36,"title":174,"license":38,"description":6,"license_url":39,"tags":6,"kulturpool_url":171,"location":6,"storage":40,"filename_disk":175,"filename_download":176,"metadata":394,"type":47,"filesize":179,"created_on":180,"modified_by":50,"modified_on":181,"embed":6,"uploaded_by":50,"uploaded_on":182,"folder":53,"width":95,"height":183,"charset":6,"duration":6,"tus_id":6,"tus_data":6,"focal_point_x":6,"focal_point_y":6},{"ifd0":395},{"Make":45,"Model":46},{"id":397,"sort":186,"type":32,"date_published":6,"date_unpublished":6,"color_text":6,"color_background":6,"category":6,"heading":6,"is_long_heading":26,"summary":6,"link_internal":6,"link":398,"call_to_action":6,"show_search":26,"image":399},2135,"\u002Fen\u002Fobjects\u002Fa3e24057-668a-4ecf-8684-42966a0bc76c",{"id":189,"author":36,"title":190,"license":38,"description":6,"license_url":39,"tags":6,"kulturpool_url":187,"location":6,"storage":40,"filename_disk":191,"filename_download":192,"metadata":400,"type":47,"filesize":195,"created_on":196,"modified_by":50,"modified_on":197,"embed":6,"uploaded_by":50,"uploaded_on":198,"folder":53,"width":95,"height":199,"charset":6,"duration":6,"tus_id":6,"tus_data":6,"focal_point_x":6,"focal_point_y":6},{"ifd0":401},{"Make":45,"Model":46},{"id":403,"sort":202,"type":32,"date_published":6,"date_unpublished":6,"color_text":6,"color_background":6,"category":6,"heading":6,"is_long_heading":26,"summary":6,"link_internal":6,"link":404,"call_to_action":6,"show_search":26,"image":405},2136,"\u002Fen\u002Fobjects\u002Fa6cc980b-44a3-4cfd-b979-fd2074b1ad9b",{"id":205,"author":36,"title":206,"license":38,"description":6,"license_url":39,"tags":6,"kulturpool_url":203,"location":6,"storage":40,"filename_disk":207,"filename_download":208,"metadata":406,"type":47,"filesize":211,"created_on":212,"modified_by":50,"modified_on":213,"embed":6,"uploaded_by":50,"uploaded_on":214,"folder":53,"width":95,"height":215,"charset":6,"duration":6,"tus_id":6,"tus_data":6,"focal_point_x":6,"focal_point_y":6},{"ifd0":407},{"Make":45,"Model":46},{"id":409,"collection":60,"item":410},3637,{"date_unpublished":6,"date_published":6,"heading_size":70,"heading_tag":71,"type":107,"summary":6,"heading":411,"body":412,"id":413,"is_enabled":27},"Friends, cats and Andy Warhol","\u003Cp>The estate also contained exhibition views of the 1978 exhibition \u003Cem>\u003Ca title=\"Exhibition views of 'Robert Maria Stieg. Unvollkommen Möbelhaftes\" href=\"\u002Fen\u002Fobjects\u002Fd507f6e3-616a-448b-9589-21650b941feb\">Robert Maria Stieg. Unvollkommen Möbelhaftes\u003C\u002Fa>\u003C\u002Fem> at the Künstlerhaus Wien.\u003C\u002Fp>\n\u003Cp>In April 1981, the opening of \u003Ca title=\"Andy Warhol photographed by Brigitte Aloise Roth in Kulturpool\" href=\"\u002Fen\u002Fobjects\u002Fc395d502-d7b9-4f41-9500-70b52a20b384\">Andy Warhol\u003C\u002Fa>'s exhibition took place at the 20er Haus, Museum of Modern Art. Around 90 photographs from Brigitte Aloise Roth's estate relating to this event have been digitised and are now publicly accessible.\u003C\u002Fp>\n\u003Cp>The performances from the 1990 exhibition '\u003Ca title=\"'fluxus subjektiv' in Kulturpool\" href=\"\u002Fen\u002Fobjects\u002F2344e35c-0281-4bc1-a1fd-b760818f1141\">fluxus happening\u003C\u002Fa>' at the Galerie Krinzinger, featuring Carolee Schneemann in Vienna among others, were also photographically documented by Brigitte Aloise Roth and enrich the collection with a significant visual source on the history of performance and exhibitions in Vienna.