[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"content-ernst-krenek-institut":3},[4],{"id":5,"sort":6,"status":7,"category":8,"date_published":9,"date_unpublished":9,"color_text":10,"color_background":11,"translations":12,"visibilities":406,"seo":409},89,108,"draft",9,null,"#FF1C00","#E6F2EA",[13,274],{"languages_code":14,"title":15,"slug":16,"summary":17,"id":18,"items":19},"de","Ernst Kreneks Vermächtnis","ernst-krenek-institut","Die „Krenek-Lectures-online“ zeigen eine kuratierte Auswahl von Manuskripten und Typoskripten aus dem Nachlass des österreichisch-amerikanischen Komponisten Ernst Krenek. Ernst Krenek hatte vor und nach seiner Emigration sein Wissen und seine Erfahrungen regelmäßig in Lehrveranstaltungen, bei Konzerten und Radiosendungen vorgetragen.",159,[20,56,65,73,80,124,129,135,195,201,208,214,219,235,264],{"id":21,"collection":22,"item":23},1229,"block_slider",{"date_published":9,"date_unpublished":9,"aspect_ratio":24,"type":25,"pick_items":9,"id":26,"row_mode":27,"is_enabled":28,"randomize":9,"items":29},"3\u002F1","full-width",362,false,true,[30],{"id":31,"sort":32,"type":33,"date_published":9,"date_unpublished":9,"color_text":9,"color_background":9,"category":9,"heading":9,"is_long_heading":27,"summary":9,"link_internal":9,"link":34,"call_to_action":9,"show_search":27,"image":35},628,1,"image","\u002Finstitutionen\u002Fekip\u002FLM-155-02",{"id":36,"author":37,"title":38,"license":39,"description":9,"license_url":40,"tags":9,"kulturpool_url":9,"location":9,"storage":41,"filename_disk":42,"filename_download":43,"metadata":44,"type":45,"filesize":46,"created_on":47,"modified_by":48,"modified_on":49,"embed":9,"uploaded_by":48,"uploaded_on":50,"folder":51,"width":52,"height":53,"charset":9,"duration":9,"tus_id":9,"tus_data":9,"focal_point_x":54,"focal_point_y":55},"47c81d5c-b5fd-42de-a6e8-504ece2dc8ab","Ernst Krenek","Vortrag für BBC zu „Orpheus und Euridice“","CC BY-NC-ND","https:\u002F\u002Fcreativecommons.org\u002Flicenses\u002Fby-nc-nd\u002F4.0\u002Fdeed.de","local","47c81d5c-b5fd-42de-a6e8-504ece2dc8ab.jpg","krenek-online-lm-155-02-orpheus-eurydice-synopsis-1972-001.jpg",{},"image\u002Fjpeg","618572","2024-10-17T11:28:27.921Z","a1bbb64d-aed1-4fcb-814e-ec90b36bc814","2024-10-29T11:35:35.225Z","2024-10-17T11:28:27.929Z","cc95a4fd-af2e-45c9-82ff-facb35becf00",1851,2692,920,372,{"id":57,"collection":58,"item":59},1230,"block_text",{"date_unpublished":9,"date_published":9,"heading_size":60,"heading_tag":61,"type":62,"summary":9,"heading":15,"body":63,"id":64,"is_enabled":28},"large","h2","center","\u003Cp>\u003Cstrong>Aus den Vorträgen und Manuskripten eines Komponisten des 20. Jahrhunderts\u003C\u002Fstrong>\u003C\u002Fp>",630,{"id":66,"collection":58,"item":67},1237,{"date_unpublished":9,"date_published":9,"heading_size":68,"heading_tag":69,"type":70,"summary":9,"heading":9,"body":71,"id":72,"is_enabled":28},"normal","h3","standard","\u003Cp>Obwohl in erster Linie als Komponist bekannt, führt \u003Ca title=\"Ernst Krenek im Kulturpool\" href=\"\u002Fsuche?query=ernst+krenek\">Ernst Kreneks\u003C\u002Fa> (1900-1991) Schaffen weit über das kreative Gestalten von Tönen und Klängen hinaus. Als „intellectual and composer“, wie ihn \u003Ca title=\"Igor Stravinsky im Kulturpool\" href=\"\u002Fsuche?query=igor+stravinsky\">Igor Stravinsky\u003C\u002Fa> nannte, war Ernst Krenek prädestiniert, Musik nicht nur zu komponieren, sondern auch theoretisch zu reflektieren. Diese Fähigkeiten machten ihn zu einem geschätzten Lehrer und Vortragenden.\u003C\u002Fp>",631,{"id":74,"collection":58,"item":75},1238,{"date_unpublished":9,"date_published":9,"heading_size":68,"heading_tag":69,"type":76,"summary":9,"heading":77,"body":78,"id":79,"is_enabled":28},"two-cols","Lehrtätigkeit ab 1936","\u003Cp>Ab 1936 hielt Ernst Krenek relativ kontinuierlich Vorträge über Musik. In der Emigration in den USA begann er 1939 eine Lehrtätigkeit an unterschiedlichen Hochschulen. Auch nach dem Ende seiner akademischen Positionen hielt Ernst Krenek weiterhin regelmäßig musiktheoretische und musikhistorische Vorlesungen und Vorträge an US-amerikanischen und europäischen Universitäten und bei Sommerkursen, beispielsweise am Black Mountain College und bei den Darmstädter Ferienkursen.