[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"content-museum-der-moderne":3},[4],{"id":5,"sort":6,"status":7,"category":8,"date_published":9,"date_unpublished":9,"color_text":10,"color_background":11,"translations":12,"visibilities":435,"seo":438},152,95,"draft",9,null,"#FF1C00","#E6F2EA",[13,290],{"languages_code":14,"title":15,"slug":16,"summary":17,"id":18,"items":19},"de","Unruhe der Moderne","museum-der-moderne","Das Museum der Moderne Salzburg ist für vielfältige und umfangreiche Sammlungsbestände verantwortlich, die vom 19. und 20. Jahrhundert bis in die Gegenwart reichen und aus der Anfangszeit einen Schwerpunkt auf Grafik und Fotografie aufweisen.",280,[20,64,73,81,88,114,120,145,151,181,187,214,220,225,241,280],{"id":21,"collection":22,"item":23},2953,"block_slider",{"date_published":9,"date_unpublished":9,"aspect_ratio":24,"type":25,"pick_items":9,"id":26,"is_enabled":27,"randomize":9,"row_mode":28,"items":29},"3\u002F1","full-width",922,true,false,[30],{"id":31,"sort":32,"type":33,"date_published":9,"date_unpublished":9,"color_text":9,"color_background":9,"category":9,"heading":9,"is_long_heading":28,"summary":9,"link_internal":9,"link":34,"call_to_action":9,"show_search":28,"image":35},1775,1,"image","\u002Finstitutionen\u002Fmdms\u002FBA 2335",{"id":36,"author":37,"title":38,"license":39,"description":9,"license_url":40,"tags":9,"kulturpool_url":34,"location":9,"storage":41,"filename_disk":42,"filename_download":43,"metadata":44,"type":53,"filesize":54,"created_on":55,"modified_by":56,"modified_on":57,"embed":9,"uploaded_by":56,"uploaded_on":58,"folder":59,"width":60,"height":61,"charset":9,"duration":9,"tus_id":9,"tus_data":9,"focal_point_x":62,"focal_point_y":63},"17798f78-08b9-4f09-bf0b-b0f79a7d6a22","Wilhelm Thöny","New York-Paraphrase","Public Domain","https:\u002F\u002Fcreativecommons.org\u002Fpublicdomain\u002Fmark\u002F1.0\u002Fdeed.en","local","17798f78-08b9-4f09-bf0b-b0f79a7d6a22.jpg","ba-2335.jpg",{"ifd0":45,"exif":48},{"Make":46,"Model":47},"Canon","Canon EOS 5D",{"FNumber":49,"ExposureTime":50,"FocalLength":51,"ISOSpeedRatings":52},18,0.008,50,100,"image\u002Fjpeg","1954644","2025-09-09T08:30:22.600Z","a1bbb64d-aed1-4fcb-814e-ec90b36bc814","2025-12-16T10:04:33.097Z","2025-09-09T08:37:33.840Z","cc95a4fd-af2e-45c9-82ff-facb35becf00",2901,2319,1397,1277,{"id":65,"collection":66,"item":67},2954,"block_text",{"date_published":9,"date_unpublished":9,"heading_size":68,"heading_tag":69,"type":70,"summary":9,"heading":15,"body":71,"id":72,"is_enabled":27},"large","h2","center","\u003Cp>\u003Cstrong>Highlights aus dem Museum der Moderne Salzburg\u003C\u002Fstrong>\u003C\u002Fp>",1517,{"id":74,"collection":66,"item":75},2955,{"date_published":9,"date_unpublished":9,"heading_size":76,"heading_tag":77,"type":78,"summary":9,"heading":9,"body":79,"id":80,"is_enabled":27},"normal","h3","standard","\u003Cp>Das \u003Ca title=\"Museum der Moderne Salzburg\" href=\"https:\u002F\u002Fwww.museumdermoderne.at\u002F\" target=\"_blank\" rel=\"noopener\">Museum der Moderne Salzburg\u003C\u002Fa> ist für vielfältige und umfangreiche Sammlungsbestände verantwortlich, gesamt für rund 55 000 Werke, die vom 19. und 20. Jahrhundert bis in die Gegenwart reichen und aus der Anfangszeit einen Schwerpunkt auf Grafik und Fotografie aufweisen. Neben der eigenen Sammlung betreut das Museum der Moderne Salzburg gemeinsam mit den Werken im Besitz des Landes Salzburg auch die Fotosammlung des Bundes mit allein rund 12 000 Titeln.\u003C\u002Fp>",1518,{"id":82,"collection":66,"item":83},2964,{"date_published":9,"date_unpublished":9,"heading_size":76,"heading_tag":77,"type":84,"summary":9,"heading":85,"body":86,"id":87,"is_enabled":27},"two-cols","Paraphrase einer Skyline","\u003Cp>Im März 1938 brachen \u003Ca title=\"Wilhelm Thöny im Kulturpool\" href=\"\u002Fsuche?query=wilhelm+thöny\">Wilhelm Thöny\u003C\u002Fa> und seine Frau Thea nach \u003Ca title=\"New York im Kulturpool\" href=\"\u002Fsuche?query=new+york\">New York\u003C\u002Fa> auf, das sie bereits 1933 besucht hatten. Ähnlich wie zuvor bei der Übersiedlung nach \u003Ca title=\"Paris im Kulturpool\" href=\"\u002Fsuche?query=paris\">Paris\u003C\u002Fa> wird es wohl verschiedene Gründe für die Reise gegeben haben, nicht zuletzt den drohenden Krieg.\u003C\u002Fp>\n\u003Cp>Die aufragenden Wolkenkratzer vor einem dunkelblauen Abendhimmel entsprechen keiner realen Ansicht von New York. Aber es geht hier auch nicht um ein Abbild der Wirklichkeit, sondern – wie der Titel hervorhebt – um eine „Paraphrase“. Thöny hat hier einen musikalischen Begriff entlehnt, der die ausschmückende Bearbeitung eines Themas bezeichnet. Im Vergleich mit den früheren New-York-Ansichten, die nach der ersten Amerikareise im Pariser Atelier entstanden waren, hat sich – um bei einer musikalischen Metapher zu bleiben – die Tonart geändert. Thöny war nicht mehr der vom ersten Anblick der Skyline überwältigte Besucher, sondern als Bewohner der Stadt „mittendrin“ – und zugleich immer noch fremd. Das Appartement im Barbizon Plaza Hotel, das das Ehepaar Thöny bewohnte, war klein und musste zugleich als Atelier herhalten. Diese Enge wird im Bildausschnitt spürbar, in dem die dunkle Wandfläche beinahe ein Viertel des Raumes einnimmt und das rankende Grün in der Vase eine weitere Barriere gegenüber dem fern wirkenden Außenraum bildet.