\u003C\u002Fp>\n\u003Cp>Alongside cultural and institutional contexts, the estate also offers an intimate glimpse into Roth's social circle and her affection for animals, particularly cats: a \u003Ca title=\"'Katze auf Motorhaube' by Brigitte Aloise Roth in Kulturpool\" href=\"\u002Fen\u002Fobjects\u002F0e95f4f6-a199-4a85-a0aa-a030c8c590d6\">cat on a bonnet\u003C\u002Fa>, \u003Ca title=\"'Katzenbabys' by Brigitte Aloise Roth in Kulturpool\" href=\"\u002Fen\u002Fobjects\u002F39bd0ece-91bd-4d92-a9a3-0996ef872ec4\">kittens\u003C\u002Fa> and \u003Ca title=\"Young cats depicted by Brigitte Aloise Roth in Kulturpool\" href=\"\u002Fen\u002Fobjects\u002Fcb162a2c-fd5b-48e4-930b-149c604b8351\">young cats\u003C\u002Fa>. Portraits of fellow artists, friends and companions such as \u003Ca title=\"'Peter Putz im Atelier' photographed by Brigitte Aloise Roth in Kulturpool\" href=\"\u002Fen\u002Fobjects\u002Fa6cc980b-44a3-4cfd-b979-fd2074b1ad9b\">Peter Putz in the studio\u003C\u002Fa> and \u003Ca title=\"'Minna Antova' photographed by Brigitte Aloise Roth in Kulturpool\" href=\"\u002Fen\u002Fobjects\u002F29f67258-2ed9-4b1f-bea9-6ce8104b020f\">Minna Antova\u003C\u002Fa> stand alongside photographs of everyday scenes, posters from \u003Ca title=\"Posters from 1983 photographed by Brigitte Aloise Roth in Kulturpool\" href=\"\u002Fen\u002Fobjects\u002Fbbbecc93-3927-494d-8ae0-79d037a074cb\">1983\u003C\u002Fa> and \u003Ca title=\"Posters from 1992 photographed by Brigitte Aloise Roth in Kulturpool\" href=\"\u002Fen\u002Fobjects\u002F07fcae33-fbf4-4cf2-a4c5-b14e842393f0\">1992\u003C\u002Fa> and election campaign material from \u003Ca title=\"Election campaign material from 1990 photographed by Brigitte Aloise Roth in Kulturpool\" href=\"\u002Fen\u002Fobjects\u002F38b8b281-5121-4a55-bc6f-916a60056e03\">1990\u003C\u002Fa>, urban changes, building sites, \u003Ca title=\"'Autounfall' by Brigitte Aloise Roth in Kulturpool\" href=\"\u002Fen\u002Fobjects\u002Fc21f9941-a213-4b77-a6d0-bc8f53f08f0d\">traffic accidents\u003C\u002Fa>, etc., thus becoming documents of a specific historical zeitgeist and bearing witness to political awareness.\u003C\u002Fp>",1884,{"id":415,"collection":60,"item":416},3638,{"date_unpublished":6,"date_published":6,"heading_size":70,"heading_tag":71,"type":107,"summary":6,"heading":417,"body":418,"id":419,"is_enabled":27},"Women's rights and resistance in urban spaces","\u003Cp>Brigitte Aloise Roth was a tireless advocate for women's rights and feminist causes; she organised and documented demonstrations and protests in Vienna. It is thanks to her efforts that the felling of trees in the 13th district was prevented.\u003C\u002Fp>\n\u003Cp>Her attachment to the chestnut tree outside her window on Premreinergasse, which still stands there today, is evident in the photographs in \u003Ca title=\"'Baum Frühjar' by Brigitte Aloise Roth in Kulturpool\" href=\"\u002Fen\u002Fobjects\u002Faac3f846-7549-42f1-ae2e-c7b8bb79ea5d\">spring\u003C\u002Fa>, \u003Ca title=\"'Sommer' by Brigitte Aloise Roth in Kulturpool\" href=\"\u002Fen\u002Fobjects\u002F9a269d8b-e18d-4571-869d-0430f15e2fa5\">summer\u003C\u002Fa>, \u003Ca title=\"'Baum Herbst' by Brigitte Aloise Roth in Kulturpool\" href=\"\u002Fen\u002Fobjects\u002F5276afdc-f1ea-4708-93aa-af1e9f0d71b0\">autumn\u003C\u002Fa> and \u003Ca title=\"'Baum Winter' by Brigitte Aloise Roth in Kulturpool\" href=\"\u002Fen\u002Fobjects\u002Fe2ebbe1c-ffb5-49d3-897d-eecfefae228a\">winter\u003C\u002Fa>.