[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"content-das-heidentor-von-petronell-carnuntum-damals-und-heute":3},[4],{"id":5,"sort":6,"status":7,"category":8,"date_published":9,"date_unpublished":9,"color_text":10,"color_background":11,"translations":12,"visibilities":544,"seo":547},65,5,"published",6,null,"#F59C00","#356645",[13,358],{"languages_code":14,"title":15,"slug":16,"summary":17,"id":18,"items":19},"de","Das Heidentor von Petronell-Carnuntum damals und heute","das-heidentor-von-petronell-carnuntum-damals-und-heute","Über die Geschichte und Bedeutung des Heidentors seit seiner Entstehung im 4. Jahrhundert",118,[20,54,63,70,77,104,109,134,140,146,152,177,184,189,226,233,239,255,270,348],{"id":21,"collection":22,"item":23},567,"block_slider",{"date_published":9,"date_unpublished":9,"aspect_ratio":24,"type":25,"pick_items":9,"id":26,"is_enabled":27,"randomize":9,"row_mode":28,"items":29},"3\u002F1","full-width",139,true,false,[30],{"id":31,"sort":32,"type":33,"date_published":9,"date_unpublished":9,"color_text":9,"color_background":9,"category":9,"heading":9,"is_long_heading":28,"summary":9,"link_internal":9,"link":9,"call_to_action":9,"show_search":28,"image":34},207,1,"image",{"id":35,"author":36,"title":37,"license":38,"description":39,"license_url":40,"tags":9,"kulturpool_url":41,"location":9,"storage":42,"filename_disk":43,"filename_download":44,"metadata":45,"type":46,"filesize":47,"created_on":48,"modified_by":49,"modified_on":50,"embed":9,"uploaded_by":49,"uploaded_on":48,"folder":51,"width":52,"height":53,"charset":9,"duration":9,"tus_id":9,"tus_data":9,"focal_point_x":9,"focal_point_y":9},"f2a298aa-12e1-4258-8bab-b0ac82359a50","Albertina Wien","Das Heidentor bei Petronell, Anonym, Kunst- und Verlagshandlung Artaria & Co.","Public Domain Mark 1.0","Das Heidentor bei Petronell, Druckgraphik, Anonym, Public Domain, Standort „Albertina Wien“\n","https:\u002F\u002Fcreativecommons.org\u002Fpublicdomain\u002Fmark\u002F1.0\u002F","https:\u002F\u002Fkulturpool.at\u002Finstitutionen\u002Falbertina\u002FDG1936%252F612","local","f2a298aa-12e1-4258-8bab-b0ac82359a50.jpg","heidentor-03-01.jpg",{},"image\u002Fjpeg","80822","2024-02-15T09:32:57.453Z","0a24dc37-1467-4bcd-8eb1-95c78a0c200c","2024-05-13T10:04:48.242Z","cc95a4fd-af2e-45c9-82ff-facb35becf00",749,514,{"id":55,"collection":56,"item":57},568,"block_text",{"date_published":9,"date_unpublished":9,"heading_size":58,"heading_tag":59,"type":60,"summary":9,"heading":15,"body":61,"id":62,"is_enabled":27},"large","h2","center","\u003Cp>\u003Cstrong>Über die Geschichte und Bedeutung des Heidentors seit seiner Entstehung im 4. Jahrhundert\u003C\u002Fstrong>\u003C\u002Fp>",298,{"id":64,"collection":56,"item":65},583,{"date_published":9,"date_unpublished":9,"heading_size":66,"heading_tag":59,"type":67,"summary":9,"heading":9,"body":68,"id":69,"is_enabled":27},"normal","standard","\u003Cp>Im Rahmen des Projekts „\u003Ca href=\"https:\u002F\u002Fpro.europeana.eu\u002Fpage\u002Ftwin-it-3d-for-europe-s-culture\" target=\"_blank\" rel=\"noopener\">Twin it! – 3D for Europe’s culture\u003C\u002Fa>“ digitalisierten die \u003Ca title=\"Landessammlungen Niederösterreich\" href=\"https:\u002F\u002Fwww.landessammlungen-noe.at\u002Fen\u002Fhome.html\" target=\"_blank\" rel=\"noopener\">Landessammlungen Niederösterreich\u003C\u002Fa> das Heidentor von Carnuntum als Symbol des römischen Österreichs in 3D. Nicht nur das heutige Erscheinungsbild wird dadurch in 3D sichtbar, sondern es werden insgesamt vier 3D-Modelle erstellt. Diese basieren auf historischen Ansichten, wissenschaftlichen Kenntnissen und aktuellen Drohnenaufnahmen.\u003C\u002Fp>",307,{"id":71,"collection":56,"item":72},569,{"date_published":9,"date_unpublished":9,"heading_size":66,"heading_tag":59,"type":73,"summary":9,"heading":74,"body":75,"id":76,"is_enabled":27},"two-cols","Von der Antike bis zur Gegenwart","\u003Cp>Das Heidentor von Carnuntum gehört zu den bedeutendsten Kulturdenkmälern Österreichs und ist weit über die Landesgrenzen hinaus bekannt. Es ist eines der wenigen römischen Denkmäler Österreichs, das fast 2.000 Jahre lang durchgehend zu sehen war. Schon im Mittelalter und der Renaissance wurde das Monument in mehreren Reiseberichten erwähnt. Um die Erbauer und die Funktion des Bauwerks ranken sich viele Spekulationen, die bis heute nicht vollständig geklärt sind. Im 13. Jahrhundert dachte man, das Heidentor sei das Grabmal des Riesen Theuto. Diese regionale Legende stammt von einem Dominikanerchronisten, der dies in seinen Descriptio Theutoniae („Beschreibung der deutschen Lande“) im 13. Jahrhundert erwähnte.\u003C\u002Fp>",299,{"id":78,"collection":22,"item":79},574,{"date_published":9,"date_unpublished":9,"aspect_ratio":24,"type":80,"pick_items":9,"id":81,"is_enabled":27,"randomize":9,"row_mode":28,"items":82},"small",141,[83],{"id":84,"sort":32,"type":33,"date_published":9,"date_unpublished":9,"color_text":9,"color_background":9,"category":9,"heading":9,"is_long_heading":28,"summary":85,"link_internal":9,"link":86,"call_to_action":9,"show_search":28,"image":87},198,"In einem Dokument der Monumenta Germaniae Historica wird die Region „Theutonia, oder Alemania, oder Deutschland“ beschrieben. Dieses Land nennt man Theutonia nach dem Riesen Theuto, der sich dort aufhielt; sein Grabmal zeigt man den Reisenden in der Nähe von Wien.","https:\u002F\u002Fwww.digitale-sammlungen.de\u002Fview\u002Fbsb11197064?page=1",{"id":88,"author":89,"title":90,"license":91,"description":92,"license_url":93,"tags":9,"kulturpool_url":9,"location":9,"storage":42,"filename_disk":94,"filename_download":95,"metadata":96,"type":46,"filesize":97,"created_on":98,"modified_by":49,"modified_on":99,"embed":9,"uploaded_by":49,"uploaded_on":98,"folder":51,"width":100,"height":101,"charset":9,"duration":9,"tus_id":9,"tus_data":9,"focal_point_x":102,"focal_point_y":103},"7d7309f9-4192-4217-841e-aea66ce14c64","Bayerische