[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"content-stakeholder-forum-2026-nachlese":3},[4],{"id":5,"sort":6,"status":7,"category":8,"date_published":6,"date_unpublished":6,"color_text":9,"color_background":10,"translations":11,"visibilities":695,"seo":698},176,null,"draft",11,"#F59C00","#356645",[12,465],{"languages_code":13,"title":14,"slug":15,"summary":16,"id":17,"items":18},"de","Nachlese zum Kulturpool Stakeholder Forum 2026","stakeholder-forum-2026-nachlese","Was es Österreich bringt, sein digitales Kulturerbe zu vernetzen – darüber diskutierte die Kulturpool-Community beim Stakeholder Forum 2026 im kärnten.museum in Klagenfurt\n",328,[19,59,69,75,82,128,134,141,210,216,295,301,349,355,372,378,384,414,420,426,431,448],{"id":20,"collection":21,"item":22},3556,"block_slider",{"date_published":6,"date_unpublished":6,"aspect_ratio":23,"type":24,"pick_items":6,"id":25,"row_mode":26,"is_enabled":27,"randomize":6,"items":28},"3\u002F1","full-width",1099,false,true,[29],{"id":30,"sort":31,"type":32,"date_published":6,"date_unpublished":6,"color_text":6,"color_background":6,"category":6,"heading":6,"is_long_heading":26,"summary":6,"link_internal":6,"link":6,"call_to_action":6,"show_search":26,"image":33},2080,1,"image",{"id":34,"author":35,"title":36,"license":37,"description":6,"license_url":38,"tags":6,"kulturpool_url":6,"location":6,"storage":39,"filename_disk":40,"filename_download":41,"metadata":42,"type":51,"filesize":52,"created_on":53,"modified_by":54,"modified_on":55,"embed":6,"uploaded_by":54,"uploaded_on":56,"folder":6,"width":57,"height":58,"charset":6,"duration":6,"tus_id":6,"tus_data":6,"focal_point_x":6,"focal_point_y":6},"dd9e45ff-b263-4ff4-bade-13fe0f25cf67","Kärnten Museum \u002F J. 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Mai im kärnten.museum in Klagenfurt.\u003C\u002Fp>",1848,{"id":76,"collection":61,"item":77},3558,{"date_unpublished":6,"date_published":6,"heading_size":72,"heading_tag":64,"type":78,"summary":6,"heading":79,"body":80,"id":81,"is_enabled":27},"two-cols","Wertvolle Momentaufnahme","\u003Cp>Die roten Spritzer zu seinen Füßen erinnern an Blut. Andere Botschaften sind eindeutiger und auch die vielen Kraftausdrücke sind unübersehbar. Rund um das Reiterstandbild von Robert E. Lee im US-amerikanischen Richmond entsteht im Sommer 2020 ein Ort für Protest und Erinnerung. Unzählige Menschen hinterlassen nach der Ermordung von George Floyd im Mai 2020 im Zuge der Black-Lives-Matter-Bewegung ihre Spuren auf dem Monument des Konföderierten-Generals – als Ausdruck von Protest, Trauer und Selbstermächtigung.\u003C\u002Fp>\n\u003Cp>Viele von ihnen fordern, die Statue einzureißen – mit Erfolg. Heute erinnert im Stadtzentrum nichts mehr an die Statue, doch mit dem unliebsamen Reiter wurden auch die Spuren dieses historischen Protests entfernt. Für den Künstler Terry Kilby stellte das  besprayte Denkmal jedoch ein wichtiges kulturelles Erbe dar und er beschloss, ein 3D-Modell davon anzufertigen. Dank des digitalen Zwillings von Robert E. Lee sind die Botschaften der Protestbewegung nun auch für künftige Generationen und Forschende zugänglich – bis ins kleinste Detail. \u003C\u002Fp>\n\u003Cp> \u003C\u002Fp>",1838,{"id":83,"collection":21,"item":84},3570,{"date_published":6,"date_unpublished":6,"aspect_ratio":85,"type":86,"pick_items":6,"id":87,"row_mode":26,"is_enabled":27,"randomize":6,"items":88},"1\u002F1","small",1102,[89,108],{"id":90,"sort":31,"type":32,"date_published":6,"date_unpublished":6,"color_text":6,"color_background":6,"category":6,"heading":6,"is_long_heading":26,"summary":6,"link_internal":6,"link":6,"call_to_action":6,"show_search":26,"image":91},2089,{"id":92,"author":93,"title":94,"license":37,"description":6,"license_url":38,"tags":6,"kulturpool_url":6,"location":6,"storage":39,"filename_disk":95,"filename_download":96,"metadata":97,"type":51,"filesize":103,"created_on":104,"modified_by":54,"modified_on":105,"embed":6,"uploaded_by":54,"uploaded_on":106,"folder":107,"width":57,"height":58,"charset":6,"duration":6,"tus_id":6,"tus_data":6,"focal_point_x":6,"focal_point_y":6},"da486728-b324-4f43-86f5-2c07ab02e48e","Kärnten.Museum \u002F J. 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\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\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\">Für die Museologin Sarah Kenderdine (ÉPFL) sind Initiativen wie diese Zeichen dafür, wie die Digitalisierung von Kulturerbe einen gesellschaftlichen Mehrwert bringt. Dabei geht es um mehr als das bloße Erhalten und Bewahren von Objekten. Kulturerbe aufwändig und professionell zu digitalisieren, heißt auch, eine Menge an Daten zu gewinnen, die idealerweise vielseitig genutzt werden können. So wird etwa der gescannte General bei Installationen interaktiv erkundet und für die Geschichtsvermittlung genutzt. Mithilfe von Augmented Reality-Technologie können wir jederzeit die bemalte Statue über das eigene Handy am Ort unserer Wahl errichten und fotografieren. Das bringt den Protest gegen Rassismus und Hass mit wenigen Klicks in die eigene Nachbarschaft.\u003C\u002Fp>\n\u003Cp>Kenderdine holte das Monument ebenfalls zu sich nach Lausanne, wo sie als Direktorin der ÉPFL Pavillons Kunst, Forschung und Technologie einen Raum gibt.  Bei ihrem Eröffnungsvortrag des Kulturpool Stakeholder Forum 2026 im kärnten.museum in Klagenfurt gewährte die Digitalpionierin den Teilnehmenden einen Einblick in ihre faszinierende internationale Ausstellungsarbeit.\u003C\u002Fp>\n\u003Cp>In diesem Kontext stellte sie auch vor, warum computergestützte Museumsforschung und -arbeit neue Perspektiven und Möglichkeiten für Institutionen und Besucher*innen bietet. Dabei gehe es nicht darum, Geschichte und Kultur nur mehr durch einen Bildschirm zu erleben. Vielmehr soll das Digitale dabei helfen, mit dem Kulturerbe in Kontakt zu treten. Unter dem Slogan “Designing for public engagement” zeigte Kenderdine auf, wie digitale Tools dazu beitragen, die Vergangenheit gemeinsam – oftmals auch spielerisch – zu erkunden.\u003C\u002Fp>",1839,{"id":135,"collection":61,"item":136},3561,{"date_unpublished":6,"date_published":6,"heading_size":72,"heading_tag":64,"type":137,"summary":138,"heading":139,"body":6,"id":140,"is_enabled":27},"quote","LHStv. Gaby Schaunig (Land Kärnten)","Ich habe selten eine Veranstaltung erlebt, die genau diesen Schnittpunkt der digitalen Welt mit der Kunst und Kultur so in den Mittelpunkt stellt.",1841,{"id":142,"collection":21,"item":143},3568,{"date_published":6,"date_unpublished":6,"aspect_ratio":144,"type":86,"pick_items":6,"id":145,"row_mode":26,"is_enabled":27,"randomize":6,"items":146},"3\u002F2",1100,[147,162,178,193],{"id":148,"sort":31,"type":32,"date_published":6,"date_unpublished":6,"color_text":6,"color_background":6,"category":6,"heading":6,"is_long_heading":26,"summary":6,"link_internal":6,"link":6,"call_to_action":6,"show_search":26,"image":149},2084,{"id":150,"author":93,"title":151,"license":37,"description":6,"license_url":38,"tags":6,"kulturpool_url":6,"location":6,"storage":39,"filename_disk":152,"filename_download":153,"metadata":154,"type":51,"filesize":158,"created_on":159,"modified_by":54,"modified_on":160,"embed":6,"uploaded_by":54,"uploaded_on":161,"folder":107,"width":57,"height":58,"charset":6,"duration":6,"tus_id":6,"tus_data":6,"focal_point_x":6,"focal_point_y":6},"7256e559-8252-4e39-bbd9-fc7b0acae0e3","LHStv.in Dr.in Gaby Schaunig eröffnet das Stakeholder Forum 2026 ","7256e559-8252-4e39-bbd9-fc7b0acae0e3.jpg","Stakeholderforum_059.jpg",{"ifd0":155,"exif":156},{"Make":44,"Model":45},{"FNumber":47,"ExposureTime":100,"FocalLength":157,"ISOSpeedRatings":102},200,"5122983","2026-05-20T07:48:32.987Z","2026-05-20T07:53:21.883Z","2026-05-20T07:48:33.001Z",{"id":163,"sort":164,"type":32,"date_published":6,"date_unpublished":6,"color_text":6,"color_background":6,"category":6,"heading":6,"is_long_heading":26,"summary":6,"link_internal":6,"link":6,"call_to_action":6,"show_search":26,"image":165},2083,2,{"id":166,"author":93,"title":167,"license":37,"description":6,"license_url":38,"tags":6,"kulturpool_url":6,"location":6,"storage":39,"filename_disk":168,"filename_download":169,"metadata":170,"type":51,"filesize":174,"created_on":175,"modified_by":54,"modified_on":176,"embed":6,"uploaded_by":54,"uploaded_on":177,"folder":107,"width":57,"height":58,"charset":6,"duration":6,"tus_id":6,"tus_data":6,"focal_point_x":6,"focal_point_y":6},"ffb9b43c-84fc-4530-a36d-21ab95f650d6","Wolfgang