\u003C\u002Fp>",1523,{"id":89,"collection":22,"item":90},2956,{"date_published":9,"date_unpublished":9,"aspect_ratio":91,"type":92,"pick_items":9,"id":93,"is_enabled":27,"randomize":9,"row_mode":28,"items":94},"1\u002F1","small",923,[95],{"id":96,"sort":32,"type":33,"date_published":9,"date_unpublished":9,"color_text":9,"color_background":9,"category":9,"heading":97,"is_long_heading":28,"summary":9,"link_internal":9,"link":98,"call_to_action":9,"show_search":28,"image":99},1776,"Eine Vorstudie von Gustav Klimt zu seinem Gemälde Philosophie.","\u002Finstitutionen\u002Fmdms\u002FBD%2520150",{"id":100,"author":101,"title":102,"license":39,"description":9,"license_url":40,"tags":9,"kulturpool_url":98,"location":9,"storage":41,"filename_disk":103,"filename_download":104,"metadata":105,"type":53,"filesize":106,"created_on":107,"modified_by":56,"modified_on":108,"embed":9,"uploaded_by":56,"uploaded_on":109,"folder":59,"width":110,"height":111,"charset":9,"duration":9,"tus_id":9,"tus_data":9,"focal_point_x":112,"focal_point_y":113},"3db134b8-b986-40b2-ace7-21c456675fc4","Gustav Klimt","Sich umarmendes Paar, 1898\u002F99","3db134b8-b986-40b2-ace7-21c456675fc4.jpg","BD 150_freigestellt_Q7A6556.jpg",{},"6699956","2025-09-09T08:38:16.544Z","2025-12-16T10:04:33.106Z","2025-09-09T08:41:43.705Z",4090,6221,2062,2943,{"id":115,"collection":66,"item":116},2957,{"date_published":9,"date_unpublished":9,"heading_size":76,"heading_tag":77,"type":84,"summary":9,"heading":117,"body":118,"id":119,"is_enabled":27},"Aufbruch ins Unbewusste","\u003Cp>Die intime Bleistiftzeichnung von \u003Ca title=\"Gustav Klimt im Kulturpool\" href=\"\u002Fsuche?query=gustav+klimt\">Gustav Klimt\u003C\u002Fa> ist eine Vorstudie zu seinem Gemälde \u003Cem>Philosophie\u003C\u002Fem>, das eigentlich die Decke des Festsaals der \u003Ca title=\"Universität Wien im Kulturpool\" href=\"\u002Fsuche?query=universität+wien\">Wiener Universität\u003C\u002Fa> zieren sollte. 1894 beauftragte das Unterrichtsministerium die Künstler \u003Ca title=\"Franz Matsch im Kulturpool\" href=\"\u002Fsuche?query=franz+matsch\">Franz Matsch\u003C\u002Fa> und Gustav Klimt, die zusammen die Künstler-Compagnie bildeten. Ein zentrales Gemälde sollte von allegorischen Darstellungen der vier Wiener Fakultäten gerahmt werden. Klimt übernahm die Fakultätsbilder \u003Cem>Philosophie\u003C\u002Fem>, \u003Cem>Medizin\u003C\u002Fem> und \u003Cem>Jurisprudenz\u003C\u002Fem>.\u003C\u002Fp>\n\u003Cp>Während der vorbereitenden Arbeit wandelte sich sein Stil vom Historismus zum Symbolismus. Klimt entfernte sich nicht nur zunehmend von den genehmigten Entwurfszeichnungen, sondern auch von dem Kunst- und Moralverständnis seiner Zeit. Statt traditioneller, allegorischer Darstellungen wandte sich der Künstler, der sich intensiv mit \u003Ca title=\"Sigmund Freud im Kulturpool\" href=\"\u002Fsuche?query=sigmund+freud\">Sigmunds Freuds\u003C\u002Fa> Forschungen zur Sexualität und zum Unbewussten auseinandergesetzt hatte, gesellschaftlich tabuisierten Themenfeldern zu. Eine Vielzahl unbekleideter Figuren sowie die explizite Darstellung von Sexualität führten jedoch zur ablehnenden Haltung seitens der Auftraggeber- und Professorenschaft, riefen bei der öffentlichen Präsentation in der Wiener Secession im Jahr 1900 allgemeine Missbilligung und Empörung hervor, woraus sich einer der größten Kunstskandale Österreichs entwickelte. Klimt protestierte gegen die Angriffe auf die künstlerische Freiheit und trat unter Verzicht auf sein Honorar vom Auftrag zurück.\u003C\u002Fp>",1519,{"id":121,"collection":22,"item":122},2958,{"date_published":9,"date_unpublished":9,"aspect_ratio":91,"type":92,"pick_items":9,"id":123,"is_enabled":27,"randomize":9,"row_mode":28,"items":124},924,[125],{"id":126,"sort":32,"type":33,"date_published":9,"date_unpublished":9,"color_text":9,"color_background":9,"category":9,"heading":127,"is_long_heading":28,"summary":9,"link_internal":9,"link":128,"call_to_action":9,"show_search":28,"image":129},1777,"Max Klinger gilt als Erneuerer der Druckgrafik und wir mit Albrecht Dürer verglichen. Der Zyklus Dramen, aus der das Blatt stammt, nimmt eine Sonderstellung ein.","\u002Finstitutionen\u002Fmdms\u002FBA 4626_1-10_8",{"id":130,"author":131,"title":132,"license":133,"description":9,"license_url":40,"tags":9,"kulturpool_url":128,"location":9,"storage":41,"filename_disk":134,"filename_download":135,"metadata":136,"type":53,"filesize":137,"created_on":138,"modified_by":56,"modified_on":139,"embed":9,"uploaded_by":56,"uploaded_on":140,"folder":59,"width":141,"height":142,"charset":9,"duration":9,"tus_id":9,"tus_data":9,"focal_point_x":143,"focal_point_y":144},"7930e17f-10cb-4ea3-a66e-88b84420982a","Max Klinger","Märztage I, 1882-1889","Publci Domain","7930e17f-10cb-4ea3-a66e-88b84420982a.jpg","BA 4626_1-10_8_scanprojekt.jpg",{},"9842297","2025-09-09T08:54:02.880Z","2025-12-16T10:07:00.892Z","2025-09-09T09:25:56.794Z",5052,6530,3294,4001,{"id":146,"collection":66,"item":147},2959,{"date_published":9,"date_unpublished":9,"heading_size":76,"heading_tag":77,"type":84,"summary":9,"heading":148,"body":149,"id":150,"is_enabled":27},"Druckgrafiken zwischen Industrialisierung und Revolution","\u003Cp>\u003Ca title=\"Max Klinger im Kulturpool\" href=\"\u002Fsuche?query=max+klinger\">Max Klinger\u003C\u002Fa> ist nicht nur für seine Gemälde und Skulpturen berühmt; er machte sich auch einen Namen als Erneuerer der \u003Ca title=\"Druckgrafik im Kulturpool\" href=\"\u002Fsuche?query=druckgrafik\">Druckgrafik\u003C\u002Fa> und wurde von seinen Zeitgenoss:innen mit keinem Geringeren als \u003Ca title=\"Albrecht Dürer im Kulturpool\" href=\"\u002Fsuche?query=albrecht+dürer\">Albrecht Dürer\u003C\u002Fa> verglichen.