Staatsbibliothek","Monumenta Germaniae Historica","NoC-NC","Annales SS. Udalrici Et Afrae Augustenses. URN: urn:nbn:de:bvb:12-bsb11197064-0\n","http:\u002F\u002Frightsstatements.org\u002Fvocab\u002FNoC-NC\u002F1.0\u002F","7d7309f9-4192-4217-841e-aea66ce14c64.jpg","v2_bsb11197064_00256_full_full_0_default.jpg",{},"1409588","2024-05-06T13:55:17.938Z","2024-05-08T11:29:40.861Z",2729,4289,1637,1313,{"id":105,"collection":56,"item":106},576,{"date_published":9,"date_unpublished":9,"heading_size":66,"heading_tag":59,"type":73,"summary":9,"heading":9,"body":107,"id":108,"is_enabled":27},"\u003Cp>Eine erste Beschreibung des Monuments verfasste der Humanist Wolfgang Lazius im Jahr 1551. Wolfgang Lazius interpretierte das Heidentor als ein Stadttor. Etwa 100 Jahre später erscheint erstmals der Name „heydnisch Thor“, von dem sich der heutige Name ableitet.\u003C\u002Fp>",303,{"id":110,"collection":22,"item":111},572,{"date_published":9,"date_unpublished":9,"aspect_ratio":24,"type":80,"pick_items":9,"id":112,"is_enabled":27,"randomize":9,"row_mode":28,"items":113},140,[114],{"id":115,"sort":32,"type":33,"date_published":9,"date_unpublished":9,"color_text":9,"color_background":9,"category":9,"heading":116,"is_long_heading":28,"summary":9,"link_internal":9,"link":117,"call_to_action":9,"show_search":28,"image":118},197,"Wolfgang Lazius verfasste 1551 als erster eine Beschreibung des Heidentors; er interpretierte es damals noch als Stadttor.","\u002Finstitutionen\u002Falbertina\u002FDG1933%252F44",{"id":119,"author":120,"title":121,"license":122,"description":9,"license_url":40,"tags":9,"kulturpool_url":123,"location":9,"storage":42,"filename_disk":124,"filename_download":125,"metadata":126,"type":46,"filesize":127,"created_on":128,"modified_by":49,"modified_on":129,"embed":9,"uploaded_by":49,"uploaded_on":128,"folder":51,"width":130,"height":131,"charset":9,"duration":9,"tus_id":9,"tus_data":9,"focal_point_x":132,"focal_point_y":133},"9c308e84-3871-4b1b-810a-d060e97b6277","Albertina, Wien, Österreich","Wolfgang Lazius","Public Domain","https:\u002F\u002Fkulturpool.at\u002Finstitutionen\u002Falbertina\u002FDG1933%252F44","9c308e84-3871-4b1b-810a-d060e97b6277.jpg","Albertina_DG1933_44.jpg",{},"322905","2024-05-06T13:38:22.072Z","2024-05-06T13:44:44.371Z",850,1243,429,450,{"id":135,"collection":56,"item":136},570,{"date_published":9,"date_unpublished":9,"heading_size":66,"heading_tag":59,"type":73,"summary":9,"heading":137,"body":138,"id":139,"is_enabled":27},"Steinraub und Restaurierungen","\u003Cp>Im 15. und 16. Jahrhundert wurde wegen Baumaterialmangel massiver Steinraub in Carnuntum betrieben, der das Aussehen des Heidentors für immer prägte. Große Quadersteine eigneten sich als begehrtes Material besonders gut zur Wiederverwendung und wurden auch unter Einsatz von Schwarzpulver herausgesprengt. Die letzten beiden Pfeiler wurden dadurch bis zum inneren Kern aus Gussmauerwerk abgetragen. \u003C\u002Fp>\n\u003Cp>Im 18. Jahrhundert erkannten die beiden englischen Reisenden Richard Pococke und Jeremias Milles das Heidentor als ein römisches Bauwerk. Das gab auch der Wissenschaft einen ersten Anstoß zur Erforschung Carnuntums – einem Pompeji vor den Toren Wiens – zu beginnen und die Denkmäler zu schützen und zu erhalten. Als Erster ließ der Schwechater Industrielle Anton Widter 1869 auf eigene Kosten Restaurierungsarbeiten am Heidentor durchführen.\u003C\u002Fp>",300,{"id":141,"collection":56,"item":142},577,{"date_published":9,"date_unpublished":9,"heading_size":66,"heading_tag":59,"type":73,"summary":9,"heading":143,"body":144,"id":145,"is_enabled":27},"Das heute sichtbare Heidentor","\u003Cp class=\"MsoNormal\">\u003Cspan lang=\"DE-AT\" style=\"font-family: 'Public Sans';\">Das heutige Erscheinungsbild des Heidentors wurde vor allem durch Sanierungsarbeiten im Jahr 1907 geprägt. Damals erfolgte die Ummantelung der unteren Pfeilerzonen und die Abdeckung des Bogens. Im selben Jahr ging die Ruine ins Eigentum des Landes Niederösterreich über. \u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp class=\"MsoNormal\">\u003Cspan lang=\"DE-AT\" style=\"font-family: 'Public Sans';\">Nach neuerlichen Restaurierungen an der Oberfläche der Pfeiler im Jahr 1957 wurde das Heidentor von 1998 bis 2001 nochmals umfassend untersucht und nach international gültigen Standards der Denkmalpflege konserviert. \u003C\u002Fspan>\u003C\u002Fp>",304,{"id":147,"collection":56,"item":148},585,{"date_published":9,"date_unpublished":9,"heading_size":66,"heading_tag":59,"type":73,"summary":9,"heading":149,"body":150,"id":151,"is_enabled":27},"Das 3D-Modell des Heidentors","\u003Cp class=\"MsoNormal\">\u003Cspan lang=\"DE-AT\" style=\"font-family: 'Public Sans';\">Das 3D-Modell des heutigen Heidentors wurde mittels Fotogrammetrie umgesetzt. Hilfsmittel hierfür war eine Drohne, mit der aus unterschiedlichen Blickwinkeln und Höhen Fotos aufgenommen wurden. Mit den fotogrammetrischen Aufnahmen wird ein dreidimensionales Digitalisat vom Ist-Zustand des Heidentors erzeugt. Durch die Verwendung von hochgenauen GPS-Systemen (RTK) ist es möglich, ein Modell mit einer Genauigkeit im Zentimeterbereich zu erstellen.