\u003C\u002Fp>",632,{"id":81,"collection":22,"item":82},1247,{"date_published":9,"date_unpublished":9,"aspect_ratio":83,"type":84,"pick_items":9,"id":85,"row_mode":27,"is_enabled":28,"randomize":9,"items":86},"1\u002F1","small",370,[87,105],{"id":88,"sort":32,"type":33,"date_published":9,"date_unpublished":9,"color_text":9,"color_background":9,"category":9,"heading":89,"is_long_heading":27,"summary":9,"link_internal":9,"link":90,"call_to_action":9,"show_search":27,"image":91},640,"Ernst Krenek beschreibt seine Biografie von den 1930ern bis circa 1950, wobei er insbesondere auf seine Erfahrungen mit dem Nationalsozialismus, seine Emigration in die USA und seine Rolle als Lehrer und Komponist eingeht.","\u002Finstitutionen\u002Fekip\u002FLM-075-02",{"id":92,"author":37,"title":93,"license":39,"description":9,"license_url":40,"tags":9,"kulturpool_url":9,"location":9,"storage":41,"filename_disk":94,"filename_download":95,"metadata":96,"type":45,"filesize":97,"created_on":98,"modified_by":48,"modified_on":99,"embed":9,"uploaded_by":48,"uploaded_on":100,"folder":51,"width":101,"height":102,"charset":9,"duration":9,"tus_id":9,"tus_data":9,"focal_point_x":103,"focal_point_y":104},"ab30308b-cbb6-4c46-831c-1bf44a02f619","Erfahrungen in Amerika für die Vortragsreihe Clemens von Hohenberg, 1952","ab30308b-cbb6-4c46-831c-1bf44a02f619.jpg","krenek-online_LM-075-02_Erfahrungen-America-RotWeissRot-KFAC_1952_001.jpg",{},"1662135","2024-10-24T06:48:28.494Z","2024-10-24T13:50:42.829Z","2024-10-24T06:48:28.504Z",2715,3568,1377,922,{"id":106,"sort":107,"type":33,"date_published":9,"date_unpublished":9,"color_text":9,"color_background":9,"category":9,"heading":108,"is_long_heading":27,"summary":9,"link_internal":9,"link":109,"call_to_action":9,"show_search":27,"image":110},641,2,"In einem seiner Radiobeiträge für einen deutschen Sender beschreibt Ernst Krenek die Unterschiede zwischen der deutschen und amerikanischen Radio-Kultur. In seinen Notizen nennt er die Reklame als wesentlichen Unterschied.","\u002Finstitutionen\u002Fekip\u002FLM-190",{"id":111,"author":37,"title":112,"license":39,"description":9,"license_url":40,"tags":9,"kulturpool_url":9,"location":9,"storage":41,"filename_disk":113,"filename_download":114,"metadata":115,"type":45,"filesize":116,"created_on":117,"modified_by":48,"modified_on":118,"embed":9,"uploaded_by":48,"uploaded_on":119,"folder":51,"width":120,"height":121,"charset":9,"duration":9,"tus_id":9,"tus_data":9,"focal_point_x":122,"focal_point_y":123},"676ba3f6-6d1c-4855-b81a-f432064bef81","Vortrag für Baden-Baden, ca. 1965","676ba3f6-6d1c-4855-b81a-f432064bef81.jpg","krenek-online_LM-190_Amerikanisches-Radio-SWF_ca1965_001.jpg",{},"1437581","2024-10-24T07:01:29.463Z","2024-10-24T13:50:42.833Z","2024-10-24T07:01:29.473Z",2746,3476,1335,679,{"id":125,"collection":58,"item":126},1239,{"date_unpublished":9,"date_published":9,"heading_size":68,"heading_tag":69,"type":76,"summary":9,"heading":9,"body":127,"id":128,"is_enabled":28},"\u003Cp>Viele seiner Vorträge richteten sich an ein spezialisiert interessiertes Publikum, bestehend aus aufstrebenden Komponist:innen, Musikkritiker:innen oder Interpret:innen. An ein weiter gefasstes Publikum von Musikliebhaber:innen richteten sich Ernst Kreneks Beiträge für diverse Radiosender, die oft neben einer analytischen Beschäftigung mit eigenen und fremden Werken auch autobiographische Erinnerungen beispielsweise an seine Erfahrungen mit Nationalsozialismus, Emigration und Exil beinhalten.\u003C\u002Fp>",633,{"id":130,"collection":58,"item":131},1240,{"date_unpublished":9,"date_published":9,"heading_size":68,"heading_tag":69,"type":76,"summary":9,"heading":132,"body":133,"id":134,"is_enabled":28},"Auseinandersetzung mit der Musikgeschichte","\u003Cp>Die im Rahmen dieses Projekts erstmals online zugänglich gemachten Vortragsmanuskripte und -typoskripte umfassen unterschiedliche Vortragsarten, von didaktischem Material, über Radiosendungen bis zu Grußworten bei Veranstaltungen.