\u003C\u002Fp>\n\u003Cp>Der Zyklus \u003Cem>Dramen\u003C\u002Fem> nimmt eine Sonderstellung innerhalb seiner druckgrafischen Zyklen ein. Zum einen verzichtet er auf symbolische Elemente, zum anderen vereint \u003Cem>Opus IX\u003C\u002Fem> zwei Handlungsstränge, die in jeweils drei Darstellungen eine in sich geschlossene Abfolge bilden: \u003Cem>Eine Mutter I, II und III\u003C\u002Fem> sowie \u003Cem>Märztage I, II und III\u003C\u002Fem>. Diesen Handlungen sind jeweils zwei Blätter vorangestellt, die inhaltlich das Kommende vorbereiten.\u003Cbr>Obwohl der Titel auf die Deutsche Revolution von 1848\u002F49 anspielt, die auch als Märzrevolution in die Geschichte eingeht, löst Klinger die Ereignisse aus ihrem historischen Kontext und zeigt das Berlin seiner Zeit (Telegrafendrähte, Litfaßsäule). „Um diese Zeit lief ein Schlagwort durch die Presse, der Frühling, insbesondere der März, sei der Zeitpunkt der Gährung in der Natur und in der Politik […]“, erklärt Max Klinger in einem Brief an Max Lahrs 1916.\u003C\u002Fp>\n\u003Cp>Sein Zyklus kann als Warnung gelesen werden, dass die ungelösten politischen und sozialen Missstände infolge der rasanten Industrialisierung eine Wiederholung der Ereignisse von 1848\u002F49 nach sich ziehen können.\u003C\u002Fp>",1520,{"id":152,"collection":22,"item":153},2960,{"date_published":9,"date_unpublished":9,"aspect_ratio":91,"type":92,"pick_items":9,"id":154,"is_enabled":27,"randomize":9,"row_mode":28,"items":155},925,[156],{"id":157,"sort":32,"type":33,"date_published":9,"date_unpublished":9,"color_text":9,"color_background":9,"category":9,"heading":158,"is_long_heading":28,"summary":9,"link_internal":9,"link":159,"call_to_action":9,"show_search":28,"image":160},1778,"Das frühe Selbstbildnis zeigt Käthe Kollowitz in ihrer Berliner Wohnung.","\u002Finstitutionen\u002Fmdms\u002FBA 5239",{"id":161,"author":162,"title":163,"license":39,"description":9,"license_url":40,"tags":9,"kulturpool_url":159,"location":9,"storage":41,"filename_disk":164,"filename_download":165,"metadata":166,"type":53,"filesize":173,"created_on":174,"modified_by":56,"modified_on":175,"embed":9,"uploaded_by":56,"uploaded_on":176,"folder":59,"width":177,"height":178,"charset":9,"duration":9,"tus_id":9,"tus_data":9,"focal_point_x":179,"focal_point_y":180},"4dc88b2a-a4d7-4c1d-8ff1-676587a29105","Käthe Kollowitz","Selbstbildnis am Tisch, um 1893","4dc88b2a-a4d7-4c1d-8ff1-676587a29105.jpg","BA 5239_freigestellt_Q7A9548.jpg",{"ifd0":167,"exif":169},{"Make":46,"Model":168},"Canon EOS 5DS",{"FNumber":170,"ExposureTime":171,"FocalLength":51,"ISOSpeedRatings":172},11,1.6,160,"6371948","2025-09-09T09:22:23.735Z","2025-12-16T10:07:00.901Z","2025-09-09T09:23:24.310Z",4240,5616,2060,2621,{"id":182,"collection":66,"item":183},2961,{"date_published":9,"date_unpublished":9,"heading_size":76,"heading_tag":77,"type":84,"summary":9,"heading":184,"body":185,"id":186,"is_enabled":27},"Selbstbildnis am Esstisch","\u003Cp>Zu den einflussreichsten Texten der Frauenbewegung gehört \u003Cem>A Room of One's Own\u003C\u002Fem> (Ein Zimmer für sich allein), den die britische Schriftstellerin Virginia Woolf (1882–1941) 1929 veröffentlichte. Darin betont die Autorin, wie wichtig ein eigener Rückzugsraum für kreatives Arbeiten ist. Doch nur wenige Künstler:innen konnten sich seinerzeit diesen Luxus leisten und mussten deshalb Kompromisse eingehen.\u003C\u002Fp>\n\u003Cp>„Überhaupt zeichne ich jetzt ungleich mehr als ich male, aus der praktischen Überlegung, dass ich in Berlin für die ersten Jahre meiner Verheiratung kaum Geld genug haben werde, um ein Atelier zu mieten“, schreibt \u003Ca title=\"Käthe Kollwitz im Kulturpool\" href=\"\u002Fsuche?query=käthe+kollwitz\">Käthe Kollwitz\u003C\u002Fa> im Februar 1891 an ihren Künstlerkollegen \u003Ca title=\"Paul Hey im Kulturpool\" href=\"\u002Fsuche?query=paul+hey\">Paul Hey\u003C\u002Fa>. „Und in engen Stuben, die man bewohnt, Ölbilder zu malen, das ist ein trauriger Gedanke. Das Radieren ist noch lange nicht so umständlich.“ Das frühe Selbstbildnis zeigt sie am Esstisch ihrer Berliner Wohnung. Er ist der Lebensmittelpunkt der jungen Familie. Hier in der großen Stube steht der Kinderwagen, hier fertigt sie ihre ersten Radierungen an.