\u003C\u002Fspan>\u003C\u002Fp>",309,{"id":153,"collection":22,"item":154},614,{"date_published":9,"date_unpublished":9,"aspect_ratio":155,"type":80,"pick_items":9,"id":156,"is_enabled":27,"randomize":9,"row_mode":28,"items":157},"4\u002F3",151,[158],{"id":159,"sort":32,"type":33,"date_published":9,"date_unpublished":9,"color_text":9,"color_background":9,"category":9,"heading":160,"is_long_heading":28,"summary":9,"link_internal":9,"link":9,"call_to_action":9,"show_search":28,"image":161},212,"Bewölktes, regenfreies Wetter ist perfekt für den Drohnenflug.",{"id":162,"author":163,"title":164,"license":165,"description":9,"license_url":166,"tags":9,"kulturpool_url":9,"location":9,"storage":42,"filename_disk":167,"filename_download":168,"metadata":169,"type":46,"filesize":170,"created_on":171,"modified_by":49,"modified_on":172,"embed":9,"uploaded_by":49,"uploaded_on":171,"folder":51,"width":173,"height":174,"charset":9,"duration":9,"tus_id":9,"tus_data":9,"focal_point_x":175,"focal_point_y":176},"5e7605d3-5bcb-412a-94dd-6024bccf99ed","Landessammlungen Niederösterreich","Drohnenaufnahme des heutigen Heidentors","In Copyright","https:\u002F\u002Frightsstatements.org\u002Fvocab\u002FInC\u002F1.0\u002F","5e7605d3-5bcb-412a-94dd-6024bccf99ed.jpg","Heidentor-01_Drohnenaufnahme des heutigen Heidentors.jpg",{},"1805557","2024-05-08T09:43:39.587Z","2024-07-15T09:53:33.260Z",4032,3024,1938,485,{"id":178,"collection":56,"item":179},586,{"date_published":9,"date_unpublished":9,"heading_size":66,"heading_tag":59,"type":180,"summary":181,"heading":182,"body":9,"id":183,"is_enabled":27},"quote","Albrecht Meydenbauer, ein deutscher Architekt, erfand 1858 die Fotogrammetrie nach einem beinahe tödlichen Sturz bei der Vermessung des Wetzlarer Doms. Auf der Suche nach einer sichereren Methode entwickelte er die „Photometrographie“. Seit 1867 ist diese Technik als Fotogrammetrie bekannt. Dieses Verfahren erstellt dreidimensionale Modelle, indem es Fotos von einem Objekt aus verschiedenen Winkeln aufnimmt und diese dann übereinanderlegt. Aus den Überschneidungen wird ein 3D-Modell berechnet. Anfangs zur Kartierung der Erdoberfläche genutzt, hilft Fotogrammetrie heute, detailreiche 3D-Objekte aller Art zu erschaffen.","Was ist Fotogrammetrie?",310,{"id":185,"collection":56,"item":186},587,{"date_published":9,"date_unpublished":9,"heading_size":66,"heading_tag":59,"type":73,"summary":9,"heading":9,"body":187,"id":188,"is_enabled":27},"\u003Cp class=\"MsoNormal\">Um ein gleichmäßig ausgeleuchtetes Modell erstellen zu können, ist bei der Aufnahme von Fotos diffuses Licht (bewölktes Wetter) notwendig. Jeglicher Schatten zeigt sich auch unvorteilhaft in der Textur des 3D-Modells. \u003C\u002Fp>\n\u003Cp class=\"MsoNormal\">\u003Cspan lang=\"DE-AT\">Nach den Aufnahmen des Drohnenflugs und der Zusammenstellung der Bilder mittels Fotogrammetrie wurden im 3D-Modell Anmerkungen eingearbeitet, die die Verortung von antiken Spolien im Heidentor ermöglichen. Spolien sind wiederverwendetes Steinmaterial, das aus älteren römischen Bauwerken stammt und aus Kostengründen im Heidentor erneut verbaut wurde, etwa Altäre, Inschriften und Bauornamente. Im 3D-Modell des Heidentors sind fünf dieser Spolien in den Anmerkungen angeführt.\u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp class=\"MsoNormal\">\u003Cspan lang=\"DE-AT\">Zusätzlich wurde eine Archäologin als Figur in das 3D-Modell implementiert, um die Größenverhältnisse zu verdeutlichen.\u003C\u002Fspan>\u003C\u002Fp>",311,{"id":190,"collection":22,"item":191},588,{"date_published":9,"date_unpublished":9,"aspect_ratio":192,"type":80,"pick_items":9,"id":193,"is_enabled":27,"randomize":9,"row_mode":28,"items":194},"1\u002F1",142,[195,210],{"id":196,"sort":32,"type":33,"date_published":9,"date_unpublished":9,"color_text":9,"color_background":9,"category":9,"heading":197,"is_long_heading":28,"summary":9,"link_internal":9,"link":9,"call_to_action":9,"show_search":28,"image":198},200,"Weihaltar für Diana Augusta, Annotation 3 im 3D-Modell",{"id":199,"author":163,"title":200,"license":165,"description":197,"license_url":201,"tags":9,"kulturpool_url":9,"location":9,"storage":42,"filename_disk":202,"filename_download":203,"metadata":204,"type":46,"filesize":205,"created_on":206,"modified_by":49,"modified_on":207,"embed":9,"uploaded_by":49,"uploaded_on":206,"folder":51,"width":208,"height":209,"charset":9,"duration":9,"tus_id":9,"tus_data":9,"focal_point_x":9,"focal_point_y":9},"e181188b-cd26-475f-b73a-fa1c8af5f3ad","Weihaltar für Diana Augusta","https:\u002F\u002Frightsstatements.org\u002Fpage\u002FInC\u002F1.0\u002F","e181188b-cd26-475f-b73a-fa1c8af5f3ad.jpg","Heidentor-03-Weihaltar-Diana_Augusta_Heidentor_Annotation-3.jpg",{},"752210","2024-05-07T08:50:09.003Z","2024-05-27T10:16:08.262Z",571,1258,{"id":211,"sort":212,"type":33,"date_published":9,"date_unpublished":9,"color_text":9,"color_background":9,"category":9,"heading":213,"is_long_heading":28,"summary":9,"link_internal":9,"link":9,"call_to_action":9,"show_search":28,"image":214},199,2,"Fragment eines Weihaltares, Annotation 4 im 3D-Modell",{"id":215,"author":163,"title":216,"license":165,"description":217,"license_url":166,"tags":9,"kulturpool_url":9,"location":9,"storage":42,"filename_disk":218,"filename_download":219,"metadata":220,"type":46,"filesize":221,"created_on":222,"modified_by":49,"modified_on":223,"embed":9,"uploaded_by":49,"uploaded_on":222,"folder":51,"width":224,"height":225,"charset":9,"duration":9,"tus_id":9,"tus_data":9,"focal_point_x":9,"focal_point_y":9},"64e9cd5e-d954-46ae-9dfc-f8e39d033941","Fragment eines Weihaltares","Fragment eines Weihaltares, Annotation 4 im 3D-Modell.","64e9cd5e-d954-46ae-9dfc-f8e39d033941.jpg","Heidentor-02-Fragment eines Weihaltares_Annotation-4_2.jpg",{},"325842","2024-05-07T08:47:59.310Z","2024-05-27T10:15:54.402Z",548,442,{"id":227,"collection":228,"item":229},573,"block_embed",{"date_unpublished":9,"date_published":9,"aspect_ratio":155,"link":9,"type":230,"code":231,"max_width":9,"id":232,"is_enabled":27,"file":9},"iframe","\u003Cdiv class=\"sketchfab-embed-wrapper\"> \u003Ciframe title=\"The Heidentor in Petronell-Carnuntum\" frameborder=\"0\" allowfullscreen mozallowfullscreen=\"true\" webkitallowfullscreen=\"true\" allow=\"autoplay; fullscreen; xr-spatial-tracking\" xr-spatial-tracking execution-while-out-of-viewport execution-while-not-rendered web-share src=\"https:\u002F\u002Fsketchfab.com\u002Fmodels\u002F807a34403d12449ea667f3c586d47a98\u002Fembed?ui_infos=0&ui_watermark_link=0&ui_watermark=0\"> \u003C\u002Fiframe> \u003Cp style=\"font-size: 0.9em; font-weight: normal; margin: 5px; text-align: center;\">Das Heidentor in Petronell-Carnuntum der \u003Ca href=\"https:\u002F\u002Fsketchfab.com\u002Fwww.noe-3d.at?utm_medium=embed&utm_campaign=share-popup&utm_content=807a34403d12449ea667f3c586d47a98\" target=\"_blank\" rel=\"nofollow\"> Landessammlungen Niederösterreich \u003C\u002Fa> auf \u003Ca href=\"https:\u002F\u002Fsketchfab.com\u002F3d-models\u002Fthe-heidentor-in-petronell-carnuntum-807a34403d12449ea667f3c586d47a98?utm_medium=embed&utm_campaign=share-popup&utm_content=807a34403d12449ea667f3c586d47a98\" target=\"_blank\" rel=\"nofollow\">Sketchfab\u003C\u002Fa> und im \u003Ca href=\"\u002Finstitutionen\u002Flandessammlungen-noe\u002FHeidentor\">Kulturpool\u003C\u002Fa>.