Muchitsch, Direktor des Kärnten.Museum, begrüßt die Gäste","ffb9b43c-84fc-4530-a36d-21ab95f650d6.jpg","Stakeholderforum_052.jpg",{"ifd0":171,"exif":172},{"Make":44,"Model":45},{"FNumber":47,"ExposureTime":100,"FocalLength":173,"ISOSpeedRatings":102},150,"5373150","2026-05-20T07:48:25.307Z","2026-05-20T07:53:21.880Z","2026-05-20T07:48:25.323Z",{"id":179,"sort":110,"type":32,"date_published":6,"date_unpublished":6,"color_text":6,"color_background":6,"category":6,"heading":6,"is_long_heading":26,"summary":6,"link_internal":6,"link":6,"call_to_action":6,"show_search":26,"image":180},2082,{"id":181,"author":35,"title":182,"license":37,"description":6,"license_url":38,"tags":6,"kulturpool_url":6,"location":6,"storage":39,"filename_disk":183,"filename_download":184,"metadata":185,"type":51,"filesize":189,"created_on":190,"modified_by":54,"modified_on":191,"embed":6,"uploaded_by":54,"uploaded_on":192,"folder":107,"width":57,"height":58,"charset":6,"duration":6,"tus_id":6,"tus_data":6,"focal_point_x":6,"focal_point_y":6},"79a57560-7013-446c-b809-d40106ecb228","Volles Haus in Klagenfurt","79a57560-7013-446c-b809-d40106ecb228.jpg","Stakeholderforum_042.jpg",{"ifd0":186,"exif":187},{"Make":44,"Model":45},{"FNumber":47,"ExposureTime":100,"FocalLength":188,"ISOSpeedRatings":102},24,"5551116","2026-05-20T07:48:15.742Z","2026-05-20T07:53:21.876Z","2026-05-20T07:48:15.758Z",{"id":194,"sort":47,"type":32,"date_published":6,"date_unpublished":6,"color_text":6,"color_background":6,"category":6,"heading":6,"is_long_heading":26,"summary":6,"link_internal":6,"link":6,"call_to_action":6,"show_search":26,"image":195},2081,{"id":196,"author":35,"title":197,"license":37,"description":6,"license_url":38,"tags":6,"kulturpool_url":6,"location":6,"storage":39,"filename_disk":198,"filename_download":199,"metadata":200,"type":51,"filesize":206,"created_on":207,"modified_by":54,"modified_on":208,"embed":6,"uploaded_by":54,"uploaded_on":209,"folder":107,"width":57,"height":58,"charset":6,"duration":6,"tus_id":6,"tus_data":6,"focal_point_x":6,"focal_point_y":6},"9f028d12-c40f-4c9c-b023-1079f117ffb8","v.re.n.li.: W. Muchitsch (Kärnten Museum), P. Fischer (NHM Wien\u002FKulturpool), S. Kenderdine (ÉPFL), LHStv. G. Schaunig (Land Kärnten), K. Vohland (NHM Wien), D. Wolfslehner (BMWKMS)","9f028d12-c40f-4c9c-b023-1079f117ffb8.jpg","Muchitsch_Fischer_Kenderdine_Schaunig_Vohland_Wolfslehner.jpg",{"ifd0":201,"exif":202},{"Make":44,"Model":45},{"FNumber":203,"ExposureTime":204,"FocalLength":205,"ISOSpeedRatings":102},7.1,0.02,50,"6309851","2026-05-20T07:48:03.410Z","2026-05-20T07:53:21.872Z","2026-05-20T07:48:03.431Z",{"id":211,"collection":61,"item":212},3560,{"date_unpublished":6,"date_published":6,"heading_size":63,"heading_tag":64,"type":78,"summary":6,"heading":213,"body":214,"id":215,"is_enabled":27},"Macht \u002F Daten \u002F Sprache","\u003Cp>Für das vielfältige Programm des diesjährigen Forums bot Kenderdines Vortrag viele Denkanstöße zum Umgang mit Kulturerbedaten in Österreich: Das Schwerpunktthema der zweitägigen Veranstaltung lautete „Macht \u002F Daten \u002F Sprache“ und setzte sich mit der Frage auseinander, welche Herausforderungen die Öffnung und Vernetzung von Kulturerbedaten mit sich bringen. \u003C\u002Fp>\n\u003Cp>Knapp 100 Vertreter*innen aus über 60 Institutionen aus ganz Österreich folgten der Einladung des \u003Ca title=\"Zur Webseite\" href=\"http:\u002F\u002Fbmwkms.gv.at\u002F?ref=info.kulturpool.at\" target=\"_blank\" rel=\"noopener\">Bundesministerium für Kunst und Kultur (BMWKMS) \u003C\u002Fa>mit dem Kulturpool, der \u003Ca title=\"Zur Webseite\" href=\"https:\u002F\u002Fwww.ffg.at\" target=\"_blank\" rel=\"noopener\">Österreichischen Forschungsförderungsgesellschaft (FFG)\u003C\u002Fa>, der \u003Ca title=\"Zur Webseite\" href=\"https:\u002F\u002Fwww.topothek.at\u002Fde\u002Funsere-topotheken\u002F\" target=\"_blank\" rel=\"noopener\">Topothek \u003C\u002Fa>und dem \u003Ca title=\"Zur Webseite\" href=\"https:\u002F\u002Fwww.ffg.at\u002F?ref=info.kulturpool.at\" target=\"_blank\" rel=\"noopener\">Kärnten.Museum\u003C\u002Fa>. Eröffnet wurde die Veranstaltung in Klagenfurt durch Landeshauptmann-Stellvertreterin Dr.in Gaby Schaunig. Sie hob in ihren Eröffnungsworten hervor, wie wichtig die Datenqualität ist, um Inhalte von generativer KI unterscheiden zu können. Die Datenmenge, die jeder Mensch täglich produziere, bilde eine enorme Herausforderung, die sich auch im Alltag zeige: „Ich besitze so viele Fotos, wie ich noch nie besessen habe, aber ich schaue mir immer weniger davon an,“ gibt Schaunig zu bedenken. Ein Austauschformat wie das Kulturpool Stakeholder Forum würde den drängenden Fragen der Digitalisierung einen wichtigen Raum geben, zeigt sich Schaunig überzeugt. „Ich habe selten eine Veranstaltung erlebt, die genau diesen Schnittpunkt der digitalen Welt und Kunst und Kultur so in den Mittelpunkt stellt“, so Schaunig.\u003C\u002Fp>\n\u003Cp>Wolfgang Muchitsch, Direktor des Kärnten.Museum, hob in seinen Begrüßungsworten die Macht der Sprache hervor. Sprachliche Vielfalt sei demnach als Reichtum und Chance zu verstehen. Die anfängliche Skepsis gegenüber Digitalisierung in vielen Museen sei glücklicherweise inzwischen überwunden. Die Museen sollten sich aber verstärkt ihrer Wirkmacht, basierend auf ihren Objekten und dem verbundenen Wissen, bewusst werden, appellierte Muchitsch. \u003C\u002Fp>",1840,{"id":217,"collection":21,"item":218},3569,{"date_published":6,"date_unpublished":6,"aspect_ratio":144,"type":86,"pick_items":6,"id":219,"row_mode":26,"is_enabled":27,"randomize":6,"items":220},1101,[221,236,252,266,280],{"id":222,"sort":31,"type":32,"date_published":6,"date_unpublished":6,"color_text":6,"color_background":6,"category":6,"heading":6,"is_long_heading":26,"summary":6,"link_internal":6,"link":6,"call_to_action":6,"show_search":26,"image":223},2085,{"id":224,"author":93,"title":225,"license":37,"description":6,"license_url":38,"tags":6,"kulturpool_url":6,"location":6,"storage":39,"filename_disk":226,"filename_download":227,"metadata":228,"type":51,"filesize":232,"created_on":233,"modified_by":54,"modified_on":234,"embed":6,"uploaded_by":54,"uploaded_on":235,"folder":107,"width":57,"height":58,"charset":6,"duration":6,"tus_id":6,"tus_data":6,"focal_point_x":6,"focal_point_y":6},"69b95a15-29cc-4031-81f0-dd2d89375537","Geführte Tour durchs 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Wissen digital vernetzen","\u003Cp>Als Vorprogramm zum Eröffnungsabend widmeten sich zwei parallele Workshops den Fragen, wie digitale Mittel und Infrastrukturen dazu beitragen können, Erinnerung und Zugänglichkeit von Kulturerbe zu gestalten. Im Mittelpunkt eines Vernetzungstreffens der Topotheken stand das Zusammenwirken von Bürger*innen und wissenschaftlichen Akteur*innen in der Dokumentation von Geschichte.\u003C\u002Fp>\n\u003Cp>Topotheken zeigen, wie partizipative Projekte die Wissensproduktion fördern und lokale Perspektiven sichtbar machen. Zugleich gilt es, Herausforderungen bei der Metadatenqualität und rechtliche Unsicherheiten zu überwinden sowie die Rolle von KI und semantische Technologien zu diskutieren.\u003C\u002Fp>\n\u003Cp>In der anschließenden Diskussion mit Toptheken-Initiator\u003Cstrong> \u003C\u002Fstrong>Alexander Schatek\u003Cstrong> \u003C\u002Fstrong>wurde deutlich, dass es neben der technischen Standardisierung und Weiterentwicklung auch einen besseren Austausch zwischen wissenschaftlicher Forschung und ehrenamtlichen Laien benötigt. Denn trotz bestehender Spannungsverhältnisse brauche es diese Zusammenarbeit, um lokales Wissen verantwortungsvoll zu erschließen und sichern.