\u003C\u002Fp>\n\u003Cp>In diesen Vorträgen setzt sich Ernst Krenek mit Musikgeschichte vom 16. Jahrhundert bis zum Komponieren mit Computern in seiner Zeit auseinander. Er verstand es aber auch in seiner Rolle als emigrierter Komponist, der nach dem Zweiten Weltkrieg wieder Anschluss an das europäische Musikleben suchte, verschiedene Perspektiven auf das musikalische Schaffen in Europa und Amerika und deren unterschiedliche kommerzielle Strategien zu entwickeln.\u003C\u002Fp>\n\u003Cp>Die Vorträge dokumentieren darüber hinaus Ernst Kreneks eigene äußerst dynamische kompositorische Entwicklung von den 1940ern bis in die 1970er Jahre.\u003C\u002Fp>",634,{"id":136,"collection":22,"item":137},1248,{"date_published":9,"date_unpublished":9,"aspect_ratio":83,"type":84,"pick_items":9,"id":138,"row_mode":27,"is_enabled":28,"randomize":9,"items":139},371,[140,158,176],{"id":141,"sort":32,"type":33,"date_published":9,"date_unpublished":9,"color_text":9,"color_background":9,"category":9,"heading":142,"is_long_heading":27,"summary":9,"link_internal":9,"link":143,"call_to_action":9,"show_search":27,"image":144},642,"In einem Vortrag an der Hamline University diskutiert Ernst Krenek die Differenzierung zwischen Unterhaltung und Genuss und hebt die Wichtigkeit des aktiven Zuhörens hervor, das für die Neue Musik notwendig ist.","\u002Finstitutionen\u002Fekip\u002FLM-152",{"id":145,"author":37,"title":146,"license":39,"description":9,"license_url":40,"tags":9,"kulturpool_url":9,"location":9,"storage":41,"filename_disk":147,"filename_download":148,"metadata":149,"type":45,"filesize":150,"created_on":151,"modified_by":48,"modified_on":152,"embed":9,"uploaded_by":48,"uploaded_on":153,"folder":51,"width":154,"height":155,"charset":9,"duration":9,"tus_id":9,"tus_data":9,"focal_point_x":156,"focal_point_y":157},"da30e711-4805-4586-9680-e62e3d3a6d02","On the enjoyment of music, 1942","da30e711-4805-4586-9680-e62e3d3a6d02.jpg","krenek-online_LM-152_Enjoyment-Music-Hamline-University_1942_001.jpg",{},"1735259","2024-10-24T07:41:26.458Z","2024-10-24T12:10:59.686Z","2024-10-24T07:41:26.469Z",2759,3482,1328,764,{"id":159,"sort":107,"type":33,"date_published":9,"date_unpublished":9,"color_text":9,"color_background":9,"category":9,"heading":160,"is_long_heading":27,"summary":9,"link_internal":9,"link":161,"call_to_action":9,"show_search":27,"image":162},643,"Die Zwölftonmusik und deren Komposition erklärt er anhand zahlreicher Beispiele.","\u002Finstitutionen\u002Fekip\u002FLM-215",{"id":163,"author":37,"title":164,"license":39,"description":9,"license_url":40,"tags":9,"kulturpool_url":9,"location":9,"storage":41,"filename_disk":165,"filename_download":166,"metadata":167,"type":45,"filesize":168,"created_on":169,"modified_by":48,"modified_on":170,"embed":9,"uploaded_by":48,"uploaded_on":171,"folder":51,"width":172,"height":173,"charset":9,"duration":9,"tus_id":9,"tus_data":9,"focal_point_x":174,"focal_point_y":175},"cf651537-9fb5-499b-a4a9-5c9db871f924","Zwölftontechnik, 1951","cf651537-9fb5-499b-a4a9-5c9db871f924.jpg","krenek-online_LM-215_Zwoelftontechnik-SWF_1961_001.jpg",{},"1503786","2024-10-24T07:47:29.593Z","2024-10-24T12:10:59.691Z","2024-10-24T07:47:29.602Z",2769,3516,1410,529,{"id":177,"sort":178,"type":33,"date_published":9,"date_unpublished":9,"color_text":9,"color_background":9,"category":9,"heading":179,"is_long_heading":27,"summary":9,"link_internal":9,"link":180,"call_to_action":9,"show_search":27,"image":181},646,3,"In seiner Analyse für einen kanadischen Radiosender beleuchtet Ernst Krenek die Symphonie „Op. 21“ von Anton Webern.","\u002Finstitutionen\u002Fekip\u002FLM-193",{"id":182,"author":37,"title":183,"license":39,"description":9,"license_url":40,"tags":9,"kulturpool_url":9,"location":9,"storage":41,"filename_disk":184,"filename_download":185,"metadata":186,"type":45,"filesize":187,"created_on":188,"modified_by":48,"modified_on":189,"embed":9,"uploaded_by":48,"uploaded_on":190,"folder":51,"width":191,"height":192,"charset":9,"duration":9,"tus_id":9,"tus_data":9,"focal_point_x":193,"focal_point_y":194},"909c6b0f-73ef-4923-bcfa-4947d28eb8d2","On