\u003C\u002Fp>\u003C\u002Fdiv>",39,{"id":234,"collection":56,"item":235},580,{"date_published":9,"date_unpublished":9,"heading_size":66,"heading_tag":236,"type":60,"summary":9,"heading":237,"body":9,"id":238,"is_enabled":27},"h3","Weiterführende Links",305,{"id":240,"collection":241,"item":242},691,"block_links",{"date_published":9,"date_unpublished":9,"type":67,"items":243,"summary":9,"heading":9,"id":254,"is_enabled":27},[244,249],{"heading":245,"summary":246,"link":247,"call_to_action":248},"Twin it!","Kampagne von Europeana","https:\u002F\u002Ftwinit3d.europeana.eu\u002F","twinit3d.europeana.eu",{"heading":250,"summary":251,"link":252,"call_to_action":253},"Sammlung von 3D-Modellen  ","Eine paneuropäische Sammlung von Kulturerbe-3D-Modellen","https:\u002F\u002Fwww.europeana.eu\u002Fen\u002Fgalleries\u002F15694-twin-it-a-pan-european-collection-of-heritage-3-d-models","europeana.eu\u002Fgalleries",114,{"id":256,"collection":241,"item":257},578,{"date_published":9,"date_unpublished":9,"type":67,"items":258,"summary":9,"heading":9,"id":269,"is_enabled":27},[259,264],{"heading":260,"summary":261,"link":262,"call_to_action":263},"Carnuntum","Die Römerstadt Carnuntum in Niederösterreich","https:\u002F\u002Fwww.carnuntum.at\u002Fde","carnuntum.at",{"heading":265,"summary":266,"link":267,"call_to_action":268},"Online-Sammlung","Die Online-Sammlung der Landessammlungen Niederösterreich","https:\u002F\u002Fwww.online.landessammlungen-noe.at\u002F","landessammlungen-noe.at",100,{"id":271,"collection":22,"item":272},637,{"date_published":9,"date_unpublished":9,"aspect_ratio":24,"type":67,"pick_items":9,"id":273,"is_enabled":27,"randomize":9,"row_mode":28,"items":274},159,[275,300,318,328],{"id":276,"sort":32,"type":277,"date_published":9,"date_unpublished":9,"color_text":278,"color_background":279,"category":280,"heading":281,"is_long_heading":28,"summary":282,"link_internal":9,"link":283,"call_to_action":284,"show_search":28,"image":285},223,"image-text","#3CFF00","#977631","Die Kampagne „Twin it!“","Das Heidentor in 3D","Wie digitalisiert man ein Monument? In der Kampagne „Twin it!“ werden neue 3D-Digitalisierungen von bekannten und gefährdeten Kulturdenkmälern aus ganz Europa vorgestellt.","\u002Finhalte\u002Fdie-europaeische-kampagne-twin-it-zur-3d-digitalisierung","Artikel lesen",{"id":286,"author":287,"title":288,"license":289,"description":9,"license_url":290,"tags":9,"kulturpool_url":291,"location":9,"storage":42,"filename_disk":292,"filename_download":293,"metadata":294,"type":46,"filesize":295,"created_on":296,"modified_by":49,"modified_on":297,"embed":9,"uploaded_by":49,"uploaded_on":296,"folder":51,"width":298,"height":299,"charset":9,"duration":9,"tus_id":9,"tus_data":9,"focal_point_x":9,"focal_point_y":9},"0a836fd2-d4f8-4e4b-ab56-241be6347ab4","Birgit und Peter Kainz, Wien Museum","Wien Umgebung - NÖ - Petronell-Carnuntum - Tetrapylon \u002F sog. Heidentor","CC0","https:\u002F\u002Fcreativecommons.org\u002Fpublicdomain\u002Fzero\u002F1.0\u002F","https:\u002F\u002Fkulturpool.at\u002Finstitutionen\u002Fwien-museum\u002F157186%252F16","0a836fd2-d4f8-4e4b-ab56-241be6347ab4.jpg","heidentor-91c.jpg",{},"537168","2024-05-07T15:54:58.148Z","2024-06-06T11:23:52.255Z",1674,1483,{"id":301,"sort":212,"type":277,"date_published":9,"date_unpublished":9,"color_text":278,"color_background":279,"category":280,"heading":302,"is_long_heading":28,"summary":303,"link_internal":9,"link":304,"call_to_action":284,"show_search":28,"image":305},249,"Die 3D-Rekonstruktion des Heidentors","Neu und alt kommen hier zusammen: In diesem 3D-Modell wird rekonstruiert, wie das Heidentor vor 2.000 Jahren ausgesehen haben könnte.","\u002Finhalte\u002Fdie-3d-rekonstruktion-des-heidentors",{"id":306,"author":163,"title":307,"license":165,"description":9,"license_url":166,"tags":9,"kulturpool_url":9,"location":9,"storage":42,"filename_disk":308,"filename_download":309,"metadata":310,"type":46,"filesize":311,"created_on":312,"modified_by":49,"modified_on":313,"embed":9,"uploaded_by":49,"uploaded_on":312,"folder":51,"width":314,"height":315,"charset":9,"duration":9,"tus_id":9,"tus_data":9,"focal_point_x":316,"focal_point_y":317},"a837843b-1d90-4c7d-ac98-ee0e4037f96a","Technisches Zeichnen der Apsiden in den Nischen der Attikazone","a837843b-1d90-4c7d-ac98-ee0e4037f96a.jpg","Heidentor-05-Technisches Zeichnen der Apsiden in den Nischen der Attikazone.jpg",{},"292265","2024-05-07T12:00:49.139Z","2024-06-06T09:22:32.308Z",3288,1843,1631,1052,{"id":319,"sort":320,"type":277,"date_published":9,"date_unpublished":9,"color_text":321,"color_background":322,"category":280,"heading":323,"is_long_heading":28,"summary":324,"link_internal":9,"link":325,"call_to_action":284,"show_search":28,"image":326},448,3,"#FF1C00","#E6F2EA","Making-of","Was braucht man, um ein Bauwerk in 3D zu digitalisieren, das über 12 Meter hoch und breit ist? Das Making-of-Video erzählt über den Drohnenflug und das Design der 