\u003C\u002Fp>",1842,{"id":302,"collection":21,"item":303},3571,{"date_published":6,"date_unpublished":6,"aspect_ratio":304,"type":86,"pick_items":6,"id":305,"row_mode":26,"is_enabled":27,"randomize":6,"items":306},"4\u002F3",1103,[307,320,333],{"id":308,"sort":31,"type":32,"date_published":6,"date_unpublished":6,"color_text":9,"color_background":10,"category":6,"heading":6,"is_long_heading":26,"summary":6,"link_internal":6,"link":242,"call_to_action":6,"show_search":26,"image":309},2091,{"id":310,"author":240,"title":311,"license":241,"description":6,"license_url":242,"tags":6,"kulturpool_url":6,"location":6,"storage":39,"filename_disk":312,"filename_download":313,"metadata":314,"type":51,"filesize":315,"created_on":316,"modified_by":54,"modified_on":317,"embed":6,"uploaded_by":54,"uploaded_on":318,"folder":107,"width":250,"height":319,"charset":6,"duration":6,"tus_id":6,"tus_data":6,"focal_point_x":6,"focal_point_y":6},"82dc31fe-6519-4823-9c41-a4695f3ef3c0","Alexander Schatek präsentierte die Arbeit der Topotheken","82dc31fe-6519-4823-9c41-a4695f3ef3c0.jpg","3-DSC03113.jpg",{},"851096","2026-05-20T08:13:19.371Z","2026-05-20T10:19:08.777Z","2026-05-20T10:16:24.731Z",1620,{"id":321,"sort":164,"type":32,"date_published":6,"date_unpublished":6,"color_text":9,"color_background":10,"category":6,"heading":6,"is_long_heading":26,"summary":6,"link_internal":6,"link":322,"call_to_action":6,"show_search":26,"image":323},2092,"https:\u002F\u002Fwww.ffg.at\u002FEuropa\u002FHorizon-Europe",{"id":324,"author":240,"title":325,"license":241,"description":6,"license_url":325,"tags":6,"kulturpool_url":6,"location":6,"storage":39,"filename_disk":326,"filename_download":327,"metadata":328,"type":51,"filesize":329,"created_on":330,"modified_by":54,"modified_on":331,"embed":6,"uploaded_by":54,"uploaded_on":332,"folder":107,"width":250,"height":319,"charset":6,"duration":6,"tus_id":6,"tus_data":6,"focal_point_x":6,"focal_point_y":6},"3e162480-0033-4791-9bd3-355d81380c91","Angela Wieser leitete den Workshop der FFG im Rahmen der Horizon Europe Community Österreich","3e162480-0033-4791-9bd3-355d81380c91.jpg","4-DSC03126.jpg",{},"997911","2026-05-20T08:14:38.693Z","2026-05-20T10:19:08.782Z","2026-05-20T10:16:39.923Z",{"id":334,"sort":110,"type":32,"date_published":6,"date_unpublished":6,"color_text":9,"color_background":10,"category":6,"heading":6,"is_long_heading":26,"summary":6,"link_internal":6,"link":6,"call_to_action":6,"show_search":26,"image":335},2099,{"id":336,"author":93,"title":337,"license":37,"description":6,"license_url":38,"tags":6,"kulturpool_url":6,"location":6,"storage":39,"filename_disk":338,"filename_download":339,"metadata":340,"type":51,"filesize":345,"created_on":346,"modified_by":54,"modified_on":347,"embed":6,"uploaded_by":54,"uploaded_on":348,"folder":107,"width":57,"height":58,"charset":6,"duration":6,"tus_id":6,"tus_data":6,"focal_point_x":6,"focal_point_y":6},"3dc52941-1a9e-4b01-a9bd-159c147c4413","Das Stakeholder Forum gastiert jedes Jahr in einer anderen Stadt und lädt ein zur Vernetzung","3dc52941-1a9e-4b01-a9bd-159c147c4413.jpg","Austausch.jpg",{"ifd0":341,"exif":342},{"Make":44,"Model":45},{"FNumber":231,"ExposureTime":343,"FocalLength":344,"ISOSpeedRatings":50},0.0125,55,"4072310","2026-05-20T08:05:25.267Z","2026-05-20T08:39:17.878Z","2026-05-20T08:05:25.281Z",{"id":350,"collection":61,"item":351},3563,{"date_unpublished":6,"date_published":6,"heading_size":63,"heading_tag":64,"type":78,"summary":6,"heading":352,"body":353,"id":354,"is_enabled":27},"FAIRantwortung","\u003Cp>Verstehen wir Daten im Museum als einen Hammer, dann können wir damit entweder ein schönes Bild aufhängen oder damit eine Vitrine einschlagen. Die Entscheidung, wie wir die Macht der Daten nutzen, liegt in unseren Händen. Mit diesem Vergleich brachte Angela Wieser (FFG) den Schwerpunkt des FFG-Workshops zu „Macht, Daten, Erinnern“ auf den Punkt.\u003C\u002Fp>\n\u003Cp>Diskutiert wurde, wie europäische Programme und Netzwerke Innovation und Verantwortung im digitalen Kulturerbe verbinden können. Daraufhin stellte Cathrin Steiner (Fluxguide) das EU-Projekt MEMORISE vor. Präsentiert wurden neue digitale Ansätze zur Vermittlung des kulturellen Erbes aus der NS-Zeit sowie deren gesellschaftliche und ethische Implikationen. Besonders jüngere Zielgruppen, denen der direkte Kontakt zu Überlebenden und Zeitzeug*innen verwehrt bleibt, könnten durch neue Methoden erreicht werden. \u003C\u002Fp>\n\u003Cp>Projekte wie diese zeigen auf, wie wichtig hochqualitative Daten und der verantwortungsvolle Umgang mit diesem Erbe sind. Als Richtschnur bieten u.a. die FAIR Data-Prinzipien Orientierung. Demnach sollen Daten zum Kulturerbe auffindbar, zugänglich, interoperabel und wiederverwendbar sein – Anforderungen, die in der Praxis auch erheblichen Aufwand für Kulturerbeeinrichtungen mit sich bringen. \u003C\u002Fp>",1843,{"id":356,"collection":21,"item":357},3572,{"date_published":6,"date_unpublished":6,"aspect_ratio":23,"type":24,"pick_items":6,"id":358,"row_mode":26,"is_enabled":27,"randomize":6,"items":359},1104,[360],{"id":361,"sort":31,"type":32,"date_published":6,"date_unpublished":6,"color_text":6,"color_background":6,"category":6,"heading":6,"is_long_heading":26,"summary":6,"link_internal":6,"link":6,"call_to_action":6,"show_search":26,"image":362},2094,{"id":363,"author":240,"title":364,"license":241,"description":6,"license_url":242,"tags":6,"kulturpool_url":6,"location":6,"storage":39,"filename_disk":365,"filename_download":366,"metadata":367,"type":51,"filesize":368,"created_on":369,"modified_by":54,"modified_on":370,"embed":6,"uploaded_by":54,"uploaded_on":371,"folder":107,"width":250,"height":319,"charset":6,"duration":6,"tus_id":6,"tus_data":6,"focal_point_x":6,"focal_point_y":6},"0f02793e-7c9f-412a-9e73-8a9a2b80c62b","Stakeholder Forum 2026","0f02793e-7c9f-412a-9e73-8a9a2b80c62b.jpg","13-DSC03234.jpg",{},"1077626","2026-05-20T08:16:58.112Z","2026-05-20T10:20:40.189Z","2026-05-20T10:20:40.187Z",{"id":373,"collection":61,"item":374},3564,{"date_unpublished":6,"date_published":6,"heading_size":63,"heading_tag":64,"type":78,"summary":6,"heading":375,"body":376,"id":377,"is_enabled":27},"Auf Reisen ins Digitale","\u003Cp>Der zweite Tag des Forums stand im Zeichen von Kompetenzen und Infrastrukturen, die für die bessere Vernetzung von Daten im Kulturerbesektor benötigt werden. In ihren Begrüßungsworten hob Katrin Vohland, Generaldirektorin des Naturhistorischen Museum Wien, die Bedeutung menschlicher Bewertungsfähigkeit hervor. Museen müssten gerade im Hinblick auf Künstliche Intelligenz verstärkt Kompetenzen aufbauen, um handlungsfähig zu bleiben.\u003C\u002Fp>\n\u003Cp>Der Kulturpool am NHM Wien begleite seine Partnerinstitutionen verlässlich „auf der langen Reise ins Digitale“, ergänzt Doris Wolfslehner (BMWKMS). Workflows und Infrastrukturaufbau müssten hierbei Hand in Hand gehen, so Wolfslehner mit Verweis auf die aktuelle Förderausschreibung zur Digitalen Transformation (Einreichfrist 31. August 2026), deren Fokus auf Datenqualität liegt.\u003C\u002Fp>\n\u003Cp 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\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Vortrag von Sören Auer, Professor für Data Science and Digital Libraries an der Gottfried Wilhelm Leibniz Universität Hannover und Direktor der TIB – Leibniz-Informationszentrum Technik und Naturwissenschaften in Hannover, veranschaulichte in der Folge, wie Wissensgraphen und semantische Technologien Kulturdaten in vernetztes Wissen überführen können. Angesichts halluzinierender Large Languague Modelle würde dieses vernetzte Wissen maschinelle Denkprozesse ergänzen und ihnen beim Überprüfen bzw. Kontextualisieren helfen. Auer wies auf die Wichtigkeit der FAIR-Prinzipien für die Nachhaltigkeit von vernetzten Daten hin und zeigte auf, wie Linked Open Data-Ansätze dabei helfen, Sammlungen institutionenübergreifend zugänglich und analysierbar zu machen.\u003C\u002Fp>",1844,{"id":379,"collection":61,"item":380},3565,{"date_unpublished":6,"date_published":6,"heading_size":63,"heading_tag":64,"type":78,"summary":6,"heading":381,"body":382,"id":383,"is_enabled":27},"Messy, but beautiful?","\u003Cp>Die erste Lightning-Talk-Session des Tages beleuchtete daraufhin unterschiedliche Perspektiven auf Datenqualität, Zugänglichkeit und Wissensorganisation in der institutionellen Praxis: Beate Guba (TU Wien Bibliothek) diskutierte die Bedeutung kuratierter Vokabulare als Grundlage interoperabler Wissensinfrastrukturen und wies darauf hin, wie fragmentiert semantische Standards bislang sind. Anna Högner (Österreichisches Filmmuseum) zeigte, wie mit dem Datentool OpenRefine „messy data“ bereinigt, analysiert und an Normdaten angeschlossen werden können. Eva Mayr und Florian Windhager (UWK) stellten das Konzept der „Generous Interfaces“ vor, das digitale Sammlungen als offene, einladende Erfahrungsräume gestaltet und Fragen von Sichtbarkeit und Teilhabe in den Fokus rückt. Martina Trognitz (ACDH\u002FÖAW) problematisierte schließlich die Diskrepanz zwischen offenen Metadaten und eingeschränkten Nutzungsrechten bei Digitalisaten und plädierte für einen reflektierten Umgang mit Gemeinfreiheit und Lizenzierung. Daraufhin entwickelte sich eine lebhafte Debatte zu Fragen der Verwertung und Nachnutzung von Kulturerbedaten.