\u003C\u002Fp>",1521,{"id":188,"collection":22,"item":189},2962,{"date_published":9,"date_unpublished":9,"aspect_ratio":91,"type":92,"pick_items":9,"id":190,"is_enabled":27,"randomize":9,"row_mode":28,"items":191},926,[192],{"id":193,"sort":32,"type":33,"date_published":9,"date_unpublished":9,"color_text":9,"color_background":9,"category":9,"heading":194,"is_long_heading":28,"summary":9,"link_internal":9,"link":195,"call_to_action":9,"show_search":28,"image":196},1779,"Die Zeichnung zeigt Schiele in inniger Umarmung mit seiner Ehefrau Edith. Dem Paar war kein Happy End beschieden.","\u002Finstitutionen\u002Fmdms\u002FBS%25202288",{"id":197,"author":198,"title":199,"license":39,"description":9,"license_url":40,"tags":9,"kulturpool_url":195,"location":9,"storage":41,"filename_disk":200,"filename_download":201,"metadata":202,"type":53,"filesize":206,"created_on":207,"modified_by":56,"modified_on":208,"embed":9,"uploaded_by":56,"uploaded_on":209,"folder":59,"width":210,"height":211,"charset":9,"duration":9,"tus_id":9,"tus_data":9,"focal_point_x":212,"focal_point_y":213},"38a30f78-bbe4-4b6d-b013-22589c4fffdc","Egon Schiele","Edith Schiele, ihren Mann umarmend, 1915","38a30f78-bbe4-4b6d-b013-22589c4fffdc.jpg","BS 2288.jpg",{"ifd0":203,"exif":204},{"Make":46,"Model":47},{"FNumber":49,"ExposureTime":205,"FocalLength":51,"ISOSpeedRatings":52},0.016666666666666666,"1131305","2025-09-09T09:58:48.045Z","2025-12-16T10:07:00.909Z","2025-09-09T10:00:49.364Z",1997,3021,1014,938,{"id":215,"collection":66,"item":216},2963,{"date_published":9,"date_unpublished":9,"heading_size":76,"heading_tag":77,"type":84,"summary":9,"heading":217,"body":218,"id":219,"is_enabled":27},"Porträt von Liebe und Verlust","\u003Cp>Die berührende Zeichnung zeigt \u003Ca title=\"Egon Schiele im Kulturpool\" href=\"\u002Fsuche?query=egon+schiele\">Egon Schiele\u003C\u002Fa> in inniger Umarmung mit seiner frisch angetrauten Ehefrau \u003Ca title=\"Edith Schiele im Kulturpool\" href=\"\u002Fsuche?query=edith+schiele\">Edith\u003C\u002Fa>, geborene Harms, die gegenüber von Schieles Atelier in einem Haus in der Hietzinger Hauptstraße wohnte. 1914 bahnte sich eine Tändelei zwischen den beiden an. Nach der Trennung Schieles von seiner langjährigen Lebensgefährtin Wally Neuzil, die zugleich Muse und Modell gewesen war, heirateten Edith und Egon Schiele im Juni 1915 kurz nach Schieles Einberufung zum Kriegsdienst.\u003C\u002Fp>\n\u003Cp>Dem Paar war kein Happy End beschieden. Ab 1918 grassierte die Spanische Grippe, die mehr Menschenleben fordern sollte als der Erste Weltkrieg. Edith, im sechsten Monat schwanger, erkrankte. Schiele, mittlerweile selbst infiziert, zeichnete seine Frau noch ein letztes Mal im Sterbebett und folgte ihr drei Tage später, am 31. Oktober 1918, in den Tod nach. Seine letzten Worte, die seine Schwägerin \u003Ca title=\"Adele Harms im Kulturpool\" href=\"\u002Fsuche?query=adele+harms\">Adele Harms\u003C\u002Fa> festhielt, sollten sich bewahrheiten: „Der Krieg ist aus – und ich muss geh'n!“\u003C\u002Fp>\n\u003Cp>Trotz seines kurzen Lebens zählte Schiele neben \u003Ca title=\"Richard Gerstl im Kulturpool\" href=\"\u002Fsuche?query=richard+gerstl\">Richard Gerstl\u003C\u002Fa>, \u003Ca title=\"Gustav Klimt im Kulturpool\" href=\"\u002Fsuche?query=gustav+klimt\">Gustav Klimt\u003C\u002Fa> und \u003Ca title=\"Oskar Kokoschka im Kulturpool\" href=\"\u002Fsuche?query=oskar+kokoschka\">Oskar Kokoschka\u003C\u002Fa> zu den Schlüsselfiguren der Moderne in Österreich. Seine expressive Bildsprache und seine radikalen Körperdarstellungen wurden wegweisend für zahlreiche Künstler:innen des 20. Jahrhunderts, wie beispielsweise \u003Ca title=\"Günter Brus im Kulturpool\" href=\"\u002Fsuche?query=günter+brus\">Günter Brus\u003C\u002Fa>, Francis Bacon oder \u003Ca title=\"Elke Krystufek im Kulturpool\" href=\"\u002Fsuche?query=elke+krystufek\">Elke Krystufek\u003C\u002Fa>.\u003C\u002Fp>",1522,{"id":221,"collection":66,"item":222},2965,{"date_published":9,"date_unpublished":9,"heading_size":76,"heading_tag":77,"type":70,"summary":9,"heading":223,"body":9,"id":224,"is_enabled":27},"Weiterführende Links",1524,{"id":226,"collection":227,"item":228},2966,"block_links",{"date_published":9,"date_unpublished":9,"type":78,"items":229,"summary":9,"heading":9,"id":240,"is_enabled":27},[230,235],{"heading":231,"summary":232,"link":233,"call_to_action":234},"Museum der Moderne Salzburg","Das Museum der Moderne Salzburg sammelt, bewahrt, erforscht, zeigt und vermittelt die Kunst des 20. und 21. Jahrhunderts. ","https:\u002F\u002Fwww.museumdermoderne.at\u002F","museumdermoderne.at",{"heading":236,"summary":237,"link":238,"call_to_action":239},"Online-Sammlung","Die Online-Sammlungen des Museums der Moderne Salzburg","https:\u002F\u002Femuseum.mdmsalzburg.at\u002Fcollections","emuseum.mdmsalzburg.at\u002Fcollections",405,{"id":242,"collection":22,"item":243},2967,{"date_published":9,"date_unpublished":9,"aspect_ratio":24,"type":78,"pick_items":9,"id":244,"is_enabled":27,"randomize":9,"row_mode":28,"items":245},927,[246],{"id":247,"sort":32,"type":248,"date_published":9,"date_unpublished":9,"color_text":249,"color_background":250,"category":9,"heading":231,"is_long_heading":28,"summary":251,"link_internal":9,"link":252,"call_to_action":253,"show_search":28,"image":254},1780,"image-text","#CD00CD","#CCD1C4","Das Museum der Moderne Salzburg sammelt, bewahrt, erforscht, zeigt und vermittelt die Kunst des 20. und 21. Jahrhunderts. Ein international anerkanntes Kunstmuseum für alle – am Puls der Zeit und für eine diverse Gesellschaft.","\u002Fsuche?refinementList=dataProvider%255B0%255D=Museum%2520der%2520Moderne%2520Salzburg","zu den