3D-Modelle.","\u002Finhalte\u002Fheidentor-digitalisierung-making-of",{"id":162,"author":163,"title":164,"license":165,"description":9,"license_url":166,"tags":9,"kulturpool_url":9,"location":9,"storage":42,"filename_disk":167,"filename_download":168,"metadata":327,"type":46,"filesize":170,"created_on":171,"modified_by":49,"modified_on":172,"embed":9,"uploaded_by":49,"uploaded_on":171,"folder":51,"width":173,"height":174,"charset":9,"duration":9,"tus_id":9,"tus_data":9,"focal_point_x":175,"focal_point_y":176},{},{"id":329,"sort":330,"type":277,"date_published":9,"date_unpublished":9,"color_text":10,"color_background":11,"category":280,"heading":331,"is_long_heading":28,"summary":332,"link_internal":9,"link":333,"call_to_action":284,"show_search":28,"image":334},516,4,"Das Heidentor im 19. Jahrhundert","Zwei historische Ansichten aus dem 19. Jahrhundert zeugen von der Veränderung des Heidentors in der Zeit.","\u002Finhalte\u002Fdas-heidentor-im-19-jahrhundert",{"id":335,"author":336,"title":337,"license":165,"description":9,"license_url":338,"tags":9,"kulturpool_url":9,"location":9,"storage":42,"filename_disk":339,"filename_download":340,"metadata":341,"type":46,"filesize":342,"created_on":343,"modified_by":344,"modified_on":345,"embed":9,"uploaded_by":49,"uploaded_on":343,"folder":51,"width":346,"height":347,"charset":9,"duration":9,"tus_id":9,"tus_data":9,"focal_point_x":9,"focal_point_y":9},"26953843-a0fb-4502-8a20-5f7b36408aab","Prof. Werner Jobst, Das Heidentor von Carnuntum – Ein spätantikes Triumphalmonument am Donaulimes, Verlag der Österreichischen Akademie der Wissenschaften, Wien 2001, Zwei Abbildungen S. 77","Ansicht des Heidentors von Südosten, Lithografie, um 1869","https:\u002F\u002Frightsstatements.org\u002Fpage\u002FInC\u002F1.0\u002F?language=de","26953843-a0fb-4502-8a20-5f7b36408aab.jpg","Heidentor-Anton-Widter-02.jpg",{},"737012","2024-06-27T10:00:31.619Z","a1bbb64d-aed1-4fcb-814e-ec90b36bc814","2024-08-27T08:36:59.532Z",782,541,{"id":349,"collection":241,"item":350},579,{"date_published":9,"date_unpublished":9,"type":67,"items":351,"summary":9,"heading":9,"id":357,"is_enabled":27},[352],{"heading":353,"summary":354,"link":355,"call_to_action":356},"Weitere Artikel","Lesen Sie mehr über die Digitalisierung von Kulturerbe.","\u002Finhalte\u002Fartikel","zu allen Artikeln",101,{"languages_code":359,"title":360,"slug":361,"summary":362,"id":363,"items":364},"en","The Heidentor of Petronell-Carnuntum from past to present","the-heidentor-of-petronell-carnuntum-from-past-to-present","On the history and significance of the Heidentor since its construction in the 4th century",122,[365,374,379,384,390,400,405,415,421,427,433,443,449,454,469,474,479,489,500,534],{"id":366,"collection":22,"item":367},615,{"date_published":9,"date_unpublished":9,"aspect_ratio":24,"type":25,"pick_items":9,"id":368,"is_enabled":27,"randomize":9,"row_mode":28,"items":369},152,[370],{"id":371,"sort":32,"type":33,"date_published":9,"date_unpublished":9,"color_text":9,"color_background":9,"category":9,"heading":9,"is_long_heading":28,"summary":9,"link_internal":9,"link":9,"call_to_action":9,"show_search":28,"image":372},213,{"id":35,"author":36,"title":37,"license":38,"description":39,"license_url":40,"tags":9,"kulturpool_url":41,"location":9,"storage":42,"filename_disk":43,"filename_download":44,"metadata":373,"type":46,"filesize":47,"created_on":48,"modified_by":49,"modified_on":50,"embed":9,"uploaded_by":49,"uploaded_on":48,"folder":51,"width":52,"height":53,"charset":9,"duration":9,"tus_id":9,"tus_data":9,"focal_point_x":9,"focal_point_y":9},{},{"id":375,"collection":56,"item":376},616,{"date_published":9,"date_unpublished":9,"heading_size":58,"heading_tag":59,"type":60,"summary":9,"heading":360,"body":377,"id":378,"is_enabled":27},"\u003Cp>\u003Cstrong>On the history and significance of the Heidentor since its construction in the 4th century\u003C\u002Fstrong>\u003C\u002Fp>",325,{"id":380,"collection":56,"item":381},617,{"date_published":9,"date_unpublished":9,"heading_size":66,"heading_tag":59,"type":67,"summary":9,"heading":9,"body":382,"id":383,"is_enabled":27},"\u003Cp class=\"MsoNormal\">\u003Cspan lang=\"EN-US\" style=\"font-family: 'Public Sans'; mso-ansi-language: EN-US;\">As part of the project \"\u003Ca href=\"https:\u002F\u002Fpro.europeana.eu\u002Fpage\u002Ftwin-it-3d-for-europe-s-culture\" target=\"_blank\" rel=\"noopener\">Twin it! — 3D for Europe’s culture\u003C\u002Fa>\", the \u003Ca href=\"https:\u002F\u002Fwww.landessammlungen-noe.at\u002Fen\u002Fhome.html\" target=\"_blank\" rel=\"noopener\">State Collections of Lower Austria\u003C\u002Fa> are digitising the Heidentor of Carnuntum as a symbol of Roman Austria in 3D. Not only is the current appearance made visible in 3D, but a total of four 3D models are being created. These are based on historical views, scientific knowledge, and current drone imagery.\u003C\u002Fspan>\u003C\u002Fp>",326,{"id":385,"collection":56,"item":386},618,{"date_published":9,"date_unpublished":9,"heading_size":66,"heading_tag":59,"type":73,"summary":9,"heading":387,"body":388,"id":389,"is_enabled":27},"From the ancient world to the present","\u003Cp class=\"MsoNormal\">\u003Cspan lang=\"EN-US\" style=\"font-family: 'Public Sans'; mso-ansi-language: EN-US;\">The Heidentor of Carnuntum is one of the most significant cultural monuments in Austria and is well-known far beyond the country's borders. It is one of the few Roman monuments in Austria that has been continuously visible for nearly 2,000 years. Even in the Middle Ages and the Renaissance, the monument was mentioned in several travel reports. Many speculations about the builders and the function of the structure abound, which have not yet been fully clarified to this day. In the 13th century, it was believed that the Heidentor was the tomb of the giant Theuto. This regional legend originates from a Dominican chronicler who mentioned it in his \u003Cem>Descriptio Theutoniae\u003C\u002Fem> (“Description of the German Lands”) in the 13th century.