\u003C\u002Fp>",1845,{"id":385,"collection":21,"item":386},3573,{"date_published":6,"date_unpublished":6,"aspect_ratio":144,"type":86,"pick_items":6,"id":387,"row_mode":26,"is_enabled":27,"randomize":6,"items":388},1105,[389,402],{"id":390,"sort":31,"type":32,"date_published":6,"date_unpublished":6,"color_text":6,"color_background":6,"category":6,"heading":6,"is_long_heading":26,"summary":6,"link_internal":6,"link":6,"call_to_action":6,"show_search":26,"image":391},2095,{"id":392,"author":393,"title":394,"license":241,"description":6,"license_url":242,"tags":6,"kulturpool_url":6,"location":6,"storage":39,"filename_disk":395,"filename_download":396,"metadata":397,"type":51,"filesize":398,"created_on":399,"modified_by":54,"modified_on":400,"embed":6,"uploaded_by":54,"uploaded_on":401,"folder":107,"width":250,"height":319,"charset":6,"duration":6,"tus_id":6,"tus_data":6,"focal_point_x":6,"focal_point_y":6},"cdc91e09-6ca9-4360-a2bc-15bd4fb7c25c","Sofie Kokas \u002F BMWKSM","Panel Discussion - Mighty Metadata: Potential or Needless Hurdle?","cdc91e09-6ca9-4360-a2bc-15bd4fb7c25c.jpg","25-DSC03418.jpg",{},"1007359","2026-05-20T08:19:02.542Z","2026-05-20T10:21:53.443Z","2026-05-20T10:21:53.440Z",{"id":403,"sort":164,"type":32,"date_published":6,"date_unpublished":6,"color_text":6,"color_background":6,"category":6,"heading":6,"is_long_heading":26,"summary":6,"link_internal":6,"link":6,"call_to_action":6,"show_search":26,"image":404},2096,{"id":405,"author":240,"title":394,"license":406,"description":6,"license_url":242,"tags":6,"kulturpool_url":6,"location":6,"storage":39,"filename_disk":407,"filename_download":408,"metadata":409,"type":51,"filesize":410,"created_on":411,"modified_by":54,"modified_on":412,"embed":6,"uploaded_by":54,"uploaded_on":413,"folder":107,"width":250,"height":319,"charset":6,"duration":6,"tus_id":6,"tus_data":6,"focal_point_x":6,"focal_point_y":6},"ff69fdd5-59ba-49f7-86e2-878fc1e2ba3c","CC BY ","ff69fdd5-59ba-49f7-86e2-878fc1e2ba3c.jpg","23-DSC03392.jpg",{},"1446820","2026-05-20T08:19:50.920Z","2026-05-20T10:22:06.955Z","2026-05-20T10:22:06.953Z",{"id":415,"collection":61,"item":416},3566,{"date_unpublished":6,"date_published":6,"heading_size":63,"heading_tag":64,"type":78,"summary":6,"heading":417,"body":418,"id":419,"is_enabled":27},"Wie mächtig sind Metadaten?","\u003Cp>Die zweite Keynote des Tages kam von Clemens Apprich, Vizerektor der Universität für Angewandte Kunst. Darin zeigte der Medientheoretiker wie digitale Technologien unser Verständnis von Erinnerung verändern. Daten werden als gestaltbares Material für Kritik und künstlerische Praxis verstanden. Apprich forderte einen offeneren und mutigeren Umgang mit der künstlerischen und gesellschaftlichen Auseinandersetzung mit Kulturerbe und Gedächtnis. Archive seien dabei nicht als passive Speicher, sondern vielmehr als sich ständig aktivierende Systeme zu verstehen.\u003C\u002Fp>\n\u003Cp>Die Lightning-Talk-Session beleuchtete daraufhin unterschiedliche Formen der Kontextualisierung, Vermittlung und Vernetzung von vielfältigen Kulturdaten: Claudia Feigl (Universitätsbibliothek Wien) zeigte am Beispiel historischer Karten, wie visuelle Darstellungen Machtverhältnisse und Ideologien transportieren und welche Strategien für einen kritischen Umgang bei Erschließung und Digitalisierung notwendig sind. Gabriele Fröschl (Österreichische Mediathek) stellte mit dem audiovisuellen Atlas ein Projekt vor, das Ton- und Bildquellen ortsbasiert zugänglich macht und neue immersive Zugänge zur Kultur- und Zeitgeschichte eröffnet. Zuletzt präsentierten Julian Palacz und Sebastian Wolff (Naturhistorisches Museum Wien \u002F Kulturpool) eine KI-gestützte Lösung zur Harmonisierung heterogener Metadaten, durch die institutionenübergreifende Zusammenhänge sichtbar und Kulturdaten erstmals in einer kohärenten Struktur nutzbar werden.\u003C\u002Fp>\n\u003Cp>Die finale Podiumsdiskussion rief schließlich nochmals alle Keynote-Speaker*innen zusammen, um gemeinsam mit Katrin Vohland (NHM Wien) und Doris Wolfslehner (BMWKMS) die Macht von Metadaten auszuloten. Einigkeit bestand darin, dass gute Metadaten aus dem Kulturerbesektor die Grundlage für eine verlässliche und verantwortungsvolle Nutzung Künstlicher Intelligenz bilden. Das Potenzial von vernetzten Daten für Kulturerbeeinrichtungen sei erheblich, wobei es aber noch Berührungsängste, Überzeugungsarbeit und Kompetenzaufbau benötige.\u003C\u002Fp>",1846,{"id":421,"collection":61,"item":422},3577,{"date_unpublished":6,"date_published":6,"heading_size":72,"heading_tag":64,"type":137,"summary":423,"heading":424,"body":6,"id":425,"is_enabled":27},"Digitale Kulturerbe-Arbeit ist – so der Grundtenor des diesjährigen Stakeholder Forum – immer auch eine Frage von Macht, Verantwortung und bewusster Gestaltung. Ob die Digitalisierung nun dabei hilft, flüchtige Momente wie einen Straßenprotest einzufangen oder vernetzte Daten neue Zusammenhänge und vernachlässigte Blickwinkel sichtbar machen: Kulturerbedaten bringen Mehrwert für die Gesellschaft – weit über das bisher Denkbare hinaus.","Fazit",1849,{"id":427,"collection":61,"item":428},3567,{"date_unpublished":6,"date_published":6,"heading_size":72,"heading_tag":64,"type":65,"summary":6,"heading":6,"body":429,"id":430,"is_enabled":27},"\u003Cp 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Kulturpool-Team bedankt sich sehr herzlich bei den Kooperationspartnern für die Programmgestaltung und professionelle Durchführung, bei allen Teilnehmenden für ihr Mitwirken und das Interesse, bei den Vortragenden und Panelist*innen für die wertvollen Inputs sowie bei der gesamten Community für die entgegengebrachte Wertschätzung. Informationen zu Datum\u002FThema des Stakeholder Forum 2027 wird zeitnah kommuniziert.\u003C\u002Fp>",1847,{"id":432,"collection":21,"item":433},3578,{"date_published":6,"date_unpublished":6,"aspect_ratio":23,"type":24,"pick_items":6,"id":434,"row_mode":26,"is_enabled":27,"randomize":6,"items":435},1107,[436],{"id":437,"sort":31,"type":32,"date_published":6,"date_unpublished":6,"color_text":6,"color_background":6,"category":6,"heading":6,"is_long_heading":26,"summary":6,"link_internal":6,"link":6,"call_to_action":6,"show_search":26,"image":438},2100,{"id":439,"author":240,"title":440,"license":241,"description":6,"license_url":242,"tags":6,"kulturpool_url":6,"location":6,"storage":39,"filename_disk":441,"filename_download":442,"metadata":443,"type":51,"filesize":444,"created_on":445,"modified_by":54,"modified_on":446,"embed":6,"uploaded_by":54,"uploaded_on":447,"folder":107,"width":250,"height":319,"charset":6,"duration":6,"tus_id":6,"tus_data":6,"focal_point_x":6,"focal_point_y":6},"89e5b2d3-cb19-4c0f-96d0-0cd674efa202","Bis zum nächsten Stakeholder Forum! ","89e5b2d3-cb19-4c0f-96d0-0cd674efa202.jpg","9-DSC03156.jpg",{},"899012","2026-05-20T10:43:50.120Z","2026-05-20T10:45:35.249Z","2026-05-20T10:43:50.128Z",{"id":449,"collection":450,"item":451},3576,"block_links",{"date_unpublished":6,"date_published":6,"type":452,"items":453,"summary":6,"heading":463,"id":464,"is_enabled":27},"standard",[454,457,460],{"heading":455,"link":456,"call_to_action":6},"3D animation of the Robert E. Lee monument","https:\u002F\u002Fterrykilby.com\u002Fportfolio\u002Frva-01-03-21\u002F",{"heading":458,"link":459},"Programm und Folien: Stakeholder Forum 2026","https:\u002F\u002Finfo.kulturpool.at\u002Fstakeholder-forum-2026\u002F",{"heading":461,"link":462},"Förderprogramm Digitale Transformation","https:\u002F\u002Fwww.bmwkms.gv.at\u002Fthemen\u002Fkunst-und-kultur\u002Fschwerpunkte\u002Fdigitalisierung\u002Fdigitale-transformation.html","Weiterführende Informationen",493,{"languages_code":466,"title":467,"slug":468,"summary":469,"id":470,"items":471},"en","Looking back at the Kulturpool Stakeholder Forum 