Digitalisaten",{"id":255,"author":256,"title":257,"license":258,"description":9,"license_url":259,"tags":9,"kulturpool_url":9,"location":9,"storage":41,"filename_disk":260,"filename_download":261,"metadata":262,"type":53,"filesize":270,"created_on":271,"modified_by":272,"modified_on":273,"embed":9,"uploaded_by":56,"uploaded_on":274,"folder":275,"width":276,"height":277,"charset":9,"duration":9,"tus_id":9,"tus_data":9,"focal_point_x":278,"focal_point_y":279},"b245ed94-eca0-411d-8ad4-8fd283183b7d","Museum der Moderne Salzburg, Foto: Marc Haader","Museum der Moderne Salzburg Ansicht Mönchsberg","In Copyright","https:\u002F\u002Frightsstatements.org\u002Fpage\u002FInC\u002F1.0\u002F?language=en","b245ed94-eca0-411d-8ad4-8fd283183b7d.jpg","mdms-mönchsberg-foto-marc-haader.jpg",{"ifd0":263,"exif":266},{"Make":264,"Model":265},"NIKON CORPORATION","NIKON D800",{"FNumber":267,"ExposureTime":268,"FocalLength":269,"ISOSpeedRatings":52},8,0.004,175,"4692304","2025-09-09T07:42:34.253Z","6a29f7a3-1d8d-4e0a-81db-8aa63ac748a5","2026-02-25T13:03:06.732Z","2025-09-09T07:42:34.268Z","c2e73b36-dc0d-4407-8210-88fcd8c1b662",2500,1668,1338,849,{"id":281,"collection":227,"item":282},2968,{"date_published":9,"date_unpublished":9,"type":78,"items":283,"summary":9,"heading":9,"id":289,"is_enabled":27},[284],{"heading":285,"summary":286,"link":287,"call_to_action":288},"Weitere Artikel","Lesen Sie mehr über die Digitalisierung von Kulturerbe.","\u002Finhalte\u002Fartikel","zu allen Artikeln",406,{"languages_code":291,"title":292,"slug":16,"summary":293,"id":294,"items":295},"en","Restlessness of modernity","The Museum der Moderne Salzburg collects, preserves, researches, displays, and communicates the art of the 20th and 21st centuries. An internationally recognised art museum for all – at the pulse of time and for a diverse society.",281,[296,308,313,318,324,335,341,352,358,371,377,390,396,401,412,425],{"id":297,"collection":22,"item":298},2969,{"date_published":9,"date_unpublished":9,"aspect_ratio":24,"type":25,"pick_items":9,"id":299,"is_enabled":27,"randomize":9,"row_mode":28,"items":300},928,[301],{"id":302,"sort":32,"type":33,"date_published":9,"date_unpublished":9,"color_text":9,"color_background":9,"category":9,"heading":9,"is_long_heading":28,"summary":9,"link_internal":9,"link":303,"call_to_action":9,"show_search":28,"image":304},1781,"\u002Fen\u002Finstitutions\u002Fmdms\u002FBA 2335",{"id":36,"author":37,"title":38,"license":39,"description":9,"license_url":40,"tags":9,"kulturpool_url":34,"location":9,"storage":41,"filename_disk":42,"filename_download":43,"metadata":305,"type":53,"filesize":54,"created_on":55,"modified_by":56,"modified_on":57,"embed":9,"uploaded_by":56,"uploaded_on":58,"folder":59,"width":60,"height":61,"charset":9,"duration":9,"tus_id":9,"tus_data":9,"focal_point_x":62,"focal_point_y":63},{"ifd0":306,"exif":307},{"Make":46,"Model":47},{"FNumber":49,"ExposureTime":50,"FocalLength":51,"ISOSpeedRatings":52},{"id":309,"collection":66,"item":310},2970,{"date_published":9,"date_unpublished":9,"heading_size":68,"heading_tag":69,"type":70,"summary":9,"heading":292,"body":311,"id":312,"is_enabled":27},"\u003Cp>\u003Cstrong>Highlights from the Museum der Moderne Salzburg\u003C\u002Fstrong>\u003C\u002Fp>",1525,{"id":314,"collection":66,"item":315},2971,{"date_published":9,"date_unpublished":9,"heading_size":76,"heading_tag":77,"type":78,"summary":9,"heading":9,"body":316,"id":317,"is_enabled":27},"\u003Cp>The \u003Ca title=\"Museum der Moderne Salzburg\" href=\"https:\u002F\u002Fwww.museumdermoderne.at\u002Fen\u002F\" target=\"_blank\" rel=\"noopener\">Museum der Moderne Salzburg\u003C\u002Fa> is responsible for a diverse and extensive collection of around 55,000 works, ranging from the 19th and 20th centuries to the present day, with a focus on graphic art and photography from the early days. In addition to its own collection, the Museum der Moderne Salzburg, together with the works owned by the Province of Salzburg, is also responsible for the federal photographic collection with around 12,000 titles alone.\u003C\u002Fp>",1526,{"id":319,"collection":66,"item":320},2972,{"date_published":9,"date_unpublished":9,"heading_size":76,"heading_tag":77,"type":84,"summary":9,"heading":321,"body":322,"id":323,"is_enabled":27},"Paraphrase of a skyline","\u003Cp>In March of 1938, \u003Ca title=\"Wilhelm Thöny in Kulturpool\" href=\"\u002Fen\u002Fsearch?query=wilhelm+thöny\">Wilhelm Thöny\u003C\u002Fa> and his wife Thea set out for \u003Ca title=\"New York in Kulturpool\" href=\"\u002Fen\u002Fsearch?query=new+york\">New York\u003C\u002Fa>, where they had previously visited in 1933. Just as before with the move to \u003Ca title=\"Paris in Kulturpool\" href=\"\u002Fen\u002Fsearch?query=paris\">Paris\u003C\u002Fa>, there most likely were a number of reasons for the trip, not least among them the impending war.