\u003C\u002Fspan>\u003C\u002Fp>",327,{"id":391,"collection":22,"item":392},619,{"date_published":9,"date_unpublished":9,"aspect_ratio":24,"type":80,"pick_items":9,"id":393,"is_enabled":27,"randomize":9,"row_mode":28,"items":394},153,[395],{"id":396,"sort":32,"type":33,"date_published":9,"date_unpublished":9,"color_text":9,"color_background":9,"category":9,"heading":397,"is_long_heading":28,"summary":9,"link_internal":9,"link":9,"call_to_action":9,"show_search":28,"image":398},214,"In a document from the Monumenta Germaniae Historica, the region \"Theutonia, or Alemania, or Germany\" is described. This land is called Theutonia after the giant Theuto, who resided there; his tomb is shown to travellers near Vienna.",{"id":88,"author":89,"title":90,"license":91,"description":92,"license_url":93,"tags":9,"kulturpool_url":9,"location":9,"storage":42,"filename_disk":94,"filename_download":95,"metadata":399,"type":46,"filesize":97,"created_on":98,"modified_by":49,"modified_on":99,"embed":9,"uploaded_by":49,"uploaded_on":98,"folder":51,"width":100,"height":101,"charset":9,"duration":9,"tus_id":9,"tus_data":9,"focal_point_x":102,"focal_point_y":103},{},{"id":401,"collection":56,"item":402},620,{"date_published":9,"date_unpublished":9,"heading_size":66,"heading_tag":59,"type":73,"summary":9,"heading":9,"body":403,"id":404,"is_enabled":27},"\u003Cp class=\"MsoNormal\">\u003Cspan lang=\"EN-US\" style=\"font-family: 'Public Sans'; mso-ansi-language: EN-US;\">An initial description of the monument was written by the humanist Wolfgang Lazius in 1551. Wolfgang Lazius interpreted the Heidentor as a city gate. About 100 years later, the name \"heydnisch Thor\" appears for the first time, from which the current name is derived.\u003C\u002Fspan>\u003C\u002Fp>",328,{"id":406,"collection":22,"item":407},622,{"date_published":9,"date_unpublished":9,"aspect_ratio":24,"type":80,"pick_items":9,"id":408,"is_enabled":27,"randomize":9,"row_mode":28,"items":409},154,[410],{"id":411,"sort":32,"type":33,"date_published":9,"date_unpublished":9,"color_text":9,"color_background":9,"category":9,"heading":412,"is_long_heading":28,"summary":9,"link_internal":9,"link":9,"call_to_action":9,"show_search":28,"image":413},215,"Wolfgang Lazius wrote the first description of the Heidentor in 1551; at that time, he interpreted it as a city gate.",{"id":119,"author":120,"title":121,"license":122,"description":9,"license_url":40,"tags":9,"kulturpool_url":123,"location":9,"storage":42,"filename_disk":124,"filename_download":125,"metadata":414,"type":46,"filesize":127,"created_on":128,"modified_by":49,"modified_on":129,"embed":9,"uploaded_by":49,"uploaded_on":128,"folder":51,"width":130,"height":131,"charset":9,"duration":9,"tus_id":9,"tus_data":9,"focal_point_x":132,"focal_point_y":133},{},{"id":416,"collection":56,"item":417},623,{"date_published":9,"date_unpublished":9,"heading_size":66,"heading_tag":59,"type":73,"summary":9,"heading":418,"body":419,"id":420,"is_enabled":27},"Stone robbery and restorations","\u003Cp class=\"MsoNormal\">\u003Cspan lang=\"EN-US\" style=\"font-family: 'Public Sans'; mso-ansi-language: EN-US;\">In the 15th and 16th centuries, a significant amount of stone theft occured in Carnuntum due to a shortage of building materials, forever shaping the appearance of the Heidentor. Large ashlar stones were particularly suitable as sought-after material and were blasted out using black powder. The last two pillars were thus reduced to the inner core of cast masonry.\u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp class=\"MsoNormal\">\u003Cspan lang=\"EN-US\" style=\"font-family: 'Public Sans'; mso-ansi-language: EN-US;\">In the 18th century, the two English travellers Richard Pococke and Jeremias Milles recognised the Heidentor as a Roman structure. This also gave science an initial impetus to begin researching Carnuntum – a Pompeii outside the gates of Vienna – and to protect and preserve the monuments. The first to have restoration work carried out on the Heidentor at his own expense was the Schwechat industrialist Anton Widter in 1869.\u003C\u002Fspan>\u003C\u002Fp>",330,{"id":422,"collection":56,"item":423},624,{"date_published":9,"date_unpublished":9,"heading_size":66,"heading_tag":59,"type":73,"summary":9,"heading":424,"body":425,"id":426,"is_enabled":27},"The Heidentor visible today","\u003Cp>The current appearance of the Heidentor was mainly shaped by renovation works in 1907. At that time, the lower pillar zones were encased, and the arch was covered. In the same year, the ruin passed into the ownership of the state of Lower Austria.\u003C\u002Fp>\n\u003Cp>After further restorations on the surface of the pillars in 1957, the Heidentor was again extensively examined from 1998 to 2001 and preserved according to internationally valid standards of monument care.\u003C\u002Fp>",331,{"id":428,"collection":56,"item":429},625,{"date_published":9,"date_unpublished":9,"heading_size":66,"heading_tag":59,"type":73,"summary":9,"heading":430,"body":431,"id":432,"is_enabled":27},"The 3D model of the Heidentor","\u003Cp>The 3D model of the present Heidentor was implemented using photogrammetry. A drone was used as a tool, taking photos from different angles and heights. The photogrammetric images create a three-dimensional digital representation of the current state of the Heidentor. The use of high-precision GPS systems (RTK) allows a model to be created with centimetre accuracy.