Webern Symphony, 1957","909c6b0f-73ef-4923-bcfa-4947d28eb8d2.jpg","krenek-online_LM-193_Webern-Symphonie-opus-21-CBC_1957_001.jpg",{},"1523243","2024-10-24T12:24:35.087Z","2024-10-24T13:50:42.841Z","2024-10-24T12:24:35.096Z",2608,3360,1234,754,{"id":196,"collection":58,"item":197},1241,{"date_unpublished":9,"date_published":9,"heading_size":68,"heading_tag":69,"type":76,"summary":9,"heading":198,"body":199,"id":200,"is_enabled":28},"Komponist des 20. Jahrhunderts","\u003Cp>Im Journalismus wurde für ihn die Beschreibung „one-man-history-of-20th-century-music“ immer wieder bemüht. Ernst Kreneks kompositorische Entwicklung formte sich entlang der zentralen Kompositionstechniken des 20. Jahrhunderts.\u003C\u002Fp>\n\u003Cp>Beginnend mit einer von seinem Lehrer an der Wiener Musikakademie (heute Universität für Musik und darstellende Kunst Wien) beeinflussten spätromantischen Tonsprache entwickelte Ernst Krenek in den 20er-Jahren bald atonal-expressionistische, dann neoklassizistische und neoromantische Ausdrucksweisen. Er ignorierte auch nicht die damals populären Formen der Unterhaltungsmusik, gipfelnd im Sensationserfolg seiner Oper „Jonny spielt auf“. Ab 1930 wandte er sich dann der Zwölftontechnik zu, von der er sich nach dem Zweiten Weltkrieg zu seriellen, aleatorischen und elektronischen Verfahren weiterentwickelte.\u003C\u002Fp>",635,{"id":202,"collection":58,"item":203},1246,{"date_unpublished":9,"date_published":9,"heading_size":68,"heading_tag":69,"type":204,"summary":205,"heading":206,"body":9,"id":207,"is_enabled":28},"quote","Beim seriellen Verfahren werden musikalische Parameter (z. B. Tonhöhe, Rhythmus) in einer festgelegten Reihenfolge aneinandergereiht, die nicht den harmonischen Strukturen folgen müssen. Im Gegensatz dazu überlässt aleatorische Musik bestimmte Entscheidungen dem Zufall oder den Interpret:innen der Werke.\nErnst Krenek nutzte diese unterschiedlichen Ansätze sowie die aufkommende elektronische Technologie, um seine Musik auf völlig neue Weise zu gestalten und traditionelle Klangvorstellungen zu erweitern.","Was ist serielle und aleatorische Musik?",637,{"id":209,"collection":58,"item":210},1242,{"date_unpublished":9,"date_published":9,"heading_size":68,"heading_tag":69,"type":76,"summary":9,"heading":211,"body":212,"id":213,"is_enabled":28},"Unterschätztes Erbe","\u003Cp>Das verfügbar gemachte Material entstammt Ernst Kreneks Nachlass und wurde außerhalb eines sehr spezialisierten, einschlägig forschenden Publikums bislang kaum wahrgenommen.\u003C\u002Fp>",636,{"id":215,"collection":58,"item":216},1271,{"date_unpublished":9,"date_published":9,"heading_size":68,"heading_tag":69,"type":62,"summary":9,"heading":217,"body":9,"id":218,"is_enabled":28},"Weiterführende Links",648,{"id":220,"collection":221,"item":222},1243,"block_links",{"date_unpublished":9,"date_published":9,"type":70,"items":223,"summary":9,"heading":9,"id":234,"is_enabled":28},[224,229],{"heading":225,"summary":226,"link":227,"call_to_action":228},"Ernst-Krenek-Institut-Privatstiftung","Entdecken Sie die Website der Ernst-Krenek-Institut-Privatstiftung.","https:\u002F\u002Fwww.krenek.at","krenek.at",{"heading":230,"summary":231,"link":232,"call_to_action":233},"Online-Sammlung","Die Online-Sammlung der Ernst-Krenek-Institut-Privatstiftung","https:\u002F\u002Fwww.krenek.at\u002Fkrenek-online","krenek.at\u002Fkrenek-online",179,{"id":236,"collection":22,"item":237},1244,{"date_published":9,"date_unpublished":9,"aspect_ratio":24,"type":70,"pick_items":9,"id":238,"row_mode":27,"is_enabled":28,"randomize":9,"items":239},369,[240],{"id":241,"sort":32,"type":242,"date_published":9,"date_unpublished":9,"color_text":243,"color_background":244,"category":9,"heading":225,"is_long_heading":28,"summary":245,"link_internal":9,"link":246,"call_to_action":247,"show_search":27,"image":248},639,"image-text","#3387FF","#304244","Das