\u003C\u002Fp>\n\u003Cp>The soaring skyscrapers against a dark blue sky do not match any actual view of New York. But as the title emphasizes, we are dealing with a \"paraphrase\" here, rather than with a depiction of reality. Thöny has borrowed a musical term referring to the embellishment of a theme. And, to extend the musical metaphor, the key has changed compared to the earlier New York views the artist created in the Paris studio following his first trip to America. Thöny was no longer the visitor overwhelmed at the first sight of the skyline, but rather a resident right in the middle of it, though still foreign. The flat at the Barbizon Plaza Hotel where the couple lived was small and also had to serve as a studio. These cramped conditions became palpable in the framing of the image, with the dark wall surface taking up almost a quarter of the space and the rambling greenery in the vase forming yet another barrier towards the seemingly distant outside.\u003C\u002Fp>",1527,{"id":325,"collection":22,"item":326},2973,{"date_published":9,"date_unpublished":9,"aspect_ratio":91,"type":92,"pick_items":9,"id":327,"is_enabled":27,"randomize":9,"row_mode":28,"items":328},929,[329],{"id":330,"sort":32,"type":33,"date_published":9,"date_unpublished":9,"color_text":9,"color_background":9,"category":9,"heading":331,"is_long_heading":28,"summary":9,"link_internal":9,"link":332,"call_to_action":9,"show_search":28,"image":333},1782,"A preliminary study by Gustav Klimt for his painting Philosophy.","\u002Fen\u002Finstitutions\u002Fmdms\u002FBD%2520150",{"id":100,"author":101,"title":102,"license":39,"description":9,"license_url":40,"tags":9,"kulturpool_url":98,"location":9,"storage":41,"filename_disk":103,"filename_download":104,"metadata":334,"type":53,"filesize":106,"created_on":107,"modified_by":56,"modified_on":108,"embed":9,"uploaded_by":56,"uploaded_on":109,"folder":59,"width":110,"height":111,"charset":9,"duration":9,"tus_id":9,"tus_data":9,"focal_point_x":112,"focal_point_y":113},{},{"id":336,"collection":66,"item":337},2974,{"date_published":9,"date_unpublished":9,"heading_size":76,"heading_tag":77,"type":84,"summary":9,"heading":338,"body":339,"id":340,"is_enabled":27},"Journey into the unconsciousness","\u003Cp>The intimate pencil drawing by \u003Ca title=\"Gustav Klimt in Kulturpool\" href=\"\u002Fen\u002Fsearch?query=gustav+klimt\">Gustav Klimt\u003C\u002Fa> is a preliminary study for his painting \u003Cem>Philosophie\u003C\u002Fem> (\u003Cem>Philosophy\u003C\u002Fem>), which was originally intended for the ceiling of the Great Hall at the \u003Ca title=\"University of Vienna in Kulturpool\" href=\"\u002Fen\u002Fsearch?query=universität+wien\">University of Vienna\u003C\u002Fa>. In 1894, the Ministry of Education commissioned artist \u003Ca title=\"Franz Matsch in Kulturpool\" href=\"\u002Fen\u002Fsearch?query=franz+matsch\">Franz Matsch\u003C\u002Fa> and Gustav Klimt, who together formed the Artists Company, to create a central painting, which was to be framed by allegorical representations of the four Vienna faculties. Klimt undertook the faculty paintings, \u003Cem>Philosophie\u003C\u002Fem>, \u003Cem>Medizin\u003C\u002Fem> and \u003Cem>Jurisprudenz\u003C\u002Fem> (\u003Cem>Philosophy\u003C\u002Fem>, \u003Cem>Medicine\u003C\u002Fem>, and \u003Cem>Law\u003C\u002Fem>).\u003C\u002Fp>\n\u003Cp>During his preparations, his style changed from Historicism to Symbolism. Klimt deviated increasingly from not only the approved design drawings but the artistic and moral sensibility of his time. Instead of traditional allegorical representations, the artist, who had engaged intensively with \u003Ca title=\"Sigmund Freud in Kulturpool\" href=\"\u002Fen\u002Fsearch?query=sigmund+freud\">Sigmund Freud\u003C\u002Fa>'s research on sexuality and the unconscious, turned to socially taboo topics. However, the many nude figures and explicit representations of sexuality drew opposition from the client and professors, and its public presentation at the Vienna Secession in 1900 was met with general disapproval and indignation, developing into one of Austria's greatest art scandals. Klimt protested against the attacks on artistic freedom and withdrew from the commission, relinquishing his fee.\u003C\u002Fp>",1528,{"id":342,"collection":22,"item":343},2975,{"date_published":9,"date_unpublished":9,"aspect_ratio":91,"type":92,"pick_items":9,"id":344,"is_enabled":27,"randomize":9,"row_mode":28,"items":345},930,[346],{"id":347,"sort":32,"type":33,"date_published":9,"date_unpublished":9,"color_text":9,"color_background":9,"category":9,"heading":348,"is_long_heading":28,"summary":9,"link_internal":9,"link":349,"call_to_action":9,"show_search":28,"image":350},1783,"Max Klinger is considered as an innovator of printmaking and is compared with Albrecht Dürer. The cycle Dramen from which the sheet originates, occupies a special position.","\u002Fen\u002Finstitutions\u002Fmdms\u002FBA 4626_1-10_8",{"id":130,"author":131,"title":132,"license":133,"description":9,"license_url":40,"tags":9,"kulturpool_url":128,"location":9,"storage":41,"filename_disk":134,"filename_download":135,"metadata":351,"type":53,"filesize":137,"created_on":138,"modified_by":56,"modified_on":139,"embed":9,"uploaded_by":56,"uploaded_on":140,"folder":59,"width":141,"height":142,"charset":9,"duration":9,"tus_id":9,"tus_data":9,"focal_point_x":143,"focal_point_y":144},{},{"id":353,"collection":66,"item":354},2976,{"date_published":9,"date_unpublished":9,"heading_size":76,"heading_tag":77,"type":84,"summary":9,"heading":355,"body":356,"id":357,"is_enabled":27},"Prints between industrialisation and revolution","\u003Cp>Famous