\u003C\u002Fp>",332,{"id":434,"collection":22,"item":435},628,{"date_published":9,"date_unpublished":9,"aspect_ratio":155,"type":80,"pick_items":9,"id":436,"is_enabled":27,"randomize":9,"row_mode":28,"items":437},155,[438],{"id":439,"sort":32,"type":33,"date_published":9,"date_unpublished":9,"color_text":9,"color_background":9,"category":9,"heading":440,"is_long_heading":28,"summary":9,"link_internal":9,"link":9,"call_to_action":9,"show_search":28,"image":441},216,"Cloudy, rain-free weather is perfect for the drone flight.",{"id":162,"author":163,"title":164,"license":165,"description":9,"license_url":166,"tags":9,"kulturpool_url":9,"location":9,"storage":42,"filename_disk":167,"filename_download":168,"metadata":442,"type":46,"filesize":170,"created_on":171,"modified_by":49,"modified_on":172,"embed":9,"uploaded_by":49,"uploaded_on":171,"folder":51,"width":173,"height":174,"charset":9,"duration":9,"tus_id":9,"tus_data":9,"focal_point_x":175,"focal_point_y":176},{},{"id":444,"collection":56,"item":445},626,{"date_published":9,"date_unpublished":9,"heading_size":66,"heading_tag":59,"type":180,"summary":446,"heading":447,"body":9,"id":448,"is_enabled":27},"Albrecht Meydenbauer, a German architect, invented photogrammetry in 1858 after a nearly fatal fall while surveying the Wetzlar Cathedral. Searching for a safer method, he developed \"Photometrography\". Since 1867, this technique has been known as photogrammetry. This process creates three-dimensional models by taking photos of an object from different angles and overlaying them. A 3D model is calculated from the overlaps. Initially used for mapping the Earth's surface, photogrammetry today helps to create detailed 3D objects of all kinds.","What is Photogrammetry?",333,{"id":450,"collection":56,"item":451},627,{"date_published":9,"date_unpublished":9,"heading_size":66,"heading_tag":59,"type":73,"summary":9,"heading":9,"body":452,"id":453,"is_enabled":27},"\u003Cp>To create a uniformly lit model, diffuse light (cloudy weather) is necessary when taking photos. Any shadows will also appear disadvantageously in the texture of the 3D model.\u003C\u002Fp>\n\u003Cp class=\"MsoNormal\">\u003Cspan lang=\"EN-US\" style=\"font-family: 'Public Sans'; mso-ansi-language: EN-US;\">After the drone flight recordings and the compilation of images using photogrammetry, annotations were incorporated into the 3D model, enabling the location of ancient spolia within the Heidentor. Spolia are reused stone materials that originate from older Roman structures and were redeployed in the Heidentor for cost reasons, including altars, inscriptions, and architectural ornaments. In the 3D model of the Heidentor, five of these spolia are mentioned in the annotations.\u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp class=\"MsoNormal\">\u003Cspan lang=\"EN-US\" style=\"font-family: 'Public Sans'; mso-ansi-language: EN-US;\">Additionally, a figure of an archaeologist was implemented into the 3D model to clarify the scale.\u003C\u002Fspan>\u003C\u002Fp>",334,{"id":455,"collection":22,"item":456},629,{"date_published":9,"date_unpublished":9,"aspect_ratio":192,"type":80,"pick_items":9,"id":457,"is_enabled":27,"randomize":9,"row_mode":28,"items":458},156,[459,464],{"id":460,"sort":32,"type":33,"date_published":9,"date_unpublished":9,"color_text":9,"color_background":9,"category":9,"heading":461,"is_long_heading":28,"summary":9,"link_internal":9,"link":9,"call_to_action":9,"show_search":28,"image":462},218,"Altar dedicated to Diana Augusta, Annotation 3 in the 3D model.",{"id":199,"author":163,"title":200,"license":165,"description":197,"license_url":201,"tags":9,"kulturpool_url":9,"location":9,"storage":42,"filename_disk":202,"filename_download":203,"metadata":463,"type":46,"filesize":205,"created_on":206,"modified_by":49,"modified_on":207,"embed":9,"uploaded_by":49,"uploaded_on":206,"folder":51,"width":208,"height":209,"charset":9,"duration":9,"tus_id":9,"tus_data":9,"focal_point_x":9,"focal_point_y":9},{},{"id":465,"sort":212,"type":33,"date_published":9,"date_unpublished":9,"color_text":9,"color_background":9,"category":9,"heading":466,"is_long_heading":28,"summary":9,"link_internal":9,"link":9,"call_to_action":9,"show_search":28,"image":467},217,"Fragment of a dedication altar, Annotation 4 in the 3D model.",{"id":215,"author":163,"title":216,"license":165,"description":217,"license_url":166,"tags":9,"kulturpool_url":9,"location":9,"storage":42,"filename_disk":218,"filename_download":219,"metadata":468,"type":46,"filesize":221,"created_on":222,"modified_by":49,"modified_on":223,"embed":9,"uploaded_by":49,"uploaded_on":222,"folder":51,"width":224,"height":225,"charset":9,"duration":9,"tus_id":9,"tus_data":9,"focal_point_x":9,"focal_point_y":9},{},{"id":470,"collection":228,"item":471},633,{"date_unpublished":9,"date_published":9,"aspect_ratio":155,"link":9,"type":230,"code":472,"max_width":9,"id":473,"is_enabled":27,"file":9},"\u003Cdiv class=\"sketchfab-embed-wrapper\"> \u003Ciframe title=\"The Heidentor in Petronell-Carnuntum\" frameborder=\"0\" allowfullscreen mozallowfullscreen=\"true\" webkitallowfullscreen=\"true\" allow=\"autoplay; fullscreen; xr-spatial-tracking\" xr-spatial-tracking execution-while-out-of-viewport execution-while-not-rendered web-share src=\"https:\u002F\u002Fsketchfab.com\u002Fmodels\u002F807a34403d12449ea667f3c586d47a98\u002Fembed?ui_infos=0&ui_watermark_link=0&ui_watermark=0\"> \u003C\u002Fiframe> \u003Cp style=\"font-size: 0.9em; font-weight: normal; margin: 5px; text-align: center;\">The Heidentor in Petronell-Carnuntum by \u003Ca href=\"https:\u002F\u002Fsketchfab.com\u002Fwww.noe-3d.at?utm_medium=embed&utm_campaign=share-popup&utm_content=807a34403d12449ea667f3c586d47a98\" target=\"_blank\" rel=\"nofollow\"> the State Collections of Lower Austria \u003C\u002Fa> on \u003Ca href=\"https:\u002F\u002Fsketchfab.com\u002F3d-models\u002Fthe-heidentor-in-petronell-carnuntum-807a34403d12449ea667f3c586d47a98?utm_medium=embed&utm_campaign=share-popup&utm_content=807a34403d12449ea667f3c586d47a98\" target=\"_blank\" rel=\"nofollow\">Sketchfab\u003C\u002Fa> and in the \u003Ca href=\"\u002Finstitutionen\u002Flandessammlungen-noe\u002FHeidentor\">Kulturpool\u003C\u002Fa>.