Institut bewahrt und erforscht Ernst Kreneks Nachlass und bietet Einblicke in Leben und Schaffen des Komponisten. Zu den Beständen zählen rund 25.000 Seiten Musikautografen, literarische und musiktheoretische Schriften und mehr als 40.000 Briefe.","\u002Fsuche?refinementList=dataProvider%255B0%255D=Ernst-Krenek-Institut-Privatstiftung","zu den Digitalisaten",{"id":249,"author":37,"title":250,"license":251,"description":9,"license_url":252,"tags":9,"kulturpool_url":9,"location":9,"storage":41,"filename_disk":253,"filename_download":254,"metadata":255,"type":45,"filesize":256,"created_on":257,"modified_by":258,"modified_on":259,"embed":9,"uploaded_by":48,"uploaded_on":260,"folder":261,"width":262,"height":263,"charset":9,"duration":9,"tus_id":9,"tus_data":9,"focal_point_x":9,"focal_point_y":9},"de3940c0-3ad8-4ab1-a2d0-bd462ac03f9b","Partitur \"Johnny spielt auf\"","In Copyright","https:\u002F\u002Frightsstatements.org\u002Fpage\u002FInC\u002F1.0\u002F?language=de","de3940c0-3ad8-4ab1-a2d0-bd462ac03f9b.jpg","header-ernstkrenekinstitut.jpg",{},"1087870","2024-10-02T11:09:40.141Z","6a29f7a3-1d8d-4e0a-81db-8aa63ac748a5","2026-02-25T13:02:23.175Z","2024-10-09T08:13:20.599Z","c2e73b36-dc0d-4407-8210-88fcd8c1b662",3000,1533,{"id":265,"collection":221,"item":266},1245,{"date_unpublished":9,"date_published":9,"type":70,"items":267,"summary":9,"heading":9,"id":273,"is_enabled":28},[268],{"heading":269,"summary":270,"link":271,"call_to_action":272},"Weitere Artikel","Lesen Sie mehr über die Digitalisierung von Kulturerbe.","\u002Finhalte\u002Fartikel","zu allen Artikeln",180,{"languages_code":275,"title":276,"slug":277,"summary":278,"id":279,"items":280},"en","Ernst Krenek's legacy","ernst-krenek-institute","The “Krenek-Lectures-online” is a curated selection of manuscripts and typescripts from the estate of the Austrian-American composer Ernst Krenek. Before and after his emigration, he regularly shared his knowledge and experience in lectures, concerts and radio broadcasts.",160,[281,290,295,299,304,320,324,329,352,357,363,369,373,384,396],{"id":282,"collection":22,"item":283},1249,{"date_published":9,"date_unpublished":9,"aspect_ratio":24,"type":25,"pick_items":9,"id":55,"row_mode":27,"is_enabled":28,"randomize":9,"items":284},[285],{"id":286,"sort":32,"type":33,"date_published":9,"date_unpublished":9,"color_text":9,"color_background":9,"category":9,"heading":9,"is_long_heading":27,"summary":9,"link_internal":9,"link":287,"call_to_action":9,"show_search":27,"image":288},647,"\u002Fen\u002Finstitutions\u002Fekip\u002FLM-155-02",{"id":36,"author":37,"title":38,"license":39,"description":9,"license_url":40,"tags":9,"kulturpool_url":9,"location":9,"storage":41,"filename_disk":42,"filename_download":43,"metadata":289,"type":45,"filesize":46,"created_on":47,"modified_by":48,"modified_on":49,"embed":9,"uploaded_by":48,"uploaded_on":50,"folder":51,"width":52,"height":53,"charset":9,"duration":9,"tus_id":9,"tus_data":9,"focal_point_x":54,"focal_point_y":55},{},{"id":291,"collection":58,"item":292},1250,{"date_unpublished":9,"date_published":9,"heading_size":60,"heading_tag":61,"type":62,"summary":9,"heading":276,"body":293,"id":294,"is_enabled":28},"\u003Cp>\u003Cstrong>From the lectures and manuscripts of a 20th century composer\u003C\u002Fstrong>\u003C\u002Fp>",638,{"id":296,"collection":58,"item":297},1251,{"date_unpublished":9,"date_published":9,"heading_size":68,"heading_tag":69,"type":70,"summary":9,"heading":9,"body":298,"id":241,"is_enabled":28},"\u003Cp>Although primarily known as a composer, \u003Ca title=\"Search for Ernst Krenek\" href=\"\u002Fen\u002Fsearch?query=ernst+krenek\" target=\"_blank\" rel=\"noopener\">Ernst Krenek\u003C\u002Fa>'s (1900-1991) oeuvre goes far beyond the creative shaping of tones and sounds. As an “intellectual and composer”, as \u003Ca title=\"Search for Igor Stravinsky\" href=\"\u002Fen\u002Fsearch?query=igor+stravinsky\" target=\"_blank\" rel=\"noopener\">Igor Stravinsky\u003C\u002Fa> called him, Ernst Krenek was predestined not only to compose music, but also to reflect on it theoretically. These skills made him a valued teacher and lecturer.