\u003C\u002Fp>",1885,{"id":421,"collection":60,"item":422},3639,{"date_unpublished":6,"date_published":6,"heading_size":70,"heading_tag":71,"type":64,"summary":6,"heading":423,"body":6,"id":424,"is_enabled":27},"Related links",1886,{"id":426,"collection":235,"item":427},3640,{"date_unpublished":6,"date_published":6,"type":72,"items":428,"summary":6,"heading":6,"id":435,"is_enabled":27},[429,432],{"heading":239,"summary":430,"link":431,"call_to_action":242},"Archive and Documentation Centre for Contemporary Art","https:\u002F\u002Fwww.basis-wien.at\u002Fdb\u002Fadvsearch?show=advsearch&lang=en",{"heading":433,"summary":434,"link":246,"call_to_action":247},"Estate of Brigitte Aloise Roth","Digital collection of the basis wien",497,{"id":437,"collection":21,"item":438},3641,{"date_published":6,"date_unpublished":6,"aspect_ratio":23,"type":72,"pick_items":6,"id":439,"row_mode":26,"is_enabled":27,"randomize":6,"items":440},1129,[441],{"id":442,"sort":31,"type":256,"date_published":6,"date_unpublished":6,"color_text":257,"color_background":258,"category":6,"heading":443,"is_long_heading":27,"summary":444,"link_internal":6,"link":445,"call_to_action":446,"show_search":26,"image":447},2137,"basis wien - Archive and Documentation Centre for Contemporary Art","basis wien is an archive and documentation centre for contemporary art in Austria. Besides its collection of ephemera, publications, and other materials, it preserves the photographic estate of the artist, educator, photographer, feminist, and activist Brigitte Aloise Roth (1953–2018).","\u002Fen\u002Fsearch?refinementList=dataProvider%255B0%255D=basis%2520wien%2520-%2520Archiv%2520und%2520Dokumentationszentrum%2520f%25C3%25BCr%2520zeitgen%25C3%25B6ssische%2520Kunst","See the digital objects",{"id":264,"author":265,"title":266,"license":267,"description":6,"license_url":268,"tags":6,"kulturpool_url":6,"location":6,"storage":40,"filename_disk":269,"filename_download":270,"metadata":448,"type":47,"filesize":280,"created_on":281,"modified_by":50,"modified_on":282,"embed":6,"uploaded_by":50,"uploaded_on":283,"folder":284,"width":285,"height":286,"charset":6,"duration":6,"tus_id":6,"tus_data":6,"focal_point_x":6,"focal_point_y":6},{"ifd0":449,"exif":450},{"Make":273,"Model":274},{"FNumber":276,"ExposureTime":277,"FocalLength":278,"ISOSpeedRatings":279},{"id":452,"collection":235,"item":453},3642,{"date_unpublished":6,"date_published":6,"type":72,"items":454,"summary":6,"heading":6,"id":460,"is_enabled":27},[455],{"heading":456,"summary":457,"link":458,"call_to_action":459},"More articles","Read more about the digitisation of cultural heritage.","\u002Fen\u002Fcontent\u002Farticles","See all articles",498,[462,463],228,237,{"og_image":35,"canonical_url":6,"sitemap_change_frequency":465,"title":6,"sitemap_priority":466,"node_type":6,"meta_description":6,"id":467,"no_follow":26,"no_index":26},"daily",0.5,164]