\u003C\u002Fp>\u003C\u002Fdiv>",41,{"id":475,"collection":56,"item":476},630,{"date_published":9,"date_unpublished":9,"heading_size":66,"heading_tag":236,"type":60,"summary":9,"heading":477,"body":9,"id":478,"is_enabled":27},"Related links",335,{"id":480,"collection":241,"item":481},692,{"date_published":9,"date_unpublished":9,"type":67,"items":482,"summary":9,"heading":9,"id":488,"is_enabled":27},[483,485],{"heading":245,"summary":484,"link":247,"call_to_action":248},"Campaign from Europeana",{"heading":486,"summary":487,"link":252,"call_to_action":253},"Collection of 3D models","A pan-European collection of heritage 3D models",115,{"id":490,"collection":241,"item":491},631,{"date_published":9,"date_unpublished":9,"type":67,"items":492,"summary":9,"heading":9,"id":499,"is_enabled":27},[493,496],{"heading":260,"summary":494,"link":495,"call_to_action":263},"The Roman city of Carnuntum in Lower Austria","https:\u002F\u002Fwww.carnuntum.at\u002Fen",{"heading":497,"summary":498,"link":267,"call_to_action":268},"Digital Collection","The digital collections of the State Collections of Lower Austria",106,{"id":501,"collection":22,"item":502},638,{"date_published":9,"date_unpublished":9,"aspect_ratio":24,"type":67,"pick_items":9,"id":503,"is_enabled":27,"randomize":9,"row_mode":28,"items":504},160,[505,514,521,527],{"id":506,"sort":32,"type":277,"date_published":9,"date_unpublished":9,"color_text":278,"color_background":279,"category":507,"heading":508,"is_long_heading":28,"summary":509,"link_internal":9,"link":510,"call_to_action":511,"show_search":28,"image":512},224,"The “Twin it!” campaign","The “Heidentor” in 3D","How do you digitise a monument? The “Twin it!” campaign presents new 3D digitisation projects of well-known and cultural monuments from all over Europe that are at risk.","\u002Fen\u002Fcontent\u002Fthe-european-twin-it-campaign-for-the-3d-digitization","Read the article",{"id":286,"author":287,"title":288,"license":289,"description":9,"license_url":290,"tags":9,"kulturpool_url":291,"location":9,"storage":42,"filename_disk":292,"filename_download":293,"metadata":513,"type":46,"filesize":295,"created_on":296,"modified_by":49,"modified_on":297,"embed":9,"uploaded_by":49,"uploaded_on":296,"folder":51,"width":298,"height":299,"charset":9,"duration":9,"tus_id":9,"tus_data":9,"focal_point_x":9,"focal_point_y":9},{},{"id":515,"sort":212,"type":277,"date_published":9,"date_unpublished":9,"color_text":278,"color_background":279,"category":507,"heading":516,"is_long_heading":28,"summary":517,"link_internal":9,"link":518,"call_to_action":511,"show_search":28,"image":519},250,"The 3D reconstruction of the Heidentor","New and old come together: This 3D model reconstructs what the Heidentor might have looked like 2,000 years ago.","\u002Fen\u002Fcontent\u002Fthe-3d-reconstruction-of-the-heidentor",{"id":306,"author":163,"title":307,"license":165,"description":9,"license_url":166,"tags":9,"kulturpool_url":9,"location":9,"storage":42,"filename_disk":308,"filename_download":309,"metadata":520,"type":46,"filesize":311,"created_on":312,"modified_by":49,"modified_on":313,"embed":9,"uploaded_by":49,"uploaded_on":312,"folder":51,"width":314,"height":315,"charset":9,"duration":9,"tus_id":9,"tus_data":9,"focal_point_x":316,"focal_point_y":317},{},{"id":522,"sort":320,"type":277,"date_published":9,"date_unpublished":9,"color_text":321,"color_background":322,"category":507,"heading":323,"is_long_heading":28,"summary":523,"link_internal":9,"link":524,"call_to_action":511,"show_search":28,"image":525},449,"What is needed to digitise a monument in 3D that is over 12 metres high and wide? The making-of video explains the drone flight and the design of the 3D models.","\u002Fen\u002Fcontent\u002Fdigitisation-heidentor-making-of",{"id":162,"author":163,"title":164,"license":165,"description":9,"license_url":166,"tags":9,"kulturpool_url":9,"location":9,"storage":42,"filename_disk":167,"filename_download":168,"metadata":526,"type":46,"filesize":170,"created_on":171,"modified_by":49,"modified_on":172,"embed":9,"uploaded_by":49,"uploaded_on":171,"folder":51,"width":173,"height":174,"charset":9,"duration":9,"tus_id":9,"tus_data":9,"focal_point_x":175,"focal_point_y":176},{},{"id":528,"sort":330,"type":277,"date_published":9,"date_unpublished":9,"color_text":10,"color_background":11,"category":507,"heading":529,"is_long_heading":28,"summary":530,"link_internal":9,"link":531,"call_to_action":511,"show_search":28,"image":532},517,"The Heidentor in the 19th century","Two historical views from the 19th century testify to the transformation of the Heidentor over time.","\u002Fen\u002Fcontent\u002Fthe-heidentor-in-the-19th-century",{"id":335,"author":336,"title":337,"license":165,"description":9,"license_url":338,"tags":9,"kulturpool_url":9,"location":9,"storage":42,"filename_disk":339,"filename_download":340,"metadata":533,"type":46,"filesize":342,"created_on":343,"modified_by":344,"modified_on":345,"embed":9,"uploaded_by":49,"uploaded_on":343,"folder":51,"width":346,"height":347,"charset":9,"duration":9,"tus_id":9,"tus_data":9,"focal_point_x":9,"focal_point_y":9},{},{"id":535,"collection":241,"item":536},632,{"date_published":9,"date_unpublished":9,"type":67,"items":537,"summary":9,"heading":9,"id":543,"is_enabled":27},[538],{"heading":539,"summary":540,"link":541,"call_to_action":542},"More articles","Read more about the digitisation of cultural heritage.","\u002Fen\u002Fcontent\u002Farticles","See all articles",107,[545,546],9,10,{"og_image":35,"canonical_url":9,"sitemap_change_frequency":548,"title":9,"sitemap_priority":549,"node_type":9,"meta_description":9,"id":550,"no_index":28,"no_follow":28},"daily",0.5,59]