\u003C\u002Fp>",{"id":300,"collection":58,"item":301},1252,{"date_unpublished":9,"date_published":9,"heading_size":68,"heading_tag":69,"type":76,"summary":9,"heading":302,"body":303,"id":88,"is_enabled":28},"Teaching activities from 1936","\u003Cp>From 1936, Ernst Krenek lectured on music relatively continuously. After emigrating to the USA, he began teaching at various universities in 1939. Even after the end of his academic positions, Ernst Krenek continued to give regular lectures and talks on music theory and music history at American and European universities and at summer courses, for example at Black Mountain College and the Darmstadt Summer Courses.\u003C\u002Fp>",{"id":305,"collection":22,"item":306},1253,{"date_published":9,"date_unpublished":9,"aspect_ratio":83,"type":84,"pick_items":9,"id":307,"row_mode":27,"is_enabled":28,"randomize":9,"items":308},373,[309,314],{"id":218,"sort":32,"type":33,"date_published":9,"date_unpublished":9,"color_text":9,"color_background":9,"category":9,"heading":310,"is_long_heading":27,"summary":9,"link_internal":9,"link":311,"call_to_action":9,"show_search":27,"image":312},"Ernst Krenek describes his biography from the 1930s to around 1950, focussing in particular on his experiences with National Socialism, his emigration to the USA and his role as a teacher and composer.","\u002Fen\u002Finstitutions\u002Fekip\u002FLM-075-02",{"id":92,"author":37,"title":93,"license":39,"description":9,"license_url":40,"tags":9,"kulturpool_url":9,"location":9,"storage":41,"filename_disk":94,"filename_download":95,"metadata":313,"type":45,"filesize":97,"created_on":98,"modified_by":48,"modified_on":99,"embed":9,"uploaded_by":48,"uploaded_on":100,"folder":51,"width":101,"height":102,"charset":9,"duration":9,"tus_id":9,"tus_data":9,"focal_point_x":103,"focal_point_y":104},{},{"id":315,"sort":107,"type":33,"date_published":9,"date_unpublished":9,"color_text":9,"color_background":9,"category":9,"heading":316,"is_long_heading":27,"summary":9,"link_internal":9,"link":317,"call_to_action":9,"show_search":27,"image":318},649,"In one of his radio programmes for a German radio station, Ernst Krenek describes the differences between German and American radio culture. In his notes, he mentions advertising as the main difference.","\u002Fen\u002Finstitutions\u002Fekip\u002FLM-190",{"id":111,"author":37,"title":112,"license":39,"description":9,"license_url":40,"tags":9,"kulturpool_url":9,"location":9,"storage":41,"filename_disk":113,"filename_download":114,"metadata":319,"type":45,"filesize":116,"created_on":117,"modified_by":48,"modified_on":118,"embed":9,"uploaded_by":48,"uploaded_on":119,"folder":51,"width":120,"height":121,"charset":9,"duration":9,"tus_id":9,"tus_data":9,"focal_point_x":122,"focal_point_y":123},{},{"id":321,"collection":58,"item":322},1254,{"date_unpublished":9,"date_published":9,"heading_size":68,"heading_tag":69,"type":76,"summary":9,"heading":9,"body":323,"id":106,"is_enabled":28},"\u003Cp>Many of his lectures were aimed at a specialized audience consisting of aspiring composers, music critics or performers. Ernst Krenek's contributions to various radio stations were aimed at a broader audience of music lovers, often containing not only an analytical examination of his own and other people's works but also autobiographical memories, for example of his experiences with National Socialism, emigration and exile.\u003C\u002Fp>",{"id":325,"collection":58,"item":326},1255,{"date_unpublished":9,"date_published":9,"heading_size":68,"heading_tag":69,"type":76,"summary":9,"heading":327,"body":328,"id":141,"is_enabled":28},"Dealing with the history of music","\u003Cp>The lecture manuscripts and typescripts made available online for the first time as part of this project include various types of lectures, from didactic material to radio broadcasts and greetings at events.