2026","stakeholder-forum-2026-lookingback","The Kulturpool community discussed the benefits for Austria of connecting its digital cultural heritage at the Stakeholder Forum 2026 at the kärnten.museum in Klagenfurt",329,[472,483,488,493,499,516,522,528,557,563,596,602,621,627,636,642,647,660,666,672,677,686],{"id":473,"collection":21,"item":474},3579,{"date_published":6,"date_unpublished":6,"aspect_ratio":23,"type":24,"pick_items":6,"id":475,"row_mode":26,"is_enabled":27,"randomize":6,"items":476},1108,[477],{"id":478,"sort":31,"type":32,"date_published":6,"date_unpublished":6,"color_text":6,"color_background":6,"category":6,"heading":6,"is_long_heading":26,"summary":6,"link_internal":6,"link":6,"call_to_action":6,"show_search":26,"image":479},2101,{"id":34,"author":35,"title":36,"license":37,"description":6,"license_url":38,"tags":6,"kulturpool_url":6,"location":6,"storage":39,"filename_disk":40,"filename_download":41,"metadata":480,"type":51,"filesize":52,"created_on":53,"modified_by":54,"modified_on":55,"embed":6,"uploaded_by":54,"uploaded_on":56,"folder":6,"width":57,"height":58,"charset":6,"duration":6,"tus_id":6,"tus_data":6,"focal_point_x":6,"focal_point_y":6},{"ifd0":481,"exif":482},{"Make":44,"Model":45},{"FNumber":47,"ExposureTime":48,"FocalLength":49,"ISOSpeedRatings":50},{"id":484,"collection":61,"item":485},3580,{"date_unpublished":6,"date_published":6,"heading_size":72,"heading_tag":64,"type":65,"summary":6,"heading":486,"body":6,"id":487,"is_enabled":27},"A look back at the Kulturpool Stakeholder Forum 2026",1850,{"id":489,"collection":61,"item":490},3581,{"date_unpublished":6,"date_published":6,"heading_size":72,"heading_tag":64,"type":65,"summary":6,"heading":6,"body":491,"id":492,"is_enabled":27},"\u003Cp>The Kulturpool community discussed at the Kulturpool Stakeholder Forum 2026, held on 5 and 6 May at the kärnten.museum in Klagenfurt, how Austria can benefit from connecting its digital cultural heritage \u003C\u002Fp>",1851,{"id":494,"collection":61,"item":495},3582,{"date_unpublished":6,"date_published":6,"heading_size":72,"heading_tag":64,"type":78,"summary":6,"heading":496,"body":497,"id":498,"is_enabled":27},"Digital protest memory","\u003Cp>The red splashes at his feet are reminiscent of blood. Other messages are more explicit, and the numerous expletives are impossible to miss. In the summer of 2020, the area around the equestrian statue of Robert E. Lee in Richmond, USA, became a site of protest and remembrance. Following the murder of George Floyd in May 2020, countless people left their mark on the Confederate general’s monument as part of the Black Lives Matter movement – as an expression of protest, grief and self-empowerment.\u003C\u002Fp>\n\u003Cp>Many of them are calling for the statue to be torn down – and they have succeeded. Today, nothing in the city centre remains to remind us of the statue, yet along with the unwelcome horseman, the traces of this historic protest have also been removed. For the artist Terry Kilby, however, the graffiti-covered monument represented an important cultural heritage, and he decided to create a 3D model of it. Thanks to the digital twin of Robert E. Lee, the messages of the protest movement are now accessible to future generations and researchers – down to the smallest detail. \u003C\u002Fp>",1852,{"id":500,"collection":21,"item":501},3583,{"date_published":6,"date_unpublished":6,"aspect_ratio":85,"type":86,"pick_items":6,"id":502,"row_mode":26,"is_enabled":27,"randomize":6,"items":503},1109,[504,510],{"id":505,"sort":31,"type":32,"date_published":6,"date_unpublished":6,"color_text":6,"color_background":6,"category":6,"heading":6,"is_long_heading":26,"summary":6,"link_internal":6,"link":6,"call_to_action":6,"show_search":26,"image":506},2103,{"id":92,"author":93,"title":94,"license":37,"description":6,"license_url":38,"tags":6,"kulturpool_url":6,"location":6,"storage":39,"filename_disk":95,"filename_download":96,"metadata":507,"type":51,"filesize":103,"created_on":104,"modified_by":54,"modified_on":105,"embed":6,"uploaded_by":54,"uploaded_on":106,"folder":107,"width":57,"height":58,"charset":6,"duration":6,"tus_id":6,"tus_data":6,"focal_point_x":6,"focal_point_y":6},{"ifd0":508,"exif":509},{"Make":44,"Model":45},{"FNumber":47,"ExposureTime":100,"FocalLength":101,"ISOSpeedRatings":102},{"id":511,"sort":164,"type":32,"date_published":6,"date_unpublished":6,"color_text":6,"color_background":6,"category":6,"heading":6,"is_long_heading":26,"summary":6,"link_internal":6,"link":6,"call_to_action":6,"show_search":26,"image":512},2102,{"id":112,"author":93,"title":113,"license":37,"description":6,"license_url":38,"tags":6,"kulturpool_url":6,"location":6,"storage":39,"filename_disk":114,"filename_download":115,"metadata":513,"type":51,"filesize":122,"created_on":123,"modified_by":54,"modified_on":124,"embed":6,"uploaded_by":54,"uploaded_on":125,"folder":107,"width":58,"height":57,"charset":6,"duration":6,"tus_id":6,"tus_data":6,"focal_point_x":126,"focal_point_y":127},{"ifd0":514,"exif":515},{"Make":44,"Model":45},{"FNumber":119,"ExposureTime":120,"FocalLength":121,"ISOSpeedRatings":102},{"id":517,"collection":61,"item":518},3584,{"date_unpublished":6,"date_published":6,"heading_size":72,"heading_tag":64,"type":78,"summary":6,"heading":519,"body":520,"id":521,"is_enabled":27},"Computational Museology\n","\u003Cp>For museologist Sarah Kenderdine (ÉPFL), initiatives such as these demonstrate how the digitisation of cultural heritage brings added value to society. It is about more than simply preserving and safeguarding objects. Digitising cultural heritage in a comprehensive and professional manner also means gathering a wealth of data that can ideally be put to various uses. For example, the scanned General is explored interactively in installations and used to teach history. With the help of augmented reality technology, we can erect the painted statue at any time via our own mobile phone at a location of our choice and take a photograph of it. This brings the protest against racism and hatred into our own neighbourhood with just a few clicks.\u003C\u002Fp>\n\u003Cp>Kenderdine also brought the monument to Lausanne, where, as director of the ÉPFL Pavillons, she creates a space for art, research and technology.  During her opening lecture at the Kulturpool Stakeholder Forum 2026 at the kärnten.museum in Klagenfurt, the digital pioneer gave participants an insight into her fascinating international exhibition work.\u003C\u002Fp>\n\u003Cp>In this context, she also explained why computer-assisted museum research and work offer new perspectives and opportunities for institutions and visitors. The aim is not simply to experience history and culture through a screen. Rather, digital technology should help people engage with cultural heritage. Under the slogan “Designing for public engagement”, Kenderdine demonstrated how digital tools can help people explore the past together – often in a playful way.\u003C\u002Fp>",1853,{"id":523,"collection":61,"item":524},3585,{"date_unpublished":6,"date_published":6,"heading_size":72,"heading_tag":64,"type":137,"summary":525,"heading":526,"body":6,"id":527,"is_enabled":27},"Deputy Governor Gaby Schaunig (Province of Carinthia)","I have rarely come across an event that focuses so closely on this very intersection of the digital world with art and culture.