not only for his paintings and sculptures, \u003Ca title=\"Max Klinger in Kulturpool\" href=\"\u002Fen\u002Fsearch?query=max+klinger\">Max Klinger\u003C\u002Fa> also made a name for himself as an innovator in \u003Ca title=\"Prints in Kulturpool\" href=\"\u002Fen\u002Fsearch?query=druckgrafik\">print\u003C\u002Fa>making; his contemporaries compared him with none other than \u003Ca title=\"Albrecht Dürer in Kulturpool\" href=\"\u002Fen\u002Fsearch?query=albrecht+dürer\">Albrecht Dürer\u003C\u002Fa>. His cycle \u003Cem>Dramen\u003C\u002Fem> (\u003Cem>dramas\u003C\u002Fem>) occupies a unique position within his series of prints. Firstly, it eschews symbolic elements; secondly, \u003Cem>Opus IX\u003C\u002Fem> brings together two storylines, each of which forms a self-contained sequence of three pictures: \u003Cem>Eine Mutter I, II und II\u003C\u002Fem> (\u003Cem>A Mother I, II, and III\u003C\u002Fem>) and \u003Cem>Märztage I, II und III\u003C\u002Fem> (\u003Cem>March Days I, II, and III\u003C\u002Fem>). These stories are each preceded by two sheets, the content of which lays the groundwork for what is to come.\u003C\u002Fp>\n\u003Cp>Although the title alludes to the German Revolution of 1848–1849, which also entered history as the March Revolution, Max Klinger frees the events from their historical context, showing instead the Berlin of his time, with its telegraph wires and advertising columns. \"Around this time, a slogan was circulating through the press that sprin – March especially – was the time of ferment in both nature and politics\", explains Klinger in a Letter to Max Lahrs 1916.\u003C\u002Fp>\n\u003Cp>His cycle can be read as a warning that the unresolved political and social grievances caused by rapid industrialisation may lead to a repeat of the events of 1848–1849.\u003C\u002Fp>",1529,{"id":359,"collection":22,"item":360},2977,{"date_published":9,"date_unpublished":9,"aspect_ratio":91,"type":92,"pick_items":9,"id":361,"is_enabled":27,"randomize":9,"row_mode":28,"items":362},931,[363],{"id":364,"sort":32,"type":33,"date_published":9,"date_unpublished":9,"color_text":9,"color_background":9,"category":9,"heading":365,"is_long_heading":28,"summary":9,"link_internal":9,"link":366,"call_to_action":9,"show_search":28,"image":367},1784,"The early self-portrait shows Käthe Kollwitz at the dining table in her apartment in Berlin.","\u002Fen\u002Finstitutions\u002Fmdms\u002FBA 5239",{"id":161,"author":162,"title":163,"license":39,"description":9,"license_url":40,"tags":9,"kulturpool_url":159,"location":9,"storage":41,"filename_disk":164,"filename_download":165,"metadata":368,"type":53,"filesize":173,"created_on":174,"modified_by":56,"modified_on":175,"embed":9,"uploaded_by":56,"uploaded_on":176,"folder":59,"width":177,"height":178,"charset":9,"duration":9,"tus_id":9,"tus_data":9,"focal_point_x":179,"focal_point_y":180},{"ifd0":369,"exif":370},{"Make":46,"Model":168},{"FNumber":170,"ExposureTime":171,"FocalLength":51,"ISOSpeedRatings":172},{"id":372,"collection":66,"item":373},2978,{"date_published":9,"date_unpublished":9,"heading_size":76,"heading_tag":77,"type":84,"summary":9,"heading":374,"body":375,"id":376,"is_enabled":27},"Self-portrait at the dining table","\u003Cp>One of the most influential texts of the women's movement is A Room of One's Own, published by the British writer Virginia Woolf (1882–1941) in 1929. In the essay, the author points out how important it is to have a personal retreat for creative work. However, at the time, very few artists had access to this luxury and were therefore forced to make compromises.\u003C\u002Fp>\n\u003Cp>\"I now draw considerably more than I paint from the practical consideration that, in Berlin, in the first few years of my marriage, I hardly had enough money to rent a studio\", \u003Ca title=\"Käthe Kollwitz in Kulturpool\" href=\"\u002Fen\u002Fsearch?query=käthe+kollwitz\">Käthe Kollwitz\u003C\u002Fa> wrote to her fellow artist \u003Ca title=\"Paul Hey in Kulturpool\" href=\"\u002Fen\u002Fsearch?query=paul+hey\">Paul Hey\u003C\u002Fa> in February 1891. \"And to paint oil paintings in the cramped rooms in which one resides is a sorry thought. Etching is far less laborious.\" The early self-portrait shows the artist seated at a dining table in her Berlin apartment. The centre of the young family's life, the large room features the baby carriage, and it is also where she produces her first etchings.\u003C\u002Fp>",1530,{"id":378,"collection":22,"item":379},2979,{"date_published":9,"date_unpublished":9,"aspect_ratio":91,"type":92,"pick_items":9,"id":380,"is_enabled":27,"randomize":9,"row_mode":28,"items":381},932,[382],{"id":383,"sort":32,"type":33,"date_published":9,"date_unpublished":9,"color_text":9,"color_background":9,"category":9,"heading":384,"is_long_heading":28,"summary":9,"link_internal":9,"link":385,"call_to_action":9,"show_search":28,"image":386},1785,"The drawing shows Schiele in an intimate embrace with his wife Edith. The couple did not have a happy