\u003C\u002Fp>\n\u003Cp>In these lectures, Ernst Krenek deals with music history from the 16th century to composing with computers in his own time. As an emigrated composer who sought to reconnect with European musical life after the Second World War, he also understood how to develop different perspectives on American and European musical life and their different commercial strategies.\u003C\u002Fp>\n\u003Cp>The lectures also document Ernst Krenek's own extremely dynamic compositional development from the 1940s to the 1970s.\u003C\u002Fp>",{"id":330,"collection":22,"item":331},1256,{"date_published":9,"date_unpublished":9,"aspect_ratio":83,"type":84,"pick_items":9,"id":332,"row_mode":27,"is_enabled":28,"randomize":9,"items":333},374,[334,340,346],{"id":335,"sort":32,"type":33,"date_published":9,"date_unpublished":9,"color_text":9,"color_background":9,"category":9,"heading":336,"is_long_heading":27,"summary":9,"link_internal":9,"link":337,"call_to_action":9,"show_search":27,"image":338},650,"In a lecture at Hamline University, Ernst Krenek discusses the differentiation between entertainment and enjoyment and emphasises the importance of active listening, which is necessary for New Music.","\u002Fen\u002Finstitutions\u002Fekip\u002FLM-152",{"id":145,"author":37,"title":146,"license":39,"description":9,"license_url":40,"tags":9,"kulturpool_url":9,"location":9,"storage":41,"filename_disk":147,"filename_download":148,"metadata":339,"type":45,"filesize":150,"created_on":151,"modified_by":48,"modified_on":152,"embed":9,"uploaded_by":48,"uploaded_on":153,"folder":51,"width":154,"height":155,"charset":9,"duration":9,"tus_id":9,"tus_data":9,"focal_point_x":156,"focal_point_y":157},{},{"id":341,"sort":107,"type":33,"date_published":9,"date_unpublished":9,"color_text":9,"color_background":9,"category":9,"heading":342,"is_long_heading":27,"summary":9,"link_internal":9,"link":343,"call_to_action":9,"show_search":27,"image":344},651,"Using numerous examples, he explains twelve-tone music and how it is composed.","\u002Fen\u002Finstitutions\u002Fekip\u002FLM-215",{"id":163,"author":37,"title":164,"license":39,"description":9,"license_url":40,"tags":9,"kulturpool_url":9,"location":9,"storage":41,"filename_disk":165,"filename_download":166,"metadata":345,"type":45,"filesize":168,"created_on":169,"modified_by":48,"modified_on":170,"embed":9,"uploaded_by":48,"uploaded_on":171,"folder":51,"width":172,"height":173,"charset":9,"duration":9,"tus_id":9,"tus_data":9,"focal_point_x":174,"focal_point_y":175},{},{"id":347,"sort":178,"type":33,"date_published":9,"date_unpublished":9,"color_text":9,"color_background":9,"category":9,"heading":348,"is_long_heading":27,"summary":9,"link_internal":9,"link":349,"call_to_action":9,"show_search":27,"image":350},652,"In his analysis for a Canadian radio station, Ernst Krenek sheds light on Anton Webern's symphony “Op. 21”.","\u002Fen\u002Finstitutions\u002Fekip\u002FLM-193",{"id":182,"author":37,"title":183,"license":39,"description":9,"license_url":40,"tags":9,"kulturpool_url":9,"location":9,"storage":41,"filename_disk":184,"filename_download":185,"metadata":351,"type":45,"filesize":187,"created_on":188,"modified_by":48,"modified_on":189,"embed":9,"uploaded_by":48,"uploaded_on":190,"folder":51,"width":191,"height":192,"charset":9,"duration":9,"tus_id":9,"tus_data":9,"focal_point_x":193,"focal_point_y":194},{},{"id":353,"collection":58,"item":354},1257,{"date_unpublished":9,"date_published":9,"heading_size":68,"heading_tag":69,"type":76,"summary":9,"heading":355,"body":356,"id":159,"is_enabled":28},"Composer of the 20th century","\u003Cp>In journalism, the phrase “one-man-history-of-20th-century-music” was repeatedly used to describe him. Ernst Krenek's compositional development was shaped along the central compositional techniques of the 20th century.