\n",1854,{"id":529,"collection":21,"item":530},3586,{"date_published":6,"date_unpublished":6,"aspect_ratio":144,"type":86,"pick_items":6,"id":531,"row_mode":26,"is_enabled":27,"randomize":6,"items":532},1110,[533,539,545,551],{"id":534,"sort":31,"type":32,"date_published":6,"date_unpublished":6,"color_text":6,"color_background":6,"category":6,"heading":6,"is_long_heading":26,"summary":6,"link_internal":6,"link":6,"call_to_action":6,"show_search":26,"image":535},2104,{"id":196,"author":35,"title":197,"license":37,"description":6,"license_url":38,"tags":6,"kulturpool_url":6,"location":6,"storage":39,"filename_disk":198,"filename_download":199,"metadata":536,"type":51,"filesize":206,"created_on":207,"modified_by":54,"modified_on":208,"embed":6,"uploaded_by":54,"uploaded_on":209,"folder":107,"width":57,"height":58,"charset":6,"duration":6,"tus_id":6,"tus_data":6,"focal_point_x":6,"focal_point_y":6},{"ifd0":537,"exif":538},{"Make":44,"Model":45},{"FNumber":203,"ExposureTime":204,"FocalLength":205,"ISOSpeedRatings":102},{"id":540,"sort":164,"type":32,"date_published":6,"date_unpublished":6,"color_text":6,"color_background":6,"category":6,"heading":6,"is_long_heading":26,"summary":6,"link_internal":6,"link":6,"call_to_action":6,"show_search":26,"image":541},2117,{"id":150,"author":93,"title":151,"license":37,"description":6,"license_url":38,"tags":6,"kulturpool_url":6,"location":6,"storage":39,"filename_disk":152,"filename_download":153,"metadata":542,"type":51,"filesize":158,"created_on":159,"modified_by":54,"modified_on":160,"embed":6,"uploaded_by":54,"uploaded_on":161,"folder":107,"width":57,"height":58,"charset":6,"duration":6,"tus_id":6,"tus_data":6,"focal_point_x":6,"focal_point_y":6},{"ifd0":543,"exif":544},{"Make":44,"Model":45},{"FNumber":47,"ExposureTime":100,"FocalLength":157,"ISOSpeedRatings":102},{"id":546,"sort":110,"type":32,"date_published":6,"date_unpublished":6,"color_text":6,"color_background":6,"category":6,"heading":6,"is_long_heading":26,"summary":6,"link_internal":6,"link":6,"call_to_action":6,"show_search":26,"image":547},2118,{"id":166,"author":93,"title":167,"license":37,"description":6,"license_url":38,"tags":6,"kulturpool_url":6,"location":6,"storage":39,"filename_disk":168,"filename_download":169,"metadata":548,"type":51,"filesize":174,"created_on":175,"modified_by":54,"modified_on":176,"embed":6,"uploaded_by":54,"uploaded_on":177,"folder":107,"width":57,"height":58,"charset":6,"duration":6,"tus_id":6,"tus_data":6,"focal_point_x":6,"focal_point_y":6},{"ifd0":549,"exif":550},{"Make":44,"Model":45},{"FNumber":47,"ExposureTime":100,"FocalLength":173,"ISOSpeedRatings":102},{"id":552,"sort":47,"type":32,"date_published":6,"date_unpublished":6,"color_text":6,"color_background":6,"category":6,"heading":6,"is_long_heading":26,"summary":6,"link_internal":6,"link":6,"call_to_action":6,"show_search":26,"image":553},2119,{"id":181,"author":35,"title":182,"license":37,"description":6,"license_url":38,"tags":6,"kulturpool_url":6,"location":6,"storage":39,"filename_disk":183,"filename_download":184,"metadata":554,"type":51,"filesize":189,"created_on":190,"modified_by":54,"modified_on":191,"embed":6,"uploaded_by":54,"uploaded_on":192,"folder":107,"width":57,"height":58,"charset":6,"duration":6,"tus_id":6,"tus_data":6,"focal_point_x":6,"focal_point_y":6},{"ifd0":555,"exif":556},{"Make":44,"Model":45},{"FNumber":47,"ExposureTime":100,"FocalLength":188,"ISOSpeedRatings":102},{"id":558,"collection":61,"item":559},3587,{"date_unpublished":6,"date_published":6,"heading_size":72,"heading_tag":64,"type":78,"summary":6,"heading":560,"body":561,"id":562,"is_enabled":27},"Power \u002F Data \u002F Language","\u003Cp>As part of this year’s forum’s diverse programme, Kenderdine’s talk offered plenty of food for thought on how to handle cultural heritage data in Austria: the main theme of the two-day event was ‘Power \u002F Data \u002F Language’, and it explored the challenges posed by the opening up and interlinking of cultural heritage data. \u003C\u002Fp>\n\u003Cp>Just under 100 representatives from over 60 institutions across Austria accepted the invitation from the \u003Ca href=\"http:\u002F\u002Fbmwkms.gv.at\u002F?ref=info.kulturpool.at\" target=\"_blank\" rel=\"noopener\">Federal Ministry of Arts and Culture (BMWKMS)\u003C\u002Fa> in collaboration with Kulturpool, the \u003Ca href=\"https:\u002F\u002Fwww.ffg.at\u002F?ref=info.kulturpool.at\" target=\"_blank\" rel=\"noopener\">Austrian Research Promotion Agency (FFG)\u003C\u002Fa>, the Topothek and the \u003Ca href=\"https:\u002F\u002Fwww.ffg.at\u002F?ref=info.kulturpool.at\" target=\"_blank\" rel=\"noopener\">Kärnten.Museum\u003C\u002Fa>. The event in Klagenfurt was opened by Deputy Governor Dr Gaby Schaunig. In her opening remarks, she emphasised how important data quality is for distinguishing content from generative AI. The volume of data that every person produces daily presents an enormous challenge, which is also evident in everyday life: “I have more photos than I’ve ever had before, but I look at fewer and fewer of them,” Schaunig pointed out. Schaunig is convinced that a discussion forum such as the Kulturpool Stakeholder Forum would provide an important platform for addressing the pressing issues of digitalisation. “I have rarely experienced an event that focuses so precisely on this intersection of the digital world and art and culture,” said Schaunig.\u003C\u002Fp>\n\u003Cp>In his opening remarks, Wolfgang Muchitsch, Director of the Kärnten.Museum, emphasised the power of language. He argued that linguistic diversity should be seen as a source of wealth and opportunity. Fortunately, he noted, the initial scepticism towards digitalisation in many museums has now been overcome. Muchitsch urged museums to become more aware of their influence, based on their collections and the knowledge associated with them. \u003C\u002Fp>\n\u003Cp> \u003C\u002Fp>",1855,{"id":564,"collection":21,"item":565},3588,{"date_published":6,"date_unpublished":6,"aspect_ratio":144,"type":86,"pick_items":6,"id":566,"row_mode":26,"is_enabled":27,"randomize":6,"items":567},1111,[568,574,578,584,590],{"id":569,"sort":31,"type":32,"date_published":6,"date_unpublished":6,"color_text":6,"color_background":6,"category":6,"heading":6,"is_long_heading":26,"summary":6,"link_internal":6,"link":6,"call_to_action":6,"show_search":26,"image":570},2105,{"id":224,"author":93,"title":225,"license":37,"description":6,"license_url":38,"tags":6,"kulturpool_url":6,"location":6,"storage":39,"filename_disk":226,"filename_download":227,"metadata":571,"type":51,"filesize":232,"created_on":233,"modified_by":54,"modified_on":234,"embed":6,"uploaded_by":54,"uploaded_on":235,"folder":107,"width":57,"height":58,"charset":6,"duration":6,"tus_id":6,"tus_data":6,"focal_point_x":6,"focal_point_y":6},{"ifd0":572,"exif":573},{"Make":44,"Model":45},{"FNumber":231,"ExposureTime":48,"FocalLength":188,"ISOSpeedRatings":102},{"id":575,"sort":164,"type":32,"date_published":6,"date_unpublished":6,"color_text":6,"color_background":6,"category":6,"heading":6,"is_long_heading":26,"summary":6,"link_internal":6,"link":6,"call_to_action":6,"show_search":26,"image":576},2106,{"id":239,"author":240,"title":225,"license":241,"description":6,"license_url":242,"tags":6,"kulturpool_url":6,"location":6,"storage":39,"filename_disk":243,"filename_download":244,"metadata":577,"type":51,"filesize":246,"created_on":247,"modified_by":54,"modified_on":248,"embed":6,"uploaded_by":54,"uploaded_on":249,"folder":107,"width":250,"height":251,"charset":6,"duration":6,"tus_id":6,"tus_data":6,"focal_point_x":6,"focal_point_y":6},{},{"id":579,"sort":110,"type":32,"date_published":6,"date_unpublished":6,"color_text":6,"color_background":6,"category":6,"heading":6,"is_long_heading":26,"summary":6,"link_internal":6,"link":6,"call_to_action":6,"show_search":26,"image":580},2107,{"id":255,"author":93,"title":225,"license":37,"description":6,"license_url":38,"tags":6,"kulturpool_url":6,"location":6,"storage":39,"filename_disk":256,"filename_download":257,"metadata":581,"type":51,"filesize":262,"created_on":263,"modified_by":54,"modified_on":264,"embed":6,"uploaded_by":54,"uploaded_on":265,"folder":107,"width":57,"height":58,"charset":6,"duration":6,"tus_id":6,"tus_data":6,"focal_point_x":6,"focal_point_y":6},{"ifd0":582,"exif":583},{"Make":44,"Model":45},{"FNumber":231,"ExposureTime":261,"FocalLength":188,"ISOSpeedRatings":102},{"id":585,"sort":47,"type":32,"date_published":6,"date_unpublished":6,"color_text":6,"color_background":6,"category":6,"heading":6,"is_long_heading":26,"summary":6,"link_internal":6,"link":6,"call_to_action":6,"show_search":26,"image":586},2108,{"id":269,"author":93,"title":225,"license":37,"description":6,"license_url":38,"tags":6,"kulturpool_url":6,"location":6,"storage":39,"filename_disk":270,"filename_download":271,"metadata":587,"type":51,"filesize":276,"created_on":277,"modified_by":54,"modified_on":278,"embed":6,"uploaded_by":54,"uploaded_on":279,"folder":107,"width":57,"height":58,"charset":6,"duration":6,"tus_id":6,"tus_data":6,"focal_point_x":6,"focal_point_y":6},{"ifd0":588,"exif":589},{"Make":44,"Model":45},{"FNumber":47,"ExposureTime":261,"FocalLength":275,"ISOSpeedRatings":102},{"id":591,"sort":282,"type":32,"date_published":6,"date_unpublished":6,"color_text":6,"color_background":6,"category":6,"heading":6,"is_long_heading":26,"summary":6,"link_internal":6,"link":6,"call_to_action":6,"show_search":26,"image":592},2109,{"id":284,"author":93,"title":225,"license":37,"description":6,"license_url":38,"tags":6,"kulturpool_url":6,"location":6,"storage":39,"filename_disk":285,"filename_download":286,"metadata":593,"type":51,"filesize":291,"created_on":292,"modified_by":54,"modified_on":293,"embed":6,"uploaded_by":54,"uploaded_on":294,"folder":107,"width":57,"height":58,"charset":6,"duration":6,"tus_id":6,"tus_data":6,"focal_point_x":6,"focal_point_y":6},{"ifd0":594,"exif":595},{"Make":44,"Model":45},{"FNumber":47,"ExposureTime":261,"FocalLength":290,"ISOSpeedRatings":102},{"id":597,"collection":61,"item":598},3589,{"date_unpublished":6,"date_published":6,"heading_size":72,"heading_tag":64,"type":78,"summary":6,"heading":599,"body":600,"id":601,"is_enabled":27},"Connecting