ending.","\u002Fen\u002Finstitutions\u002Fmdms\u002FBS%25202288",{"id":197,"author":198,"title":199,"license":39,"description":9,"license_url":40,"tags":9,"kulturpool_url":195,"location":9,"storage":41,"filename_disk":200,"filename_download":201,"metadata":387,"type":53,"filesize":206,"created_on":207,"modified_by":56,"modified_on":208,"embed":9,"uploaded_by":56,"uploaded_on":209,"folder":59,"width":210,"height":211,"charset":9,"duration":9,"tus_id":9,"tus_data":9,"focal_point_x":212,"focal_point_y":213},{"ifd0":388,"exif":389},{"Make":46,"Model":47},{"FNumber":49,"ExposureTime":205,"FocalLength":51,"ISOSpeedRatings":52},{"id":391,"collection":66,"item":392},2980,{"date_published":9,"date_unpublished":9,"heading_size":76,"heading_tag":77,"type":84,"summary":9,"heading":393,"body":394,"id":395,"is_enabled":27},"Portrait of love and loss","\u003Cp>This moving drawing shows \u003Ca title=\"Egon Schiele in Kulturpool\" href=\"\u002Fen\u002Fsearch?query=egon+schiele\">Egon Schiele\u003C\u002Fa> in an intimate embrace with his new wife \u003Ca title=\"Edith Schiele in Kulturpool\" href=\"\u002Fen\u002Fsearch?query=edith+schiele\">Edith\u003C\u002Fa>, née Harms, who lived in a house on Hietzinger Hauptstraße opposite Schiele's studio. In 1914, a love affair began between the two. After Schiele's separation from his long-term partner, his model and muse Wally Neuzil, Edith and Egon Schiele married in June 1915, shortly after his conscription into military service.\u003C\u002Fp>\n\u003Cp>The couple were to meet a sad end. The 1918–1919 influenza pandemic was running rampant and is said to have claimed more lives than the First World War. Edith, who was six months pregnant, fell ill. Schiele, by now infected himself, drew his wife one last time in her deathbed, following her into death three days later on October 31st, 1918. His final words, recorded by his sister-in-law \u003Ca title=\"Adele Harms in Kulturpool\" href=\"\u002Fen\u002Fsearch?query=adele+harms\">Adele Harms\u003C\u002Fa>, proved true: \"The war is over – and I must go!\"\u003C\u002Fp>\n\u003Cp>Despite his short life, Schiele joins \u003Ca title=\"Richard Gerstl in Kulturpool\" href=\"\u002Fen\u002Fsearch?query=richard+gerstl\">Richard Gerstl\u003C\u002Fa>, \u003Ca title=\"Gustav Klimt in Kulturpool\" href=\"\u002Fen\u002Fsearch?query=gustav+klimt\">Gustav Klimt\u003C\u002Fa>, and \u003Ca title=\"Oskar Kokoschka in Kulturpool\" href=\"\u002Fen\u002Fsearch?query=oskar+kokoschka\">Oskar Kokoschka\u003C\u002Fa> as one of the key figures of Modernism in Austria. His expressive pictorial language and radical representations of the body blazed a trail for a number of twentieth-century artists, including \u003Ca title=\"Günter Brus in Kulturpool\" href=\"\u002Fen\u002Fsearch?query=günter+brus\">Günter Brus\u003C\u002Fa>, Francis Bacon, and \u003Ca title=\"Elke Krystufek in Kulturpool\" href=\"\u002Fen\u002Fsearch?query=elke+krystufek\">Elke Krystufek\u003C\u002Fa>.\u003C\u002Fp>",1531,{"id":397,"collection":66,"item":398},2981,{"date_published":9,"date_unpublished":9,"heading_size":76,"heading_tag":77,"type":70,"summary":9,"heading":399,"body":9,"id":400,"is_enabled":27},"Relevant links",1532,{"id":402,"collection":227,"item":403},2982,{"date_published":9,"date_unpublished":9,"type":78,"items":404,"summary":9,"heading":9,"id":411,"is_enabled":27},[405,408],{"heading":231,"summary":406,"link":407,"call_to_action":234},"The Museum der Moderne Salzburg collects, preserves, studies, displays, and communicates the art of the 20th and 21st centuries.","https:\u002F\u002Fwww.museumdermoderne.at\u002Fen\u002F",{"heading":409,"summary":410,"link":238,"call_to_action":239},"Digital collection","The digital collections of the Museum der Moderne Salzburg",407,{"id":413,"collection":22,"item":414},2983,{"date_published":9,"date_unpublished":9,"aspect_ratio":24,"type":78,"pick_items":9,"id":415,"is_enabled":27,"randomize":9,"row_mode":28,"items":416},933,[417],{"id":418,"sort":32,"type":248,"date_published":9,"date_unpublished":9,"color_text":249,"color_background":250,"category":9,"heading":231,"is_long_heading":28,"summary":293,"link_internal":9,"link":419,"call_to_action":420,"show_search":28,"image":421},1786,"\u002Fen\u002Fsearch?refinementList=dataProvider%255B0%255D=Museum%2520der%2520Moderne%2520Salzburg","See the digital objects",{"id":255,"author":256,"title":257,"license":258,"description":9,"license_url":259,"tags":9,"kulturpool_url":9,"location":9,"storage":41,"filename_disk":260,"filename_download":261,"metadata":422,"type":53,"filesize":270,"created_on":271,"modified_by":272,"modified_on":273,"embed":9,"uploaded_by":56,"uploaded_on":274,"folder":275,"width":276,"height":277,"charset":9,"duration":9,"tus_id":9,"tus_data":9,"focal_point_x":278,"focal_point_y":279},{"ifd0":423,"exif":424},{"Make":264,"Model":265},{"FNumber":267,"ExposureTime":268,"FocalLength":269,"ISOSpeedRatings":52},{"id":426,"collection":227,"item":427},2984,{"date_published":9,"date_unpublished":9,"type":78,"items":428,"summary":9,"heading":9,"id":434,"is_enabled":27},[429],{"heading":430,"summary":431,"link":432,"call_to_action":433},"More articles","Read more about the digitisation of cultural heritage.","\u002Fen\u002Fcontent\u002Farticles","See all articles",408,[436,437],171,172,{"og_image":36,"canonical_url":9,"sitemap_change_frequency":439,"title":9,"sitemap_priority":440,"node_type":9,"meta_description":9,"id":441,"no_index":28,"no_follow":28},"daily",0.5,136]