\u003C\u002Fp>\n\u003Cp>Beginning with a late-romantic musical language influenced by his teacher at the Vienna Academy of Music (now the University of Music and Performing Arts Vienna), Ernst Krenek soon developed atonal-expressionist, then neoclassical and neoromantic modes of expression in the 1920s and did not ignore the popular forms of light music of the time, culminating in the sensational success of his opera “Jonny spielt auf”. From 1930 onwards, he turned to the twelve-tone technique, from which he moved on to serial, aleatoric and electronic methods after the Second World War.\u003C\u002Fp>",{"id":358,"collection":58,"item":359},1259,{"date_unpublished":9,"date_published":9,"heading_size":68,"heading_tag":69,"type":204,"summary":360,"heading":361,"body":9,"id":362,"is_enabled":28},"In the serial method, musical parameters (e.g. pitch, rhythm) are strung together in a fixed order that does not have to follow harmonic structures. In contrast, aleatoric music leaves certain decisions to chance or to the performers of the works.\nErnst Krenek utilised these different approaches as well as the emerging electronic technology to shape his music in an entirely new way and to expand traditional concepts of sound.","What is serial and aleatoric music?",645,{"id":364,"collection":58,"item":365},1258,{"date_unpublished":9,"date_published":9,"heading_size":68,"heading_tag":69,"type":76,"summary":9,"heading":366,"body":367,"id":368,"is_enabled":28},"Underestimated estate","\u003Cp>The material made available comes from Ernst Krenek's estate and has so far hardly been noticed outside of a very specialized research audience.\u003C\u002Fp>",644,{"id":370,"collection":58,"item":371},1272,{"date_unpublished":9,"date_published":9,"heading_size":68,"heading_tag":69,"type":62,"summary":9,"heading":372,"body":9,"id":315,"is_enabled":28},"Related links",{"id":374,"collection":221,"item":375},1260,{"date_unpublished":9,"date_published":9,"type":70,"items":376,"summary":9,"heading":9,"id":383,"is_enabled":28},[377,380],{"heading":225,"summary":378,"link":379,"call_to_action":228},"Discover the website of the Ernst-Krenek-Institut-Privatstiftung.","https:\u002F\u002Fwww.krenek.at\u002Fen",{"heading":381,"summary":382,"link":232,"call_to_action":233},"Digital Collection","The digital collection of the Ernst-Krenek-Institut-Privatstiftung",181,{"id":385,"collection":22,"item":386},1261,{"date_published":9,"date_unpublished":9,"aspect_ratio":24,"type":70,"pick_items":9,"id":387,"row_mode":27,"is_enabled":28,"randomize":9,"items":388},375,[389],{"id":390,"sort":32,"type":242,"date_published":9,"date_unpublished":9,"color_text":243,"color_background":244,"category":9,"heading":225,"is_long_heading":27,"summary":391,"link_internal":9,"link":392,"call_to_action":393,"show_search":27,"image":394},653,"The institute preserves and researches Ernst Krenek's estate and offers insights into the composer's life and work. The holdings include around 25,000 pages of musical autographs, literary and music-theoretical writings and more than 40,000 letters.","\u002Fen\u002Fsearch?refinementList=dataProvider%255B0%255D=Ernst-Krenek-Institut-Privatstiftung","See the digital objects",{"id":249,"author":37,"title":250,"license":251,"description":9,"license_url":252,"tags":9,"kulturpool_url":9,"location":9,"storage":41,"filename_disk":253,"filename_download":254,"metadata":395,"type":45,"filesize":256,"created_on":257,"modified_by":258,"modified_on":259,"embed":9,"uploaded_by":48,"uploaded_on":260,"folder":261,"width":262,"height":263,"charset":9,"duration":9,"tus_id":9,"tus_data":9,"focal_point_x":9,"focal_point_y":9},{},{"id":397,"collection":221,"item":398},1262,{"date_unpublished":9,"date_published":9,"type":70,"items":399,"summary":9,"heading":9,"id":405,"is_enabled":28},[400],{"heading":401,"summary":402,"link":403,"call_to_action":404},"More articles","Read more about the digitisation of cultural heritage.","\u002Fen\u002Fcontent\u002Farticles","See all articles",182,[407,408],173,232,{"og_image":36,"canonical_url":9,"sitemap_change_frequency":410,"title":9,"sitemap_priority":411,"node_type":9,"meta_description":9,"id":412,"no_follow":27,"no_index":27},"daily",0.5,162]