Local Knowledge","\u003Cp>As a prelude to the opening evening, two parallel workshops explored how digital tools and infrastructure can help shape the preservation and accessibility of cultural heritage. A networking event for the Topotheken focused on the collaboration between members of the public and academic stakeholders in documenting history.\u003C\u002Fp>\n\u003Cp>Topotheken demonstrate how participatory projects promote knowledge production and bring local perspectives to the fore. At the same time, it is essential to overcome challenges relating to metadata quality and legal uncertainties, as well as to discuss the role of AI and semantic technologies.\u003C\u002Fp>\n\u003Cp>In the subsequent discussion with Topotheken initiator Alexander Schatek, it became clear that, in addition to technical standardisation and further development, there is also a need for better exchange between academic research and volunteer laypeople. For despite existing tensions, this collaboration is necessary to responsibly tap into and safeguard local knowledge.\u003C\u002Fp>",1856,{"id":603,"collection":21,"item":604},3590,{"date_published":6,"date_unpublished":6,"aspect_ratio":144,"type":86,"pick_items":6,"id":605,"row_mode":26,"is_enabled":27,"randomize":6,"items":606},1112,[607,611,615],{"id":608,"sort":31,"type":32,"date_published":6,"date_unpublished":6,"color_text":6,"color_background":6,"category":6,"heading":6,"is_long_heading":26,"summary":6,"link_internal":6,"link":6,"call_to_action":6,"show_search":26,"image":609},2110,{"id":310,"author":240,"title":311,"license":241,"description":6,"license_url":242,"tags":6,"kulturpool_url":6,"location":6,"storage":39,"filename_disk":312,"filename_download":313,"metadata":610,"type":51,"filesize":315,"created_on":316,"modified_by":54,"modified_on":317,"embed":6,"uploaded_by":54,"uploaded_on":318,"folder":107,"width":250,"height":319,"charset":6,"duration":6,"tus_id":6,"tus_data":6,"focal_point_x":6,"focal_point_y":6},{},{"id":612,"sort":164,"type":32,"date_published":6,"date_unpublished":6,"color_text":6,"color_background":6,"category":6,"heading":6,"is_long_heading":26,"summary":6,"link_internal":6,"link":6,"call_to_action":6,"show_search":26,"image":613},2111,{"id":324,"author":240,"title":325,"license":241,"description":6,"license_url":325,"tags":6,"kulturpool_url":6,"location":6,"storage":39,"filename_disk":326,"filename_download":327,"metadata":614,"type":51,"filesize":329,"created_on":330,"modified_by":54,"modified_on":331,"embed":6,"uploaded_by":54,"uploaded_on":332,"folder":107,"width":250,"height":319,"charset":6,"duration":6,"tus_id":6,"tus_data":6,"focal_point_x":6,"focal_point_y":6},{},{"id":616,"sort":110,"type":32,"date_published":6,"date_unpublished":6,"color_text":6,"color_background":6,"category":6,"heading":6,"is_long_heading":26,"summary":6,"link_internal":6,"link":6,"call_to_action":6,"show_search":26,"image":617},2112,{"id":336,"author":93,"title":337,"license":37,"description":6,"license_url":38,"tags":6,"kulturpool_url":6,"location":6,"storage":39,"filename_disk":338,"filename_download":339,"metadata":618,"type":51,"filesize":345,"created_on":346,"modified_by":54,"modified_on":347,"embed":6,"uploaded_by":54,"uploaded_on":348,"folder":107,"width":57,"height":58,"charset":6,"duration":6,"tus_id":6,"tus_data":6,"focal_point_x":6,"focal_point_y":6},{"ifd0":619,"exif":620},{"Make":44,"Model":45},{"FNumber":231,"ExposureTime":343,"FocalLength":344,"ISOSpeedRatings":50},{"id":622,"collection":61,"item":623},3591,{"date_unpublished":6,"date_published":6,"heading_size":72,"heading_tag":64,"type":78,"summary":6,"heading":624,"body":625,"id":626,"is_enabled":27},"FAIR data principles","\u003Cp>If we think of data in a museum as a hammer, we can use it either to hang up a beautiful picture or to smash a display case. The decision on how we use the power of data lies in our hands. With this analogy, Angela Wieser (FFG) summed up the focus of the FFG workshop on ‘Power, Data, Memory’.\u003C\u002Fp>\n\u003Cp>The discussion centred on how European programmes and networks can combine innovation and responsibility in the field of digital cultural heritage. Cathrin Steiner (Fluxguide) then presented the EU project MEMORISE. New digital approaches to communicating cultural heritage from the Nazi era were showcased, along with their social and ethical implications. Younger target groups in particular, who are denied direct contact with survivors and eyewitnesses, could be reached through new methods. \u003C\u002Fp>\n\u003Cp>Projects such as these highlight the importance of high-quality data and the responsible handling of this heritage. The FAIR Data principles, among others, provide guidance. According to these principles, cultural heritage data should be findable, accessible, interoperable and reusable – requirements which, in practice, also entail considerable effort for cultural heritage institutions.\u003C\u002Fp>",1857,{"id":628,"collection":21,"item":629},3592,{"date_published":6,"date_unpublished":6,"aspect_ratio":23,"type":24,"pick_items":6,"id":630,"row_mode":26,"is_enabled":27,"randomize":6,"items":631},1113,[632],{"id":633,"sort":31,"type":32,"date_published":6,"date_unpublished":6,"color_text":6,"color_background":6,"category":6,"heading":6,"is_long_heading":26,"summary":6,"link_internal":6,"link":6,"call_to_action":6,"show_search":26,"image":634},2113,{"id":363,"author":240,"title":364,"license":241,"description":6,"license_url":242,"tags":6,"kulturpool_url":6,"location":6,"storage":39,"filename_disk":365,"filename_download":366,"metadata":635,"type":51,"filesize":368,"created_on":369,"modified_by":54,"modified_on":370,"embed":6,"uploaded_by":54,"uploaded_on":371,"folder":107,"width":250,"height":319,"charset":6,"duration":6,"tus_id":6,"tus_data":6,"focal_point_x":6,"focal_point_y":6},{},{"id":637,"collection":61,"item":638},3593,{"date_unpublished":6,"date_published":6,"heading_size":72,"heading_tag":64,"type":78,"summary":6,"heading":639,"body":640,"id":641,"is_enabled":27},"Heading towards the digital","\u003Cp>The second day of the forum focused on the skills and infrastructure required to improve data interconnectivity within the cultural heritage sector. In her opening remarks, Katrin Vohland, Director General of the Natural History Museum Vienna, emphasised the importance of human judgement. She noted that museums must step up their efforts to build expertise, particularly in relation to artificial intelligence, in order to remain capable of taking effective action.\u003C\u002Fp>\n\u003Cp>The Kulturpool at the NHM Vienna reliably supports its partner institutions “on the long journey into the digital age”, added Doris Wolfslehner (BMWKMS). Workflows and infrastructure development must go hand in hand, said Wolfslehner, referring to the current call for proposals on digital transformation (deadline 31 August 2026), which focuses on data quality.\u003C\u002Fp>\n\u003Cp>The talk by Sören Auer, Professor of Data Science and Digital Libraries at Gottfried Wilhelm Leibniz University Hannover and Director of the TIB – Leibniz Information Centre for Science and Technology in Hannover, went on to illustrate how knowledge graphs and semantic technologies can transform cultural data into interconnected knowledge. In the face of increasingly sophisticated large language models, this interconnected knowledge would complement machine thinking processes and assist them in verification and contextualisation. Auer highlighted the importance of the FAIR principles for the sustainability of interconnected data and demonstrated how Linked Open Data approaches help to make collections accessible and analysable across institutions.\u003C\u002Fp>",1858,{"id":643,"collection":61,"item":644},3594,{"date_unpublished":6,"date_published":6,"heading_size":72,"heading_tag":64,"type":78,"summary":6,"heading":381,"body":645,"id":646,"is_enabled":27},"\u003Cp>The first lightning talk session of the day then explored different perspectives on data quality, accessibility and knowledge organisation in institutional practice: Beate Guba (Vienna University of Technology Library) discussed the importance of curated vocabularies as the foundation for interoperable knowledge infrastructures and highlighted how fragmented semantic standards have been to date. Anna Högner (Austrian Film Museum) demonstrated how the data tool OpenRefine can be used to clean up, analyse and link ‘messy data’ to standardised data.\u003C\u002Fp>\n\u003Cp>Eva Mayr and Florian Windhager (UWK) presented the concept of “Generous Interfaces”, which designs digital collections as open, inviting spaces for experience and focuses on issues of visibility and participation. Finally, Martina Trognitz (ACDH\u002FÖAW) highlighted the discrepancy between open metadata and restricted usage rights for digitised materials and called for a considered approach to the public domain and licensing. This sparked a lively debate on issues relating to the exploitation and re-use of cultural heritage data.\u003C\u002Fp>",1859,{"id":648,"collection":21,"item":649},3595,{"date_published":6,"date_unpublished":6,"aspect_ratio":144,"type":86,"pick_items":6,"id":650,"row_mode":26,"is_enabled":27,"randomize":6,"items":651},1114,[652,656],{"id":653,"sort":31,"type":32,"date_published":6,"date_unpublished":6,"color_text":6,"color_background":6,"category":6,"heading":6,"is_long_heading":26,"summary":6,"link_internal":6,"link":6,"call_to_action":6,"show_search":26,"image":654},2115,{"id":392,"author":393,"title":394,"license":241,"description":6,"license_url":242,"tags":6,"kulturpool_url":6,"location":6,"storage":39,"filename_disk":395,"filename_download":396,"metadata":655,"type":51,"filesize":398,"created_on":399,"modified_by":54,"modified_on":400,"embed":6,"uploaded_by":54,"uploaded_on":401,"folder":107,"width":250,"height":319,"charset":6,"duration":6,"tus_id":6,"tus_data":6,"focal_point_x":6,"focal_point_y":6},{},{"id":657,"sort":164,"type":32,"date_published":6,"date_unpublished":6,"color_text":6,"color_background":6,"category":6,"heading":6,"is_long_heading":26,"summary":6,"link_internal":6,"link":6,"call_to_action":6,"show_search":26,"image":658},2114,{"id":405,"author":240,"title":394,"license":406,"description":6,"license_url":242,"tags":6,"kulturpool_url":6,"location":6,"storage":39,"filename_disk":407,"filename_download":408,"metadata":659,"type":51,"filesize":410,"created_on":411,"modified_by":54,"modified_on":412,"embed":6,"uploaded_by":54,"uploaded_on":413,"folder":107,"width":250,"height":319,"charset":6,"duration":6,"tus_id":6,"tus_data":6,"focal_point_x":6,"focal_point_y":6},{},{"id":661,"collection":61,"item":662},3596,{"date_unpublished":6,"date_published":6,"heading_size":72,"heading_tag":64,"type":78,"summary":6,"heading":663,"body":664,"id":665,"is_enabled":27},"Mighty Metadata?","\u003Cp>The second keynote speech of the day was delivered by Clemens Apprich, Vice-Rector of the University of Applied Arts. In his talk, the media theorist demonstrated how digital technologies are transforming our understanding of memory. Data is viewed as a malleable material for critical analysis and artistic practice. Apprich called for a more open and courageous approach to the artistic and societal engagement with cultural heritage and memory. Archives, he argued, should not be seen as passive repositories, but rather as constantly active systems.\u003C\u002Fp>\n\u003Cp>The lightning talk session then explored various forms of contextualisation, mediation and networking of diverse cultural data: Claudia Feigl (University Library of Vienna) used historical maps as an example to show how visual representations convey power relations and ideologies, and what strategies are necessary for a critical approach to cataloguing and digitisation. Gabriele Fröschl (Austrian Media Library) presented the Audiovisual Atlas, a project that makes audio and visual sources accessible on a location-based basis and opens up new immersive approaches to cultural and contemporary history. Finally, Julian Palacz and Sebastian Wolff (Natural History Museum Vienna \u002F Kulturpool) presented an AI-supported solution for harmonising heterogeneous metadata, which makes cross-institutional connections visible and enables cultural data to be utilised within a coherent structure for the first time.\u003C\u002Fp>\n\u003Cp>The closing panel discussion brought all the keynote speakers together once again to explore the power of metadata alongside Katrin Vohland (NHM Vienna) and Doris Wolfslehner (BMWKMS). There was agreement that good metadata from the cultural heritage sector forms the basis for the reliable and responsible use of artificial intelligence. The potential of linked data for cultural heritage institutions is considerable, although there is still a need to overcome reservations, persuade stakeholders and build expertise.\u003C\u002Fp>",1860,{"id":667,"collection":61,"item":668},3597,{"date_unpublished":6,"date_published":6,"heading_size":72,"heading_tag":64,"type":137,"summary":669,"heading":670,"body":6,"id":671,"is_enabled":27},"Work on digital cultural heritage – as the general consensus at this year’s Stakeholder Forum suggests – is always a matter of power, responsibility and conscious design. Whether digitisation helps to capture fleeting moments such as a street protest, or whether linked data reveals new connections and overlooked perspectives, cultural heritage data brings added value to society – far beyond what was previously conceivable.","Conclusion",1861,{"id":673,"collection":61,"item":674},3598,{"date_unpublished":6,"date_published":6,"heading_size":72,"heading_tag":64,"type":65,"summary":6,"heading":6,"body":675,"id":676,"is_enabled":27},"\u003Cp>The Kulturpool team would like to extend its warmest thanks to our partners for putting together the programme and ensuring its professional delivery, to all participants for their involvement and interest, to the speakers and panellists for their valuable contributions, and to the entire community for their support. Details regarding the date and theme of the Stakeholder Forum 2027 will be announced shortly.\u003C\u002Fp>",1862,{"id":678,"collection":21,"item":679},3599,{"date_published":6,"date_unpublished":6,"aspect_ratio":23,"type":24,"pick_items":6,"id":680,"row_mode":26,"is_enabled":27,"randomize":6,"items":681},1115,[682],{"id":683,"sort":31,"type":32,"date_published":6,"date_unpublished":6,"color_text":6,"color_background":6,"category":6,"heading":6,"is_long_heading":26,"summary":6,"link_internal":6,"link":6,"call_to_action":6,"show_search":26,"image":684},2116,{"id":439,"author":240,"title":440,"license":241,"description":6,"license_url":242,"tags":6,"kulturpool_url":6,"location":6,"storage":39,"filename_disk":441,"filename_download":442,"metadata":685,"type":51,"filesize":444,"created_on":445,"modified_by":54,"modified_on":446,"embed":6,"uploaded_by":54,"uploaded_on":447,"folder":107,"width":250,"height":319,"charset":6,"duration":6,"tus_id":6,"tus_data":6,"focal_point_x":6,"focal_point_y":6},{},{"id":687,"collection":450,"item":688},3600,{"date_unpublished":6,"date_published":6,"type":452,"items":689,"summary":6,"heading":693,"id":694,"is_enabled":27},[690,691],{"heading":455,"link":456},{"heading":692,"link":459},"Programme details and slides \u002F Stakeholder Forum 2026","Further information",494,[696,697],226,227,{"og_image":34,"canonical_url":6,"sitemap_change_frequency":699,"title":6,"sitemap_priority":700,"node_type":6,"meta_description":6,"id":701,"no_follow":26,"no_index":26},"daily",0.5,163]